Movie Review: ‘Echo In The Canyon’ – Flawed, Enjoyable Look at Cali ’65-’67


As avid, repeat readers of B&V already know, my corporate masters often force me to travel to far flung places in order to do my job. I’m hitting all the garden spots these days from Des Moines to Phoenix to Minneapolis. That’s Minneapolis in November people. This is not glamorous travel. Yes, there’s a lot of eating and drinking on the road but I’m to the point where I’m kind of over that. I never know when I’ll be asked to drop everything and head to the airport.

When I’m actually home, I like to Netflix and chill, which I have always thought meant watch shows on Netflix and well, chill out. Apparently there may be another meaning to that phrase… I may need to ask someone younger… Anyway, my travel schedule doesn’t really allow me to watch “network television.” Not that I’ve been a fan of watching anything the networks put out… I haven’t really been a big TV fan since they cancelled Kojak. I like to watch football and tennis on TV and that’s about it. I’m not like those, “I only watch sports and public television” type of snobs (ahem, Doug). After a long day at work, when I am at home, I do like to veg out on the couch and binge-watch something.

After recently returning from one of my extended trips away, the Rock Chick said, “I’ve found a bunch of things we need to watch.” This is always a happy announcement. However, sadly, Eddie Murphy’s Dolemite was one of them… don’t waste your time (full disclosure, it was one of my picks). One of the first things she pulled up was a documentary on Netflix called Echo In the Canyon. It’s a documentary focusing on L.A.’s famous Laurel Canyon, a haven for artists and rock stars back in the heyday of rock and roll. Rock and roll doc, a rockumentary, Hell Yes! It was put together by director Tom Slater and Jakob Dylan (son of Bob, formerly of the Wallflowers) who also serves as the narrator/chief interviewer. There’s a funny piece of dialogue between Jakob and David Crosby when Crosby says, “And then Dylan showed up…” and Jakob, very deadpan responds, “You’re going to have to be more specific.”

The doc traces the influence of the Beatles to the Beach Boys and then through a series of iconic bands from the mid-to-late sixties. The show is divided between archival footage of the bands, to interviews with members of the bands (Crosby, Roger McGuinn, Michelle Phillips, Brian Wilson, Stephen Stills) to shots of current artists sitting around discussing the  music and the time that generated it (Beck, Cat Power, Jakob, Norah Jones). It appears after filming the documentary, Jakob Dylan got a bunch of people together, both in the studio and at a one-off concert to recreate the songs. They released a soundtrack and the covers are mostly reverential. The only track that really caught my ear was Jakob and Fiona Apple duetting on the Beach Boys “In My Room,” a song I’d never heard before but instantly loved. It’s an interesting listen. Beck and Norah Jones, two of our B&V favorites have tracks on the soundtrack too.

In the middle sixties the Beatles were king. Their influence can not be overstated. The documentary which features Ringo (we all love Ringo, Peace and Love, baby), starts with them and their influence. They’d spent time in Laurel Canyon on one of the early tours. Laurel Canyon was a hot bed of artists (I’m talking painters/poets not just guitarists) and musicians. All these different bands had people who lived in the Canyon. They’d jam all the time. They’d show up at each other’s houses and write songs and try out new material. If I were to die and reawaken in Laurel Canyon in the sixties I’ll know I’m in heaven. It had to be rock and roll Nirvana.

The film starts with Jakob Dylan and Tom Petty hanging out in a music store, surrounded by guitars. I’ll admit, it sort of hit me hard to see Tom Petty sitting there surrounded by guitars talking about folk-rock and the Byrds. He strums a tune on a Rickenbacker (which he says is pronounced “back” not “bach”) from the She’s the One Soundtrack, and after a few chords, he smiles a devilish smile and says to the camera, “that’s all you get… you can’t afford any more.” God, do we miss Tom Petty. He sets up the entire story…

The main band at the beginning of this story is the Beach Boys. Now, in full disclosure, I’ve always hated the Beach Boys. Besides Brian Wilson they didn’t really play instruments. They were the sixties N’Sync if you ask me. But I’ll begrudgingly admit the huge influence they also had. They were influenced by the Beatles and “genius” Brian Wilson in turn influenced the Beatles… and back and forth it went. Pet Sounds is compared to Bach in the documentary. That influence was even greater on some of their American compatriots.

From the Beach Boys we go to Roger McGuinn and the Byrds. McGuinn was also influenced by the Beach Boys and especially the Beatles. He started playing Beatles tunes, stripped down and acoustic for folk fans in the Village in New York city. They didn’t dig it, so he packed up and headed out to the Canyon to form the Byrds with David Crosby, amongst others. Crosby is interviewed at length and even admits that, well, he was kind of an asshole. He was kicked out of the band for writing a song about a threesome… “Triad.” Hell, that’s what a lot of songs are about these days… I don’t see the issue there. Ironically the Jefferson Airplane recorded the track a few years later.

From the Byrds the line runs to the Mamas and Papas. They too were trying to make it in New York and then migrated to the Canyon. Michelle Phillips is on hand to recount her glory days, sleeping with everyone. Go Michelle, go! She explains the genesis of such legendary songs as “Do What You Want to Do” and “California Dreaming.” The vocal harmonies in that band were incredible. Mama Cass never gets the credit she so richly deserves. I found myself loading tracks from their greatest hits onto my iPod.

After that the story heads over to a band I’ve always under-appreciated, the Buffalo Springfield. Neil Young, Stephen Stills, Richie Furay all in the same band. They showed some great clips of the guys back in the sixties. Stephen Stills apparently was very fond of cowboy hats in those days. What a great band. I only had their Retrospective hits LP, and after this documentary I quickly rushed out and bought their debut, eponymously titled LP. What a classic. That’s the key to this whole documentary – I was filled with the need to go and seek out these bands and explore their music. I urge all of you to do the same.

Now, I have to admit the choices they made here were pretty limited. The Monkees, who always get a bad rap, also lived in the Canyon and they’re ignored. Hell, they used a lot of the same session musicians the Beach Boys used. The Monkees hung out with the Beatles too, you know? They learned to play their instruments and in 1967 they had the second biggest selling LP of the year behind Sgt Pepper’s Lonely Hearts Club Band. Which means they sold more LPs than Hendrix, who once opened for them. They totally ignore the Queen of Laurel Canyon (if you will), Joni Mitchell. Where is she in this? They talk to producer Lou Adler, you’d think they’d talk to or about Joni. Jim Morrison of the Doors lived out there but I guess his music is outside the narrow focus of folk-rock, country-rock. Yes, this rockumentary is slightly flawed if you ask me.

All of that said, if you accept the narrow focus of the documentary, then this is a very enjoyable watch. And again, everyone should seek out this music, whether it’s the Beach Boys, the Byrds, the Mamas and the Papas, the Buffalo Springfield, and try to find it on vinyl. If you were to pass below my  home office window this week, you’d think it was 1966 up here… I’ve been dancin’ around all week with a fringe jacket and bell bottoms on. It’s groovy stuff people and we all need more groovy these days.



13 thoughts on “Movie Review: ‘Echo In The Canyon’ – Flawed, Enjoyable Look at Cali ’65-’67

  1. Hey nice piece,
    For some reason i’m a ”If its on I’ll watch it type of guy” I rarely go looking for stuff. We have two channels in the UK that play half decent music documentary’s [BBC 4 and Sky Arts] on Friday nights / Saturday mornings. I think the last time I asked the Kids for the netflix password was to watch The Dirt.. Oh dear..
    Now books on the other hand I can usually consume about 1 or 2 a week [just finished the drummer from the Black Crows memoir an excellent read]
    If I could recommend 2 books both by the infamous Barney Hoskins to you.
    Waiting for the sun and Hotel California. Both of which cover the L.A, Laural Canyon scene in all its glory.
    Cheers Till next time.


    1. Mark, thank you for the comment and as always, for reading B&V. I’m sorry you had to suffer through ‘The Dirt.’ Thanks for the recommendation on the books. I’ve heard great things about the Black Crowes drummer’s (Steve Gorman, I think is his name?) memoir, I’ll have to check that out. Thanks for the Hoskins’ recommendations as well. I love reading about rock n roll. Cheers!


  2. Thanks for the post on this. Caused me to search it out and I’m enjoying it.

    Two observations:
    1. If Bob had Jakobs voice…..
    2. Clapton admitting to basing Let it Rain off Buffalo Springfield’s Questions is why these rockumentaries are always gold.

    Thx for the the write up!


    1. David, thank you for reading and commenting… couldn’t agree with you more!! There’s always those little gems we find in rockumentaries that make it worth while. I really enjoyed ‘Echo…’ glad you did too!


  3. I still need to see this doc, and the Linda Ronstadt one too (Given the eras and location, might make a nice double feature!).

    You say that “Echo” ignored The Monkees. The song “She” is on the film’s soundtrack though. Did they not play it in the film?

    Also, you say The Monkees “learned to play their instruments.” Come on… Nesmith and Tork were already excellent, working musicians when they were cast for the TV show. They didn’t have to “learn” anything,

    Nez already had a bunch of fine songs, some of which made it on the early albums (Including “Mary, Mary” which Butterfield covered before The Monkees debut), not to mention “Different Drum” which the aforementioned Ms. Ronstadt would have hear first hit with.

    Tork had been playing in the Village in NYC, made his way out west, and was pals with the likes of Mama Cass and Stephen Stills (It was Stills who tipped Peter off to the auditions, after Stills himself was rejected).

    Anyhow, even though they weren’t allowed to play at first, Nez was able to produce for his own songs and insisted Peter play on those tracks. Guitars, bass, banjo, and all kinds of keys. Peter could play all those and rather well.

    Once the group and show took off, they had to be able to be a band to tour. Micky Dolenz had to learn the drums, but he wasn’t entirely a musical beginner. He’d been in a band that cut a single prior to The Monkees, and played guitar. He learned the drums quickly, well enough to be able hit the road (And play on 1967’s wonderful Headquarters album, among other tracks that year)

    And Davy… Well, he had a stage musical background (He’d done Oliver! on B’way, and was on Ed Sullivan the same night as The Beatles first, historic appearance). He ended up learning some instruments too, and was a decent percussionist.

    As for 1967, the second Monkees album (More of the Monkees, released late 1966) actually did outsell Sgt. Pepper in the Ststes. MoM topped the album charts for 18 weeks, Pepper “only” 15 weeks that year, and MoM was the top seller that year in the U,S.

    Obviously Pepper is a much better, far more important album. But that year The Monkees reigned. In fact, they had the #1 album on Billboard for 29 weeks, with four different albums spending time at #1 that year (The latter two, albums the group played on and are two of their very best).

    Sorry for rambling, just wanted to clear a few things up!

    Liked by 1 person

    1. Outstanding input… These are the kind of responses I started this blog for… passionate and informative. I stand corrected on my Monkees comments regarding their playing. They do not get any love in the documentary and it doesn’t make sense to me. I had always heard their LP in 67 was second in sales to ‘Sgt Pepper’… but where’s the respect? Totally overlooked in this documentary. Thank you so much for reading and for your well thought out response – rambling welcome here!! Although I would hardly call your response “rambling”… your words 🙂


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