B&V Playlist: Beatles vs Stones Covers? No, Our Favorite Beatles AND Stones Covers!

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*Image of Jagger, Wyman & the McCartneys (and unidentified groovy chicks) taken from the internet, and likely subject to copyright

The world has become a really divisive place. Whatever the issue, there always seems to be disagreement these days. Politics, don’t get me started. Religion, I’m not qualified to talk about. For every opinion in the universe there exists an equally strong, opposite one. Meat eaters vs the vegans, hedonists vs the devout, drinkers vs the sober, and I could go on and on. I believe it was Sir Isaac Newton, that groovy cat with the apple and gravity, who stated in his Third Law, that for every action there is an equal, opposite reaction. For example, I would like to quit my job and sit around listening to rock and roll records all day. Perhaps I would occasionally take a break from that strenuous activity to head down to the used record store to check out some additional vinyl, only to return home and hang out. My wife has the opposite reaction to this idea and wants to work me like one of the old mules from the farm she grew up on until I collapse. Marriage, it seems, like life is a compromise.

However, we shouldn’t pretend that these disagreements are a new and modern convention. I remember, as a child in the 70s, there were similar fault lines amongst the population. I remember there was a fierce, Superman vs Batman thing. You were either a fan of the man from Krypton or you were on team Caped Crusader, and you couldn’t dig both. Me, I was a Batman fan. Ironically I later roomed with a guy whose nickname was Batman. We’d get crank calls in the middle of the night from his friends asking for Batman… When I’d say he wasn’t home they’d ask to leave a message from the Joker, or Commissionor Gordon. Real fuckin’ funny guys at 3 am. I think which Super Hero you dug said a lot about your personality. You were either the ideal of virtue and the perfect man or you were a troubled guy who hung out late at night looking for bad situations. Hmmm.

Anyway, one of the fiercer battles in the old days revolved around the Beatles and the Stones. The Beatles were huge. They were, well, the Beatles. In the late sixties the Stones began to get tagged with the nickname, “The Greatest Rock & Roll Band in the World.” I don’t know if it was the nickname, but suddenly the debate was real. The feud began even before Led Zeppelin came along, so all you Zep fans, stay calm and keep reading. There was suddenly a Superman-Batman type of line drawn. You were either a Beatles fan or you were a Stones fan and never shall the twain meet, as they say. It was the 60s version of East Coast vs West Coast, without the guns. Lennon claimed once that everything the Beatles did the Stones would do six months later. While you might cite Their Satanic Majesties, the Stones ill-fated trip into psychedelic music (after the Beatles Sgt Pepper album) as proof, I think after that the Stones forged their own bluesy, rootsy road.

But once a feud always a feud. I have often thought of my brother and I as polar opposites, which isn’t true, but we all have stories we tell ourselves about our families. My brother, who got into music way before me was a solid Beatles guy. He had the Rolling Stones’ Hot Rocks, perhaps the best “greatest hits” package ever released, but he had every Beatles album out there. I think he had UK and US versions of each album, although I could be wrong about that. I bet he’s sitting on a stack of very valuable vinyl. Anyway, my first love, of course, was the Rolling Stones. I can’t say that fueled any tension between he and I, but I’m sure it didn’t help.

Eventually, I realized feuds were silly. I like both the Beatles and the Stones. They’d both be on my greatest bands of all time list… although the Stones will always be #1 for me. That doesn’t mean I can’t love the Beatles too. Hell, Keith Richards once said, about John Lennon, that he wasn’t as “hen-pecked” by Yoko in his latter days as people say… he said whenever the Stones were in New York he and Lennon would party their ass off. Now that’s something I wish I’d have gotten in on. How much fun would that be? Lennon, Richards, I wanna party with you guys. Alas, I was just a kid in junior high school.

I was noodling around with some playlist ideas and I came across the idea of doing a playlist of Stones covers, of which there are too few. Then I started thinking of doing a list of covers of Beatles tunes, of which there are myriad artists to choose from. I was thinking of battling playlists, this could potentially be a B&V thing. But then a weird thing happened. I combined the two playlists and frankly I really enjoyed the results. Since it’s a slow time musically right now, I thought I’d share it with all of you. This is not a comprehensive or complete list of Beatles or Stones cover songs, it’s just a list of my favorites. As always you can find this playlist on Spotify by searching on kcorsini64 or BourbonAndVinyl (at least I sure hope so). Enjoy… and if you have any additions you think I missed, please mention them in the comments and I’ll add to the Spotify list. My comments on each tune below this link. And I’ll say again, there are always more Beatles covers than Stones covers… oh, well.

  1. Aerosmith, “Come Together” – What a great place to start. Lets all come together over the Beatles and the Stones.
  2. Black Keys, “She Said, She Said” – I love this song. I never figured the Keys to cover the Beatles but they do so beautifully.
  3. Peter Frampton, “Jumpin’ Jack Flash” – I like the live version and the studio version.
  4. Linda Ronstadt, “Tumbling Dice” – My favorite song of hers, save anything she covered by Warren Zevon or Lowell George.
  5. David Bowie, “Let’s Spend The Night Together” – Bowie’s frenetic take on the classic Stones track.
  6. Soundgarden, “Everybodys’ Got Something To Hide (Except Me and My Monkey) – God do we miss Chris Cornell.
  7. Fiona Apple, “Across the Universe” – Great track from a soundtrack. A track also nicely done by Bowie… but he’s already on here.
  8. Phil Collins, “Tomorrow Never Knows” – Say what you want about Collins but it took some real balls to cover this song.
  9. Montrose, “Connection” – Great, slowed down version of the Stones track.
  10. Cheap Trick, “Magical Mystery Tour” – Was any band more influenced by the Beatles than Cheap Trick? Well, besides ELO?
  11. Billy Joel, “A Hard Days Night (Live)” – Ok, maybe Joel was as influenced by the Beatles as Cheap Trick. It’s probably a coin toss.
  12. Social Distortion, “Backstreet Girl” – Social D doing a a down and dirty Stones cover. Whats not to love?
  13. Siouxsie And The Banshees, “Dear Prudence” – I almost like this version more than the Beatles original.
  14. Joe Cocker, “A Little Help From My Friends” – This one was a huge hit for Joe.
  15. The Allman Brothers Band, “Heart of Stone” – From their last studio album.
  16. U2, “Paint It Black” – One of their best covers!
  17. Lindsey Buckingham, “She Smiled Sweetly” – Buckingham recreates a whole band just plucking an acoustic guitar.
  18. Johnny Winter, “Stray Cat Blues” – A lot of blues guys cover the Stones.
  19. Motley Crue, “Helter Skelter” – A lot of folks have done this one, but this is my nasty favorite.
  20. Ray Charles, “Eleanor Rigby” – Also done beautifully by Aretha.
  21. Aerosmith, “I’m Down” – Great track from Permanent Vacation. 
  22. Billy Joel, “I’ll Cry Instead (Live) – Like I said, he rivals Cheap Trick in his love of the Beatles.
  23. Luther Allison, “You Can’t Always Get What You Want” – Obscure blues track but I love it.
  24. Guns N Roses, “Sympathy For the Devil” – From the ‘Interview With A Vampire’ soundtrack, believe it or not. This was the best thing to come out of that movie.
  25. The Who, “Under My Thumb” – Yep, the Who covering the Stones…worlds collide.
  26. Otis Redding, “Satisfaction” – The Rock Chick always laughs at me when I play this. I think it’s all the horns. Otis was soulful…
  27. Elton John, “Lucy In the Sky With Diamonds” – As a youngster I liked this track better than the original. What fools these mortals be…
  28. CSNY, “Blackbird” – Love the version on CSNY 1974. Stills takes the lead vocals, but those harmonies kick in, oh, man!
  29. Rod Stewart, “Get Back” – An outtake from the Tonight’s the Night album.
  30. Taj Mahal, “Honky Tonk Woman” – Stripped down to vocals, acoustic guitar, and harmonica, it’s like a porch blues jam.
  31. Tom Petty, “Taxman” – Petty covering his friend George.
  32. Cheap Trick, “Day Tripper” – They do the Beatles rockier stuff so well.
  33. Rage Against the Machine, “Street Fighting Man” – I chose this version to show the diversity of groups who cover these two bands.
  34. Dhani Harrison, Prince, Tom Petty, Jeff Lynne, “While My Guitar Gently Weeps” – From the Rock Hall of Fame ceremonies… Prince’s guitar solo is on fire. If you’ve seen the video, the other guys just stand there with their jaws dropped as Prince shreds… If Clapton was there I trust he snuck out quickly.

I may have dug deeper in some areas than most folks would have expected. I may have dug a little too shallow in other areas. But in the end, my Spotify playlists are for anybody whose interested. I add songs from the comments suggestions to the playlist all the time. Enjoy and I hope you all find this as an enjoyable a listen as I did! Beatles + Stones… Peace and Love, baby!

 

 

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Stevie Nicks: The New Rock Hall of Fame Inductee’s Essential Albums

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I can’t believe I’ve been so bone-crushingly busy lately that I haven’t had a chance to do what I love…sit back, crank tunes and then think entirely too much about what I’ve just heard. And then, of course, share it with you. The end of the year was crazy. The Rock Chick and I are in the midst of moving to new quarters. Every time I’d drop the needle on an album, she’d appear with boxes for me to carry, “tote that barge, lift that bail,” indeed. I can barely stand upright… thank heaven for bourbon to ease my back pain.

If you’re like me, you couldn’t turn the page on the calendar from 2018 to 2019 fast enough. Jesus, what a shitty year. Too many crazies out there, too much bad news. However, I did see one bit of good news. Stevie Nicks, of Fleetwood Mac fame, is going to be inducted into the Rock And Roll Hall of Fame this year as a solo artist. She’s in somewhat rare company there – Clapton is in solo and with Cream, each Beatle (save for Ringo) are in the hall as solo artists and with the Beatles, and I’m sure there are a few others – so good for her. I have to admit, I’ve always been a fan of her spacey, rootsy rock and roll. We often tend to focus on the harder rock end of the spectrum here and I don’t think we give the women rockers their due at B&V.

Ah, Stevie. I used to describe her as the “Mistress of Her Generation.” I didn’t say that because she’d burned through half of Fleetwood Mac (Lindsey Buckingham, Mick Fleetwood), the better part of the Eagles (Don Henley, Joe Walsh) and producer Jimmy Iovine… I called her that because we all loved Stevie Nicks. Every man of a certain age will get a peculiar, glazed look in his eyes when he hears Stevie Nicks sing. She was the cool, stoner chick that we all aspired to go out with in high school. Beautiful, mysterious, and wildly talented, she had it all. And likely she was carrying…

When I first got into music, I was way behind my brother. He had twice the number of albums that I did. Oddly, he traded me Fleetwood Mac’s Rumours for Supertramp’s Breakfast In America, which was a great album, but it was no Rumours. I listened to that album endlessly. Almost every song was played on the radio. “Dreams” was a song I’d been aware of even before I knew who it was or even liked music. It always seemed to be on the radio. I can close my eyes and I’m back at the neighborhood, public pool and there’s Stevie singing, “Do you have any dreams you’d like to sell?” I can think of a few… I would stare at this little pixie of a woman on the front and back cover… who was this “Gold Dust Woman”? Even my college roommate whose record collection was almost exclusively heavy metal (Van Halen, Sabbath, Zeppelin) had a few Fleetwood Mac albums…

While I loved Fleetwood Mac’s follow up album, Tusk, I may be in the minority there. I have to admit when I first heard it, the only songs I really, truly loved, other than the bizarre title track, were Stevie’s songs. “Sisters of the Moon,” “Sara,” “Storms” were all great tunes. Show me a man who says he didn’t mist up a little the first time he heard “Beautiful Child” after a break up and I’ll show you a liar. “Angel” was a great rock song that only Stevie could write and sing and only Lindsey could play guitar on… It is one of the quintessential Mac tunes for me. I guess the record company guys realized that Stevie’s songs were the best ones on the album and so Tusk did what all the romantic breakups in the band couldn’t do – it pushed the members to do solo stuff. It almost broke them up.

Stevie’s first two albums are just incredible. I can remember driving up and down the main drag where I grew up with the windows down and blasting “Edge of Seventeen” or her duet with Petty, “Stop Dragging My Heart Around.” Her backing band on those first two albums was sublimely talented. Waddy Watchel on guitar, members of both the Heartbreakers and the E Street Band (Roy Bittan, piano) backed Stevie on those first couple records. Jimmy Iovine produced them both and they were smash hits.

I saw Stevie on the 1983 tour in support of The Wild Heart. Joe Walsh opened. It was amazing. We had nose bleed seats and crashed down to the stage. Stevie sang “Beauty and the Beast,” and I swear she was looking at me and my friend next to me. We certainly qualified as “the Beast” in question. Her band that night included Watchel (guitar), Bittan (piano), Benmont Tench (keyboards), and Liberty Devito from Billy Joel’s band on drums. Instead of concert T’s we all bought the same photograph of Stevie and taped them to our walls. Jeez, what fan boys we were!

After doing the best tracks on Fleetwood Mac’s Mirage album, Stevie’s hot streak started to falter. It’s the classic Hollywood rise, fall, rise storyline. I remember my college girlfriend bringing me the aptly titled album Rock A Little. She knew I dug Stevie and she liked the song “Talk to Me” which looking back, may have been her attempt to send me a message… I wasn’t the most communicative of boyfriends. That album was a surprise for me. Stevie went heavy into the drum machine/synth sound of the 80s. The magic seemed to be fading. Stevie had cowrote most of the tracks on that album and her stuff was always better when she alone wrote it…

What we didn’t know was she was burning out from too much cocaine. Drugs always creep up on these guys. She finally got over that only to succumb to an addiction to Klonopin which led to excessive weight gain and a whole host of other problems. I think most people lost track of Stevie after that. But she emerged from all of that and started releasing a series of late period albums that are the kind of records B&V was born to write about. Here are the B&V Essential Stevie Nicks LPs:

  1. Bella Donna, 1981 – We all already loved Stevie from Fleetwood Mac and this album solidified her as a solo force to be reckoned with. From the hits “Stop Dragging My Heart” around and “Edge of Seventeen” to some of the deeper tracks, this is a great album. “After the Glitter Fades” and “Think About It” are two of my favorite deep cuts. The music is all real instruments – guitar, acoustic guitar and piano – coupled with Stevie’s nasally, throaty vocals. This album is almost perfect.
  2. The Wild Heart, 1983 – This was almost a sequel to Bella Donna. Iovine is back in the producers chair and most of the same musicians are assembled. A taste of the 80s synth sound is here in the first hit, “Stand Back” where Prince plays an uncredited synth riff. I heard Stevie say, “Prince just showed up and did this amazing thing on keyboards with just two fingers.” One can only wonder why Prince was hanging around… naughty, naughty man. “If Anyone Falls” was also synth heavy but still a great tune. “Enchanted” rocked and “Beauty And The Beast” features strings. Stevie was on fire.
  3. Trouble In Shangri-La, 2001 – An album, I must admit the rock chick turned me onto. After a number of misfires through the end of the 80s and 90s, I’d all but forgotten about Stevie. She’d actually asked old friend Tom Petty to write songs for her and he gave her a stern talking to about being confident and writing her own songs which resulted in “That Made Me Stronger.” My favorite track was an older Fleetwood Mac outtake, “Planets of the Universe.” I heard that song and knew Stevie was back. Sheryl Crow helped out on a couple of tracks on this record as well. This was a miraculous comeback album.
  4. In Your Dreams, 2011 – It had been a decade since her last album and I was thinking maybe she was done when this great record came out. Produced by Dave Stewart of Eurythmics’ fame, this record jumped out at me. “Secret Love” was a great opening track. “For What It’s Worth” is a beautiful acoustic track. Stewart seems to capture all the elements of Stevie’s early work, without being nostalgic. He even gets Stevie rocking on the harder edged “Ghosts Are Gone.” Check out the title track as well.
  5. 24 Karat Gold – Songs From the Vault, 2014 – I admire the truth in advertising in the title – these are all old tracks Stevie wrote back in the 70s and 80s, but I fear the title put people off. Once again we have Dave Stewart at the producers helm with none other than Nicks’ old pal Waddy Watchel helping. Stevie wrote so much great music for Fleetwood Mac, but with three writers she couldn’t get all her stuff on the records, so she had plenty of leftovers. Hell, “Silver Springs,” one of her greatest songs was a b-side. “Starshine” is a nice, tight little rocker that opens the proceedings. “Carousel” and “The Dealer” are two of my favorite Stevie songs. It was a brilliant idea for her to revisit these tracks she’d only demo’d before.

Congratulations Stevie on your induction to the Rock Hall! Folks, enjoy spelunking through this woman’s catalog. Her music and wonderful melodies will stick with you.

Cheers!