Review: Dave Matthews Band New LP, ‘Walk Around The Moon’ – Do We, Should We Care?

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As I’ve mentioned in my last few posts (my playlist on ‘Flying,’ and the Pretenders new single), I stepped away from B&V for a small vacation and a bunch of new music came out. The Dave Matthews Band released their 10th album (Dave’s 11th if you include his solo LP Some Devil), entitled Walk Around The Moon. The album was preceded by the first single, “Madman’s Eyes,” our review of which can be found (here). It’s the DMB’s first new album in five years.

I’ve been a fan of the Dave Matthews Band for a long time, since their first album Under The Table And Dreaming. We were all DMB fans in the 90s – from your local soccer mom to my late friend Alf, who was strictly an old school Hip Hop guy. That universal love of the DMB made it hard to get tickets to their concerts… everybody and their mother wanted to go. I did get to take the Rock Chick to see them back then. Everyone I knew owned not only that debut but their second album, Crash. Crash was almost as highly anticipated as Pearl Jam’s Vs. I can remember Alf singing the first single from that LP, “Too Much,” at the top of his lungs in bars around that time… he would sing the lyric “Suck it up, suck it up” to great, if not vulgar, comic effect… but I’m getting off topic. Those early albums – all of the first three LPs (which includes Before These Crowded Streets) – were ubiquitous. The DMB had a jam band ethos, a weird line-up and a dark streak that was completely masked by the utter exuberance they played with.

When I say they had a weird line-up I just mean they weren’t the traditional two guitars, bass and drums. The original line-up was Dave (acoustic guitar/vocals), Carter Beauford (drums), Stefan Lessard (on the biggest bass guitar I’d ever seen), Boyd Tinsley (violin) and LeRoi Moore (saxophones). Things have been tough for the DMB. They tragically lost LeRoi in an ATV accident. They replaced him with two horn players, Jeff Coffin and Rashawn Ross. I’ve always thought that was the ultimate compliment to a player who is lost or leaves a band, being replaced by not one but two guys. Like when they booted Lindsey Buckingham from Fleetwood Mac, they brought in Neil Finn (to replace him on vocals) AND Mike Campbell (to replace him on guitar). Around that time, longtime associate, guitarist Tim Reynolds officially joined the band. Ten years after Moore’s loss they had to dismiss Boyd Tinsley over some sexual harassment thing. Tough stuff. Eventually to replace Tinsley they brought in keyboard player Buddy Strong which does change their fundamental sound. The violin was all over that early music.

The DMB’s music has sort of struggled in a similar way over  the years. They put out those three great first albums but then stumbled badly with the Glen Ballard produced Everyday. Even my buddy Alf got off the bandwagon on that one… he was heartbroken. I read one review that said the album sounded like it was produced by someone who had never heard the Dave Matthews Band. They came roaring back with Busted Stuff, an album I still adore. But then it was another stumble with Stand Up, perhaps my least favorite DMB album. It was like Matthews was confused as to where to take the band… next. I gave up on the band after Stand Up. As usual, I shouldn’t have done that.

It was after that they lost Moore and it seemed to bring them out of their creative confusion. They kicked out three really strong albums in a row: Big Whiskey And the GrooGrux King (a tribute of sorts to Moore), Away From The World, and finally Come Tomorrow. I went back and listened to Come Tomorrow while preparing this post, which I reviewed at the time it came out, and it’s really strong. If anything I should have been more effusive in my praise of that album. For the DMB to wait 5 years since that album – and let’s remember there was a six year gap between it and Away From The World – is a bit of a gamble. I mean, Metallica waits 6 or 7 years between albums, as they did prior to their sensational new album 72 Seasons, but they’re metal and metal fans are pretty loyal. I was excited to see the DMB had a new album out, but I kept my expectations in check. I know DMB is still a live juggernaut, but does anybody still care about their studio albums… two records in 11 years would suggest… maybe not? Their last platinum album was Big Whiskey.

I realize, like a lot of recent albums, Walk Around The Moon was written during the pandemic/lockdown. When I get into a band I’m typically all in for the whole catalog and I hate writing negative reviews – there’s enough negativity in the world – but this album is a disappointing bummer. And I like sad music – Hell, I’m a Neil Young fan. The album starts with the low key title track. It starts with strumming and Dave’s now weathered falsetto until the band kicks in. I will say Carter Beauford is a great, underrated drummer. I like this song but it’s more of an album track than anything I’ll return to. “Madman’s Eyes” I’ve reviewed before and I stand by that review – it’s one of the better tracks here. From there it’s back to low key ballad “Looking For A Vein.” Not a bad song but I was looking for something punchier to follow-up “Madman’s Eyes.” I mentioned that early DMB had a dark streak covered by their sheer exuberance and joy. These days it’s an exuberant streak covered by darkness. They come back with another ballad on “The Ocean And The Butterfly.” I’ll admit I like the horn work on that track.

“It Could Happen” is paint by numbers DMB. Then it’s another sad ballad with “Something To Tell My Baby.” Who knew the DMB as going to build their late career around the latter parts of Crash (and I mean “Lie In Our Graves” not “Tripping Billies”). “After Everything” brings a pulse back to the album. I hear the keyboards in this song more than most of the tunes here. There’s some electric guitar. Then the horns take over and it sounds for a moment like a marching band playing the half time show at the local high school. It’s an upbeat song but it just misses the mark for me. We come back down with the sad, coffee house strummer “All You Wanted Was Tomorrow.” Then back up for “Only You.” It’s got more electric guitar, a nice riff, if not an unexpected one. Again, I appreciate the noise but it just doesn’t grab me the way say, “Too Much” did. It does soar a bit in the middle. By “Break Free” and “Monsters,” I found my interest waning. “Monsters” does manage to be atmospheric. The album ends on another acoustic track, “Singing From the Windows.”

With albums only coming out every half a decade or so, one has to wonder how much Dave and the Band care about the studio stuff? I know they’re still a juggernaut on the road. The money is in the merch as they say. With their albums selling less and less each outing, one has to wonder – does anybody care about this band any more? They were so big in the 90s and at the turn of the millennium. I guess we can hope in another 5 or 6 years they recover from this misstep the same way they did after Stand Up. Sorry Dave, this is a hard pass for B&V.

Cheers!

 

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New Song Alert: The Pretenders, “Let The Sun Come In” – Chrissie Hynde & Gang Return With My 2023 Summer Song!!

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“We don’t have to fade to black, let the sun come in” – The Pretenders, “Let The Sun Come In”

As I mentioned in my last post, my playlist with songs about Flying, I took a small break from B&V… call it a vacation. I spent most of that time away from music, although I did find myself drawn to a number of live albums which included The Who’s latest live disc recorded with an orchestra and the Pink Floyd live performance of Dark Side of the Moon from 50 years ago. Admittedly, I’ve been a little out of what’s currently happening. While I was out tilting at windmills, some new music has emerged. And none of it excites me as much as the new single from the Pretenders (Chrissie Hynde, vocals/guitar; Martin Chambers, as always, drums; James Walbourne, guitars; Nick Wilkinson, bass), “Let The Sun Come In.” It may be my summer jam this year. Any tune that has the lyrics, “We don’t have to get fat, we don’t have to get old” is going to resonate with me. 

I’ll admit I’ve been a fan of the Pretenders since the very first album, The Pretenders, in 1979. I was in 9th grade and I can still remember this really pretty girl with wild, dirty blonde hair in study hall. They let us play rock n roll in study hall and the Pretenders’ track “Brass In Pocket” came on while this young lady strutted up to the refreshment window to get a Coke. It wasn’t love I was feeling but that young girl evoked something terribly visceral in me. She may be long gone without even knowing I existed, but she certainly made sure that the Pretenders’ song stuck with me.

Due to some band tragedy – original members John Honeyman Scott (lead guitar) and Pete Farndon (bass) both died after the second LP – the Pretenders career has been a bit up and down. They’ve always seemed to be out there making a righteous riotous sound. Every so often a track would hit my ear. After Learning to Crawl, their third LP, I became more of a “greatest hits” kind of fan, merely tracking the occasional single. But my interest in this band was completely reignited with the raucous 2020 LP Hate For Sale. If you haven’t checked that one out yet, do so post haste.

I was so enamored with Hate For Sale I picked up the Chrissie Hynde solo LP of Dylan covers, Standing In The Doorway. I reviewed that LP and actually had a reader comment that he thought it “sucked.” It was a complete departure from the usual rock sound of the Pretenders – which is typically the point of a solo album, get outside your comfort zone and do something different – and that’s why I liked it. But I understand, acoustic Dylan covers aren’t for everybody. I think Hynde is one of the most important women in rock n roll. Hynde recorded that Dylan covers album over Zoom during the pandemic with Pretenders lead guitarist James Walbourne. The upcoming LP, Relentless, was apparently written in the same manner. They were on a roll, so why stop?

This first single, “Let The Sun Come In” is, for me, the perfect summer song. The track starts with a great little guitar figure from Walbourne and Martin Chambers’ drums drive the track forward. Great little guitar solo with some unhinged harmonica as well! It’s all about not getting old and grumpy… “let the sun come in.” I love the lyrics, “To live forever, that’s the plan, the oldest living mortal man. It’s all upbeat with a great summer message, “Think big or think big things, It ain’t illegal, Open up and spread your wings, Fly like an eagle…” Let the sun come in, indeed. Cherish every day and keep pushing forward, baby. I can’t wait to crank this while I’m basting in the sun with a cold beer in my hand. Here’s the track:

I can’t wait for this new album. Chrissie and the boys just keep rocking and I’m here for it. If you’re out there and you’re adding up the years, don’t let the darkness cover you… don’t stand in your yard shaking your fist at a cloud. “We don’t have to fade to black…” Stand in your yard pumping your fist along to this song… maybe spill a little beer and jump around. It won’t kill you. I’m still relatively young and I plan on aging as gracelessly as I can…

Cheers!

 

Playlist: Our Favorite Songs About… Flying

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“I like pleasure spiked with pain, and music is my aeroplane…” – Red Hot Chili Peppers, “Aeroplane”

I took a little time away from B&V to recharge the musical batteries. As it turns out I’ve also spent a little time in airports and airplanes recently as well… I am on record as admitting I chose the career of the itinerant sales guy. I have to admit, due to the pandemic, I hadn’t flown in quite a while. What a shitty experience flying is now. I’m old enough that I can remember when I was a real little kid, people used to dress up to fly. I remember the first time I flew, I was probably 3, my mom put me in a sporty red blazer and clip-on tie and shellacked my cowlick hair down with, well, mom spit. I don’t remember most of it, but I’ve seen the pictures. In those pics my grandparents, who only drove to the airport to pick us up, were also dressed to the nines. I can’t imagine seeing my Grandmother in yoga pants or my grandfather in a Budweiser t-shirt standing at the gate. We’re not even making the bare minimum effort folks. The last time I flew, I was sitting across from a guy who farted and pretended nothing happened. Thanks pal.

Ah, flying. It all seemed so glamorous when I was a kid. I remember it as being a lot easier. The Wright Brothers, who were the first to fly in 1903 probably never imagined having to take your shoes off to board the Wright Flyer outside of Kitty Hawk. I’ve spent my whole career hanging around airports waiting on a delayed flight or having made the mad dash to the airport and missed that elusive earlier flight. I can’t even begin to tally up all the time I’ve wasted sitting in the gate of some crowded, sweaty airport. I think the airlines only hire sadists these days. I had a flight cancelled recently and I’m certain the gate agent was a former prison camp commandant…There’s something inherently lonely about flying. I was always surrounded by people but had my head buried in my work laptop or a book and most always had my trusty headphones on to be transported out of that situation by rock n roll. What’s that old cliche about being “alone in a crowd?”

That’s the thing about flying somewhere. You are, by definition, leaving somewhere or some place. And flight allows us to travel great, great distances so you’re again, by definition, going a long, long way from home. While travel and traveling are exciting there is an underlying sorrow that always seemed to nag me. Don’t get me wrong, I still enjoy soaring above the clouds, looking down and trying to recognize landmarks, headed off to explore the world. I’ve been from San Francisco to New York to Barcelona and Rome. There is a freedom in being able to “fly away.” But that freedom also can breed isolation. Sometimes the person you’re flying away from deserves to be left behind. But, then again, now I do most of my fun travel with the Rock Chick and I find that immensely better than the old days.

I will admit, when anybody asked me – and strangely people seemed to ask me this a lot – what “Super Power” I would want if I could have one, I always said flying. Naturally most of my friends wanted to be invisible… something about sneaking into the girl’s shower and “observing?” I have always been surrounded by degenerates…thankfully. I always thought being able to fly – without a plane – was the Super Power to pick. I always said, “I want to fly like Superman,” as the Kinks famously sang. You could go anywhere and be there quickly. You didn’t have to check bags or sit in the middle seat. And who amongst us hasn’t admired the majestic flight of birds. I was standing by a pond once when a flock of ducks floated in and landed on the water in unison. I remember thinking, “Man, I wish I could do that…”

Of course, for me, the easiest way for me to get “airborne” is to slip those head phones on, much as Anthony Kiedis of the Red Hot Chili Peppers described above, and turn up the music. All of these thoughts about flying – whether in a plane or like superman or birds in flight – got me to thinking about all the great rock n roll songs about flying. I figured it all be “pedal to the metal,” hard driving rock songs. But like I was describing above, there seems to be an undercurrent of sorrow in some of these tracks. As with all of our playlists, we’re all over the board stylistically. It’s the theme that’s important. B&V playlists are best played on “shuffle.”

Without further adieu, here are our favorite songs about Flying. You can find our playlist on Spotify if you’re interested. As always, if there’s a favorite of yours we didn’t include, drop it in the comments. I like to think of B&V playlists as “our” playlists, not “my” playlist. I have left my thoughts on each track below…

  1. Pink Floyd, “Learning To Fly” – I know Pink Floyd purists don’t like the David Gilmour-led version of the band. I love this song. The way he describes flying, it doesn’t sound like he’s piloting a plane… Not every record is Dark Side of The Moon.
  2. The Byrds, “Eight Miles High” – Supposedly planes fly eight miles above the ground but I think the Byrds were likely thinking more about drugs here. Who can blame them, it was the 60s.
  3. The Beatles, “Back In The USSR” – McCartney seems very happy about getting back to the USSR. From The Beatles (aka The White Album).
  4. Eagles, “Earlybird” – From the Eagles debut LP. “He’s got no time for flying in the breeze…”
  5. The Box Tops, “The Letter” – From a young Alex Chilton who went on to form Big Star and record the legendary LP, #1 Record. “Gimme a ticket on an aeroplane, ain’t got time to take a fast train…”
  6. New York Dolls, “Jet Boy” – I just saw a great documentary about David Johansen, the lead singer of the Dolls. Great stuff!
  7. Lou Reed, “Fly Into The Sun” – From one of my favorite Lou LPs, New Sensations. Perhaps his happiest LP? I also love New York, of course.
  8. The Cult, “In The Clouds” – Great track only found on a greatest hits disc. If you’re in the clouds, I have to assume you’re flying.
  9. Jimi Hendrix, “Night Flying Bird” – Great posthumous tune from Jimi.
  10. The Black Keys, “Aeroplane Blues” – The Black Keys are so consistently kick ass. I loved their last LP, Dropout Boogie
  11. Billy Joel, “Scandinavian Skies” – Billy Joel singing about a tour of Scandinavia where they flew from country to country? I had heard somewhere along the line that this song was about heroin?
  12. Slash (featuring Myles Kennedy & the Conspirators), “Bent To Fly” – My friend Stormin’ turned me onto Slash’s solo work with Myles. A soaring power ballad from World On Fire.
  13. Frank Sinatra, “Come Fly With Me” – I had to include a couple of tracks from the Chairman of the Board.
  14. Johnny Cash, “I’ll Fly Away” – Johnny singing from his mama’s hymn book. I’m at best a pagan and I whispered a little prayer the first time I heard this one.
  15. Elton John, “High Flying Bird” – Beautiful sad track from one of my favorite Elton albums, Don’t Shoot Me, I’m Only The Piano Player.
  16. David Bowie, “Space Oddity” – You can’t fly much higher than outerspace.
  17. Chuck Berry, “Promised Land” – I wish I could time travel just so I could take this trip with Chuck. I should have found a cover of this track for my Chuck Berry Covers playlist
  18. Howlin’ Wolf, “Mr. Airplane Man” – Howlin’ Wolf singing the blues, asking Mr. Airplane Man to help him find his baby who has taken off… Another mule is kickin’ in his stall.
  19. Sammy Hagar, “Eagles Fly” – Sammy giving us a somewhat patriotic vibe here.
  20. Peter, Paul and Mary, “Leaving On A Jet Plane” – This song, and this version of it, probably surprises some long time readers. My parents loved Peter, Paul and Mary. I grew up hearing this song. Not that my parents played much music.
  21. Frank Sinatra, “Fly Me To The Moon” – My favorite of the two Sinatra songs here.
  22. Marvin Gaye, “Flyin’ High (In The Friendly Sky)” – A track from Marvin’s landmark album from 1971, What’s Going On?
  23. Foo Fighters, “Learn To Fly” – I’m not a huge Fighter of Foo fan but I dig this one. Perfect for this playlist.
  24. Ozzy Osbourne, “Flying High Again” – From Ozzy’s second LP with Randy Rhoads on lead guitar… this song turned me into an Ozzy fan for life.
  25. Talking Heads, “And She Was” – I had originally heard that this song was about a woman who died and the “she” who is floating in the air was her soul. Turns out it’s a story of a chick who took acid and had an out of body, Sharky’s Machine experience.
  26. Steve Miller Band, “Fly Like An Eagle” – A 70s classic.
  27. Elton John, “Rocket Man (I Think It’s Going To Be a Long, Long Time)” – The first time I heard this track, from Honky Chateau, I was in the Smithsonian… Weird story.
  28. Buffalo Springfield, “Expecting To Fly” – Great Neil Young, trippy track from the Springfield.
  29. Paul McCartney, “Feet In The Clouds” – Again, maybe not exactly a flying song, but he’s in the clouds… how’d he get there?
  30. Creedence Clearwater Revival, “Travelin’ Band” – First line says it all, “Seven thirty seven comin’ out of the sky, Won’t you take me down to Memphis on a midnight ride…” I just included this in my playlist about the Music/Show Biz.
  31. Faces, “Flying” – I think this was the Faces first single? We do love the Faces here at B&V.
  32. REO Speedwagon, “Time For Me To Fly” – Another track about being time to go. So many times I stayed too long at the “party.”
  33. Iron Maiden, “Flight Of Icarus” – Only a metal band would take a story from Greek Mythology and turn it into a great rock n roll song.
  34. Mudcrutch, “Dreams of Flying” – I loved Mudcrutch. It was the perfect side project for Petty, Mike Campbell and Ben Tench. This is from the second album, creatively titled 2.
  35. Buffalo Springfield, “Flying On The Ground Is Wrong” – Great, great song written by Neil Young and sung by Richie Furay. I’d like to hear a version of this song sung by Neil… I’m sure it’s out there.
  36. The Jimi Hendrix Experience, “Little Wing” – One of my all time Hendrix favorites. “Fly on, little wing…”
  37. John Mellencamp, “My Aeroplane” – Great deep track from Mellencmap.
  38. Red Hot Chili Peppers, “My Zephyr” – “Fly away on my zephyr…” Does anybody know what Anthony is talking about?
  39. Paul McCartney & Wings, “Jet” – One of my favorite rockers from McCartney.
  40. David Bowie, “I Took A Trip On A Gemini Spaceship” – Bowie was always singing about space.
  41. Linda Ronstadt, “Birds” – Neil Young isn’t on Spotify, but Linda Ronstadt does a fine cover here. I loved her third album.
  42. David Crosby, “Sky Trails” – Brilliant title track from a brilliant album. Sung beautifully by David and Becca Stevens. So sad to have lost Croz this year.
  43. Stephen Stills, “Jet Set (Sigh)” – I loved Manassas.
  44. Queen, “Spread Your Wings” – “Spread your wings and fly away…” From my first Queen LP purchase, News Of The World.
  45. INXS, “Johnson’s Aeroplane” – Obscure early INXS but I dig it.
  46. R.E.M., “Alligator Aviator Autopilot Anitmatter” – R.E.M.’s last few lps were awesome. This fun track is from Collapse Into Now.
  47. Elton John, “Take Me To The Pilot” – I think if you asked to be taken to the pilot these days, the plane would land and an international incident would ensue. A great, great Elton track.
  48. David Bowie, “Like A Rocket Man” – Late period, fabulous Bowie. Bowie and Elton seem obsessed with flying. “I’m speeding like a rocket man…”
  49. Bad Company, “Movin’ On” – Sometimes you just gotta pack up, head to the boarding gate, and get outta there. I had to do this in Jamaica once. Luckily the embassy didn’t get involved.
  50. Red Hot Chili Peppers, “Aeroplane” – The true theme song of this playlist. Let the music help you soar, baby.
  51. Led Zeppelin, “Night Flight” – One of my all time favorite deep tracks from the mighty Zeppelin.
  52. Joni Mitchell, “Amelia” – Joni, like Neil is boycotting Spotify – rightly so – so I sub’d in David Crosby’s cover. But I had to list her name here as her version is definitive.
  53. Bad Company, “Seagull” – “Now you fly, through the sky, never asking why, And you fly all around ’til somebody, Shoots you down.” Heavy stuff.
  54. Elton John, “Daniel” – A lamentation about seeing his brother return to Spain on an airplane.
  55. Steve Miller Band, “Jet Airliner” – Another great 70s classic from Steve Miller Band. I’ve always loved this song.
  56. Lenny Kravitz, “Fly Away” – From Lenny’s great LP, 5.
  57. The Kinks, “(Wish I Could Fly Like) Superman” – I think I included this track on my list of rock bands with a disco song? I was more of a Batman guy, but I did used to wish I could fly like Superman.
  58. Red Hot Chili Peppers, “Police Helicopter” – This is the only song I’ve ever known about helicopters so I included it. Not many people like early RHCP’s, but I do.
  59. Pearl Jam, “Given To Fly” – I consider this one of their greatest tracks.
  60. The Beatles, “Flying” – A spacey instrumental that I felt had to be included. There are some wordless vocals toward the end, but I consider it an instrumental.
  61. The Rolling Stones, “Flight 505” – You know how I love the Stones and it took me this long to include one of their songs? “Well yes I’ll have a drink.” A sorry tale about a man who decides to leave home and seek adventures, but the plane lands… in the sea.
  62. Crosby, Stills, Nash, “Just A Song Before I Go” – Sad track where the singer just wants to hear a song with his woman before he takes off for the “friendly skies.”
  63. The Beatles, “Blackbird” – “Take these broken wings and learn to fly, all your life you were only waiting for this moment to be free…”
  64. Mudcrutch, “Bootleg Flyer” – Mudcrutch having fun imagining flying a plane full of smuggled hooch really low, just above the trees.
  65. ZZ Top, “Flyin’ High” – Soaring arena rock from ZZ Top. Always a winner…
  66. Rush, “Fly By Night” – Another of my absolute favorite tracks… Can’t believe it took me this long to get it on the list.
  67. Lynyrd Skynyrd, “Free Bird” – If you have to have a good ending song, this is it. “Won’t you fly high free bird?” My wife hates this song.

There you go friends. A little playlist to help you as you soar above the clouds whether you’re in an airplane or in your backyard on the patio. Again, if you have a favorite I might have missed, drop it in the comments and I’ll add it on Spotify.

Cheers! And lets remember – Birds of prey know they’re cool (according to the Far Side anyway).

B&V Playlist: For The Love Of… Money

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“When I was young I thought that money was the most important thing in life. Now that I am old, I know that it is.” – Oscar Wilde

Before I met my wife I was always fond of saying, “Money and sane women have eluded me my whole life.” But since the Rock Chick never laughed at that line, I stopped saying it. It got a little awkward. And let’s be honest I wasn’t the most solid citizen in the old days – I’m happy to own my part in the craziness…bygones. Anyway, having been happily wed for a long time, I guess I would now amend my original statement to “money has eluded me my whole life.” I mean, I’ve been lucky professionally, but big money has always seemed just out of my grasp. I guess it’s like Springsteen once sang, “Poor man wants to be rich, rich man wants to be king, and the king ain’t satisfied until he rules everything.” The more you get the more you seem to want. The reach always seems to exceed the grasp.

I read recently that to be in the top “1%” you would need to earn on average, $823k a year. That’s some big bucks. To be in the top 5% in terms of earnings, you’d need to average $283k a year, again big bucks. I know income distribution currently is as out of wack as it was during the “Gilded Age” in the late 1800s. Back in the Gilded Age, like five families controlled 80 percent of the wealth and the rest of us, based on pictures I’ve seen, all lived in the same tenement house battling over what was left. I realize there was real wage growth in those days but there was a lot of terrible poverty especially for immigrants and minorities. It was overall a pretty awful time. It would appear that certain elements in this country are trying to push us back to those days. What they forget, as they siphon off more money for the super rich, is that without a stable middle class, democracy almost always fails. As someone said to me recently, “It used to be you could work in a factory your whole life and if you didn’t join a country club, you’d have a nice retirement.” Do we even have factories any more?

It’s no coincidence that I’ve got money currently on my mind and today is Tax Day in the U.S. It’s typically April 15th, but since that fell on a weekend, U.S. taxpayers were given until today to pay their federal and state taxes. I’ve posted about Tax Day Blues and even included a playlist but today I’m thinking more about money in general. There’s a high likelihood as a member of the middle class I’m paying more tax than Elon Musk which seems a little backward to me. I guess I’m like that song by the Stereophonics, “Every Day I Think About Money.” When I was young, I didn’t have any money so I worried about it a lot. Then I had some money and I constantly thought about how to get more money. And that’s sort of been the mindset I’ve been stuck in since I was 30.

There was a time when I was happy just to have enough money for beer and vinyl albums. Maybe some extra cash to take a date to the movies. I’d work summer jobs – mowing lawns or building tennis courts which afforded me a fabulous tan – which was the goal in the summer – or I’d work as a bus boy or a dishwasher which afforded me a legendary case of acne. As a friend once said to me, “It’s summer, you drink beer with your friends.” I’ve already chronicled my old days as a working stiff when I posted a playlist in honor of Labor Day last year so I won’t beat that drum again. In many ways I was a much happier guy in those days. Of course I was living at my parents house. My friend Arkansas Joel always said he was happier when he was flipping burgers in high school. As life went on, there were bills, mortgages or rents to be paid and car payments to be made. Responsibility costs money. No wonder there are so many t-shirts that say “Not Adulting Today” out there.

While Oscar Wilde is right, money is important, I hated starting with such a cynical quote. I did find it funny. I wonder if we’re measuring success incorrectly in the world. We’re all so focused on money and materialism we don’t think about the other ways to measure success. Money really isn’t everything – although it certainly seems like it in today’s society. I’ve never been one of those “he who dies with the most toys wins” kind of guys. Having a great, strongly bonded family or great relationships with friends and colleagues is just as big a sign of success as a McMansion. Doing good in your community or doing good unto others has to be a measure? When I was in college I considered becoming a history professor. I was passionate about researching and writing and let’s face it I look good in a tweed sport coat with those leather elbows. But I talked to one of the history professors and he said, “There are probably more history majors driving cabs than teaching history.” I didn’t want to starve so I joined the large rank of traveling sales people. It worked out okay but I can’t describe it as a passion. The best parts of the job were the relationships I formed with the people I worked with and the mentoring I’ve done over the years in management. When I think about it through that prism – the relationships and impact I had on people’s lives – I actually think I might be more successful than I allow myself to think I am.

As I sat around thinking about money and my decision all those years ago to be a “happy idiot and struggle for the legal tender,” I started to think about all the great rock n roll songs about money – dough, cashish, coin, cabbage and my favorite scratch – and suddenly to snap out of it I started to build this playlist. As always tempo-wise it’s all over the place. We aim to put a song you haven’t heard in a while back in your ear or better yet, turn you on to something you haven’t heard. I usually recommend hitting “random” when you play these tracks. It works in order, but hey, variety is the spice of life… and apparently money is the honey. Here’s the playlist and you can find my comments on each tune below. And no, I didn’t include any versions of “Shake Your Money Maker,” because let’s face it… that song ain’t about money.

  1. Warren Zevon, “Lawyers, Guns and Money” – Always a go-to tune for me when there was trouble… or when “the shit has hit the fan.” Zevon needs to be in the Rock Hall this year
  2. Prince, “Money Don’t Grow On Trees” – Prince had so many great tunes. This was in the vaults for a long time. Originally recorded for 1999. And apparently he stole the title from a phrase my father was fond of repeating when I was growing up.
  3. AC/DC, “Ain’t No Fun (Waiting Around To Be A Millionaire)” – I’m stunned by how many songs AC/DC have about money. They truly have their “mind on my money and my money on my mind.” This song makes me smile.
  4. Ozzy Osbourne, “The Almighty Dollar” – Ozzy from the sadly overlooked gem Black Rain.
  5. Motley Crue, “Keep Your Eye On The Money” – Good advice from the Crue.
  6. Montrose, “Paper Money” – Montrose, Sammy Hagar’s first band, long before Van Hagar and Chickenfoot. With Ronnie Montrose on guitar.
  7. The Black Keys, “For The Love Of Money” – I like this song so much I stole the title for this post… from last year’s Dropout Boogie.
  8. Red Hot Chili Peppers, “Millionaires Against Hunger” – I wish there were more millionaires against hunger… or better yet a lot less hunger. I think this started as a charity single… Hillel Slovak on the lead guitar.
  9. Dire Straits, “Money For Nothing” – Iconic track from 1985. I can remember being in the car when I heard this for the first time and Sting came over the speakers and sang, “I want my MTV…” Mind blown. The next thing I knew I was going 80… but that might just be how I drove back then.
  10. Tom Waits, “’til The Money Runs Out” – Things are always bad when the money runs out, as Mr. Waits reminds us here.
  11. Randy Newman, “It’s Money That Matters” – Sadly, if you deign to look at any social media these days this adage seems to be true.
  12. The Firm, “Money Can’t Buy” – I’ve always felt that the Firm were slightly under-achievers considering the pedigree of Paul Rodgers (Free, Bad Company) and Jimmy Page (the Yardbirds, Led Zeppelin) but that didn’t keep me from buying both their LPs.
  13. The Black Keys, “Money Maker” – The Keys are just so solid. Do they have a bad tune?
  14. Queen, “The Millionaire Waltz” – Only Freddie Mercury could get away with a song like this. Brian May’s guitar work is, as always, spectacular.
  15. AC/DC, “What You Do For Money Honey” – The most hateful track on here. Used to remind me of someone in the 90s but those thoughts have long disappeared into the ether.
  16. Alice Cooper, “Billion Dollar Babies” – I’d put Alice Cooper in their prime up against any band from the 70s.
  17. Van Morrison, “Blue Money” – I doubt when Van wrote this song that “blue money” was slang for $100 bills.
  18. Robert Plant, “All The Money In The World” – Plant’s late work is all fantastic and should be played at maximum volume whether it’s with Alison Krauss or just by himself.
  19. The Who, “Put The Money Down” – Great deep cut from Odds And Sods.
  20. Bruce Springsteen, “Easy Money” – I know Billy Joel has a song with the same title from An Innocent Man, but I despise that album.
  21. The Beatles, “Money (That’s What I Want)” – So many versions of this song out there, I had to go with the Beatles.
  22. Crosby & Nash, “Take The Money And Run” – Love these guys as a duo and a lot of their solo work.
  23. Bruce Springsteen, “The Price You Pay” – Often the price we pay isn’t in dollars.
  24. Bob Dylan & The Band, “Million Dollar Bash” – Dylan with his best backing group, The Band… recorded in the basement of the iconic house known as Big Pink.
  25. Bob Seger, “Ain’t Got No Money” – “but I sure gotta whole lotta love.” That pretty much describes me from ages 16 to 35.
  26. Aretha Franklin, “Money Won’t Change You” – The Queen spreading truth. They say money won’t change a man but it only amplifies what was there before. Food for thought.
  27. The Who, “Did You Steal My Money?” – From one of those albums that perhaps only I love.
  28. Don Henley, “If Dirt Were Dollars” – Great Henley deeper album cut.
  29. AC/DC, “Moneytalks” – “Money talks and bullshit walks…” I wonder if they were inspired by Spinal Tap.
  30. AC/DC, “Money Made” – AC/DC have so many tracks on this playlist, I just gave up and put 2 in a row. There is nothing more satisfying than getting that paycheck when you’ve earned it through some good ol’ fashion labor.
  31. Annie Lennox, “Money Can’t Buy It” – One of music’s greatest voices.
  32. Peter Frampton, “(I’ll Give You) Money” – Frampton’s heaviest riff? Great guitar work here.
  33. Beady Eye, “Millionaire” – One of the Rock Chick’s favs.
  34. AC/DC, “Down Payment Blues” – Bon Scott giving us a little darkness on one of my favorite AC/DC LPs, Powerage.
  35. B.B. King, “Paying The Cost To Be The Boss” – I love the original but I almost went with B.B.’s version on Deuces Wild performed with the Stones. Mick and B.B. singing, with Keef and Ronnie Wood riffing… yummy. I do so love the blues.
  36. Scorpions, “Money And Fame” – What everybody wants but few work for…
  37. Bulletboys, “For The Love Of Money” – The Rock Chick turned me onto this 80s rocker.
  38. Black Crowes, “Downtown Money Waster” – Every thing about this tune is cool. And since I lived downtown most of my life, I can identify with the title character.
  39. The Beatles, “You Never Give Me Your Money” – From the second side medley on Abbey Road.
  40. Ray Charles, “Greenbacks” – Ray Charles singing about money is actually money!
  41. Crosby, Stills, Nash & Young, “30 Dollar Fine” – From the expanded/deluxe 50th anniversary edition of Deja Vu. Some times the Man makes you pay the fine.
  42. U2, “Silver And Gold (Live)” – This song is about so much more than money… I took any excuse I could to slip it onto a playlist.
  43. Dave Matthews Band, “Pay For What You Get” – DMB with some early career truth. If the price is too good to be true, turn and walk away.
  44. Van Halen, “Big Fat Money” – I’ve never had big or fat money but it sounds like fun.
  45. Spoon, “Rent I Pay” – The bill is always due, the wolf is always at the door.
  46. Randy Newman, “It’s Money That I Love” – This is true for quite a few people I know… sadly.
  47. Steve Miller Band, “Take The Money And Run” – Two thieves out on the road, running from the law. Ah, the 70s.
  48. Pink Floyd, “Money” – This iconic track is likely their most famous song. I’ve been listening to this a lot in the last few weeks as the band celebrates the 50th anniversary of Dark Side Of The Moon.
  49. Rickie Lee Jones, “Easy Money” – Also covered by Lowell George of Little Feat on his sole solo album.
  50. Rush, “The Big Money” – I knew a woman whose nickname was Big Money…
  51. Patti Smith, “Free Money” – Well I think we could all get on board for a little free money…
  52. The White Stripes, “Honey, We Can’t Afford To Look This Cheap” – Great little B-side from our friends the White Stripes. This track is from Icky Thump, but I’ve been listening to that new 20th anniversary edition of Elephant of late.

There you have it folks. If I missed a favorite song about money of yours, please leave it in the comments section and I’ll see that it gets added to our playlist.

For those of you bummed out about your tax bill today, I suggest turning this playlist up and pouring something brown and murky. For those of you getting a refund, my advice is well, turn this playlist up and pour something dark and murky. Isn’t that always my advice?

Cheers!

New Song Review: Greta Van Fleet Return With “Meeting The Master” – Time To Get Back On The Bandwagon?

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While we are mostly focused on older artists who have been around for a while and are putting out either new music or stuff from the vault, we do like to keep our eyes on new rock n roll bands here at B&V. Over the years we’ve shared our thoughts on some great new bands who actually play rock n roll with guitars! and real drums! and bass guitar! I have really liked bands like Dirty Honey and Starcrawler that have come up over the last few years. Starcrawler just recently put out an EP of acoustic versions of some of their previous tracks and there’s nothing more rock n roll than that! Who doesn’t like a good Unplugged-esque album? One of the newer bands who I’m proud to say I got in on early was Greta Van Fleet.

GVF is the brothers Kiszka, Josh on vocals; Jake on guitar; Sam on bass and Danny Wagner on drums. The Rock Chick turned me onto their first EP, Black Smoke Rising and I immediately connected with that Zeppelin-esque rock n roll. I was on the bandwagon for their second EP From The Fires and debut full length album Anthem Of A Peaceful Army. Alas, they lost me a bit on their second album, Battle At The Garden Gate. I found it a bit of a midtempo slog. It sometimes is, as Bono said, “The difficult second album.” I know everybody likes to slag these guys as being a Zeppelin knock off band but I think that’s unfair. You’re always a sum of your influences until you forge your own voice. These guys are all really young and establishing their own unique GVF sound and style. While I can’t say I got off the bandwagon after Anthem Of A Peaceful Army, it cooled my ardor for this band a bit. I found myself putting their music on a little less than I had.

This week I found out that GVF have put out a new song “Meeting The Master” from their upcoming album Starcatcher. Even though my ardor had cooled, I wanted to see what the new track was like. I played it for the Rock Chick who was cool to the track, but I love this song. The Rock Chick even said to me, such was her cool reaction to it, “I’m surprised you like this song.” It starts off very mellow. But make no mistake this is an epic 70s style rock tune. It starts off pretty mellow, just Josh’s voice and Jake’s acoustic guitar. There’s something about the sound of that acoustic guitar that takes me back. It’s very “Rain Song.” I hate that every time I hear a GVF tune I end up comparing it to a Zeppelin tune, but there you go. Anyway, the lyrics are their usually trippy, hippy stuff. At first listen I don’t think anybody would be blamed for thinking the confusing lyrics were written by Anthony Kiedis, the master of nonsensical lyrics. But I finally pulled the lyrics up and realized this was a very spiritual song in terms of lyrics. The young Josh sounds like he’s ready to die to meet his master… which I take to mean his version of God. I’m at best a Pagan, but hey, rage on kid. At the 2:37 mark, the track kicks in. Danny Wagner’s drums come into play and the electric guitar shows up.

There was something about this song that also conjures up early Rush to me. Jake’s guitar solo is spectacular. It’s Hendrix-esque in sound. I’m not comparing this guy to Hendrix, these guys suffer enough comparisons, I’m just saying it’s a great guitar solo. I love the lyric, “What a day to travel faster, Take my trip around the sun…” To be this young and have mortality on your mind… I mean, I get why Depeche Mode focused on mortality on Memento Mori, recently reviewed, but these guys are in their 20s. I’m not sure what this means, hence my Kiedis reference, but I dig it, “And I’m taken by the madness and the tripping and the touching…” I’ve never had a problem with madness, tripping or touching… and by tripping I mean falling. The track is only five minutes long but the way it builds to the guitar solo crescendo, with Josh’s wordless wailing in the back ground makes it feel longer and more epic to me. Here’s the track:

This is the kind of rock n roll I can get into. I am so hopeful that this new album will get these guys back on the track of their early music. Let’s hope this gets us all back on the bandwagon! As I’m fond of saying often, sometimes it’s the third album that’s the charm for a band’s career. Give me all the epic, 70s style, trippy rock n roll I can get. Enjoy this one at maximum volume!

Cheers!

Review: Depeche Mode ‘Memento Mori’ – A Dark Record That Will Just Have To Grow On You…

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Some records take time… Like any work of art – be that a movie or a book – sometimes it takes a while for the work to “grow” on you. Depeche Mode’s new album Momento Mori, which came out a few weeks ago, is that type of record. I had to listen to it repeatedly to crack the code. Many records click in my head on the first listen but that didn’t happen with Memento Mori. I realize not everybody is going to be willing to work for the rewards this album will bring but for those who are patient, this is a really good album.

I will admit, anticipation for this new Depeche Mode album, their 15th studio record, was running high here at B&V. We absolutely loved their last LP, 2017’s Spirit. That album was full of rousing anthems like “Where’s The Revolution” and “Going Backwards.” Some critics were put off by Depeche veering into the realm of political commentary in song but I felt it was perfect for the times. Some artists just have a knack for capturing the zeitgeist of a particular moment in time. The Rock Chick and I were so enamored with Spirit, we traveled twice to see them in concert, both in Denver and then in Tulsa.

I’ve been a fan of most of the band’s records from this new millennium, especially Delta Machine. Depeche has been on the track where they deliver an album about every four years. But it’s been six years since Spirit. That long wait probably also fueled our anticipation but as I’m fond of saying anticipation can be tricky. Unchecked anticipation will easily lead you to disappointment. One of the reasons for the longer gap between record had to be the death of founding member Andy Fletcher (keyboards) who did not play on any of the tracks on Memento Mori. And of course the world faced a global pandemic during that stretch of time which obviously had a huge impact on the tone and subject matter of the record. Principle songwriter Martin Gore (guitar/keyboards/vocals) began writing these songs during the lockdown. He started writing many of the tracks with Psychedelic Furs front man Richard Butler. Gore was originally going to release those tracks on a side project, but ended up sending them to lead singer Dave Gahan and they ended up on Momento Mori.

Based on the cover art, a photo of two flower arrangements in the shape of angel’s wings, I figured this album would be a requiem for Fletch. I certainly thought so after hearing the great first single, “Ghosts Again,” which I previously reviewed. But I think the darkness on this album is more universal. These songs were born out of the pandemic, a real low point in my lifetime, and they reflect that dark energy. While Spirit was full of rousing, fighting anthems, Memento Mori is more midtempo throughout. The sound is more industrial rock (albeit on the mellower end of the spectrum) than their previous smoother rock n roll. Perhaps Depeche – now just Gore and Gahan – have once again captured the world’s zeitgeist but it’s just heavier. This album is all about mortality. That can be tough for people to get into. There are many examples of an artist turning their mind towards mortality and I’ve always found it fascinating: Dylan’s Time Out of Mind, Springsteen’s Letter To You, and McCartney’s Dance Tonight while wildly different musically than Memento Mori, cover the same topic. And honestly, it’s not all mortality. There are also songs about obsession and unrequited love.

Musically I must say Gahan’s voice is still magical. The guy has not lost anything over the years. Gore has created such a layered and intricate set of musical textures and moods for Gahan to sing over. Gore will never end up on anybody’s “greatest guitarists of all time” lists but I’ve always been intrigued by the sounds he conjures. Whether it’s an accent or a full on Nine Inch Nails assault on the ears, the guy does interesting things with the six string. The best tracks are where Gahan sings and Gore provides a harmony. Again, if you’re willing to put in the work, this album will grow on you and get under your skin.

The album begins with “My Cosmos Is Mine,” that creeps over you like a sinister fog enveloping a city. Gahan sounds otherworldly on this track. It certainly sets the table for whats coming. At one point it sounds like prayer in desperate times, “No war, no war, no war, No more, no more, no more, no more, No fear, no fear, no fear, no fear, Not here, not here, not here, not here…” That track leads to the second, “Wagging Tongues,” considerably less dense track. This is where Gahan sings with Martin on harmony and it’s money. It’s got a skipping keyboard figure and tinny percussion. “Watch another angel die…” The next track is the sensational new single, “Ghosts Again.” I may have described it as mellow but it’s one of the more upbeat moments here.

“Don’t Say You Love Me,” where Gahan comes on as a chanteuse, is like a song from the most depressing ballroom on the planet. It starts with glacial guitar and keyboards. It’s a powerful torch song/ballad. They then turn on the next track to a more industrial/NIN kind of sound for “My Favorite Stranger.” It’s got tortured guitar and jittery percussion. “My favorite stranger, stand in my mirror, puts words in my mouth…” It sounds like Gahan is a serial killer singing to himself in front of a full length mirror. It certainly begs the question, can we ever know ourselves completely? “Soul With Me” is the Martin lead vocal song. He’s like Keef in the Stones, he gets a track on every album. He’s warbling here and I don’t really dig it. I do like the chorus… “Caroline’s Monkey” is next and it’s really elevated by Gahan’s vocals. I feel like the song never takes off the way it was supposed to but it does pick up in the middle.

“Before We Drown” is one of my favorite songs on the album. It’s more sweeping and grand. “I’ve been thinking, I could come back home…” It’s all about reaching back to a lover and asking, let’s try again. Gahan’s vocal on the track is certainly something special. “People Are Good” harkens back to early Depeche and “People Are People” only this track is more cynical. Over metallic percussion Gahan sings “People are good, keep fooling yourself.” It’s another highlight. “Always You” is a love song bordering on obsession. It turns the concept of the love song on it’s head. Is it romantic or menacing? It’s another great song. The best tracks on this album all seem to be toward the end. “Never Let Me Go” is another NIN squalling guitar song. It also lyrically calls to mind “Never Let Me Down Again,” although not musically. It’s marinated in romantic frustration. The music is discomfiting. Gahan almost spits out the words “I’ve been so patient, I have been so calm.” The album ends on the chilling ballad “Speak To Me” in the same vein as the aforementioned “Don’t Say You Love Me.” I love the line “You’d be my drug of choice.” While it’s a very slow song it builds to a wonderful crescendo.

Any Depeche Mode album the critics love tends to be described as “their best album since Violator.” I think Depeche has put out a number of great records since that landmark album so I shy away from that description. If pressed, I’d admit that I liked Spirit better but it was an easier, more accessible listen. I know not everybody is going to take the time to let this album grow on you – the Rock Chick gave it one listen, described it as “music to weep to,” and left it behind. But it’s albums like this – that grow on me – that tend to stick with me the longest over the years. Everybody should listen to this album, but do so more than once or twice. It wasn’t what I expected but anticipation leads to expectations and no album should be listened to through the filter of expectations. Listen to this one with the headphones on and eventually, like a flower opening, it will reveal itself to you.

Cheers!

Rock Bands With A Disco Song – Can’t Beat ‘Em, Join ‘Em And Dance All The Way To The Top Of The Charts

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It was roughly 1977-1978 when I stopped using my nightstand clock/radio – who needs Apple? – to exclusively listen to Royals games at night and started listening to rock and roll music. In what seemed like the blink of an eye, I’d gone from not listening to music at all, unless my brother had extorted my mom into turning on one of the two rock stations in town while we were going somewhere in the Oldsmobile, to constantly listening to music in my room. By that point I had a lot of catching up to do in terms of rock n roll. But during that particular time in music, disco was king. I didn’t know much about music, but I understood early on that if you wanted to be considered “cool” you didn’t listen to disco.

Disco, as defined by Wikipedia is “a genre of dance music and a subculture that emerged in the 1970s from the United States’ urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.” As a junior high school aged kid, all you needed to know was that disco was dance music and dancing was well, “for chicks.” At least it was if you were a white, teenage boy in the Midwest suburbs who couldn’t dance. Of course, I’ve never been able to dance. It was my destiny to be a wallflower. It’s hard to describe how pervasive disco really was. The radio was full of Donna Summer, KC and the Sunshine Band and of course, the Bee Gees. If you were a teenage “dude” trying to establish an identity, you didn’t want to be caught dead owning or listening to any of these bands’ music. I certainly wasn’t humming along to “Boogie Shoes.” We liked loud guitar to express our existential angst at becoming young men. Something more aggressive like say, AC/DC… which I guess you could actually dance to… if you’d wanted to?

While disco had been around since the early 70s, the apex of disco was probably when the movie Saturday Night Fever came out in 1977. The soundtrack featuring the aforementioned Bee Gees exploded. John Travolta in a white suit, dancing around like he was being electrocuted was iconic. Of course anything that gets as big as disco is going to cause backlash. Wasn’t Newton’s Third Law of Motion, “To every action, there is always opposed an equal reaction; or, the mutual actions of two bodies upon each other are always equal, and directed to contrary parts.” Well, that was certainly true of disco. It created the whole “Death Before Disco” movement… trust me, it was a movement, there were t-shirts. There was a DJ on our local station, Max Floyd, who went by the moniker General Max Floyd of the Rock N Roll Army whose shtick included playing the first few bars of a disco tune while playing exploding noises as if he were “blowing up” the song. Of course there was the famous Disco Demolition Night at Comiskey Park in Chicago in the middle of a White Sox double-header where a DJ had an anti-disco rally where he actually did blow up a bunch of disco records… the destruction to the field during the ensuing riot caused so much damage to the field the Sox had to forfeit the second game of the night to the Tigers. Seems a tad extreme all these years later… but I bet there’s guys sitting at the Burwood Tap still bragging about being there.

While I didn’t own the t-shirt for “Death Before Disco,” I would have probably worn one had I the chance. I certainly tuned into General Max Floyd every day after school. When you’re a teenager going through puberty, you have no idea who you are so you just try to blend in. And none of us were confident enough to dance or even talk to a girl so forget about disco. But despite all of that macho posturing, in retrospect I’ve come to realize that all of our favorite rock bands were sneaking disco tunes past our defenses and worming their way into our ears. The Rock Stars we all worshiped were all hanging around in Studio 54 or some other famous disco, partying and yes, dancing with super models. That disco stuff had to seep it’s way into our Rock Star’s consciousness and eventually into their music. Unbeknownst to we “Death Before Disco” types, the biggest bands in the world were doing disco tunes: The Stones, Zeppelin, Rod, hell, even the Grateful Dead jumped on the bandwagon. Admittedly, in some cases this was just a crass financial move, calculated to climb the charts: Kiss, ELO, and Eddie Money. But in many of these cases, the bands liked the music and put their spin on it and were wildly successful doing so.

Here is a list of some of my favorite bands and their associated disco tunes. While these were the dread disco you can likely find each of these songs on the artist’s latest “greatest hits” compilation. Why? Because we didn’t, at the time, realize it was disco and loved it. Even a hardline wallflower like me will admit love for most of these tunes. Some of these songs may not be straight up disco, but you can’t deny the disco influence…

  • The Rolling Stones, “Miss You” – Leave it to Mick and the boys to do a disco tune but also bring in blues harp legend Sugar Blue on harmonica to make it feel bluesy. This tune, “Beast Of Burden,” and “Shattered” led me to my first ever LP purchase, Some Girls. Of course for the Stones, they lingered on the disco fascination on their next LP with “Dance (Pt. 1),” and “Emotional Rescue.” Hey, if it worked, can you blame them?
  • David Bowie, “Young Americans” – Bowie was early on the disco train, before it was huge. “1984” on Diamond Dogs was pure disco. I’ve always liked this one though. Of course Bowie would return to disco on “Let’s Dance” in 1983 when he wanted a “hit.”
  • Rod Stewart, “Do Ya Think I’m Sexy” – I would list this song under my guilty pleasures. But a song about a young man meeting a young woman in a club and going home to have a shallow 1-night stand was irresistible to a teenage boy dreaming of such things…
  • Grateful Dead, “Shakedown Street” – The most shocking artist on the list. The venerable Dead of the jam band and cult like fans had a strange fascination with disco… “Nothin’ shakin’ on shakedown street, used to be the heart of town.” I was more fond of their country rock stuff from the early 70s but I’ll admit hitting the volume knob when this track came on.
  • Led Zeppelin, “Dancing Days” – I can’t believe Houses of the Holy and this funky tune are 50 years old this year. “Sippin’ booze is precedent.” I love this song.
  • The Eagles, “One Of These Nights” – This is more disco influenced than disco. But if you listen closely, I defy you to disagree that Henley and Frey were influenced by dance music. “Lookin’ for the daughter of the Devil himself, looking for an angel in white…” I suspect you could find both at your local disco.
  • Pink Floyd, “Another Brick In The Wall, Pt. 2” – Another shocking entry. One doesn’t think of disco when you think of Pink Floyd. But this track does bear the influence of disco. I’m still grooving on the stuff released for the 50th anniversary of Dark Side Of The Moon.
  • The Kinks, “(Wish I Could Fly) Like Superman” – This is more rock n roll but you can’t deny the disco undertones. I feel like the Kinks don’t get the attention they should.
  • Elton John, “The Bitch Is Back” – A favorite of mine despite the disco trappings. I considered “Island Girl” as well, it could easily slide in on this list.
  • Queen, “Another One Bites The Dust” – A great, great Queen song. I had a chance to see them on this tour and I turned it down…
  • The Clash, “The Magnificent Seven” – Even these punk rockers, the World’s Most Important Band, the Clash, weren’t immune to the allure of disco. Of course Elvis Costello said of the Clash, they were only punk on the first two records and after that they just sort of played whatever was in Joe Strummer’s music collection.
  • Thin Lizzy, “Dancing In The Moonlight (It’s Caught Me In The Spotlight)” – At least Thin Lizzy were honest about their intentions, using “dancing” in the title. Great song though.
  • Robert Palmer, “Every Kind Of People” – Palmer before his big 80s, video superstardom, doing a song written by Andy Fraser, former bass player of the great band Free. For some reason I always thought this was a Sly and the Family Stone cover. Wrong!
  • Blondie, “Heart of Glass” – I feel like Blondie was a band who could do anything musically… and get away with it. This song is no exception.
  • Paul McCartney, “Goodnight Tonight” – Other than ELO, this may be the cheesiest tune on here. Macca just turns up the cheese-o-meter to 11. A dance song where the singer pleads to his partner not to get too tired for “love” later… Oh, Paul.
  • Kiss, “I Was Made For Loving You” – Kiss had a song for every fan of almost every music style… I’m surprised they didn’t go country. Good tune though.
  • Eddie Money, “Maybe I’m A Fool” – From Eddie’s uneven third album. He was clearly trying for a hit here. Catchy but betrayed what he did best.
  • Electric Light Orchestra, “Shine A Little Love” – While I’ve always found ELO to be derivative of the Beatles, they do have some great songs. This, is not one of them, but it was a big hit.
  • Jackson Browne, “Disco Apocalypse” – From his misguided Hold Out album. Was this a complaint, a protest against disco or just a disco-ish song? There’s a piece where he lets the back up singer take over lead vocals which was unfortunate. I was very confused by this one…
  • Frank Zappa, “Dancin’ Fool” – In typical Zappa fashion, he recorded this song as a parody of disco to ridicule it and it ended up being the second biggest hit of his career. Dancing all the way to the bank so to speak.

These are the best examples of our heroes, our favorite rock bands going disco. I’m sure many of you have other examples that I might have left out. If so, leave them in the comments section. I’m not sure but there may be a playlist lurking in here somewhere…

Cheers! Dance like no one is watching… yeah, not. No way. Never.

Review: The White Stripes Celebrate The 20th Anniversary of ‘Elephant’ With A Deluxe Version – And Meg White Is Indeed An Awesome Drummer

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It’s no secret that we love the White Stripes around here at B&V. I was delighted to see the band release a deluxe version of their landmark 2003 album Elephant in celebration of it’s 20th anniversary. Included in Elephant – Deluxe is the original album and a concert recording from that tour recorded in Chicago. In the words of fellow Detroit native Bob Seger, I can only say, “20 years now, where’d they go, 20 years, I don’t know…” It seems like this record came out yesterday.

This deluxe set comes amidst some White Stripes controversy of late. I don’t feel I can post about the White Stripes without addressing the Elephant in the room. Apparently some idiot journalist wrote an article and made the audacious claim that White Stripes’ drummer Meg White was a terrible drummer. This of course caused a bunch of blow back on Twitter for the idiot. Leader of the White Stripes Jack White and Tom Morello, amongst others, immediately came to the defense of Meg. Let me state for the record that we here at B&V love Meg White’s drumming. She’s not going to get fancy like Neil Peart. She’s not all over the drum kit like Keith Moon. But her bedrock drumming was the foundation that allowed guitarist/singer Jack White to soar. Without Meg White’s drumming, there is no White Stripes. Her drumming is fierce, primal and visceral. Having listened to the White Stripes’ catalog thousands of times over the years and having seen them live I can testify (in my not so humble opinion) she’s one of the best drummers I’ve seen. You won’t see her floating in the air like Tommy Lee but she lifted me out of my seat more than once. Compare Jack’s solo work with his work in the White Stripes and you’ll hear the difference. And we dig most of Jack’s solo work, most recently Entering Heaven Alive.

I think I’m like most people, I discovered the White Stripes when their third album White Blood Cells broke big on the strength of the singles “Fell In Love With A Girl” and “Dead Leaves On The Dirty Ground.” Like many bands, it was the magical third album that broke them big. The Stripes were riding the then current wave of “garage rock” that was supposed to have been to the 2000s what Grunge was to the 90s. I totally hear the “garage rock” part of the Stripes sound. With only the amazing Meg White on drums and Jack White on guitar/keyboards/vocals they were minimalists (to a degree). What I loved about the White Stripes is they have an old school, blues based sound. Most of what they did was rooted in the blues and we’re on record as loving the blues and blues rock here at B&V. Jack White plays the guitar with the grit and dexterity of Bluesmen from a generation (or two) before him. He made no secret of the fact that one of his biggest influences was legendary Bluesman Son House, who has influenced so many who came after him.

I purchased White Blood Cells shortly after I saw the White Stripes on an MTV Awards show, which is embarrassing but I wasn’t listening to the radio that much in those days. The Rock Chick had heard these guys on the alternative rock station in town and was all in. I knew White Blood Cells was the White Stripes’ third album but for some reason I didn’t do my usual “buy the back catalog” thing. I didn’t go out and purchase either The White Stripes (their debut) or De Stijl (their second and perhaps my favorite album). It would appear I was only putting my toe in the water on the Stripes. But then Elephant came out and all of that changed. The first track I heard was “Seven Nation Army” and that’s all it took. I was at the record (er, CD) store the day the album came out with my dollars in my hand.

After hearing Elephant those 20 years ago, I was blown away. It’s a blues rock bonanza. Jack’s musical vision finally came to full fruition. There were so many great songs on the record. “Ball And A Biscuit,” “The Hardest Button To Button” and the aforementioned “Seven Nation Army” are rock n roll standards in my book. “The Air Near My Fingers” and “Hypnotize” are epic guitar freakouts. “I Want To Be The Boy To Warm Your Mother’s Heart” was a piano driven, almost country rock thing that was great. Meg took a turn on vocals for the torch song, “In The Cold, Cold Night” and I loved it. Elephant, in a word, is the perfect White Stripes album. It’s what catapulted them in my mind from a curiosity to a great rock n roll band.

But beyond that, it was on that tour that I saw them in concert for the first time. OMG, as the kids say. They played venerable Memorial Hall over in Kansas City, KS. It seats only 3500 people and as I recall there wasn’t an empty chair. Memorial Hall has seen great acts over the years: Pink Floyd played Dark Side Of The Moon in it’s entirety there, 5 months before the album had come out… Led Zeppelin played two shows there in one day, and no they weren’t booed off stage. Memorial is a small venue but it’s a great place to see a show…not a bad seat in the house. I saw the Rossington Collins Band there but I’m off topic. The Stripes walked on stage with what appeared to be a body guard – a giant man in a three piece, pinstripe suit and a fedora. The stage was simple, just Meg’s drum kit and the amps and Jack’s guitars. They proceeded to bring down the sky. What a concert. I remember hearing their Dolly Parton cover “Jolene” for the first time that night. Apparently they played the Bob Dylan song “Isis” and for the life of me I don’t recall that. Jack strapped on a beat up, gray, wide-body guitar and played a blues riff that sounded eternal and then launched into a song I didn’t recognize. It turns out it was “Death Letter,” a Son House cover. Jack hopped around the stage, always close to Meg’s drum kit and they rocked the house that night. The energy on that stage was contagious… I was convinced Jack White was an unhinged genius that night. I walked out of that concert knowing that the White Stripes were one of the greatest bands of all time. And, yes, the next day I went out and bought their first and second albums to complete my collection (at the time).

With the deluxe version of Elephant the White Stripes have included a full concert, from Chicago, from that very same tour that I saw them on for the first time. I really liked the Stripes “official” live album, Under Great Northern Lights. It’s great, but it didn’t make my list of the greatest live albums ever.  This live concert from Elephant – Deluxe would qualify to enter the discussion amongst the greatest live albums. The energy I experienced in Memorial Hall 20 years ago translate right through the speakers. From hard rocking songs “When I Hear My Name” and “Seven Nation Army” to the quiet moments like Meg’s turn on vocals “In The Cold, Cold Night” or “We’re Going To Friends” (that Jack says was written in the bedroom of a girl named Susie Lee who didn’t care about him at all) they just kill these performances. The setlist is similar but different from when I saw them on this tour. I was knocked out by the Dylan cover on this set, “Lovesick” from Dylan’s Time Out of Mind. They include “Stop Breaking Down” written by Robert Johnson (and covered by the Stones) that they’d included on their debut album. And then threw in another Robert Johnson cover “Stones In My Passway.”

There is so much rock n roll, blues and good times on this live disc it makes this Elephant – Deluxe set absolutely worth the price of admission. I’ve owned the album for 20 years and I’m buying this again just for the live show. This is a must hear, must have. The White Stripes were such a great band and their performances were legendary. I only saw them twice but it was enough to still make me long for Meg White to return from the wilderness, grab Jack by the hand and rock.

Cheers! And Jack, I knew plenty of women like Susie Lee…

Pink Floyd’s ‘Dark Side of the Moon’ Turns 50 – Our Recollections Of The Iconic LP & The Wembley ’74 Full-LP Performance Gets It’s Stand-Alone Release

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“Ticking away the moments that make up a dull day, fritter and waste the hours in an off-hand way…” – Pink Floyd, “Time”

I saw that Pink Floyd’s iconic album Dark Side Of The Moon turned 50 years old this month. That is, on many levels, astounding to me. I first started really listening to rock n roll in 1978 and the album, while only 5 years old at that point, already seemed like it had been around forever, like it was part of the air we breathed and the earth we walked upon. The band didn’t release much new for the “50th Anniversary.” They released pretty much everything they had in the 2011 Dark Side “Immersion Set” which was a box set so vast I can’t believe it had any mass appeal. However, there was a live performance of the entire Dark Side album in that 2011 box from Empire Pool, Wembley from 1974 which has now been released as separate album to celebrate the big 5-0. There isn’t much listenable live Pink Floyd out there other than Ummagumma (which is a “hybrid” album, half live/half studio) from the classic line up: David Gilmour (guitar/vocals), Roger Waters (bass/vocals), Rick Wright (keyboards/vocals), and Nick Mason (drums) so I guess being able to buy this live performance outside the massive box set is something. Of course it’s been heavily bootlegged for years as well, but that’s another story.

I remember the first time I heard Dark Side, or at least more than just the song “Money,” which was a staple on our local rock radio. I was in science class in junior high. For some reason our teacher, Mr. Hurtz (name changed to protect the innocent) would let us listen to music in class. I think this was more towards the end of the school year when he was just trying to hold his breath and make it to summer so he didn’t have to be around teenagers for three months. We were a precocious group of miscreants, er I mean students. Anyway, this guy from my neighborhood Micky (named changed to protect the guilty) had a portable 8-track player that he’d brought to school – who needed an iPod? – shaped like a detonator…try to get that past school security these days. The 8-track player was called “The Dynamite 8.” He’s playing Dark Side, but like all 8-tracks you could skip around the tape and he kept hitting the “plunger” on the top of the 8-track player to skip ahead. He’d apparently sat around his bedroom stoned and memorized the album and was in the habit of skipping to his favorite parts. I hated 8-tracks as they never gave you a real feel for the record. I remember this guy Dave, in class, asking if I thought the woman (Clare Torry) who sang on “The Great Gig In The Sky” was in the band? I don’t know why a woman in the band was astounding? Had he never heard of Fleetwood Mac? Dave too was a big fan of the hookah… Say what you want about the stoners – they were thought of derisively back in those days – but they were thinkers. Their minds had been “freed.”

As a young junior high school student with little beyond allowance in terms of cash it was hard to start a record collection. You had to buy “the right” albums. My father famously asked me why I needed more than one or two albums… like he didn’t realize each album had different music on it? Anyway, at the time (the late 70s), there were no bigger bands than Led Zeppelin and Pink Floyd. The majority of the black light posters hanging in junior high and high school bedrooms were those two bands. Sure the Stones were still big but Zeppelin and Floyd were the coolest!! Ergo, Dark Side Of The Moon was one of the first albums I ever bought. I’d only heard “Money” and snippets from Micky’s stoned 8-track but that was enough to whet my appetite. Buying the album for my collection felt, well, foundational. Like Dark Side was just one of those must have albums that every “serious” collector of rock n roll had to own. I have to say though, as a 13 year old, it took me a little bit to  warm to this album. Don’t get me wrong, the music was fabulous, hypnotic even, but the lyrics and themes… heavy.

Waters conceived the album as a “concept album” about all the things in the world that can make you go insane. I think the album has even deeper themes beyond mental illness that include stress, isolation, travel, greed, death and war. Waters included Rick Wright’s fear of travel in “On The Run,” and it was Wright who wrote about death on “The Great Gig In The Sky.” Waters wrote more directly about mental illness on the songs “Brain Damage” and “Eclipse” which were inspired by founder Syd Barrett (vocals/guitar/songwriting) the genius who’d gone mad on acid and left the band pretty much after the first album. I read a review of Pink Floyd, many moons ago, and the guy said that Pink Floyd were at their best when they wrote songs about former band members. That’s certainly true of this album… and Waters has always said Wish You Were Here (my favorite Floyd album) was written to the other guys in the band who weren’t present after all the success Dark Side brought… but that album feels like it’s more about Syd (“Shine On You Crazy Diamond”) and the music business in general (“Welcome To the Machine”). The Wall, Pink Floyd’s magnum opus double-album, was basically a blending of Waters and Barrett’s life stories. Even the Waters-less Division Bell has a few really good songs where Gilmour complains about Waters… Some people you just don’t get over in life.

Anyway, the dark themes that Dark Side addressed were tough for me as a 13 year old to digest. I quickly moved on to Wish You Were Here. Eventually though, as I matured and understood the subject matter a little better, I returned to Dark Side and realized what a masterpiece it truly is. Recorded when the band still got along… According to Wikipedia, the album was on the Billboard charts for 976 weeks and sold an amazing 14 million copies in the U.S. alone. It’s the 4th best selling album of all time. As I somehow knew, inherently when I bought this record, one of the first ten LPs I purchased, it really is a foundational album for any collector. If you’re fan of rock, you own or better said, must own Dark Side. The song “Time” is such a momentous statement. The line I quoted above, “Ticking away the moments that make up a dull day…” has meaning to everyone who has longed for more in their life, or to do more with their lives. When people speak of the “greatest rock n roll of all time” this album is among the music they’re talking about. Trippy, cerebral, intelligent rock n roll. And don’t get me started on the whole Wizard of Oz synch thing… probably discovered by the aforementioned stoners…

Oddly, I had never heard the live performance of the album from 1974’s Wembley concert. I’d have thought I’d come across the bootleg somewhere along the line, but no. Pink Floyd albums, for the most part, are better played in their entirety as a suite of songs. I still wonder how they’re able to put out a “greatest hits” package as each song on each album is crafted to blend to the next and so on. Performing an entire album from start to finish is a tough thing to do. I unfortunately saw Boston play Third Stage in its entirety, in the album’s running order, and it was the only concert to date that I dosed off dmid-show. However, the way Pink Floyd structures their albums makes it work much better. And well, the material on Dark Side, beyond being just better music is better heard played together as a whole. But make no mistake, this is far more than a “recital” like it’s classical music. Gilmour’s voice is more raspy and fierce in the live performance. His guitar is all over this thing, as it should be. He jams a little bit at the end of a couple of tracks like “Money” or “Any Colour You Like.” Clare Torry reprises her role on “The Great Gig In The Sky.” And no Dave, she wasn’t “in” the band. I think any Floyd fans, or fans of Dark Side, can and will certainly enjoy this live album:

I urge each of you Floyd fans out there to check out this live disc. And please, don’t “fritter and waste the hours in an off-hand way…” Pick up a hobby, call a friend, have a drink with your spouse or better yet listen to an album you haven’t heard in a while… it’ll make you feel great again! Time is precious and life is fleeting – I learned this lesson again recently when a good friend passed – enjoy every moment. Or better yet, as Warren Zevon said, “Enjoy every sandwich.” And if you’re struggling with any form of mental health from anxiety to depression, please reach out for help. Nobody should struggle in the isolation and despair that this album describes. Pour something strong and turn this live Pink Floyd from 1974, a galaxy far, far away, up as loud as it can go.

Cheers! Take care of each other out there.

Playlist: We Once Again Reluctantly Look Back 40 Years: 1983 In Rock N Roll

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As long time readers know, we love our playlists here at B&V. Who doesn’t like a little music to help wile away the hours? Inspired by Bob Dylan’s ‘Theme Time Radio Hour,’ we’ve typically designed our playlists around a certain theme instead of trying to capture a certain mood or tone for a party or a workout. I like to find a group of songs that tackle the same idea or concept. For example, we’ve recently published playlists centered around songs about the Music Business/Show Business and another for those folks about to renege on their expensive New Year’s Eve gym memberships, songs about Walking. Our playlists tend to be all over the place, from metal to straight-up rock n roll to folky stuff to soul music. We like variety here at B&V, I mean, you only live once, savor everything. Our goal is always to put a song in your ear that hasn’t been there for a while – perhaps you’ve forgotten about the track – or better yet, we want to turn you onto something you’ve never heard. And more basically, we aim to entertain you. Nothing like a good playlist in the background when you’re having a drink after a long, arduous week, or in the background while you complete some household task that’s been unfairly assigned to you… And who doesn’t like a bit of music when you’re sitting up late at night with a tumbler of the good stuff contemplating… whatever it is you contemplate in the “wee, small hours,” as Frank sang.

A couple of years ago, inspired by an article about all the great albums that came out in 1971, I did my first chronologically themed playlist, creatively entitled 1971. I built that playlist with songs from albums that were released in that banner year for rock n roll. While we post about singles and concerts and all sorts of things, I tend to really focus on albums. I enjoyed building that 1971 playlist so much, the following year I decided to do the research and build another one celebrating 1972. Ironically the Black Crowes released, shortly after I released my playlist, an EP of cover songs entitled, 1972. Three of the tracks they covered were on my playlist… Are they reading B&V? Over beers with my best buddy Doug last year, I realized that 1982 was a somewhat momentous year for both of us… and I reluctantly decided to do a rock n roll playlist from that stormy year (stormy for me at least), entitled (again, creatively) 1982. There’s just something about those big anniversaries with “0’s” at the end… 40 years, 50 years, etc. that make a playlist seem more important.

This year, to kick off 2023, I decided to start the fresh, new year by looking backwards 50 years for a playlist created from albums released in 1973. Obviously, I have way too much time on my hands if I have the bandwidth to go out and research music from 50 years ago. And let’s face it, in 1973 I was, as Tom Petty sang, “a boy in short pants.” Sure, I was in grade school but I wasn’t listening to Dark Side Of The Moon in the actual year of 1973. I likely would have been terrified by that album at that tender age with no substances to comfort me. In ’73 I’d get up, put on my polyester heavy clothing and head to school, come home for lunch, go back to school, come home for dinner, rinse, repeat. It’s not like I was out protesting the corrupt Nixon administration or celebrating Jackie Stewart’s World Championship in racing and cranking up Aladdin Sane. I don’t think I was even following the local NFL team yet. I was an unformed lump of clay in 1973. Ergo, any emotional attachment I formed to the music of ’73 was formed long after that year was in the record books… But I’m getting off track here. I enjoyed looking back at 1973 that I thought I’d repeat what I did last year and also look back 40 years to 1983…

Obviously when it comes to the stuff from 1983, I do have more of an emotional connection to the music. While we still lived under the threat of the Soviet Union’s nuclear annihilation of the world and Reagan was busy dismantling of the middle class, my concerns were more personal. I was, in the eyes of the legal system, an adult by then. Although mentally, who amongst us in our teens thinks like an adult? As I mentioned when I posted my 1982 playlist about that year, “it was the best of times, it was the worst of times.” The first half of ’82 was great, the second half, not so much. 1983 was like a reverse negative of ’82 with the first half bad, the second half relatively better. I was a young adult away at college for the first time in ’82/’83 and it went predictably horrible. I made the wrong choice on every decision. Learning the hard way seems to be my only way for me to learn. Early ’83 ranks amongst the worst era’s of my life, much like living in Arkansas a few years later. But, with the help of Bacardi mixed with Coca-Cola, my pal Doug, and a lot of rock n roll, I got through it. All of that said, it makes it a little hard to look back to ’83 and the music that evokes so many memories. By summer 1983 I was on the mend… although still with large amounts of Bacardi & Coke. I came out of the darkness looking for any self-destruction I could find…and I fear it wasn’t only myself I harmed back then… regrets, yeah, I’ve had a few. If you’re going through some personal change out there and you’re struggling with it, don’t self-medicate, get some help. It’s less expensive and there are much fewer hangovers. By fall of ’83 life was back on the track it was supposed to have been, albeit with some real battle scars, not only for me. And to top all that off, Margaret Thatcher was re-elected so things weren’t exactly rosy for anybody…

Ah, but the music was still pretty great. By ’83 the music we think of as the ’80s was in full swing. There were no vestiges of that great 70s music we’d all grown up on. The sound of synths were to be found everywhere and drum machines were creeping in. Hair metal had begun to ascend. There was so much music from ’83 I had remembered that I had over 100 songs on the initial version of this playlist. I was surprised, after I’d winnowed this down that Bryan Adams and Quiet Riot had made the final cut while songs from Greg Kihn, Loverboy and Nightranger didn’t. I’m not crazy about any of those acts mentioned in that sentence, but the Adams and Quiet Riot songs held some memories. One man’s trash is another man’s treasure I guess? There were some great acts who just made bad records in ’83: Rod Stewart released his worst, Body Wishes; Styx were dead to me after Mr. Roboto; Billy Joel put out the abysmal An Innocent Man; even Aretha Franklin, my Queen, put out a lackluster album produced by Luther Vandross no less, Get It Right. Even Neil Young let me down with the Shocking Pinks and Everybody’s Rockin’. Linda Ronstadt had gone all show tunes on What’s New. No songs from those albums will be found here…

There were some great albums put out by bands I really like but feared no one else would. I ended up cutting tracks from Lou Reed, Thin Lizzy, Roxy Music (whose cover of “Jealous Guy” by John Lennon is fabulous), and Van Morrison. I even cut the title track from Social Distortion’s Mommy’s Little Monster, a track I almost always dedicate to my wife’s cat when I play it here at the house. I wanted to keep Robert Palmer’s song “You Are In My System” but figured no one but me would miss it except me. I guess I could have included a track from Madonna as she released her debut album in 1983 but I just… don’t like Madonna… and this is a rock music blog. Although to prove I’m not a completely sour dude I did include a track from Cyndi Lauper. There were those in ’83 who thought Lauper was going to be the long-term superstar and Madonna was a flash in the pan. The Eurythmics book end the playlist as they put out 2 outstanding albums that year… that’s 70s era output from those guys.

As usual, this playlist is best played on “random.” It can be found on the dreaded Spotify, at the name below (obviously), “BourbonAndVinyl.net 1983 In Rock N Roll.” If there’s a track that doesn’t suit your fancy, hit fast forward. If there’s a track you love from that year, let me know in the comments and I’ll add it to the playlist. This did end up being one of my longest playlists. It was a bit of an emotional roller coaster to put together, frankly. Without further adieu, put on your Wayfarer shades, your Members Only jacket, and stone-washed jeans and enjoy this gnarly playlist… from 1983. The full list, with my pithy comments about each song are below.

  1. Eurythmics, “Sweet Dreams (Are Made Of This)” – Is there a more iconic synth riff than the one that opens this track. I included this song on my playlist on Dreams. I can close my eyes when I hear this and I’m back in my dorm room. I feel like this track really encapsulates what was happening in music in the ’80s and ergo it’s the perfect place to start.
  2. Dire Straits, “Twisting By The Pool” – One of my favorite “deep tracks” from Mark Knopfler and company. I just commented on my review of Starcrawler’s recent EP Acoustic Sessions – EP that EPs weren’t that big of a deal when I got into music… I guess this EP proves I was wrong. And who doesn’t like a little “twisting” by the pool…
  3. Bryan Adams, “Cuts Like A Knife” – I’m not a huge Adams fan. But this song was everywhere and I did like it back in the day. It resonated for me with things I’d recently slogged through. I always thought he wanted to be the Canadian Springsteen.
  4. Def Leppard, “Photograph” – I could have picked any track on this album but I was fond of this one. The Mutt Lange magic took full effect on this album. “All I’ve got is this photograph…”
  5. Randy Newman, “I Love L.A.” – I know a lot of people don’t like Randy Newman because of the song “Short People,” but I think of him as a modern day Twain, a brilliant satirist. I included this happy song on my playlist about Los Angeles.
  6. Triumph, “Never Surrender” – From the follow-up album to the great Allied Forces. I always thought this was a tamer rewrite of the song “Fight The Good Fight.” But I still dug it though. Very dramatic arrangement.
  7. Journey, “Separate Ways (Worlds Apart)” – Frontiers was where I started to get off the Journey bandwagon… although I did see them on this tour. Netflix’s last season of ‘Stranger Things’ got me back into this song.
  8. U2, “New Year’s Day” – War was my first U2 album. It was just the first in a long string of their LPs for me. I still have my vinyl copy. I wish the Edge still played guitar like this…
  9. Quiet Riot, “Cum On Feel The Noize” – Clearly a band with problems spelling wirds.
  10. Eric Clapton, “I’ve Got A Rock ‘N’ Roll Heart” – Clapton’s first album after getting sober. I always thought it slightly mellow but it’s a solid record.
  11. Joan Armatrading, “Drop The Pilot” – Every once in a while I just have to keep I song maybe only I dig on a playlist… this is one of those.
  12. The Tubes, “She’s A Beauty” – Oddly enough this song popped up the other night and the Rock Chick and my friend RJ couldn’t talk enough about their love of the song. And the Rock Chick is a beauty…
  13. Pink Floyd, “The Gunners Dream” – The swan song for Roger Waters as leader of Pink Floyd. I posted about his updated version recorded during Covid. This song sums up what he’s been trying to say about war better than just about everything else he’s done.
  14. ZZ Top, “Got Me Under Pressure” – From their mammoth Eliminator album. I think this was the only single without a video with three girls and that old car. I love the guitar on this song. Other than “TV Dinners,” which I was living on at the time, this might be my favorite song on the album.
  15. Naked Eyes, “Promises, Promises” – Were these guys a 1-hit wonder? I love this song. I’ve been waking up every morning with it on my “Mental Jukebox.” I vaguely remember the rather dark video. “You made me promises, promises, you knew you’d never keep.” We’ve all been there.
  16. Fastway, “Say What You Will” – This is one of the greatest rock songs of all time. I don’t know anybody who loves rock n roll who doesn’t love this song.
  17. R.E.M., “Radio Free Europe” – From their great debut album simply one of the best debut albums ever.
  18. Violent Femmes, “Blister In The Sun” – The Rock Chick hates the Violent Femmes. I always liked this song, it’s somewhat iconic in my mind. I think I had a copy of this album taped to a blank cassette for a while that I kept hidden from my friends. We were all metal heads and I didn’t want to fall out of step.
  19. David Bowie, “Modern Love” – Let’s Dance was my first Bowie album. I was drawn to it by the title track. I loved the lyric, “Put on your red shoes and dance the blues.” But this song almost outshines it for me… One of Bowie’s best songs even for the casual fan.
  20. Men At Work, “It’s A Mistake” – A heavy anti-war track that’s light on it’s feet from a band that was everywhere for a few years.
  21. Dave Edmunds, “Slipping Away” – Dave Edmunds never gets the credit he deserves. Great song here. I’m pretty sure this was written by Jeff Lynne of E.L.O. fame.
  22. Martin Briley, “The Salt In My Tears” – This track might be slightly obscure but it’s a great one. “You ain’t worth the salt in my tears,” indeed. Great little riff too.
  23. The Fixx, “One Thing Leads To Another” – I always marveled at how tall the lead singer was. The Fixx had some great songs and this is foremost amongst them.
  24. Iron Maiden, “Flight of Icarus” – One of my favorite Maiden tracks. A re-telling the Greek myth of Icarus who flew too close to the sun, against the advice of his father, to tragic consequences. Perfect fodder for a metal song.
  25. Joe Walsh, “I Can Play That Rock & Roll” – A track so good I included it on my previous playlist about the Music Business/Show Business. And, for the record, Joe certainly can play that rock n roll. I hope he does something soon.
  26. Bob Marley & The Wailers, “Buffalo Soldier” – I can’t believe Bob left this iconic track in the vault and it was only released posthumously. He included it on his greatest hits Legend, which really helped me as a stepdad…
  27. Dio, “Rainbow In The Dark” – After two phenomenal LPs with Sabbath, Dio launched his solo career with Holy Diver and this song. Dio was such a great vocalist it’s a shame he left us so soon.
  28. Elton John, “Kiss The Bride” – This song, with it’s slightly off sounding guitar riff, has always been a favorite. Proof there was still rock n roll life left in Elton.
  29. Talking Heads, “Girlfriend Is Better” – “Burning Down The House” was the big single and was partially responsible for turning me onto the Heads, but I’ve always loved this jittery tune. “I got a girlfriend that’s better than that and she goes wherever she likes (there she goes)…” Indeed.
  30. Peter Tosh, “Johnny B. Goode” – Reggae giant Peter Tosh doing a Chuck Berry cover? Sign me up.
  31. The Kinks, “Come Dancing” – I remember the video to this track more than the track itself. Although I do believe this song was included on my playlist for wallflowers, songs about dancing.
  32. Stevie Nicks, “If Anyone Falls” – From her second, fabulous solo record The Wild Heart. I could have picked any number of songs from this album but I like this slinky, synth heavy track.
  33. Stevie Ray Vaughan, “Pride And Joy” – From Stevie Ray’s debut album. He refused to tour with Bowie for Let’s Dance so he could record his own album. I’m kinda glad he did. Although the thought of Bowie and Vaughan on tour… what a live LP that’d have been.
  34. The Police, “Every Breath You Take” – Their best song. Bone crushing emotion in this song. It made me a Police fan… this was my first Police LP purchase. And, for the record, I knew this was not a love song the moment I heard it. At the time, I could uh, relate to it.
  35. Rickie Lee Jones, “Hey, Bub” – This is another track maybe only I know. It’s a beautiful ballad, beautifully sung. Plus I can’t resist Rickie Lee’s use of 1940’s vernacular. My thanks to the person who turned me onto it.
  36. Electric Light Orchestra, “Rock ‘N’ Roll Is King” – Regrettably I once described E.L.O. as derivative of the Beatles to which my friend Doug reacted… badly. I am now forced to include them on any playlist where they have an eligible track. That said, I always liked this one.
  37. Robert Plant, “Other Arms” – “Big Log” was the big single with the cool video but I can not resist this rocker.
  38. Big Country, “In A Big Country” – I’m guessing I wasn’t crazy about Big Country in 1983. But this song has grown to be a favorite of mine.
  39. Asia, “Don’t Cry” – Their second album was a far cry from their debut but this was a great song…
  40. Joan Jett, “Fake Friends” – There’s so much great Joan Jett out there. By ’83 I was aware that I too perhaps had a few fake friends…
  41. Metallica, “Seek And Destroy” – An epic track from their epic debut. Nobody, and I mean nobody, rawked like this in 1983. They’re still at it all these years down the road with new songs like “Lux AEterna.” Looking forward to next month’s new LP!
  42. Kansas, “Fight Fire With Fire” – Local Kansas boys who did well for themselves!
  43. Jackson Browne, “For A Rocker” – Lawyers In Love and it’s title track were largely a disappointment for me. I was a big Jackson Brown fan, especially coming off “Somebody’s Baby.” I did like this song and “Tender Is The Night,” proving that even if an artist drops a dud LP, there’s always a good song or two.
  44. Elvis Costello, “Every Day I Write The Book” – One of Costello’s best tunes ever.
  45. Black Sabbath, “Trashed” – This is where I decided lead guitarist Tony Iommi of Black Sabbath was a moron. Who fires Ronnie James Dio and hires… Ian Gillan from Deep Purple? There are fans of this record and I like this song but it never took me to the heights of “Heaven And Hell”or “Sign Of The Southern Cross.”
  46. AC/DC, “Guns For Hire” – AC/DC, to me, started to hit a downward slide on this album. Luckily they pulled it all back together and released a string of great, late career records.
  47. Rainbow, “Street Of Dreams” – Meanwhile, another ex Deep Purple member, Ritchie Blackmore was hitting his stride with Rainbow.
  48. Cheap Trick, “I Can’t Take It” – Cheap Trick has always solidly delivered. This track is no exception.
  49. Stray Cats, “(She’s) Sexy + 17” – We didn’t like the Stray Cats much in ’83 but I’ve come to really dig their stripped down rockabilly. Brian Setzer is seriously one of the greats on guitar. Of course if they’d recorded this song today a few cops might drop by the studio… “Keep your hands off the kinder.”
  50. Depeche Mode, “Everything Counts” – A great earlier track from Depeche. I’m really digging “Ghosts Again,” their newest song and am looking forward to the new LP Memento Mori!
  51. Tom Waits, “In The Neighborhood” – Swordfishtrombones is one of my favorite Waits’ albums… although I’d have been hard pressed to say that in 1983. It is amazing how tastes grow and expand and change. Thank god they do.
  52. UB40, “Red Red Wine” – Perhaps a track I should have included on my playlist, Songs About Drinking.
  53. Huey Lewis & the News, “Walking On A Thin Line” – Like I said of Bryan Adams on this list before, I wasn’t a big Huey Lewis fan either. However, this track from Sports, about a Vietnam veteran struggling to acclimate back into society has a lyrical heft that I never found elsewhere in their music. Great song, great subject.
  54. The Motels, “Suddenly Last Summer” – Steamy, sexy summer song… oh and what a summer it was.
  55. Kiss, “Lick It Up” – I’m probably the only one who liked Kiss more without their make up vs with it.
  56. Motley Crue, “Too Young To Fall In Love” – I still love Motley Crue. Certainly one of the best bands to come out of the hair metal scene.
  57. The Romantics, “Talking In Your Sleep” – A song so good it was on our playlist about Sleeping too… even though I don’t sleep.
  58. Cyndi Lauper, “Girls Just Want To Have Fun” – Like I said earlier, I felt I had to include this one. Lauper was so much more edgy than Madonna…
  59. Genesis, “Home By The Sea” – My favorite track from one of their biggest LPs. So many singles from this album and yet I picked a deep track?
  60. John Mellencamp, “Crumblin’ Down” – The first album where we see the name “Mellencamp” on the cover. John was clearly lamenting the false trickle down economic policies of Reagan which led to our crumbling infrastructure in America.
  61. Bob Dylan, “Sweetheart Like You” – One of my favorite ballads from Dylan. Rod did a great cover of this as well. Infidels was such a great album. “Got to be an important person to be in here, honey, Got to have done some evil deed…” The whole sitting in a seedy bar talking to a woman theme was sort of the backdrop of my 20s.
  62. Paul McCartney, “The Other Me” – I had so loved Tug Of War. Pipes of Peace and the presence of Micheal Jackson upon it were so disappointing to me… This song is a little cheesy but it works.
  63. Paul Simon, “Hearts And Bones” – A great, oft overlooked gem of an album from Simon with some of his most personal lyrics.
  64. The Rolling Stones, “She Was Hot” – I’m probably one of the only really big fans of the Stones’ Undercover album. There were many deep tracks here that I could have included but I picked this one… it was a single I think? I recall a video…
  65. Billy Idol, “Eyes Without A Face” – “Steal a car and go to Las Vegas…” Indeed.
  66. Duran Duran, “New Moon On Monday” – Even when I didn’t like Duran Duran, I liked this song.
  67. Corey Hart, “Sunglasses At Night” – Another song that was “of it’s time.” It did inspire a lot of drunk frat boys to wear their sunglasses after the sun had gone down… sigh.
  68. Robert Cray, “Phone Booth” – This was before Cray’s big break-through on Strong Persuader. I heard this song on the juke box of the Grand Emporium (if they even had a juke box?) and loved it. The image of being in a phone booth (which are all gone now), spending your last time to try and get a someone to let you come over after midnight… Well, we’ve all been there.
  69. Yes, “Owner Of A Lonely Heart” – I just posted about 90125, but what a riff, what a comeback for Yes.
  70. Ozzy Osbourne, “Bark At The Moon” – Ozzy’s first post-Randy Rhoads LP proved he could find guitar talent anywhere. Jake E Lee was the new guitar slinger here and acquits himself well. And starting in the summer of ’83 I was likely found most nights out somewhere doing exactly this… perhaps more howling at the moon than barking but it works.
  71. U2, “Sunday Bloody Sunday (Live)” – I don’t usually include live LPs on these playlists dedicated to a certain year, but Under A Blood Red Sky, the live LP that followed War can almost be equally credited for making U2 famous… Those videos of Bono with the flag on the stage at Red Rocks… iconic.
  72. Siouxsie And The Banshees, “Dear Prudence” – One of my favorite Beatles’ covers. I will freely admit it was the Rock Chick who turned me onto Siouxsie. Oddly, I always got her mixed up with that singer in Bow Wow Wow. Proof I’m daft?
  73. Eurythmics, “Here Comes The Rain Again” – We end where we began… with a song I included on my playlist, All the Rain Songs. This is such a brilliant song about a break up… “Here comes the rain again, Falling on my head like a memory, Falling on my head like a new emotion… is it raining with you?”

There it is! Our 1983-dedicated playlist. Again, it’s long, one of our longest. Put it on, hit “random,” and let it shuffle through the music. You might even pour something strong for the listen. If there’s something you don’t dig, skip it. But I think for all of you who were old enough to own a clock/radio in ’83 are going to like most of this rock n roll. I consider all of my playlists to be “living things.” I add songs suggested by readers to every playlist I put out there. In the end they’re really “our” playlists not mine. I’m just the music obsessive who puts them together. If I could to do things differently in 1983, I certainly would change almost everything… but not the music.

Cheers! Take care of each other out there…