It Was 42 Years Ago Today… The Loss Of The King… Elvis Presley. Where I Was…

cq5dam.web.1200.675

I can’t believe it was 42 years ago today, we lost the King. Elvis Presley died. I remember where I was when I heard the news.

I was a kid in junior high school. I played in a YMCA sponsored football league. We had already started practicing three times a week, with games on Saturday. My coach, Coach Taylor, who drove a blue Mercury, would come and pick me and my neighbor Jeff up. His son Paul was always already in the car. We must have looked like something else driving down the road in a blue Mercury. This older dude with big side burns driving a car full of helmets and shoulder pads.

Coach had just picked me up when the announcer on the radio came on and announced that “Elvis Presley, the King of Rock and Roll has died at his Graceland home in Memphis.” The Coach was so shaken he had to pull the car over to the side of the road. He looked at his son in the passenger seat and then back to Jeff and I in the back seat as if searching to see if this was real. It was clear he thought he was in a bad dream. He stammered, barely verbal…”Elvis… gone… he was my age?”

It was a weird football practice. I remember running a lot. I don’t think Coach came out of the fog until long after that practice was over…

I remember the next few days watching all the mourners on television. There were so many crazy Elvis fans. I remember watching the funeral procession on TV. My parents, who were always more a product of the 50s than their younger siblings (who were clearly more influenced by the 60s), were very shaken. My father didn’t own many albums, but he had Elvis: Live From Hawaii and I remember that album being played quite a bit around that time.

I was just starting to get into music. The Stones and the Beatles and Zeppelin were more my thing. It took years for me to return back to the man who had influenced so many, Elvis Presley. He has so much brilliant music out there. Everyone should own any of the myriad greatest hits packages he’s got out there. From Elvis In Memphis should be required listening for everyone. If you can get your hands on his debut album on vinyl, Elvis Presley, do so immediately. Being older now, and realizing what a tragic, preventable loss this was really brings the tragedy home. A few years earlier, Barbara Streisand had asked Elvis to play the male lead in her version of A Star Is Born. The Colonel had Elvis turn it down. He was done in the movies…the Colonel was going to work him on a Vegas stage until he dropped like an old mule… I always wonder if taking that movie role might have turned Presley around. He’d have had to lose weight and ween off the chemicals. Sadly, we’ll never know.

As Americans we can argue about who should be President all day long… but I think we can all agree, especially on this anniversary of that sad day, there was only one King… Elvis.

It’s a long dark ride out there folks. Take care of each other. Especially someone suffering like Elvis did, hooked on opioids.

 

Advertisements

New Band Alert: Starcrawler – Edgy Punk Rock From Los Angeles

image

“Out of the mouths of babes…” – From, surprising to me, Psalms 8:2. Who knew?

As most of our intrepid, regular readers know, here at B&V we tend to focus on older, more established artists who are still putting out new, vibrant rock and roll. Admittedly, we’re also fond of “vault” releases from those same older artists. But every now and then we need to get out of our comfort zone and explore some of the new and sadly, increasingly rare rock and roll out there. I might be pushing some of you to an uncomfortable edge here, but this is a band you need to hear, much like Greta Van Fleet (for very different reasons and very different music).

In my life of musical spelunking, it’s become apparent that I discover music in the weirdest ways… Earlier in the year, the Rock Chick bought us tickets with our daughter to see Beck, Cage the Elephant and Spoon at Fiddler’s Green in Denver in late July. Because I’m a neanderthal, I wrote that down on my calendar instead of posting it on my work calendar. At the time I had months and months to worry about July, it was a lifetime away. Sigh. I ended up scheduling a very important meeting on the day of the concert. There was no way around it, I had to skip the show.  I haven’t been to a concert all year, so there was deep anguish associated with this decision. Not to mention my family was not pleased.

When the Rock Chick got back from Denver and I returned from my business travails, she told me the highlights of the show. Spoon rocked, Cage the Elephant was great and Beck was well, Beck. She even put a Spotify playlist together featuring the combined setlist for each band together. In the arc of the story about the show she mentioned the opening act, Starcrawler. She mentioned they rocked and were fronted by a woman, two things that were bound to pique my interest. She said the performance was “something else.” At one point, the lead singer, Arrow de Wilde spit out fake blood. She crawled around on the stage. At the end she collapsed and had to hold onto the railing to crawl backstage again. She said, “You know, I’m not sure if their set was any good, it was kind of overwhelmed by the spectacle.”

She immediately went to YouTube and started pulling up their videos. As I sat there, mesmerized by the physical appearance and performances of the show, I started focusing on the music. And damned if I didn’t hear the Runaways. As I’ve admitted previously on this blog, I was late to getting into punk or punk-influenced rock. I live in the American midwest, where we didn’t discover punk until 10 years later, like we were encased in amber. The Clash and the Ramones were my gateway punk bands. After that I was in – the Stooges (and Iggy solo), X, and The Sex Pistols, I love all of them. The more of the Starcrawler videos I watched the more I knew I had to check this band out.

Formed in L.A in 2015 by literally children, Starcrawler is a foursome consisting of Tim Franco (bass), Austin Smith (drums), Herni Cash (on nasty guitar) and Arrow de Wilde on lead vocals. Arrow’s mother is a photographer and is friends with Beck… that’s his daughter on their debut album cover (pictured above). They have, according to Wikipedia, the funniest origin story since Hendrix founded the Experience and hired Noel Redding because he liked his hair. From Wikipedia:

“In the summer of 2015, Arrow de Wilde and Austin Smith came together to collaborate in making music. When the school year began in 2015/2016, the two decided to recruit new members, a guitarist and bassist. One day during school Wilde saw Henri Cash and asked: “You look cool, do you play guitar?” Cash was actually carrying a tuba. Wilde later recruited bassist Tim Franco.[7]” 

“You look cool, do you play guitar?” may just go down in the annals of rock and roll. The fact that he was holding a tuba is the funniest fucking thing I’ve ever heard.

I immediately started crashing through their entire catalog of recorded music. I love this band. They’re punky and edgy. They can be vulgar and in your face. They conjure up the Runaways, or at least that was my first impression, but I also hear some Ramones and a lot of Hole in this music. I am not suggesting in any way they’re derivative like Greta Van Fleet, these are just the bands they remind me of. This is elemental, primitive rock and roll played extremely well. It’s visceral music. There’s not a lot of solo’ing or really any solo’ing on guitar it’s all just big riffs, played fast and aggressively.

Their first single from 2017 was “Ants” backed by “Used to Know.” Both tracks are that nasty, fast guitar rock that I just fall for. “Ants” kind of reminded me of the Ramones. From 2018, the had the single, “Hollywood Ending” and “Tank Top” both of which reminded me of Celebrity Skin-era Hole.

Their first LP, eponymously titled, is harder and has less obvious influences. There is a lot to like here. “Loves Gone Again” has a desperate, edgy riff. “I Love L.A.” (no, not the Randy Newman song), reminds me of Missing Persons with guitar. I’ve heard this first album compared to Sabbath, and I don’t particularly hear that except maybe for the big, monster riffs that drive “Chicken Woman,” another highlight here. I love the song “Pussy Tower,” but with a chorus that begins, “She gives me head,” how could I not love it. “Full of Pride” is another vulgar putdown, “‘Cause you’re a pretty little bitch, no matter how I word it, You’re always full of shit and everyone has heard it.” I like where these kids are coming from. Total punk attitude. The album ends on “What I Want” a declaration, “I don’t wanna be anyone but me.” At almost 4 minutes long, this amounts to an epic for this band. There are 2 songs on here that clock in under 2 minutes. Keep it up!

They followed up in 2019 with three new singles, “She Gets Around,” “Pet Sematary” (which has to be from the movie I’d guess), and the pick of the litter, their latest, “Bet My Brains.” “Brains” has a loping gait and I dare you not to become addicted to Arrow singing “Bet my brains, I’ve gone insane.” I have to say, “Pet Sematary” is catchy as hell and probably the most polish thing they’ve done… it almost sounds like arena rock.

I’m not sure where this band is going, they’re still awfully young, but I like where they’ve started this journey. Hopefully all of the singles released this year are pointing to another LP, I can’t wait to hear what they do next. Check this music out and keep an eye on this band.

Cheers!

Editor’s Note: It came to my attention that Starcrawler indeed have a new album coming out, ‘Devour You,’ on October 11th. We’re all looking forward to that here at B&V! 

 

 

Playlist: The B&V 50 Favorite Songs About Trains – “that lonesome whistle blows…”

IMG_1192

“Everybody loves the sound of a train in the distance, everybody thinks it’s true.” – Paul Simon, “Train In The Distance”

There’s just something about a train.

I spent my early years right out of college, after a brief summer in Boston, living in Northwest Arkansas. First in Fort Smith, then later in Fayetteville, Arkansas. I met a fetching young woman, full blooded-Thai with a southern accent, who lived in Shreveport, Louisiana. She was a lovely woman, but as many of us do in our youth, I was chasing something I would never attain, which turned out to be a pattern but those sad records are sealed.

Almost every Friday while I lived in Ft. Smith, Arkansas, (aka Ft. Hell), I would leave, usually before work was over and head down the two-lane blacktop of Highway 71. It ran the length of Arkansas and eventually into Louisiana and to my goal of Shreveport. I would typically spend as much time as I could in Louisiana before I returned to the dreaded Arkansas so I usually left Shreveport after the sun had gone down…even the sun split before I did. Highway 71 cut through Texarkana, first on the Arkansas side and then the Texas side. My memories of those days are faulty but I can remember on some of those dark nights, the highway turning into surface streets in Texarkana and being stopped by a train crossing the train tracks. I distinctly remember getting out of my car to use a discarded napkin to wipe dirt off my headlights, so dim was my view. I’ve always treated my car like a golf cart so its perpetually filthy. I can remember sitting in my car, watching those trains roll by. I would wonder where they headed. I was wondering why I was out there on the lonesome road headed somewhere I didn’t want to go.

Years later, after a brief stint living with my parents in Kansas City (after returning from my Arkansas exile), I rented an apartment at the junction of I-35 and I-635. I was high on a hill in a top floor apartment. In the spring and summer, I’d open the windows (who could afford A/C back then) and listen to the trains roll by on the tracks that ran parallel to I-35. There was something about that sound. The train chug-chugging by and then they’d blow that whistle. Is there a more lonesome sound than a train whistle in the darkness? I was alone at that time of my life and it was if the train was accentuating the point. There was so much it evoked: travel, movement, goodbyes, leaving, distance…

I was driving out to my parents new house, which is way south of Kansas City and lo and behold, I was stopped by a train. I sat there at the tracks, frustrated because I was already running late, when all those memories of driving dark roads around the south came back to me. I found myself just sitting there, enjoying the sight and sound of a freight train passing my field of vision, a car at a time. My thoughts wandered to Johnny Cash. That guy wrote more great train songs than anybody.

It was then that it hit me – there are shit-ton of great train songs. It doesn’t matter what genre you look to – rock and roll, classic rock, blues, country, country-rock (the Eagles, naturally), heavy metal (even German heavy metal), reggae… Hell, I’m certain even Sinatra probably has a great train song or two. If the sound of train evokes so much emotion in me, with all these great songs out there, maybe I’m not alone. Over the next few weeks I started to compile a list of songs with train references or about trains. Again, I could have just listened to Johnny Cash’s entire catalog and been satisfied, but we like to mix it up here at B&V. Pretty soon I had over 100 songs, and this was just off the top of my head. I whittled it down to just 50 tracks. As usual, you will find this list out on Spotify, under the title, “BourbonAndVinyl.net B&V 50 Favorite Songs About Trains.” While I quote the amazing Paul Simon track, “Trains In the Distance” above, it didn’t make the cut. It was too mellow. If you have suggestions for additional tracks, I missed, please recommend them in the comments. My thoughts on each track below.

  1. The Blues Brothers, “She Caught the Katy” – About a hardheaded woman who “left me a mule to ride.” Its the background for the iconic beginning of their movie and I’ve always loved it and hardheaded women.
  2. Bob Seger, “Long Twin Silver Line” – A rocking deep track that takes us across America.
  3. The Rolling Stones, “Silver Train” – The Stones riding a Chuck Berry-esque riff like it’s an actual train. Johnny Winter did a great cover of this song.
  4. The Band with Paul Butterfield, “Mystery Train” – I love this live version of Leon Helm duetting with Paul Butterfield from The Last Waltz. Butterfield did the studio version on his band’s first album.
  5. Bob Dylan, “Slow Train” – Dylan bringing an apocalyptic train round the bend.
  6. Velvet Revolver, “Sucker Train Blues” – Ex-GnR members and Scott Weiland of the Stone Temple Pilots on their most rocking tune.
  7. The Velvet Underground, “Train Round The Bend” – Lou Reed could even make a train song sound dirty.
  8. Crosby, Stills, Nash, “Marrakesh Express” – OK, it’s more of a drug song, but it works.
  9. Neil Young, “Boxcar” – Beautiful track from Chrome Dreams II.
  10. The Eagles, “Midnight Flyer” – Country rock from the band that made it famous.
  11. Steve Winwood, “Night Train” – I love this song. It’s long and so evocative. The production is “of its time,” but who cares.
  12. AC/DC, “Rock ‘N Roll Train” – One of AC/DC’s great late career jams.
  13. The Allman Brothers Band, “All Night Train” – A bluesy, stellar track from the Allman Brothers.
  14. Jimi Hendrix, “Hear My Train a Comin'” – Any version of this blues epic will do.
  15. Rush, “A Passage To Bangkok” – Ok, like “Marrakesh Express” more of a drug song, but I wanted to show that even prog-rockers do train songs.
  16. Van Morrison, “Evening Train” – A jaunty train song from Van who even sounds like he’s having fun on this ride.
  17. Tom Petty & the Heartbreakers, “Runaway Trains” – “I’m down here changing lanes…” a song that still haunts me.
  18. Paul Butterfield Blues Band, “Two Trains Running” – Such a great song by such a great blues band.
  19. Bruce Springsteen, “Tucson Train” – One of the happier songs on Bruce’s latest album, Western Stars, which find our hero waiting on his woman whose coming in on the train from Tucson.
  20. Social Distortion, “Drug Train” – The Rock Chick’s favorite Social D song… and one they never play live, alas.
  21. Scorpions, “Catch Your Train” – I had to go all the way back to Virgin Killers for this one.
  22. Grateful Dead, “Casey Jones” – “Drivin’ that train, high on cocaine…”
  23. The Who, “5:15” – From the fabulous Quadrophenia. One of my all time Who favorites.
  24. John Fogerty, “Big Train From Memphis” – Great track about the loss of the King, Elvis Presley.
  25. The Rolling Stones, “Love In Vain” – I debated about whether to put the Faces cover of this Robert Johnson track, but ultimately, the Stones version is definitive for me.
  26. Jeff Beck & Rod Stewart, “People Get Ready” – I wish these two would work together again in some capacity.
  27. The Rolling Stones, “All Down the Line” – A track that should be on their greatest hits. Yes, there’s a lot of Stones here, but I love the Stones and they love trains.
  28. Little Feat, “Two Trains” – Lowell George was a genius.
  29. Robert Plant, “Win My Train Fare Home (If I Ever Get Lucky)” – Plant covering a track made famous by Muddy Waters. What’s not to love?
  30. Bob Dylan, “Duquesne Whistle” – This track from Tempest starts off old-timey but takes off a minute in. Benmont Tench does a nice cover version too.
  31. Rod Stewart, “Downtown Train” – I was tempted to go with Tom Waits’ original, but this is better known and I have a story about this song… The Downtown Train to Wichita: The Road to Drew’s Wedding and the real Mayor of El Dorado, KS.
  32. Elton John, “Tell Me When The Whistle Blows” – Great Elton deep track, Playlist: B&V’s Favorite 20 Elton John Deep/Album Tracks.
  33. R.E.M., “Auctioneer (Another Engine)” – From their mumble the lyrics phase…there’s a train song under here somewhere.
  34. Lenny Kravitz, “Freedom Train” – More of a riff than song, but irresistible for this playlist none the same.
  35. The Doobie Brothers, “Long Train Runnin'” – The Doobies don’t get the love they once did, but they used to be as big as the Eagles, in my opinion.
  36. Joe Walsh, “At The Station” – Joe Walsh is just so solid. This is such a great riff and great song.
  37. Aerosmith, “Train Kept A Rollin'” – First done by Jimmy Page and his Yardbirds. I like this one.
  38. Gary Clark, Jr, “When My Train Pulls In” – A great, “I’m leavin’ here” track. Gary gives me hope for the guitar.
  39. Johnny Cash, “Hey Porter” – I almost went with “Orange Blossom Special.” There are so many great Johnny train songs. I had to limit it or his music would take over the playlist.
  40. The Cult, “Medicine Train” – From their biggest record, Sonic Temple. They’re out touring playing this record in its entirety right now but I haven’t caught up with them yet. I will…mark my words.
  41. Jethro Tull, “Locomotive Breath” – My favorite Tull song.
  42. Chuck Berry, “Let It Rock” – A railroad song from the perspective of someone working on the line… with a runaway train on its way…”gotta get the workers out of the way of the train.” The Stones, Bob Seger have both covered this track.
  43. Bob Marley, “Zion Train” – From his last studio album when alive. He was a giant.
  44. U2, “Zoo Station” – The opening track from Achtung Baby. 
  45. Guns N Roses, “Night Train” – More about the cheap wine of the same name, but I love these guys and this is one of my favorite songs by them.
  46. Ozzy Osbourne, “Crazy Train” – His signature song and an NFL stadium favorite.
  47. The Beatles, “One After 909” – A song they wrote in their early days but only went back to record during the jams around Let It Be. 
  48. Bob Marley & the Wailers, “Stop That Train” – It says Bob Marley, but this is Peter Tosh on lead vocals.
  49. Sting, “Twenty-Five to Midnight” – A song I first heard after wandering into a bar in Amsterdam. It was a bonus track from Mercury Falling that wasn’t put out in the U.S. until it came out as a b-side.
  50. Bruce Springsteen, “Downbound Train” – Beautiful, haunting ballad from Bruce to end our proceedings.

You can easily shuffle this playlist, which is something I always advise. Again, I probably missed about a million songs that could have been on here… Please make your suggestions in the comments section. This might be a good playlist for the car, when you’re out on that open highway, chasing something you just can’t catch…but again, those files are sealed.

Thanks and as always, Cheers!

LP Review: Paul McCartney, ‘Amoeba Gig (Live)’ – His Best Live Album?

image

Some of us out here just love live albums. The first live album I ever got was Frampton Comes Alive. Admittedly, my Sainted Grandmother bought it for me… My friend Drummer Blake on several occasions has cited Humble Pie’s Performance: Rockin’ The Fillmore as a favorite. Dr. Rock once told me that the J. Geils Band’s Blow Your Face Out was essential listening (he was, as usual, correct). Now, I realize that not everybody feels that way. Here at B&V, the Rock Chick does not like live albums and usually says something like, “Something sounds wrong with this song,” when I play a live track. Matrimony, sigh. Tom Petty once famously drawled, “Live albums are just your greatest hits played faster,” which was a pretty snarky thing to say from a performer whose live music is just phenomenal.

Naysayers aside, there are a lot of us who used to huddle around the radio if the local station was broadcasting a concert. There were some of us who stayed up late on Sunday night (at least here in KC), to listen to the King Biscuit Flower Hour to hear our favorite bands live. I remember hearing April Wine one night. I think every band was on that show at some point. I didn’t have money for concert tickets, hell, let’s listen to a live broadcast. Although I will admit, hearing those concerts on the radio usually had me so jacked up I was a wreck on Monday morning from lack of sleep. The sacrifices we make for rock and roll.

Every great band can bring it live. Every great band usually has a great live album. The Who have Live At Leeds, The Stones have Get Yer Ya-Yas Out!, and the Allman Brothers Band has Live At the Fillmore East. When playing live, bands can stretch out, jam a little bit. It’s always fun to hear a great energetic crowd and how the band feeds off of that – I can’t help but cite B.B. King’s Live At the Regal here as an example. Sometimes it’s just hard for a band to capture the energy of their live performances in a studio. A song that may have been a dud in its studio incarnation becomes an international hit, like say, “Turn The Page” from Bob Seger’s Live Bullet. This post is for all of you who are like me who love a good live album.

I consider Paul McCartney to be one of the greatest artists in rock and roll, ever. Some might say that he’s never really put out a great live album. I would argue that point. McCartney (& Wings, no less) released a 3-LP live album in 1976 from their tour in support of Wings At the Speed of Sound, entitled Wings Over America that I would argue is a great live album. It’s often dismissed as his stab at “arena rock” or a “concert souvenir”… and I say, what’s wrong with that? Arena rock, yes please. I think there was still critical backlash for McCartney with the rock press because he was the one who announced the Beatles had broken up. Move on, people. Anyway, Wings Over America is a sprawling trip through his solo hits, Beatles tracks, and a few odd covers. He even lets other band members sing a few tracks. He even does an acoustic set that takes up one whole side of the album. Very cool, indeed.

Since then, though, the story isn’t as great. Other than his fabulous Unplugged album – which I had in my hands back in 1991 in a record store in Warrensburg and didn’t buy (it was a limited release and I blew it) – his live albums have been spotty. The Stones are in the habit of releasing a live album after every tour. There are some of those live albums I’ve enjoyed but they feel like contract obligations after a while. McCartney of late has followed the same album, tour, live album cycle. Live LPs like Tripping The Live Fantastic or Paul Is Live weren’t great examples of what Paul could do live. Good Evening New York was a little better but none of these improved on Wings Over America. 

A short while ago, Paul finally released the full length recording of a show he did in a record store, Amoeba Records in Los Angeles, CA. He’d released Amoeba Secret a 4-song EP excerpt from the show back in 2007 when they recorded the show, I believe as a Record Store Day special. I don’t know why they sat on the entire recording for over a decade, but Rock Stars, what are you going to do? I can’t believe this performance wasn’t more widely bootlegged… The new release is entitled Amoeba Gig (Live) and despite my low expectations it’s a very pleasant surprise.

McCartney was on tour for his then current LP, Memory Almost Full, which is probably my favorite of his late period albums. I’ll be the first to admit that McCartney hit a creative lull in the 80s and early 90s. I have to wonder if the death of John Lennon in 1980 didn’t affect Paul more deeply than anybody realized. It wasn’t until 1997’s Flaming Pie that Paul found his groove again. Every record he’s put out since then has been compelling. Chaos and Creation In the Backyard was a bit downbeat and took a few listens to get into, but even it is a brilliant record. Memory Almost Full is chock full of great songs. As part of the promotion, McCartney and his backing band set up in this big record store and played for a small crowd. Even Ringo showed up for it. Although this must be a pretty big record store, it sounds like a bigger crowd than I’d have expected.

Playing in such an intimate setting, which McCartney describes as “the most surreal gig,” seems to really ignite McCartney and his backing band. I like to call his backing band, the Haircuts, mostly because of Rusty Anderson (lead guitar) and Brian Ray (guitar/bass). Those guys use more product in their hair than Motley Crue. They look like hot soccer moms from my old neighborhood. Although that moniker, the Haircuts is probably unfair as drummer Abe Laboriel, Jr is bald. David Arch on keyboards rounds out the outfit. McCartney plays bass, guitar, keyboards, and I think, ukulele.

McCartney and the backing band tear through a bunch of Beatles tracks and solo hits. They open up with one of my all time favorite Beatles’ tracks, a rollicking “Drive My Car.” What I like about this performance so much is they play a broad selection of songs from Memory Almost Full, including “Dance Tonight,” “Nod  Your Head,” “Only Mama Knows,” and “That Was Me.” The then-new material really stands up well. He also digs a little deeper into his solo catalog for this show. He plays “Calico Skies” a deep track from Flaming Pie. McCartney chokes up during “Here Today” from Tug of War, a song he wrote for John, and dedicates it to him, George and Linda. Its rare you see that kind of emotion from a rock star on stage. It’s a beautiful moment. He does the reggae-tinged “C-Moon” which I just loved.

What translates most here was that on this day in L.A., McCartney was having a great time performing. When the Stones play a big arena or stadium, Keith always wants to dig deeper into the catalog and Mick wants to play the well-known tracks as he feels people expect it. Personally, I prefer the deep tracks… McCartney, I think, gets stuck in that Mick-style thinking too. It’s great to hear him kind of play what he wants to.

That said there are great Beatles tracks here. He plays “The Long and Winding Road.” That songs lead to “I’ll Follow The Sun” which was always kind of a sad song, but so exuberant is McCartney it almost sounds happy here. The song I was most thrilled too see on the track list was “I’ve Got A Feeling,” although I’ll be the first to admit you really miss Lennon’s vocal part, taken by the Haircuts here. He does a rocking version of the Carl Perkins’ tune “Matchbox” that almost sounds punky, except for the horns. The show ends on a great version of “I Saw Her Standing There.”

Call me crazy, but the intimate setting, the great album he was touring on, and the excitement in that room all combine to make this a great live album. Its certainly easy to say this is his best live album since Wings Over America. Well, except maybe that Unplugged album, which was also a smaller show in an intimate setting. In these small shows, it’s clear he feels less pressure to please and more freedom to do “his thing,” which paradoxically pleases the crowd more. If you dig McCartney and you like live stuff, this is definitely worth your while to check out.

Cheers!

 

Album Lookback: AC/DC’s ‘Highway To Hell’ Turns 40 – Bon Scott’s Bon Voyage

0000826057.jpg

Not all heroes wear capes, people… Some don’t even wear shirts or if they do they cut the sleeves off and keep them completely unbuttoned, hairy chest out, gold chains proudly displayed, blues jeans pulled up to their navel to accentuate their…well, this is a family blog. There wasn’t a shirt out there that could contain the magnetism of Bon Scott. And in my case, I prefer my heroes a little sleazier and “bloozier” than Superman. As an aside, I’d be remiss if I didn’t mention the Rock Chick does a fabulous impression of Bon Scott…

I can’t believe AC/DC’s masterpiece, and sadly Bon Scott’s swan song, Highway To  Hell turns 40 this month. I think it was Bob Dylan who once sang, “time is a jet plane, moving way too fast.” I was in junior high school when this album came out. Although, admittedly, like most people in the United States, I was probably only aware of the title track, which was the only song the local radio station played by AC/DC. We knew “Highway to Hell” was a great song by a band whose name was slang for bisexuality but that was about it. Who were these crazed Vikings? From Australia no less?

It wasn’t until 1980’s Back In Black came out that we all discovered AC/DC for real. I’m frankly embarrassed to admit that it took us all a while to discover that there was a new lead singer in the band, so closely did replacement singer Brian Johnson sound like Bon Scott. Well, at least to our untrained ears. When Back In Black came out, I was old enough to drive but was rarely allowed to do so because of, well, beer. My friends and I were into sneaking out of our houses. We’d be home by curfew, wait an hour and then I’d hear rocks at my window signaling Brewster and Robert (names changed to protect the guilty) were outside ready for some miscreant bullshit. Those guys had sliding glass doors which made it easy to get out. I had to tip toe down creaky stares and unlock and open a back door whose hinges sang like a church choir. I remember one Saturday when some late night show as showing crude, grainy videos of AC/DC doing “You Shook Me All Night Long” and a few other tracks. I had to tell Brewster and Robert there was no way I was coming out. It was Brewster who said, “You know that’s a new lead singer right?” Revelations come in the darkness.

To this day, the Rock Chick prefers Brian Johnson AC/DC to Bon Scott AC/DC. The only album with tracks she likes with Bon on vocals is, not coincidentally, Highway To Hell. Although admittedly, I’m working hard to get her into Powerage, an overlooked gem of an album (LP Look Back: The Overlooked Gem, AC/DC’s “Powerage”). Like me, she loves the song, “Gone Shootin’.” In her defense, there is a real difference between the two singers. Brian comes across as a dirty old man. I always felt that Bon had a better sense of humor. He also brought a certain menace and bluesy vibe that is clearly distinguishable from latter day AC/DC. And let’s admit it, Bon does come across infinitely sleazier which for some reason I find appealing. The fact that the Rock Chick’s favorite Bon tracks are “Shot Down In Flames” and “If You Want Blood (You Got It)” fills me with pride. And she does a wonderful, comic impression of Bon Scott, gleaned from watching old video clips of him that I just love but I’m getting off topic here.

Bon was actually the band’s chauffeur when original singer Dave Evans quit AC/DC. Bon was quickly promoted to lead singer, quite a jump upward in stature. After Bon took over the lead vocals, AC/DC never looked back again. Bon was originally born in Scotland but his family migrated to Australia, exactly like the Young brothers, Angus and Malcolm, which instantly gave them something in common. After their first album, High Voltage, they became popular in Australia. With each succeeding album they got bigger and bigger around the world. The only seeming stumble on the road to superstardom was the aforementioned Powerage, which was a dark, little album. While Bon’s death after Highway To Hell has always imbued that album, and especially the title track with the mystique that Bon was prescient about his own death, I think Powerage was the signal he was in a dark place. The themes are all about desperation, drugs and poverty.

The album and the title track certainly got them a lot more exposure in the U.S. The band had gone to England to record the follow-up, this time with producer Mutt Lange when tragically Bon’s life was cut short. After a night out drinking, he passed out in the backseat of a friends car. His lifeless body was discovered the next day. The police ruled that he died of alcohol poisoning and called it a “death by misadventure,” which if you’re Bon Scott, is really the only way to go… the Rock Star way to go. There have been conspiracy theories about his death and how much of Back In Black he might have written ever since. Some questions, we’ll just never have answers to.

His final album as AC/DC’s lead singer was indeed his crowning achievement. The title track is one of the greatest rock songs of all time. There’s nothing like turning up “Highway to Hell” and driving down the interstate. Perhaps that’s why, inexplicably, I never purchased the album on vinyl. I bought it on cassette because I had to have it in the car. Years later I bought it on CD, remastered with beautiful sound. I have to put this on the list of used vinyl to look for.

We all loved that album, even the deep tracks. “Girls Got Rhythm” was always a favorite, with Bon’s usual flare for lyrics, “she’s got that backseat rhythm.” Which was sadly where most of us had our assignations with women back then…ah, high school. “Shot Down In Flames” could have been my college theme song. “Touch Too Much” has always been my secret favorite on that album. It was almost a pop song and the closest thing you’ll find to a ballad here. Bon didn’t do ballads, he only did blues tunes. Speaking of which, “Night Prowler,” the epic six and half minute track that ends the album, is a bluesy, “Midnight Rambler,” track about a serial killer that only Bon could come up with. “If You Want Blood (You Got It)” should be played in every football locker room before every game. It gets you up and ready for fighting.

This is simply one of the greatest albums ever. Every one should own this record and play it loud. From “Love Hungry Man” to “Get It Hot” there is not a bad track on this album. The fact that AC/DC found another great lead singer, and in a matter of months released the epic Back In Black in honor of Bon Scott is staggering. It’s the only album in their catalog that trumps Highway To Hell. 

This is an album whose fortieth anniversary should be heralded as a major rock and roll milestone. Me, I might put this album on, turn it up, drink a little bourbon and sneak out after curfew for some miscreant bullshit… I wonder what Brewster and Robert are up to these days…”’cause I’m the night prowler, I sleep in the day…”

Cheers!

 

LP Review: Foreigner, ‘Live At the Rainbow ’78’

image

“ARENA…….ROCK…….GODS!!!” – Text response from a friend re: Live At the Rainbow ’78

We’re going to be digging deep on this post. Admittedly, we may lose some of you on this one… However, there are those of us of a certain age, who can still look back fondly on the early work of Foreigner. It probably isn’t very fashionable to admit that now. Hell, it probably wasn’t very fashionable to admit liking Foreigner in ’77, but we were all in junior high school. We didn’t know what fashionable was. Punk rock may have been ruling supreme in the late 70s, but it didn’t quite reach us out here in the American mid-west. Well, not in Kansas City anyway. For us out here in “Fly-over Country” it was all about classic, arena rock.

Through the gimlet eye of history, it’s easy now to dismiss Foreigner. And sadly, after their late 70s/early 80s heyday they represent a lot of what went wrong with rock and roll. They fired a bunch of original members. The lead singer Lou Gramm left and came back. They went mellow with awful ballads like “I Want To Know What Love Is.” God, I hate that song. They got hit with the worst of tags, “Corporate Rock.” I’m not sure what that is… but I imagine a bunch of suits saying, “turn off the guitar and lets get a choir in here, this could be a hit.” Then they reformed with only lead guitarist Mick Jones and no other original members. They barely let Lou Gramm participate in their 40th anniversary tour. With each succeeding year they tarnish their legacy more.

When I think about that description, “Corporate Rock” I can’t help but think of a lot of the bands who came up as genuine rockers in that late 70s/early 80s era. Bands like Journey – who all met and started as an offshoot of Santana which I would think would make them credible, at least at the start – or Styx or REO Speedwagon, who at least started as middle American rockers. But all of those bands lost the fire. They kicked original members out of the band. Or they let one person or a small sub group take over the band. Styx fell prey to Dennis DeYoung, oh he of the bad toupee and the horror of Mr. Roboto. REO should have thrown out Kevin Cronin instead of let him take over. Steve Perry drove original keyboardist/vocalist Gregg Rollie out of the band and they went limp. Suddenly all of those bands went from genuine rockers to pop musicians striving for “hits.” Foreigner went from a six piece to a four piece right before releasing their fourth album, the creatively titled 4. Thomas Dolby of “She Blinded Me With Science” fame came in and played keyboards on that album. Chemistry in a band is just something you shouldn’t fuck with.

It wasn’t always like that for Foreigner. Guitarist Mick Jones from the UK, formed the band in New York with two other Brits, Ian McDonald (keyboards/guitar/sax) and drummer Dennis Elliott. Jones pulled in former King Crimson keyboardist Al Greenwood. They rounded out the group with two other Americans, Lou Gramm on vocals and Ed Gagliardi on bass. They changed their name to Foreigner, as wherever they toured at least half the band would be on foreign soil. With members with backgrounds from Spooky Tooth and King Crimson, one has to think they had some rock credibility. They were pretty far from that Corporate Rock title…

When, in 1977, they released their eponymous debut album it hit all of us like a ton of bricks. “Cold As Ice” and “Feels Like the First Time” were blasting out of the t-tops of Camaro’s and Firebirds from Chicago to Dallas. Those were the “hits” or the tracks rock radio was playing on high rotation but there were great deep tracks on that record. “Long Long Way From Home” is a track that still gets me up and moving. “Headknocker” was another big arena rocker. Even when they did ballads, there was sufficient rock and roll menace there – “The Damage Is Done” was a huge kiss off track. “Fool For You Any Way” is an example of a great ballad and believe me, there’s no fucking choir on that song and it hits with more emotional force than “I Want To Know What Love Is.” “Starrider” was a trippy, almost psychedelic thing that Mick Jones took lead vocals on. Even the deepest of the deep tracks rock, like “I’m At War With the World” (which contains my favorite lyric, “I’ve never had the need for any military aid”), or “I Need You.” In the midwest that album hit the spot. Hell, it sold 4 million copies.

Naturally, they toured the world. Finally, in the spring of 1978 they convened in London to record the follow up album, Double Vision, which sold even better than the debut. Even while recording that second album, they continued to play live. Luckily they recorded a concert in London at the famous Rainbow Theater. And apparently, high on their success they just put the tape of that show in the vaults. Here we are 41 years later and at last this concert document has been revealed. And, as a fan of releases from the vaults, let me say, this is some revelation.

First, let me say a word about live recordings. In the 70s, many bands broke through to the mainstream after years of toiling on studio albums by releasing live albums. Bob Seger’s Live Bullet, Kiss’ Alive and Cheap Trick’s Live At Budokan all spring to mind. One could cite Frampton on this list as well, but I’m going on and on. Almost all of those albums have some “touch up” work on them. The band went into the studio and re did some vocals, or maybe cleared up a guitar solo. When a band is on stage, sometimes a microphone doesn’t catch something or there’s some distortion. Even the Stones are thought to have done something similar way back on Get Yer Ya-Ya’s Out. It’s a pretty common practice. What makes Live At the Rainbow ’78 so remarkable to me, is this pretty much sounds like a raw tape of the recording. There are a few moments of feedback, Lou Gramm yells out at odd times. Nothing was cleaned up here and I love it all the more for that. Some people dig live recordings, and others like the Rock Chick, do not. This album is like listening to a radio broadcast, warts and all… not that there are many warts.

On this live recording Foreigner sound like a band at the top of the world. They play with a swagger that I just love. This album just rocks. They open with one of my favs, the track that opened side 2 of the debut album, “Long Long Way From Home.” It’s a bit sloppy but it kicks. It sets the tone for the whole performance. They blow deep track “I Need You” up to a 6 minute hard rock gem. “Starrider” gets a 12-plus minute treatment. The guitar solo is awesome. “Headknocker” which ends the show is almost 12 minutes and is complete with drum solo and guitar solo. They were indeed having fun.

They basically come out and do the entire first album. But what also makes this live album special is they play, probably for the first time live, two tracks from their upcoming second album. “Hot Blooded” and “Double Vision” both get muscular rocking versions here. The album was six weeks from coming out and they’re playing the two biggest tracks off of it already. This was a confident band. Even the ballads here, “Fool For You Anyway” and “The Damage Is Done” hit with a force I wouldn’t have expected.

For those of us who love that first album, or any early Foreigner, this wonderful live album is a must hear. I’ve been cranking Live At the Rainbow ’78 for a couple of weeks now and it always puts a smile on my face. Foreigner is probably a band you wouldn’t expect to hear about here on B&V, but as this album clearly documents, before they were Corporate Rockers, they were just a genuinely great rock band. How can anybody dislike a band who sings, “there have been rumors that my sense of humor, is lacking in some ways…” God, I love that song. Turn this one up, hold a lighter over your head and shotgun a beer… just for old times (and I mean junior high school times, my friends).

Cheers!

 

 

Playlist: B&V’s Favorite Rolling Stones Deep Tracks

unnamed

Well this post may be my magnum opus because to call me a Stones fan doesn’t really do my love for them justice. I’m more of a Stones Fanatic. If I ever had the crazy idea to get a tattoo, it’d probably be the lips/tongue Stones logo, but hey, if Jagger doesn’t have tattoo I don’t need one. I’ve got the whole aging hipster thing down without a tat. Anyway, I’ve seen the Stones on every tour of the United States they’ve done since Tattoo You. Frankly, most tours I’ve seen them twice or three times. I’ve travelled as far and wide as New York (for their 50th Anniversary show, a personal highlight in a lifetime of concerts), Little Rock, Arkansas and Dallas, Texas to see them. I stood in the rain in Alpine Valley, Wisconsin for the Steel Wheels tour, so, yeah, I’m in the fan club.

On B&V, I try to focus on older bands, the ones I grew up listening to, who continue put out new music. Alas in the short time I’ve been doing this blog, I’ve only had the opportunity to write about the Stones twice. They put out the superb blues album, Blue And Lonesome LP Review: The Rolling Stones, The Superb “Blue And Lonesome” – They Come Full Circle which I absolutely loved. And they went back into the archives for On Air, a compilation of their early performances on the BBC, LP Review: The Rolling Stones, ‘On Air’ – An Exciting Look Back To The Early BBC Performances. It’s a shame they’ve only put out one album of all new original material in the last 25 years, the superb A Bigger Bang. I saw recently Stevie Nicks of Fleetwood Mac said, in essence, why record a new album? No one buys them, anyway. Which is a damn shame. Maybe that’s why the Stones stopped recording regularly. As Elton said once, “would anybody have the balls to have walked up to an older Muddy Waters and told him to stop recording?” I think not.

What they seem to be content with these days is just repackaging up the old greatest hits. There was Forty Licks, which at least had four new songs on it. That was followed by GRRR! which had two new tracks. Recently, in advance of the latest leg of the never ending ‘No Filter’ tour (which, yes I saw), they put out Honk. There were no new studio tracks on that one, but they included some interesting live duets they’d done whilst on tour. Beyond that, the Stones release a live album after every tour or significant show (like the one in Havana or the one at Hyde Park). I hear they’re working on a new album, but it wasn’t up to their usual high standards so they’ve gone back into the studio to tidy it up… Keith Richards described it as “being more like carpentry now, than anything.”

A few weeks ago, in honor of Elton John’s Retirement Tour, I did a playlist of some of my favorite deep tracks of his, Playlist: B&V’s Favorite 20 Elton John Deep/Album Tracks. I was pleased at how well received the playlist was by people. It garnered a number of comments which are always welcome down here at B&V. One of my favorite rock and roll people, Dr. Rock commented, “I was hoping you’d do one of these deep track lists for the Stones.” Eureka, I thought… why haven’t I done one for the Stones? They’re my Alpha and Omega… and with all these Greatest Hits packages they’ve flooded the market with, people may have lost touch with their brilliant back catalog and the very deep tracks that I love. This task, I knew, was going to take some time…time and bourbon.

I was in junior high school when the Stones’ classic Some Girls came out and changed my life. It kicked off my life-long addiction to rock and roll. I loved the way Keith and Ronnie’s guitar played off each other. Keith calls it “the ancient art of weaving,” which is an accurate description, they would literally weave their guitar parts around each other. They really are the most symbiotic guitar duo out there… with only Angus and Malcolm Young even close. I’ve always been a huge fan of all the music that the Ronnie Wood-era Stones did. I love the dirty 70s and the 80s.

I had taped my brother’s copy of Hot Rocks, that I eventually wore out so I didn’t really buy the Mick Taylor (Ronnie’s predecessor on guitar) era Stones stuff, known as their “golden period” until I got to college. There was so much to love there. Mick was a virtuoso soloist and it allowed Keith to become the riff-meister we all know and love. And while this period of the Stones produced their most well known songs, if you dig a little deeper on albums like Exile On Main Street or It’s Only Rock And Roll and you’ll find rock and roll gold.

As I dug deeper, and moved backward in time, through the Stones catalog, inexplicably I stopped at Their Satanic Majesties Request. I didn’t go back to the early stuff, with Brian Jones on the lead guitar. He was a tortured soul, but goddammit he could play the slide guitar. I had always thought of the Stones in the early days as a blues covers band, the anti-Beatles. I was, as usual, wrong. All of those early Stones albums, which did begin as being heavy on blues and Chuck Berry covers, are essential listening. Buying all those albums, from England’s Newest Hitmakers, 12×5 to Between The Buttons and immersing myself in that music was one of the most satisfying musical experiences of my life. I urge you all to do the same, it’s worth it.

I started compiling this list over a tumbler of dark and murky fluid. It was truly a labor of love. When I was done I had close to 150 songs. I knew that wasn’t going to fly. I have edited the list down quite a bit. I’m sad to say, that 5 of the songs on the list are not on Spotify. I will highlight them in my comments below. You can find the playlist on Spotify under ‘BourbonAndVinyl.net Favorite Rolling Stones Deep Tracks.’ You can also search under ‘recorsini.’ This list isn’t, as always, meant to be definitive. These are just songs that I love. They may be familiar to you. You may think when you hear these, “Oh, yeah I forgot about that track.” I hope you discover something you’ve either not heard or had forgotten about. If you have a favorite that you’d like to highlight, please do so in the comments section. Here’s the list with my thoughts on each track below.

  1.  “Little By Little” – An early track from their debut album. A perfect way to start this party.
  2. “Around And Around” – The Stones do Chuck Berry almost better than Chuck does…almost. This is one of my favorites of their many covers by him.
  3. “What A Shame” – One of the earlier Jagger/Richards penned tunes that doesn’t get the attention it deserves.
  4. “I Can’t Be Satisfied” – The Stones doing Muddy Waters. This track is sublime.
  5. “The Under Assistant West Coast Promotion Man” – The Stones taking the piss out of a record company dork.
  6. “The Spider And the Fly” – “My, my said the spider to the fly…”
  7. “I’m Free” – A track that found new life after the Stripped acoustic live record. I think it’s sadly on a credit card commercial… sigh. Everything is for sale.
  8. “Gotta Get Away” – Jagger/Richards continue to develop as songwriters.
  9. “Out of Time” – Great deep track from Aftermath, the first album they did with no cover tunes.
  10. “Back Street Girl” – Love this song, and the cover Social Distortion did too.
  11. “2000 Light Years From Home” – A track I was unaware of until I saw them do it live on the Steel Wheels tour. I wish they’d do more deep tracks like this one on tour.
  12. “No Expectations” – Brian Jones’ slide guitar on this album is absolutely sublime. It’s perfect. Alas, it was to be his last significant contribution to a Stones tune.
  13. “Stray Cat Blues” – An utterly inappropriate blues track about the charms of young girls.
  14. “You Got the Silver” – One of my favorite tracks with Keith on lead vocal. Although I’ve always been partial to Keith’s songs. It’s great live.
  15. “Monkey Man” – This track is a bit more well known, but it’s one of the Rock Chick’s favorite Stones tracks. Saw them play this live in Chicago with her and she fell in love with it.
  16. “Jiving Sister Fanny” – From the odds and sods album Metamorphosis. I’m not even sure if all the Stones are on this album.
  17. “I’m Going Down” – Not the Freddie King classic, but a dirty little seventies Stones track.
  18. “Moonlight Mile” – The most beautiful ballad on Sticky Fingers.
  19. “All Down The Line” – One of my all time favorites.
  20. “Ventilator Blues” – Epic blues track.
  21. “Plundered My Soul” – A bonus track from the superb “deluxe” edition of Exile. 
  22. “Coming Down Again” – A beautiful junkie lament from Keith.
  23. “Winter” – An epic ballad. I love this song, always have.
  24. “If You Can’t Rock Me” – “Somebody will…” Love me or leave baby, kind of track.
  25. “Crazy Mama” – An overlooked gem of a rocker from Black And Blue, Ronnie’s debut with the band.
  26. “Memory Motel” – My favorite ballad in their entire catalog. Keith has a nice, small vocal part. “She drove a pickup truck, painted green and blue…” Lost love in the Memory Motel… we’ve all stayed there.
  27. “So Young” – From the deluxe edition of Some Girls. Keith had been busted in Canada for heroin possession and intent to distribute. Serious jail time loomed. They holed up in a Paris studio and recorded the bulk of what would become their next three albums. I love this randy little tune.
  28. “Keep Up Blues” – They rock, they do reggae, they disco, but they always come home to the blues.
  29. “Summer Romance” – Another great rock song that the Stones make look so easy. One of all time favorites.
  30. “Down In The Hole” – Another great blues tune. Blues is in these guys’ pores.
  31. “Indian Girl” – “Little Indian girl, where is your father?” A country song about Castro, Che Guevara and their African military adventures.
  32. “If I Was A Dancer (Dance Pt. 2)” – Sequel to a disco song on Emotional Rescue. Yeah, yeah, I know, “Death Before Disco,” but I dig the Stones when Mick gets his groove on. I couldn’t find this one on Spotify. It’s on Sucking In the 70s if you’re interested.
  33. “Neighbors” – A rocker with some truth.
  34. “Black Limousine” – Bluesy rocker, “we used to ride, ride, ride around in black limousines.”
  35. “It Must Be Hell” – This overlooked rock song has a monster riff from Keith.
  36. “One Hit To The Body” – Great opening track to the overlooked Dirty Work, which happens to be a great album.
  37. “Had It With You” – I love Ronnie’s guitar on this track.
  38. “Winning Ugly” – Another great Dirty Work track.
  39. “Continental Drift” – Brian Jones got the Stones interested in the music of Morocco. On their return album, after a short break-up, Steel Wheels, they returned to Morocco to record this track… the circle of life.
  40. “Hearts On Fire” – Great bluesy rocker.
  41. “Terrifying” – I have never understood why this wasn’t a hit.
  42. “Highwire” – The Stones get a little political on this studio rock track, tacked onto the end of the live, Flashpoint. 
  43. “Sparks Will Fly” – “When I get myself back on you baby.” Another randy, little track.
  44. “Brand New Car” – Voodoo Lounge was such a great fucking album.
  45. “Out of Control” – Another great track that is even better live. They still dust this one off every now and again in concert.
  46. “Don’t Stop” – A classic Stones track that will never get its due. It’s a perfect Stones song.
  47. “Fancy Man Blues” – From an album I bought in a Starbucks, sigh, Rarities. I couldn’t find this song on Spotify, nor could I find the next two, from the same album, but they’re all tracks worth checking out if you can find them.
  48. “Let It Rock” – A live take on Chuck Berry’s classic.
  49. “Wish I’d Never Met You” – More blues from Rarities. 
  50. “Rain Fall Down” – A great track from A Bigger Bang, an album that proved the Stones still had it. They could still deliver. I wish they’d kept recording.
  51. “Under The Radar” – Another track I couldn’t find on Spotify. Its only available on the deluxe version of Bigger Bang. It’s actually on the bonus material on the Blu-ray. I can not fathom why this hasn’t been released to the general public.
  52. “Infamy” – Keith’s great track from Bigger Bang. A play on words, “You’ve got it in for me” (in for me – slurred to infamy).
  53. “Doom And Gloom” – A great “state of the union” track from GRRR! 
  54. “One More Shot” – The last studio track these guys released. Let’s hope they correct that soon.

Pour something strong and enjoy an afternoon of blues-rock by the men who invented and perfected the form.

Cheers!