B&V iPod Playlist: Chris Cornell

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I don’t know about you, but here at BourbonAndVinyl we’re still pretty shell-shocked over the news about Chris Cornell’s passing. I don’t know why this one has hit me so hard. Perhaps it’s because I had just seen the man perform with Soundgarden three nights prior. Perhaps it’s because his music has always meant so much to me. Maybe it’s the mysterious way in which he passed.

I read recently that Cornell’s mother-in-law has been railing on social media (where else would someone rail these days) at Eddie Vedder for not making any public comment or reaching out to Chris’ widow. Vedder is launching a solo European tour in Amsterdam that starts tomorrow and apparently won’t be at Cornell’s memorial/funeral today in Los Angeles. We all grieve in our own way, folks. When my friend Larry committed suicide, I did not travel to Dallas to the funeral, which raised some eyebrows. When Hillel Slovak passed away Anthony Kiedis famously didn’t attend his funeral either. Anthony had to get away and tend to his grief in private, down in Mexico. It’s difficult to process things when a friend passes away, especially under strange and shocking circumstances.

Here at the house, we mourn the old fashion way – with bourbon and music. After a couple of stiff Woodford Reserves and some rumination last Saturday, I put together a playlist that attempted to encompass all of Chris Cornell’s career. I wanted to celebrate the man, the singer. It’s long at almost three hours and vast, but so was Chris Cornell’s career. I picked songs that were familiar and (as usual for me) some deep tracks. I also picked a few tracks that just have significant meaning to me. I’ll admit off the bat, Soundgarden’s pre-‘Batmotorfinger’ work is significantly under represented here.

I spent last Sunday on my patio, with the Rock Chick, listening to that wonderful voice, in all it’s forms. From hard rock to acoustic strummers the man could sing anything. The rock and roll world is a much dimmer place now… I would have included Cornell’s wonderful version of “Nothing Compares 2 U” on this list, but you can only stream that on YouTube… These songs are in no particular order, I went where the whiskey took me. I’m going to try and put this out on Spotify if I can ever figure it out… Here then, without further rambling, is my tribute to Mr. Chris Cornell, singer extraordinaire.

  1. Soundgarden, “Superunknown” – The title track from Soundgarden’s penultimate LP.
  2. Soundgarden, “Rusty Cage” – This song is so good Johnny Cash covered it.
  3. Audioslave, “Revelations”
  4. Audioslave, “Original Fire”
  5. Chris Cornell, “You Know My Name” – A great song on Cornell’s wrongly maligned second solo LP.
  6. Temple Of The Dog, “Say Hello 2 Heaven” – Written for Andrew Wood, sadly now a fitting song for our current situation.
  7. Chris Cornell, “Higher Truth” – The title track from Cornell’s awesome final solo album. Check this record out.
  8. Chris Cornell, “The Keeper” – This beautiful acoustic ballad is toward the end of Cornell’s great live LP, “Songbook.” It’s a live LP, but this sounds like it was cut in a studio.
  9. Soundgarden, “Live To Rise” – This is a great lost Soundgarden track that was on a soundtrack of some movie. I just really liked it.
  10. Slash, “Promise (featuring Chris Cornell)” – Cornell’s track from Slash’s great solo LP where he paired himself with a bunch of different singers. I always thought this was one of the strongest tracks on the record.
  11. Audioslave, “Dandelion” – Possibly the Rock Chick’s favorite Audioslave tune. When it popped up on the speakers last Sunday, she asked if I’d put it on the list just for her. “No dear, it’s simply an awesome song, it belongs on this list.”
  12. Audioslave, “I Am The Highway” – This is the good stuff…
  13. Soundgarden, “Waiting For the Sun” – You can find this one on the great “odds & sods” collection, ‘Echo of Miles.’ The first time I saw Soundgarden, at Lollapalooza in Kansas City (back when it was still a traveling festival), opening for Metallica no less, Soundgarden opened with this song. It’s one of my favorite Doors’ tunes and Soundgarden does it in a wonderful heavy fashion.
  14. Temple of the Dog, “Hunger Strike” – Eddie Vedder and Cornell vocally shredding.
  15. Soundgarden, “Burden In My Hand” – This song has been running through my head for over a week now.
  16. Chris Cornell, “Billie Jean” – Cornell was savaged when he covered this tune, but I love it. He completely changes the song in the way he does it. He could grab an acoustic guitar and cover any song by any artist and make it new and unique. This is the perfect example of his abilities.
  17. Temple of the Dog, “Call Me A Dog” – Great ballad toward the end of the first half of the LP.
  18. Chris Cornell, “Dead Wishes” – Another beauty from ‘Higher Truth.’
  19. Chris Cornell, “Imagine” – Beautiful John Lennon cover from ‘Songbook.’
  20. Audioslave, “Doesn’t Remind Me” – This might have been a single, regardless, it’s a great tune.
  21. Soundgarden, “Pretty Noose”
  22. Soundgarden, “Spoonman” – Well, you knew this one was going to be on the list.
  23. Soundgarden, “Outshined” – A tune my good friend Steve turned me on to many, many moons ago.
  24. Audioslave, “Like A Stone” – The breakthrough hit for Audioslave.
  25. Chris Cornell, “Sunshower” – This is the first solo track Cornell ever did, to my knowledge, after Soundgarden broke up. It was another soundtrack tune.
  26. Audioslave, “Cochise” – On a side note, I’m thrilled the Kansas City Chiefs play this song right before the team takes the field on home Sundays.
  27. Soundgarden, “My Wave” – There are so many great songs on ‘Superunknown’ it’s easy to overlook this gem.
  28. Audioslave, “Sound of a Gun” – The riff on here is monstrous, the singing is even more so.
  29. Chris Cornell, “Nearly Forgot My Broken Heart” – The single from ‘Higher Truth.’
  30. Soundgarden, “Black Hole Sun” – Heavy metal, psychedelia.
  31. Chris Cornell, “Finally Forever” – A beautiful song Cornell wrote for his wife. Why this song isn’t played at every wedding is a mystery I don’t have time to solve. This is another song off of Cornell’s 2nd solo album.
  32. Chris Cornell, “Thank You” – I think Chris Cornell was born to cover Led Zeppelin.
  33. Chris Cornell, “Can’t Change Me” – The single from Cornell’s first proper solo album.
  34. Soundgarden, “Fell On Black Days” – The middle 90s were a tough time for me. This song helped pull me through those very “black days.” I wish it could have done the same for Cornell.
  35. Soundgarden, “Been Away Too Long” – The single from Soundgarden’s reunion album. It’s sad to think they were working on a follow up when Cornell passed.
  36. Audioslave, “Be Yourself” – “it’s all that you can do…”
  37. Chris Cornell, “Seasons” – I just love this beautiful song from the ‘Singles’ soundtrack.

I hope this selection of music helps you get through this horrible loss. It seems to be helping the Rock Chick and I. It’s a dark ride folks, take care of each other out there.

I Awoke To The Devastating News: Chris Cornell Has Passed Away, RIP

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*Picture taken by the Rock Chick, Sunday, May 14th, 2017

“I heard the news today, oh boy…” –The Beatles

I believe it was Robbie Robertson, guitarist of the Band who famously said, “The road has taken a lot of the great ones…” Sadly, we have one more name to add to that list.

I was awakened this morning by my wife, the Rock Chick, which usually doesn’t happen unless there is a task at hand, like “we forgot to put the recycling out.” I’m easily startled so nobody really likes waking me up before the alarm. She teared up as she gave me the devastating news that singer, guitarist, songwriter, father, husband, Rock Star Chris Cornell had passed away from an apparent suicide over night. I couldn’t believe it… surely there had to be a mistake here? My heart and thoughts go out to his family, his wife and two kids. I can’t imagine what they’re going through.

In a word, I’m devastated. This is made much worse for me as I just saw Chris and the rest of Soundgarden here in Kansas City on Sunday night at Starlight Theater and they were fantastic. When I was young, and I first started going to concerts, I realized that when you see a really great show there is a post-concert bliss or buzz, call it what you want, that can last for days. That Soundgarden post-concert high hadn’t even worn off for me yet. And now Chris is gone.

He prowled the stage like a prize fighter last Sunday. His voice was perfect. He sang all up and down the scale. His vocal was as strong as anything I’ve ever heard, and I’ve heard everybody. He played more guitar than I thought he would and actually had some chops. The man was truly a Rock Star, with a capital R and S. He told a wonderful story about his grandparents, who he said lived in KC. His grandfather built Rolls Royce engines here, apparently. He said coming over the river and seeing Kansas City, the few times he visited, always made him feel good. It was a lovely moment in the show. I felt he’d really connected with the adoring audience. My God, he was only three months younger than I am.

I was a big Soundgarden fan. The first thing I connected with was Cornell’s voice. “Fell On Black Days” is a song that means so much to me, I don’t feel I can share it in these pages. I also bought the Temple of the Dog LP, a tribute to Chris’ fallen friend Andrew Wood of Mother Love Bone. “Say Hello 2 Heaven” from ‘Temple of the Dog’ is another of those songs that take me back to a very specific time in a very moving way. After Soundgarden broke up I bought his first solo LP, ‘Euphoria Morning’ which I didn’t connect with, although “Can’t Change Me” from that album is still in high rotation here at the house (I play it for my wife). I really loved his work with Audioslave. I have all three of those great albums. When he returned to his solo career I was back on the bandwagon when he released the live acoustic ‘Songbook’ album and the fantastic acoustic based studio LP, ‘Higher Truth,’ reviewed on B&V. I can truly say I was a fan of most, if not all, of this guy’s work. ‘Higher Truth’ will be playing in my house all day.

I was happy a couple of years ago when Chris got back together with his mates in Soundgarden and they put out ‘King Animal,’ and was thrilled to see them Sunday night. I wanted to see him when he got back together with Temple of The Dog for a brief tour and I pray someone taped those shows. He even played with Audioslave at a benefit a couple of months ago… It seems he’d reunited and made peace with everybody. That is some comfort, I guess.

My friend, drummer Blake, said via text, “Only Eddie Vedder is left from the big 4 Grunge bands of the 90s…” It hadn’t occurred to me we’ve lost Kurt Cobain (Nirvana), Layne Staley (AIC), and now Chris Cornell. Soundgarden was purportedly working on a new album that I think we all were looking forward to…

This is just a fucking tragedy. I am distraught. If you’re out there, and you’re having a hard time, reach out to somebody. Don’t let it get to this point.

I had a dear friend commit suicide back in the early 90s. It left a mark on me that remains to this day. I can’t help but feel this particular artist, going out in this particular way is going to leave a similar mark on a lot of people.

It’s a dark ride folks, take care of each other. RIP Chris Cornell, Rock Star.

Concert Review: Soundgarden, Kansas City May 14, 2017

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*Photo taken by your intrepid blogger

My friend’s younger brother, who I call Young Goodman Brown for no good reason, emailed a couple of months ago. He lives in Tulsa now and is a successful orthopedic doctor. And here I remember him as high school kid with a bleach blonde mullet. Time passes quickly, folks. Young Goodman Brown was excited about this year’s line-up for Rocklahoma, the annual hard rock/heavy metal festival held out in some field in the middle of nowhere, Oklahoma. He’s always trying to convince his brother and I to come down there. After using “the Google” to find the line up, I too was impressed. The Cult was playing this year and you know how much I dig the Cult. I was surprised to also see Soundgarden on the line-up. It’s always great when a band gets back together. At the time it was the only gig they had scheduled but I knew they’d have to be doing some sort of spring/summer tour. Nobody goes out for just one gig.

To my delight and Young Goodman Brown’s disappointment, I found out that Soundgarden was indeed touring more extensively and better yet, coming to Kansas City. There would be no heavy metal camping in Oklahoma for me this year. I was a little shocked a band as heavy as Soundgarden was playing at Kansas City’s venerable Starlight Theater – it’s usually the host of Broadway type musical theater, my parents have season tickets every year, but not so last night. Right before I left for college my parents took me out there for the first time to see Elton John, which was actually awesome (much to my surprise at the time) which tells you Soundgarden isn’t the usual Starlight fare. The Rock Chick, my old friend Steven and I snapped up tickets as soon as they went on sale and Ubered out there last night. I even saw my stereo guy out there and he’s a bigger music junkie than even I am. I knew this would be a special evening.

I will say, the evening started off with the opening act, The John Dillinger Escape Plan and it was not a good start. It was three guys pounding their instruments while the lead “singer” screamed at the crowd. I literally told the beer guy I felt like I’d done something wrong and was in trouble. The lead singer was that angry… It’s hard being Catholic. It’s best to spend the time the opening act is on stage in the beer garden like I did last night. In the interest of full disclosure, I did take ear plugs out there… I knew this was going to be a loud evening.

I’m embarrassed to admit, I forget how heavy and how hard rocking Soundgarden is. I tend to think of them along with the other great grunge bands like Alice In Chains, Pearl Jam and Nirvana. And while all those guys rocked hard with an almost punk sensibility, none of them rocked as hard as Soundgarden. I remember thinking back in the 90s that they were the Sabbath of the grunge movement. My buddy Steven told me last night he heard someone say that on MTV so my “Sabbath” analogy may not be purely original, although I sure thought I came up with it. These guys rock with a fucking vengeance. Why they’re not in the Rock N Roll Hall of Fame is a mystery and perhaps even a scandal.

I knew Chris Cornell was a great front man, that’s expected. His vocals are simply amazing live. I was blown away by his singing. I went out there thinking, “Well, Cornell is awesome, but Thayil will be the hero of the evening.” Kim Thayil, the lead guitar player is one of those great, great guitar gods you never hear anything about. He’s quiet, unassuming, and just shreds. He was laying thick slabs of monster riffs in the most laid back manner. He also plays some intricate, beautiful solos. The guy is the definition of virtuoso. However, I wasn’t nearly as impressed with him as I was with drummer Matt Cameron, which is saying a lot. Cameron is the engine that drives this band. After seeing last night I must say he ranks up there with Neal Peart or Tommy Lee, two of my favorite hard rock drummers. His back beat with Ben Shepherd’s loud, insistent bass guitar was the rock-bed, solid foundation from which Cornell and Thayil soar. Their chemistry is fabulous. Cornell kept having issues with his ear buds and at one time had to run backstage. The first time that happened, Cameron played a great, brief drum solo to cover for Chris. The second time it happened, the whole band joined in on a improvisational jam. I like the moments when things fuck up on stage almost as much as the precision moments.

The opening track, “Incessant Mace,” was a track I was not familiar with. My history with these guys only goes back as far as ‘Batmotorfinger,’ so the opening track wasn’t in my memory bank. Usually when I see a show, I’m such a completist I know every tune they’re playing, which I will say, helps me enjoy the show more. “Incessant Mace” is a slow rolling heavy rock number. I didn’t know it but I really enjoyed it. They played a couple other tunes I didn’t know, which I enjoyed, but then they hit their stride when they played “Spoonman.” Cameron really had the chance to shine on that one. They actually opened with the beginning of “Searching With My Good Eye Closed,” which I wish they’d played in it’s entirety.

After “Spoonman” they launched into “Outshined,” a muscular, slow dirge-y “Black Hole Sun,” and then the hard “By Crooked Steps” from the great, overlooked comeback LP, ‘King Animal.’ The band played tunes from their entire career. It’d be easy at this point for them to come out and play most of ‘Superunknown’ and phone it in. These guys played all over their catalog and played with passion. “Rusty Cage” is a Rock Chick favorite and I can now say it’s one of my favorite since I heard it in all it’s glory last night. Steven turned to me last night after “Jesus Christ Pose,” and said, “I never really liked that tune until this very moment, seeing it live.” Support live music folks, it’ll change your perspective of the music and the songs. You haven’t experienced a song until you’ve heard it live.

“Fell On Black Days” was a particularly high point for me. The song came out when I was going through some bad shit, and the song means a lot to me personally. I’d announced it’s the only tune I’d be disappointed not hearing. They did not disappoint. It was built around Cornell’s fabulous vocal. I was blown away. It was truly the high point in an exceptional concert. Cornell actually played a lot more guitar than I expected last night and I have to admit, he can play. Cornell said at one point, before the encore, that his grandparents lived in Kansas City and it was always a special place to him. I don’t know if it’s true, but it seemed genuine and it was a really nice moment. Then they launched into the encore tune, “Slaves and Bulldozers,” which Cornell said was named by a 5 year old. If you want a hard rock/heavy metal clinic, put on “Slaves and Bulldozers.” It led to a feedback frenzy as each band member slowly left the stage.

This was an exceptional night and an exceptional performance. These guys are just astonishingly good. From guitar solos to vocals to drums, there were so many jaw-dropping moments. It was so heavy and so loud I felt like I was in college again. Never underestimate master musicians practicing their craft. If you’re in a city lucky enough to be on this Soundgarden tour, do yourself a favor and get a ticket. Buy the ticket, enjoy th ride! Hell, I might even go down and camp in Nowhere, Oklahoma to see them again… and that’s saying something.

Cheers!

iPod Playlist: B&V Murder And Mayhem Songs, Inspired By the Rock Chick

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As those of you who are familiar with BourbonAndVinyl know, I’m always looking for an excuse to cull through my vast musical collection and put together a playlist. My dear, dear, late friend Nancy once brought over a book of playlist ideas and we poured over it for hours while drinking martinis. I miss that woman dearly. That book is what gave me the idea for thematic playlists. I used to make my own “greatest hits” tapes for certain artists. Even as far back as my earliest vinyl and cassette days I was always putting together the dreaded mix tapes. Arkansas Joel, who always had a great car stereo but no records, used to request tapes of my music but that was a long time ago. My wife, the Rock Chick, can put together the best playlists, either by an artist or just tunes that go well together. She has a great Van Halen mix, all Roth of course. I’m not as skilled as she is in the art of the playlist.

However, as with most things I write or do, the Rock Chick is my muse. She inspires me in ways I didn’t know were possible. Lately, I’ve been a little worried about her. My Corporate Overlords have me traveling so much it’s been exhausting. When the road finally bends back towards home, I usually return to find the Rock Chick watching the Investigation Discovery Channel. She seems addicted to shows about what I’ve nicknamed, “murder and mayhem.” She loves to recount the countless stories of people who have committed murder. I think she missed her calling and should have looked into a career in forensic science. Vanity Fair Confidential, Dateline (with that pretentious Keith Morrison) and 20/20 reruns on OWN are in high rotation on our TV. She recounts these murder stories with great enthusiasm… almost too much enthusiasm. Luckily we have a cat that I use as a food taster just in case the Rock Chick gets any ideas about antifreeze cocktails.

I started musing on all this murder and mayhem the other night. I realized there are some great classic rock tunes about killing and murder and what not. Using the Rock Chick’s musical taste as my guide, I narrowed my playlist idea down to the following twenty-five songs. Sure, there are other tunes that would fit… Lou Reed has a great song called “The Gun” that nobody but me has heard but unfortunately the Rock Chick agrees with my friend Doug who says, “Every punk rocker knows Lou Reed is a dick.” And yes, I could have just filled up my playlist with Tupac and Biggy songs where they threaten each other, but this is a blog dedicated to the joys of classic rock and roll, not hip hop.

I must admit, post Kentucky Derby Day, I almost wish someone would kill me. The curse of bourbon is upon me.  Perhaps a little hair of the dog and these fine 25 rock tunes about murder might cure what ails me… By the way, I will admit I was as surprised as anyone that Green Day had so many murder and mayhem tunes.

  1. Rage Against The Macine, “Killing In The Name” – Yes, this song has broader, geopolitical ramifications but killing is killing.
  2. The Power Station, “Murderess” – Great, deep track from Robert Palmer, drummer Tony Thompson and a couple of dudes from Duran Duran. I’m hoping my wife never becomes the title character.
  3. The Kills, “Doing It To Death” – Not a bad way to go…
  4. The White Stripes, “Death Letter” – Jack White owns this old blues tune for me. Mellencamp did a pretty good version of this one too.
  5. Green Day, “Murder City” – “Desperate but not hopeless.”
  6. AC/DC, “Night Prowler” – Was anyone in rock and roll more menacing as a singer than Bon Scott when he turned nasty?
  7. Duran Duran, “View To a Kill” – I’m not a huge Duran fan, but I always liked this one and it’s a Rock Chick favorite. I think I like it so much because it was used in that James Bond film… I love James Bond films, but who doesn’t?
  8. The Clash, “Somebody Got Murdered” – Ph D courses could be taught about the Clash’s brilliant but flawed album ‘Sandinista!’
  9. Motley Crue, “Looks That Kill” – This song certainly describes the Rock Chick…
  10. Talking Heads, “Psycho Killer” – Is it that he’s singing in French that makes it creepy or is David Byrne just creepy by definition?
  11. The Police, “Murder By Numbers” – Not a Rock Chick favorite, but I had to have this song on the list.
  12. Queen, “Killer Queen” – The loss of Freddie Mercury is still felt, people.
  13. Echo And The Bunnymen, “The Killing Moon” – What I’ve gathered from all of these murder shows is that jealousy and spouses and murder are all tied up together. This is a great song about jealousy.
  14. The Rolling Stones, “Midnight Rambler” – The Rock Chick didn’t realize this was about a murderer. Killer slide guitar by Mick Taylor who had just joined the band.
  15. Audioslave, “Sound of a Gun” – “Running from the sound of a gun, til I’m weary.”
  16. Green Day, “Bang Bang” – Harrowing story told from the viewpoint of a mass shooter. Green Day is as relevant as ever.
  17. Mick Jagger, “Gun” – Jagger’s solo work always gets slagged but ‘Goddess In The Doorway’ was a killer record and this is a great cut. “Why don’t you just get a gun and shoot it through this heart of mine…” I should have entitled this playlist “Murder, Mayhem and Marriage.”
  18. U2, “Hold Me, Thrill Me, Kiss Me, Kill Me” – A great U2 track that I believe was used in a Batman film. Don’t hold that against it.
  19. Green Day, “Kill the DJ” – Who doesn’t want to kill the DJ? Live music, not DJ’s, make the world go around.
  20. Alice In Chains, “Killer Is Me” – I prefer the live version on the unplugged LP because you hear Layne Staley say at the end, “I could hug you all, but I won’t.” Layne probably could have used a hug. Tragic story, or in the vernacular of today, #Sad.
  21. Depeche Mode, “Barrel of a Gun” – You knew these dark bastards would have to be on here. I can’t wait to see them on tour this year.
  22. Social Distortion, “Machine Gun Blues” – Mike Ness reimagining Social Distortion as Pretty Boy Floyd’s old time-y gangsters on a shooting spree. Lots of bullets fly.
  23. Bruce Springsteen, “Murder Incorporated” – One of Springsteen’s most rocking tunes with a fabulous guitar solo and naturally a great Clarence Clemons sax solo. All Hail the mighty Big Man!
  24. AC/DC, “Big Gun” – If you’re going to kill someone, bring a big gun. Not as menacing as Bon Scott’s tune, but a great rock tune none the less.
  25. Rage Against the Machine, “How I Could Just Kill A Man” – We leave where we came in, with Rage. Tom Morello uses his guitar like a machine gun. What’s not to love on this great tune.

If you come home and your spouse/significant other is watching shows about murder, turn them toward the stereo. There’s nothing good on TV…

The BourbonAndVinyl List of Rock’s Best “Side Projects”

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In the early days of rock and roll, listeners weren’t very sophisticated. As a musician it was easy to get pigeon-holed… you were either in a band or you were a solo artist. You were either Bob Dylan, all alone or The Beatles, four lads from Liverpool. If an artist in a band put out a solo album the general consensus was that the band was breaking up. You were either on the bus or the bus was coming after you…

The first artist I can remember who defied that paradigm was Rod Stewart. After he left the Jeff Beck Group to go solo, quickly followed by Ronnie Wood, he didn’t stay solo very long. He joined The Faces with Ronnie. But then he did something audacious that no one had never done before… he continued his solo career. He’d release a solo album and then a Faces album every year. Back and forth, back and forth. Fans, in the early 70s were clearly confused. Some concert venues went so far as to bill the Faces as “Rod Stewart and The Faces,” like the Faces were Stewart’s version of Wings… his back up band. That probably got a little awkward in the dressing room. There were always accusations from the band that Rod was keeping his best material for his solo albums. I think  we all know where that led. And likely, dividing his time between projects diluted the finished product on one end…

These days doing solo stuff outside the setting of your established band is pretty much expected. It’s not the death knell of a band when the lead singer or the guitar player branch out and do something solo. Well, unless we’re talking about Aerosmith and Steven Tyler who suddenly turns into the village idiot and decides to promote “his own brand” vs the band, but again that ain’t normal. All of this is well and good with me, artists should express themselves as they wish. But it occurred to me the other day, there is a third category outside of band projects and solo projects… the infamous “side project.” Many times, instead of going full-on solo, a band member will do a one-off project with other musicians. Maybe it’s the artist’s attempt to stick his toe into the solo realm. Or maybe it’s just a musical vacation away from the usual mates in the band to work with some other friends or just some new, different musicians to test the creative boundaries. Think of it as a vacation only with instruments. I’m not talking about a guest shot on someone else’s album, I’m talking about a full on diversion from one’s career to do something else. I don’t think anybody has really celebrated the best of these, so after some bourbon and a lot of thought.. here are the best Rock N Roll Side Projects…

  1. The Traveling Wilbury’s – George Harrison, Roy Orbison, Jeff Lynne, Bob Dylan and Tom Petty all between albums convene at Lynne’s house and end up striking pay dirt with Vol. 1. After Orbison’s death they actually did a second album, but the second side project record is usually not as good as the first one.
  2. The Notting Hillbillies – Mark Knopfler from Dire Straits gets together with some old mates and does the underrated, mellow strummer, “Missing…and Presumed Having a Good Time.” “Your Own Sweet Way” was the stand out, but don’t under-estimate the charm of the other guys in the band’s turns on lead vocal.
  3. Mad Season, ‘Above’ – Mike McCready, the guitarist from Pearl Jam, says he got together with Layne Staley (among others) to show Layne that you could create music while sober. This record is murky but “River of Deceit” is one of Staley’s greatest vocals.
  4. Chickenfoot – Sammy Hagar, Michael Anthony, Joe Satriani, & Chad Smith got together for not just one LP, but 2, much like the Traveling Wilbury’s. I actually thought both of these records were great, but the second record, named Vol 3, just never caught on…
  5. Power Station – Robert Palmer took a break from his solo career to get together with a couple members of Duran Duran and the incredible Tony Thompson on drums as a lark to record the old T Rex song, “Bang A Gong.” Things got rolling in the studio and they knocked out an entire LP. I love, love “Some Like It Hot,” with the immortal line, “She wants to multiply, are you gonna do it?” Unfortunately this led the lead singer of Duran Duran, Simon Le Bon, to do the misguided Arcadia project… Oh, well. Palmer refused to tour behind the smash hit and went back to his solo career. That’s why it’s called a side-project, people.
  6. The Hindu Love Gods – Warren Zevon backed by REM. REM had been tapped as Warren’s backing band on the superb ‘Sentimental Hygiene.’ I’m not sure why but the band (sans Michael Stipe) went back into the studio with Zevon and punched out this LP of covers as diverse as Hank Williams, Muddy Waters and of all things, “Raspberry Beret” by Prince. They sure sound like they’re having a great time. It’s relaxed and awesome. Highly recommend this LP.
  7. Tin Machine – David Bowie decides to chuck the solo career for the anonymity of a band project. They actually did two albums, but the first one is the gem. “Under the God” is a great song, but check out their electrified cover of Lennon’s “Working Class Hero.” Pretty amazing stuff.
  8. Stills/Young Band, ‘Long May You Run’ – Originally an attempted CSNY reunion, early in the sessions Crosby and Nash exited. Since the CN part of the equation had done well with their collaboration LPs, it only seemed natural that the SY part would follow suit. Critics decried this album for a lack of songwriting, but my college roomie Drew turned me onto this superb LP and I love it. The title track is great but so is Stills’ ode to scuba diving “Black Coral.” Recorded in Miami, this is like a much, much cooler Buffet album. Young split early in the tour for this album to get back to solo records… too bad. I love these two collaborating.
  9. The Little Willies – Norah Jones doing country covers and originals with a bunch of New York buddies of hers. They’ve done two full LPs, and contrary to the rule, they both kick ass. But as usual, I have to say, Norah could sing the phone book and I’d listen in… But be aware, the other guy sing selected tracks too. I have to admit I love the humorous song “Lou Reed.”
  10. The Foxboro Hottubs – Green Day in disguise. On this superb LP, they’re doing punky, surf-rock tunes while taking a break from doing rock operas. This is a great gem of a record.
  11. Temple of the Dog – Chris Cornell of Soundgarden uniting with most of Pearl Jam for a tribute LP for the former lead singer of Mother Lovebone, Andrew Wood. I love this record. These guys actually just reunited for a short series of concerts on the coasts. I’m hoping for a live LP document of those shows.
  12. Mudcrutch – Tom Petty and several Heartbreakers reunite with other original members of Mudcrutch as Petty explores his first pre-Heartbreakers band. They’ve done two full LPs, and again, unlike the normal rule, both kick ass. Petty is more laid back and jammy with Mudcrutch. These are must have LPs for any fans of Petty’s.
  13. The Raconteurs – Jack White’s first side project outside of The White Stripes, followed shortly by the Dead Weather project. I prefer the Raconteurs. It doesn’t matter what Jack White does, it’s typically brilliant. I actually like the second LP they did better than the first. Check out the epic “Carolina Drama.”
  14. The Firemen – Paul McCartney’s fabulous side project with electronica producer Youth. They’d done a full-electronica album prior to “Electric Arguments” but “Arguments” is the record to buy. Youth told McCartney, “I want chords and vocals this time” and McCartney delivered. Paul always seems to come alive when alleviated from the pressure of the McCartney name… This album brings out the best of McCartney’s experimental side. Weird, quirky – yes. Excellent, yes.
  15. The New Barbarians – Ronnie Wood needed a backing band after his wonderful solo LP, “I’ve Got My Own Album To Do,” and Keith Richards volunteered to go out on the road with him. I think they actually did two tours, but I’m not positive. There’s a limit to even my knowledge… They never actually released anything, but how much fun would this have been to see? Lots of white powder consumed on this tour… I think they finally did a live LP years later…

This list isn’t meant to be an exhaustive list but these are some of the greatest “side-projects” done by some of the greatest musicians of all time. You’ve got a couple of Beatles and a couple of Stones on the list, so it can’t be half bad! Do a little spelunking and chances are if you like a band their members have done something creative on the side! Look outside the box and you may just be rewarded!

Cheers!

 

 

 

The B&V Inauguration Day Playlist… (Sorry, No Toby Keith)

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First and foremost, I must apologize to those few readers out there who might have seen my last attempt to put an iPod playlist together for Friday’s impending Inauguration. While I’ve been on my annual Bourbon fast, it hasn’t precluded me from drinking wine. And as occasionally happens when I’ve pulled the cork, I sat down at the keyboard. The resulting post was, shall we say to be generous, not “light.” Wine… what are you going to do, all that sugar?  I’m not an overtly political person. As I’ve said many times before, I see myself as a centrist, hedonistic moderate with a taste for fine bourbon and loud rock music. To the right I look like a “dirt-munching, tree hugging, druid.” To the left I look like the landed gentry although that could be because of my penchant for powdered wigs. The struggle is real, folks.

Anyway, BourbonAndVinyl, as I stated in my first post, my “Mission Statement,” is about the glorious pleasures of sipping fine, dark murky fluids and listening to loud rock and roll music. B&V is not the forum for a political manifesto and alas, my first attempt at an Inauguration Day playlist looked like it was torn from the pages of the Unabomber. Well, at least it did to some folks. While I stand behind every word, B&V is not the forum for such thoughts…

These are tense and dark times. The peaceful transition of power is set to take place on Friday, yet the tension is thicker than anything I’ve seen in my short life. It sure doesn’t feel like a “peaceful transition” to me. Half the nation appears ready to burst out into protest marches, boycotts and upheaval, while the other half of the nation appear ready to celebrate by firing guns in the air, yell something politically incorrect and, well I don’t know, burn some books (how does the Right celebrate?) Political discourse has become well, coarse. We apparently have elected a “Tweeter-In-Chief,” which isn’t helping reduce the tension. I’m hearing the name Putin a lot more than I ever wanted to. Golden Showers have even been drug through the muck (don’t knock anybody’s fetishes). Even my good friends in the GOP appear tense. I had more than one Republican friend tell me he didn’t vote for Trump. I had one friend tell me he wrote in Mookie Blaylock… clearly a Pearl Jam fan… It appears nobody really got what they wanted this time around.

All that aside, the more I read about the Inauguration itself, the more I find myself thinking, “God, what shitty music they’re going to have.” 3 Doors Down? Lee Greenwood? I didn’t even know Lee Greenwood was still alive. Something called Jackie Evancho is performing? Is that a group like Jethro Tull or a person? I have no idea. I thought at least Kid Rock or Nugent would show up to lively up things. Maybe they are performing, but I haven’t heard about it. Toby Keith is set to play. Toby Keith? I have to keep reminding myself this is 2017 and not 1997. I would have assumed Toby Keith would have been trampled by mutinous cattle by now. Shit, even the despicable Beach Boys are on the fence, unable to decide to show up or not. I think they hit an all new low when a Springsteen cover band even dropped out, the B Street Band. Wow.

Well, as usual in these situations, I find myself needing rock and roll music more than ever. And the list of “artists” above isn’t doing much for me. I think we can all agree on that. Music has a way of lifting me up, getting me through the tough times or accentuating the good times. Whoever you are, you could probably use some rock music on Friday. So if you’re on the Right or Left, happy or mad about the election, do what I do. Head down to the tavern, talk a little treason and drop some money in the Juke Box. Remember folks, we’re all Americans here. And, as Bill Murray famously said in “Stripes,” being American means that our ancestors were all kicked out of every other decent country.

Here’s a little playlist to play over the muted television during the Inauguration ceremony for those of us who are concerned, no matter what your political persuasion. Pour something strong.

  1. Barry McGuire, “The Eve Of Destruction” – It seems to fit the mood of the country.
  2. The Rollins Band, “Liar” – Give me one honest politician…
  3. The Beatles, “Back In the USSR” – Oh, come on, this one is funny, unless it’s true…
  4. Green Day, “American Idiot” – Well, can you argue?
  5. David Bowie, “I’m Afraid of Americans” – It appears half of you are afraid of the other half and vice versa…
  6. Warren Zevon, “Lawyers, Guns and Money” – “Send lawyers, guns and money, the shit has hit the fan.”
  7. The Clash, “Know Your Rights” – “A public service announcement with guitars!”
  8. Bob Marley & The Wailers, “Burnin’ And Lootin'” – Let’s have none of this on Friday…
  9. Bruce Springsteen, “Long Walk Home” – This track also seems to fit everybody’s mood these days.
  10. The Animals, “We Gotta Get Out Of This Place” – for all the folks who say they’re headed to Canada. My choice would have been the south of Spain.
  11. Talking Heads, “Life During Wartime” – A song about insurgents in a post apocalyptic dictatorship that you can dance to…”this ain’t no party, this ain’t no disco.”
  12. Elvis Costello, “What’s So Funny (About Peace, Love and Understanding)” – Great question…
  13. Black Sabbath, “Paranoid” – Just because you’re feeling paranoid these days, it doesn’t mean someone isn’t after you.
  14. Beck, “Nausea” – Aren’t we all a little nauseous these days?
  15. Bob Dylan, “Positively 4th Street” – “…then you’ll know what a drag it is to see you…” Seems to be a lot of “Facebook friendships” ending lately.
  16. Bob Marley, “So Much Trouble In the World” – Reggae speaks the truth, baby.
  17. Green Day, “Know Your Enemy” – Let’s keep it straight who is on who’s team.
  18. The Eagles, “Frail Grasp Of The Big Picture” – I can see each side saying this about the other… ah, the divide.
  19. Bruce Springsteen (featuring Tom Morello), “The Ghost of Tom Joad” – “The highway is alive tonight, everybody knows where it’s headed.”
  20. U2, “Bullet The Blue Sky (Live)” – “Into the arms…. of America”
  21. Credence Clearwater Revival, “Who’ll Stop the Rain” – Take care of each other out there…
  22. David Bowie, “This Is Not America” – Nothing I’ve seen in the last year represents the country I grew up in.
  23. Jackson Browne, “Looking East” – Jackson stands on the West coast, looking East and isn’t thrilled with what he sees. Seems to fit the mood.
  24. Judas Priest, “Tyrant” – Ominous metal.
  25. The White Stripes, “Icky Thump” – The funkiest song ever written about immigration.
  26. Iron Maiden, “Run To The Hills” – Everyone seems poised for something bad to go down… best be ready to move.
  27. Bob Marley, “Small Axe” – More wisdom from the prophet Marley, “Oh evil men, playing smart and not being clever.”
  28. Bad Company, “Evil Wind” – An evil wind of division has blown across my country and I feel it’s cruel chill in my bones.
  29. The Faces, “Wicked Messenger” – The Faces putting an ominous spin on a Dylan song. Again, just fits the mood.
  30. Grace Potter, “Ah, Mary” – She’ll be the end of me and maybe everyone, oh, Mary, Mary, Mary, America.”

Well, I never said it was going to be a cheerful playlist. If you have any suggestions for additional songs, please feel free to add in the comments. Since I’m on my annual Bourbon fast, I hope someone pours a glass of Buffalo Trace on my behalf.

Cheers!

 

Neil Young: The Elusive 1973 “Time Fades Away” LP

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“Fourteen junkies, too weak to work…” – Neil Young, “Time Fades Away”

There are certain albums that for various reasons have taken on a certain “mystique” over the years. In most cases it’s albums that don’t get released. Prince had “The Black Album,” an album that was supposedly so perverse it couldn’t be released… we have to save the children from such sex talk in music (cue the PMRC). Years after the rumor of the album, Prince finally released it and it was, to be generous, meh. Ryan Adams’ record company rejected “Love Is Hell” because they thought it was a downer so he released “Rock N Roll” instead. The fact that his record company rejected “Love Is Hell” brought so much interest in this supposedly “dark” album, that the record company finally released it. It’s an ok Ryan Adams LP… I mean, dark is kind of his thing. You’ll never find Ryan Adams being played at a party here at the B&V house, that’s for sure. One could describe Ryan’s music as, “Music to Overdose to.”

Usually albums only carry this kind of heavy mystique if someone dies during or shortly after the albums release. “Blackstar” by David Bowie and “You Want It Darker” by Leonard Cohen will always carry a little more weight because they can be read as an artistic farewell to the world and to their fans. Jimi Hendrix’ last recordings are always heralded as people wonder, what might have been. People point to Stevie Ray Vaughn’s final song on his final album, “Riviera Paradise” as a signal that he was headed into an all new creative direction that would have changed music and guitar as we know it… had he not passed away in that tragic helicopter crash. It’s like a painter whose paintings become more valuable after they’ve died. I’m surprised more rock stars don’t fake their death more often but that makes me sound like an agent hustling for coins.

Of all the artists around, other than maybe Bob Dylan, Neil Young has more than his share of “mysterious,” unreleased albums. “Chrome Dreams” is an oft bootlegged, amazing record that Neil chose not to release in 1977. It would have been as big as “Harvest” in my opinion, which may be why Neil chose not to put it out. That “fame thing” never worked out too well for Neil. He said in the liner notes of “Decade” that “Harvest” found him in the middle of the road and very popular so he chose to steer into the ditch, “It was a rougher ride, but you meet more interesting people there” (I believe is the direct quote). He’s put out most of the songs on other albums, but taken as a whole “Chrome Dreams” would have stood with some of his best work.

Of all of Neil Young’s unreleased and released albums, the one that always had the most intrigue for me, for some reason, was “Time Fades Away.” Part of the problem was you simply couldn’t find the record. I could never get my hands on it. After the initial release, Neil refused to release it on vinyl or any other format so copies of the album were really hard to find. Neil basically disavowed the record. My college roommate Drew was the only guy I know who could have been capable of even finding a copy such were his “completist” tendencies, but I don’t think even he had a copy. It was like you had to “know a guy” to even hear the thing, which I never did.

The backstory alone is enough to draw a rock and roll obsessive like me in… Neil Young, fresh from his twin triumphs of “After the Gold Rush,” and the even bigger success of “Harvest” was set to go on tour. It’s hard to overstate how popular Neil Young became after “Harvest.” I heard a story once, that Dylan heard “Heart of Gold” on the radio and thought it was one of his songs. When he realized it was Neil Young, he felt ripped off and wrote “Forever Young” as some sort of angry, “you ripped me off, you dick” kind of a song. Who knows if that’s true. Anyway, Neil gathered members of his “Harvest” band, the Stray Gators, and invited Danny Whitten from one of his other backing bands, Crazy Horse to New York to rehearse. Unfortunately Danny Whitten, a very talented guitarist and songwriter in his own right, was addicted to heroin. He’d already been kicked out of Crazy Horse, who were working on their own without Neil, because of his drug addictions. Whitten just couldn’t “hack it” at the rehearsals. He was taking a lot of Valium to help him kick the heroin habit and it was just destroying his timing. Finally Neil had to tell Danny he was fired and gave him $50 and a plane ticket back to Los Angeles. That very night, the night Neil Young fired Danny Whitten, Danny was found dead from mixing alcohol and $50 worth of Valium. Enter…. guilt and despair.

So after releasing his biggest album, with thousands of adoring fans waiting to hear the soft rock troubadour of “Harvest” come out and sing “Heart of Gold,” Neil plugs in his electric guitar and attempted to conquer his demons. Oh, and he brought along the 8-track mobile recording machine to document the whole thing. At the time, one of his band members turned him onto tequila. Ah, tequila. As I used to say in my younger days, the authorities knew which drug to legalize. When I drink tequila, which I rarely do, if I drink too much of it, I’m either going to fight you or fuck you, and quite possibly, both at the same time. Add tequila to a depressed, fragile mental state like Neil Young was in and God knows what can happen. Apparently the fans were not impressed. Part of the problem with concert audiences is that it’s hard to play new, unheard music for a crowd. They want to hear the hits, songs they’re familiar with. This was especially true in 1973 when the crowds were not that sophisticated.

At long last, I discovered this “lost” live album on iTunes. I had always heard that the music on this album was all loud, screaming guitar. It was going to be all noise like “Hey, Hey, My, My (Into the Black).” That is not exactly the case. The band did not get along well and Neil’s vocals were so fried he brought in Crosby and Nash to help sing harmonies, although, this wasn’t an album big on harmony. I will say, this is a very, very good Neil Young album, although I prefer the even darker music found on “Tonight’s the Night.” One might see this as a companion piece to “Tonight’s the Night” and “On The Beach” which are some of Neil’s darker works.

The album starts off with the raucous title track, which is one of the best here but I’ve always liked my Neil Young a little ragged. “Yonder Stands the Sinner” is another ragged rocker that jumps out at me and it’s followed by the great song “L.A.” (“city in the smog…”). But interspersed with those rockers are a couple of delicate, beautiful piano ballads, “Journey Through The Past” and “Love In Mind.” I never expected this kind of balladry from a guy on tequila. The crowd claps politely at the end of “Love In Mind” but you kind of feel they’re not thrilled.

The centerpiece of the album for me, is the beginning of what would be side 2 for you vinyl enthusiasts, “Don’t Be Denied.” It’s a a better autobiography than Neil’s book “Shakey.”It’s a long, mid tempo song about Neil’s love of and dedication to music. It tells his life story from being a bullied kid at school, to forming a band. It’s one of his best songs and coincidentally was recently covered beautifully by Norah Jones. It’s really the only hopeful bit of light in an otherwise dark album.

After the ballad, “The Bridge,” another lovely piano and harmonica song, Neil and the band launch into the epic, eight-minute “Last Dance.” I really like the ragged guitar riff in this song. Although, it’s so bleak that it wouldn’t have been out of place on “Tonight’s the Night.” At the end of the song, Neil just howls, “no, no, no…” When Neil sings, “Wake up, it’s time to go to work,” it’s with an utter lack of enthusiasm.

“Time Fades Away” is a portrait of an artist who is really suffering. And by sharing that pain with us through his art, he let’s we who are also suffering know we are not alone. That’s the power of an album like this. And powerful is the word I would use to describe this record. For anybody out there who likes to explore the musical backwaters of an artist’s catalog, like I do, this is must have music. Although, I wouldn’t recommend putting this on at Christmas… not a lot of Yule time joy here….

It’s a dark ride, folks. Stick together and take care of each other. Cheers!

LP Lookback: Temple of the Dog – On Tour Now

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I staggered from my bed late this morning, as is my habit on weekends, after the Rock Chick yelled my name with the cursory “time to get up…” The Rock Chick runs a very military style weekend with plans and agendas… I have a more leisurely approach to my Saturdays. I can’t help it if I have a sleep disorder. At least waking to the Rock Chick’s shrill cry is better than waking to my father’s miserable singing voice, as he belted out “It’s time to get up, it’s time to get up, it’s time to get up in the moooooorning…” How very Ethyl Merman of him…Who says I don’t come from a musical family?

My Saturday morning ritual is a simple one: breakfast with strong black coffee and some hard rock. This weekend’s selection, as it’s been all week is Rage Against the Machine. I just felt like a little angry metal today… I’m feeling subversive. Blame it on the election. And as has quickly become part of my Saturday morning ritual, I checked “the Twitter” to see what was going on. I saw that the Temple of the Dog reunion tour had begun last night in Philadelphia. They played quite an impressive set list. Not only their own tunes, but some solo Chris Cornell, Mother Love Bone tunes (obviously) and an impressive array of cover songs including Zeppelin (“Achilles Last Stand,” are you fucking kidding me, how awesome!), Bowie and Free (who I’ve just recently gotten into). They even did a Syd Barret cover. To end the show they did “War Pigs” by Sabbath. Jesus, I hope they put out a live record after this tour.

For those of you not familiar with Temple of the Dog, it was a one-off “supergroup” of sorts. Although it would have been hard to call them a “supergroup” in 1991 when they formed as not many people outside of the Pacific Northwest had heard of Soundgarden or Pearl Jam whose members formed Temple. From Soundgarden, Chris Cornell did vocals and Matt Cameron (who later joined Pearl Jam after Soundgarden called it quits) mans the drums. From Pearl Jam you had both guitarists, Mike McCready on lead and Stone Gossard on rhythm. Also from Pearl Jam on bass guitar was Jeff Ament. An impressive line up in it’s own right, but they were also joined on a couple of songs by the then unknown Eddie Vedder, most notably on “Hunger Strike” where his vocal propels the song into the stratosphere. It’s one of his most impassioned vocals.

Temple of the Dog was formed as a one-off tribute to singer Andrew Wood. In the late 80s/early 90’s Andrew was the lead singer and frontman for Mother Love Bone. MLB was a great band with some great songs, “Stardog Champion,” “Crown of Thorns” and “Stargazer” just to name a few… I strongly urge anybody who hasn’t heard Mother Love Bone to seek out their music. As I am forced to write too often in the world of rock and roll, Andrew Young was found in a coma from a heroin overdose and died shortly after that. It was truly a huge loss, the man was meant to be a rock star.

Two of the members of Mother Love Bone, namely the aforementioned Jeff Ament and Stone Gossard decided to form a new band after Wood’s untimely death. They recruited a hotshot lead guitarist Gossard had seen play, Mike McCready and various drummers. It wasn’t until Jack Irons, erstwhile drummer of the Red Hot Chili Peppers passed them a demo tape of a singer from San Diego named Eddie Vedder, that the band coalesced under the name Mookie Blaylock… they were later to change their name to Pearl Jam, and the rest is history. The thing to remember here is that, without Mother Love Bone, there would have been no Pearl Jam.

Chris Cornell of Soundgarden had his own unique connection to Andrew Wood. The two had shared an apartment. In the Pearl Jam documentary, ‘Twenty’ Cornell talks about how he and Wood would challenge each other to each write a song every day to compare who had the better song that day. It sounds like the two were very close friends.

And so, to honor their friend and former bandmate, the members came together under the banner Temple of the Dog and did an album. This was about a year before PJ’s seismic “Ten” came out so these guys were relatively unknown at the time. I don’t think anybody was prepared for how kick ass this album was. Prior to this Cornell’s work in Soundgarden was more screaming metal than classic rock. The “Temple of the Dog” album sounded more like Mother Love Bone than anything Soundgarden had done which, when you think about it, is really the tribute to Andrew Wood here. The fact these guys could write and perform like he would really stands out.

The album “Temple of the Dog” had two great singles, that most people have probably heard: “Say Hello 2 Heaven” (a beautiful elegy to Wood) and “Hunger Strike” featuring the incredible Eddie Vedder vocal. It’s a shame Vedder isn’t joining these guys on this tour, but he’s busy drinking with Bill Murray in Chicago celebrating the Cubs historic win… and who doesn’t wish they were with him but I digress. The album is much more than those two singles, it’s an amazingly strong album – these guys had a great chemistry and it shows how close-knit the community was in the Seattle music scene. “Reach Down” is an epic 11 minute jam, turn that one up loud. “Pushin’ Forward Back” is a great rocker. On the quiet side is “Call Me A Dog” and “All Night Thing” both great songs. “Four Walled World” is another great tune with a fabulous vocal from Cornell. You can tell these guys poured their heart into this record, but no one more so than Cornell.

They’ve recently rereleased a deluxe edition of the LP with a few unreleased demo’s and outtakes. I didn’t see or hear anything that made me want to re-buy the record, but if you have never heard or purchased “Temple of the Dog” I highly recommend you pick it up post haste and turn it up loud. While you’re at the record store, pick up Mother Love Bone’s album as well. Most of their material has been repacked and rereleased so it’s not hard to find. These are both great 90s bands and should be heard by any true music fan. With the setlists I’m seeing, I am really hopeful to hear something live come out of this tour… let’s hope they’re dragging a tape machine around with them.

It appears that TOTD is only playing a few shows and mostly on the coasts but if you’re near a place where they’re playing, do what you have to, scalp if necessary but get to one of these shows. It’s time like these when great bands are only touring the coasts that I feel like I live in “concert flyover territory” and I regret living in theMidwest… oh well, someday maybe I’ll get up the gumption to move but then I’d miss going to Chiefs games. Life is such a give and take…

Cheers!

 

Get Out The Vote: The BourbonAndVinyl Rock And Roll Hall of Fame Ballot

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It’s that nasty time again, Election season… time to vote for your Rock And Roll Hall of Fame nominees. At least their are no threats to jail the nominees who fail to get elected… When the RnR Hall of Fame first opened I thought, like Ray Davies, “what a drag” to see the music of rebellion institutionalized. But the ceremonies have led to some great performances and jam sessions. I can’t help but think of Tom Petty, Jeff Lynne and Prince performing “While My Guitar Gently Weeps” for George Harrison’s induction. Prince owns that guitar solo for me now.

This year’s nominees are a diverse set of acts, from punk to grunge to soul to disco to hip hop. There are a lot of deserving acts but in the end, you can only vote for 5 on the HoF’s website. The fans are allowed to vote on the website once a day with a Facebook address or an email address and the fan’s ballot is then treated as 1 of the about six-hundred that get sent out to Rock journalists, historians and performers. To date, BourbonAndVinyl has not been formally asked to participate in the process which frankly, chaps my ass.

You may cast your vote daily here:

https://vote.rockhall.com

Here are the five acts your humble blogger at BourbonAndVinyl feel are the most deserving and who we’ll be voting for daily. It doesn’t make a huge difference but at least we have a small voice in this thing:

  1. Pearl Jam – the Kings of grunge. These guys have been kick ass their whole career. If you’ve seen them live, you know what I’m talking about. “Lightning Bolt,” their last album was proof that they’re still going strong. Eddie Vedder is one of the greatest voices of all time.
  2. Depeche Mode – Dave Gahan and the gang are so influential I’m not sure why they haven’t been voted in already. Their new LP drops in 2017, entitled “Spirit.” I could listen to Dave Gahan sing all day long.
  3. The Cars – They could be voted in on the strength of their debut album alone. Consider “Candy-O” and “Heartbeat City” and these guys deserve to be in the Hall.
  4. Jane’s Addiction – Perry Farrell, Dave Navarro… Another very influential 90’s band. Perry also created Lollapalooza which should give Jane’s extra consideration. Who doesn’t love “Jane Says”?
  5. J. Geils Band – this fifth choice was tough for me. I almost voted in Tupac but I love Peter Wolf. The band’s earlier, bluesy stuff is what I feel qualifies them. “Musta Got Lost” is one of my favorite songs of all time.

In the spirit of democracy, I shall list the remaining nominees this year, and the reasons I didn’t vote for them:

  1. Tupac – the man is a legend. He’ll likely get in first ballot. I always loved the tune “California Love.”
  2. Chic – I love Nile Rodgers as much as the next guy, and he should get into the Hall as a producer, but Chic wasn’t my cup of tea.
  3. Journey – these guys are actually leading the fan vote now which disturbs me deeply. I mean, I saw Journey twice in high school – that’s high school folks, who didn’t make mistakes in their youth. I grew out of it. I always liked the Gregg Rollie era better than the later stuff. Steve Perry turned into such a dick. I fear people are voting for Journey in the hopes Perry will show up and sing with the rest of the band, but knowing Steve, I doubt it. And really, who wants to see Jonathan Cain get into the Hall….
  4. Bad Brains – I know zero about them. There are limits to even B&V’s music knowledge.
  5. Janet Jackson – it’s the Rock And Roll Hall, not the Pop Hall of Fame.
  6. Chaka Khan – One hit wonder.
  7. ELO – Oh, spare me. These guys were so derivative of the Beatles Jeff Lynne ended up producing George Harrison. They had a few good songs but were a bit twee in my mind.
  8. Joan Baez – I’ve never been able to stand this woman’s screechy, warbling. I blame Bob Dylan for her influence.
  9. Joe Tex – I know nothing about this guy either. With a name like Joe Tex, he might be a blues guy so I might have to do some home work here.
  10. Kraftwerk – this is a scary German synth band that people who want to sound cool cite as an influence. Don’t believe them, no one listens to Kraftwerk.
  11. MC5- Solid, if short lived punk band in the same vein as the Stooges… I considered these guys in J Geils place as well…
  12. Steppenwolf – Overrated…
  13. The Zombies – Not a bad band, solidly blues based, but Hall of Fame worthy?
  14. Yes – The prog rock giants. There were so many configurations of this band I wonder if the stage is large enough to hold them all. Guitarist Steve Howe looks like the Crypt Keeper these days. I liked Yes, but outside of “The Yes Album,” “Fragile,” and maybe “90125” I’d be hard pressed to name another Yes album.

There you have it folks, the B&V take on this year’s all important Election. Who will you be voting for? Let me know in the comments section who you like if you disagree with my take.

As always, take care of yourself out there, the actual Election for US President gets darker every day, which is something I thought would be impossible. Even my cat woke up hissing from a nightmare today, which seems biblical in it’s portent. It’s a dark time… put on some groovy music and pour some of the dark stuff. For me today it’s Bob Dylan and Buffalo Trace… Hunker down, that’s my advice.

Cheers!

 

Review: Chris Cornell’s “Higher Truth” – Finally He Comes Through

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I always used to say Soundgarden was the Black Sabbath of the “grunge” era bands. At the time I was thinking more about the Dio-era Sabbath than Ozzy but I’m splitting hairs here. The thing that reminded me so much of Sabbath was Kim Thayil’s giant riffs. Every song had these dense slabs of guitar that Tony Iommi would certainly envy. The other key ingredient was the amazing vocals of Chris Cornell. I absolutely loved his voice. When Soundgarden broke up, naturally I thought Chris Cornell had a bright future.

The first solo thing I ever heard Cornell do was a song called “Sunshower” off the “Great Expectations” soundtrack in 1998. It was an acoustic based song but it just worked. His vocals were front and center, where they belong. As soon as I bought that song, it went into high rotation for the wife. Although I think her attraction to the song may be based more on the fact she considers Mr. Cornell very easy on the eyes. Chicks…

It was with great anticipation that I purchased Chris’s first solo album, “Euphoria Morning”. Maybe it was just me, maybe it was the fact that he was trying to totally break with his Soundgarden past but I was majorly disappointed by “Euphoria Morning”. “Can’t Change Me” was about the only tune I could connect with. Shortly after that Cornell joined Audioslave, a band I really enjoyed but it was an odd mix. Rage Against the Machine’s remaining members teamed with Cornell. How that combo actually survived to make 3 strong albums is a mystery to me.

After Audioslave, Cornell made a couple of forgettable, if not bad albums. His collaboration with Timbaland, “Scream” was particularly head scratching. It was quite possibly the worst thing I’ve ever heard Cornell do. After that he got back together with Soundgarden for a very strong reunion album. I started to think that Cornell could only function within the construct of a band, that as a solo artist he was a washout, which was a real disappointment for a guy of his talent level.

A few years ago I read that Cornell had been approached by someone who said they loved Johnny Cash’s version of “Rusty Cage” (I mean, who doesn’t love that song or Johnny Cash for that matter?). The person told Cornell that he couldn’t really understand the lyrics of song until they heard the Cash version. Inspired, Cornell went out for a solo acoustic tour which resulted in the overlooked, great live album, “Songbook”. His voice in an acoustic setting, like “Sunshower” really worked. He sang songs from Soundgarden, Audioslave, Temple of the Dog and his spotty solo career mixed in with a few choice covers.

When I heard the first single from his new album, “Higher Truth” I mentioned that it felt like the song was informed by that solo, acoustic tour. For once, and it’s rare, I was right according to what Cornell told Rolling Stone magazine. This is an acoustic based record which makes it sound like its a “mellow” record. Listening to it however, it doesn’t feel mellow. The way Chris Cornell sings, even ballads have an intensity. I will say, that after all the misfires on his solo career, Cornell has finally come through with a great album. Again, like “Sunshower” it focuses on putting his voice out front and surrounding it with acoustic guitar and some percussive elements. It’s not a folky album – although I was somewhat reminded of Bob Dylan’s “Another Side of Bob Dylan” which was a rock album without the instruments.

Luckily for “Higher Truth” Cornell didn’t rehire Timbaland but instead turned to a veteran producer of the “grunge wars”, Brendan O’Brien. Brendan has worked with a diverse number of acts including Pearl Jam, AC/DC and Bruce Springsteen. I really like this guy’s body of work and I must say it was a shrewd choice by Cornell. O’Brien knows how to bring out the best in any performer which just underscores how important the choice of producer is for any artist.

This is quite simply, the best batch of songs I’ve heard from Chris Cornell since “Superunknown”. Any of these songs could have been easily been translated into a Soundgarden song with the addition of some heavy electric guitar. But I like them better in this stripped down setting. For me it’s all about Cornell’s voice. “Nearly Forgot My Broken Heart” is just a classic. “Before We Disappear” is the best song on the album. The soulfulness of Cornell’s vocal on that one will haunt you. If I could have written a love song like “Josephine” for the wife, I would have done a lot better with her early on. I love the water imagery in the song “Circling”, I find myself returning to that song often. The album does get a little mellow toward the end but listened to as a whole it has a quiet intensity because of Chris’ singing. I highly recommend this album. These are simply put – beautiful songs, sung beautifully.

I remember hearing that Neil Young was the “Godfather of Grunge”. That may be true but the thing to remember about Neil Young is that there are 2 sides to Neil. The electric guitar drenched in distorted feedback of Crazy Horse and the mellow acoustic strummer of “Harvest”. Cornell has shown he can do the electric Neil in Soundgarden. With “Higher Truth” he proves he can pull off the acoustic side as well.

Pour something strong, turn this one up to “11” and enjoy! Cheers!