Neil Young’s “Hitchhiker,” The Title Track From A Lost Album From His Archive

neil-young-hitchhiker-full

“When I was a hitchhiker on the road, I had to count on you…” – Neil Young, “Hitchiker”

No one loves releases from an artist’s archives more than we here at BourbonAndVinyl. There are certain artists that have a treasure trove of unreleased material, recorded over the course of their career. Dylan, Springsteen and Neil Young are probably the foremost artists that spring to mind in this category. It almost sounds like the Rock N’ Roll Archive Law Firm of Dylan, Young and Springsteen… Dylan started the whole archive craze with his Bootleg Series. Actually to be completely correct, he probably started it all prior to that with his brilliant box set, ‘Biograph,’ which combined hits, album cuts, live cuts and unreleased material to tell the story of his career. ‘Biograph’ seemingly launched the box set business and showed record companies there is a strong market for these “vault” releases. I published a guide to Dylan’s Bootleg Series previously, ( Dylan’s Bootleg Series – A User’s Guide ).

Springsteen has released the box set, ‘Tracks,’ to clear out a small fraction of his unreleased studio stuff. Bruce also continues to release quality-sound live concert recordings ranging from ’74 to ’16 and just released the first ever soundboard from his 1977 tour… Don’t tell my wife, but that review will be coming soon. You could go bankrupt buying those old Springsteen concerts and she doesn’t need to know how much I’m spending… Speaking of concert recordings, The Grateful Dead, who have a long, storied bootleg history, have been releasing live concerts “from the vaults” even longer than Springsteen has, and deserve at least a mention here. However, I just can’t get into the Dead… that endless noodling drives me nuts, but if you’re into them, we don’t judge here at B&V. In my opinion, if you want jam band stuff, try Gov’t Mule or The Allman Brothers.

Neil Young got into the “vault” releases in a big, big way with his box set, ‘Archives Vol. 1,(1963-1972)’ released in 2009 which grew out of what was to be ‘Decade 2’ the follow up to the spectacular 1977 greatest hits package ‘Decade.’ As with anything Neil Young, he went way overboard and ‘Archives 1’ ended up being eight discs long, with interactive Blu-Ray versions and fabulous sound quality. No wonder it took almost 30 years to complete. While there were unreleased versions of songs, ‘Archives 1’ relied heavily on previously released material from his albums of the period. I didn’t purchase it, because I already had most of those albums excerpted from that time period. There were a number of live, concert albums contained in the box, that were released separately as stand-alone LPs. I bought ‘Live At The Fillmore East’ which was with the original Crazy Horse (Danny Whitten!), although it was only the electric half of that concert. I also purchased, from ‘Archives Vol 1,’ the ‘Massey Hall’ show and ‘Sugar Mountain: Live At The Canterbury House 1968,’ which were all acoustic performances. Neil is that rare artist that has two sides – roaring, rocking, electric distortion (usually with Crazy Horse) and quiet, sometimes spacey, acoustic songs. Often he performs both at shows, in different sets.

After ‘Archives Vol 1’ came out, we vault enthusiasts had to keep waiting as ‘Vol 2’ kept getting delayed. Now I’m hearing Neil is going to stream all of his material online… We’ll have to wait and see. While I’ve been waiting for ‘Vol 2’ to come out, I was happy to see a few years ago, Neil release ‘Live At the Bluenote Cafe’ from his ‘This Notes For You’ tour. That live album was reviewed on B&V and I still love listening to it, but I love the blues. ( Review: Neil Young, “Bluenote Cafe” (Live) ). One of the things that had me most looking forward to ‘Vol 2’ was the rumor that it would include a number of Neil’s “lost” albums. Neil is one of those rare artists who would go into the studio, cut a whole album worth of material and then pull it back and put it on the shelf. Prince was notorious for this as well.

There are several of these “lost” albums that I’ve heard of, and probably lots more in existence. ‘Chrome Dreams’ is one of the few studio bootlegs I have of Neil. There is purportedly an album from the late 90s/early 00s that Neil cut with Crazy Horse in San Francisco, in a studio famously used by John Coltrane, named ‘Toast.’ Another one I’ve heard of, but not a whole lot, was the all acoustic LP Neil shelved in 1976, ‘Hitchhiker.’ I was shocked the other day, when I saw it pop up on iTunes. Rather than wait until September 8th, the release date, I immediately ordered the single song available, the title track.

The ‘Hitchhiker’ LP was recorded in one long night, August 11, 1976, with just Neil Young on acoustic guitar and David Briggs, his friend/producer in a Malibu studio. Neil only took breaks as he labored all night for “beer, weed or cocaine.” Sounds like hazardous working conditions. Many of the songs on the track list are songs that have popped up on other albums (‘Rust Never Sleeps,’ ‘Comes A Time’) over the years. Some of these tunes were even on ‘Chrome Dreams’ which makes me wonder if that was merely a compilation of earlier tracks like say, ‘Freedom’ vs a newly cut album that didn’t get released.

I’ve listened to the title track “Hitchhiker” from this album almost non stop since yesterday. When I heard this was just Neil playing acoustic guitar, I thought the song would come off sounding like a demo. I was wrong, this is a fully realized song. It would be at home on side one of ‘Rust Never Sleeps’ or either side of ‘Comes A Time.’ It’s a hypnotic, tone poem of a song. There are so many levels to the autobiographical lyrics. On the surface it’s the story of Neil hitchhiking from Toronto to Los Angeles. However, I think it could be also read as his journey from obscurity to superstardom. He also, very honestly, chronicles his journey from hash to amphetamines to weed. He even gets valium, but he “still couldn’t close my eyes.” Sound-wise this song reminds me of “The Needle And the Damage Done.” I know he later released this song on the Daniel Lanois produced ‘Le Noise’ but this is the definitive version of this song.

If you’re a fan of Neil’s acoustic side, this is a must have. I can only hope this will bring more vault releases of Neil’s “lost studio albums” in the future. I’ll definitely have more about this when the album comes out, but for now, turn this on and ride the highway with Neil…

Cheers!

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