As I’ve often referred to in BourbonAndVinyl, I was single for a long, long time. And then I met a really cool chick, The Rock Chick, and settled down and got married. One might think that this late entry into the realm of marital bliss might leave me somewhat clueless on subject of a successful, happy marriage. How could a bourbon drinking bounder figure out the intricacies of something so complicated as marriage. I turned for wisdom on the subject, where I always turn, to the culture of the late 70s and early 80s. In the case of marriage, I turned to Burt Reynold’s and his 1981 movie, ‘Sharky’s Machine.’ I had tried to glean something from watching Kojak reruns but there was no wisdom on marriage there…”Who Loves Ya, Baby.”
Even though I married an extremely cool woman, with a great sense of humor, she’s still a woman. Men and woman have been inexplicably getting married since the dawn of time. I read somewhere somebody describing men and women as being “members of two distinct and warring tribes.” I think that sums it up. How any two people can set aside the differences that daily life generates, especially when you take into consideration the raising of children and the conflict that generates, is a mystery.
Marriage is minefield. I mean, it’s a happy thing if you’re doing right, but there are always mines out in that field. The mines typically come in the form of questions… for example:
“Do these pants make me look fat?”
“Do you like this outfit?”
“Which shoes do you like best with this skirt?”
“I know the game is on, but can you come in here and help me unload the dishwasher?”
“My mother is coming to visit, isn’t that great?”
“Don’t you remember, I told you we were going to the “Phantom Of The Opera” over a month ago…”
“Can we do something with all these albums of yours?”
The list could go on. The entire mood of the household is dependent on how I answer those questions. Things can go from blissful to sullen and angry at the drop of a hat. I learned this, as I’ve learned everything in my life… The Hard Way.
But then I remembered the old Burt Reynold’s movie, ‘Sharky’s Machine’ and it all became clear to me. As the lead character, Sharky, Burt plays a tough, streetwise, wise-cracking, Atlanta police officer. He has a steak-out go incredibly wrong and gets moved out of Narcotics and into the Vice Squad, a unit of misfits and burn outs. Ah, the 70s… I could have written the standard plot lines they used, or at least I like to think I could. Anyway, Sharky’s partner in the Vice Squad is a man named Arch played by Bernie Casey.
Arch is into Zen. In a great scene that can be found on Youtube if you search on the words “Sharky’s Machine Ghosting Scenes,” Arch explains how he used Zen to avoid being shot when he was out on a domestic violence call. He was circling the house when the culprit comes out of the back door with a sawed-off shot gun. He thought for sure he was dead. It was then that he applied his Zen theory and he completely “disappeared.” He ceased to exist. His face went blank, his arms went slack. He was putting off zero energy, zero emotion. Instead of shooting him, the culprit just walked past him.
Later in the movie, Arch gets into a gun battle with the crazed, coke-addled villain, Victor. Arch is injured and so is Victor. Victor manages to disarm Arch. Once again Arch is faced with a sawed-off shotgun in his face. And you watch Ben Casey, in what should have been an Academy Award winning performance, in my humble opinion, do his “Ghosting,” Zen disappearing act. His arms and jaw go slack. His eyes are a complete blank. He is literally out of his body. Victor screams at him twice, I guess to see if he’ll react. Arch knows if he reacts in anyway, Victor will shoot him in the face. So he stays Zen disappeared. Victor just turns and walks away down the hallway leaving Arch alive. I have no idea why those scenes made such an impression on me, but I’ve always remembered them.
Then, years later I got married and suddenly I realized why I was meant to remember ‘Sharky’s Machine’ and the Zen-disappearance scenes.
When my wife comes into the room and says, say, “Were you eating potato chips in the kitchen, because you got crumbs, EVERYWHERE…” in the past I would have defended myself. Or blamed the cat. But not now. Now, I do what I like to call, “The Sharky’s Machine.”
I let my arms fall to my side. My jaw goes slack. I emit no emotion, zero energy. My eyes go blank and I completely disappear. I know that if I react in anyway, I’m likely to get shot in the face with a metaphorical, emotional shot gun. Oddly, the Sharky’s Machine seems to work. The other night my wife asked me if I wanted to get a winter place in Phoenix to be nearer to her daughter. Early into the conversation she said, “Are you Sharky’s Machining me?” The lesson there, is that the Sharky’s Machine Maneuver works even when she knows I’m doing it.
The Sharky’s Machine has saved me countless arguments, apologies, flowers and chocolates. It’s literally saved me thousands of hours of anguish. And I owe it all to Burt Reynold’s and Bernie Casey. I knew it was a must to share this bit of wisdom with the rest of the world.
I’m sure it would work for women out there too, when your husband asks you, say, “Do you want to skip our anniversary and go to the football game instead?” Or, “Do you think your friend would be interested in a threesome?” Or worse, “What do you think of my blog?” I think the Sharky’s Machine is a perfect move for you ladies out there.
Remember folks, marriage is a compromise. And, more importantly, “Nobody leans on Sharky’s Machine.”
Cheers! (Youtube.com, search on “Sharky’s Machine Ghosting Scenes.”)