B&V iPod Playlist: Chris Cornell

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I don’t know about you, but here at BourbonAndVinyl we’re still pretty shell-shocked over the news about Chris Cornell’s passing. I don’t know why this one has hit me so hard. Perhaps it’s because I had just seen the man perform with Soundgarden three nights prior. Perhaps it’s because his music has always meant so much to me. Maybe it’s the mysterious way in which he passed.

I read recently that Cornell’s mother-in-law has been railing on social media (where else would someone rail these days) at Eddie Vedder for not making any public comment or reaching out to Chris’ widow. Vedder is launching a solo European tour in Amsterdam that starts tomorrow and apparently won’t be at Cornell’s memorial/funeral today in Los Angeles. We all grieve in our own way, folks. When my friend Larry committed suicide, I did not travel to Dallas to the funeral, which raised some eyebrows. When Hillel Slovak passed away Anthony Kiedis famously didn’t attend his funeral either. Anthony had to get away and tend to his grief in private, down in Mexico. It’s difficult to process things when a friend passes away, especially under strange and shocking circumstances.

Here at the house, we mourn the old fashion way – with bourbon and music. After a couple of stiff Woodford Reserves and some rumination last Saturday, I put together a playlist that attempted to encompass all of Chris Cornell’s career. I wanted to celebrate the man, the singer. It’s long at almost three hours and vast, but so was Chris Cornell’s career. I picked songs that were familiar and (as usual for me) some deep tracks. I also picked a few tracks that just have significant meaning to me. I’ll admit off the bat, Soundgarden’s pre-‘Batmotorfinger’ work is significantly under represented here.

I spent last Sunday on my patio, with the Rock Chick, listening to that wonderful voice, in all it’s forms. From hard rock to acoustic strummers the man could sing anything. The rock and roll world is a much dimmer place now… I would have included Cornell’s wonderful version of “Nothing Compares 2 U” on this list, but you can only stream that on YouTube… These songs are in no particular order, I went where the whiskey took me. I’m going to try and put this out on Spotify if I can ever figure it out… Here then, without further rambling, is my tribute to Mr. Chris Cornell, singer extraordinaire.

  1. Soundgarden, “Superunknown” – The title track from Soundgarden’s penultimate LP.
  2. Soundgarden, “Rusty Cage” – This song is so good Johnny Cash covered it.
  3. Audioslave, “Revelations”
  4. Audioslave, “Original Fire”
  5. Chris Cornell, “You Know My Name” – A great song on Cornell’s wrongly maligned second solo LP.
  6. Temple Of The Dog, “Say Hello 2 Heaven” – Written for Andrew Wood, sadly now a fitting song for our current situation.
  7. Chris Cornell, “Higher Truth” – The title track from Cornell’s awesome final solo album. Check this record out.
  8. Chris Cornell, “The Keeper” – This beautiful acoustic ballad is toward the end of Cornell’s great live LP, “Songbook.” It’s a live LP, but this sounds like it was cut in a studio.
  9. Soundgarden, “Live To Rise” – This is a great lost Soundgarden track that was on a soundtrack of some movie. I just really liked it.
  10. Slash, “Promise (featuring Chris Cornell)” – Cornell’s track from Slash’s great solo LP where he paired himself with a bunch of different singers. I always thought this was one of the strongest tracks on the record.
  11. Audioslave, “Dandelion” – Possibly the Rock Chick’s favorite Audioslave tune. When it popped up on the speakers last Sunday, she asked if I’d put it on the list just for her. “No dear, it’s simply an awesome song, it belongs on this list.”
  12. Audioslave, “I Am The Highway” – This is the good stuff…
  13. Soundgarden, “Waiting For the Sun” – You can find this one on the great “odds & sods” collection, ‘Echo of Miles.’ The first time I saw Soundgarden, at Lollapalooza in Kansas City (back when it was still a traveling festival), opening for Metallica no less, Soundgarden opened with this song. It’s one of my favorite Doors’ tunes and Soundgarden does it in a wonderful heavy fashion.
  14. Temple of the Dog, “Hunger Strike” – Eddie Vedder and Cornell vocally shredding.
  15. Soundgarden, “Burden In My Hand” – This song has been running through my head for over a week now.
  16. Chris Cornell, “Billie Jean” – Cornell was savaged when he covered this tune, but I love it. He completely changes the song in the way he does it. He could grab an acoustic guitar and cover any song by any artist and make it new and unique. This is the perfect example of his abilities.
  17. Temple of the Dog, “Call Me A Dog” – Great ballad toward the end of the first half of the LP.
  18. Chris Cornell, “Dead Wishes” – Another beauty from ‘Higher Truth.’
  19. Chris Cornell, “Imagine” – Beautiful John Lennon cover from ‘Songbook.’
  20. Audioslave, “Doesn’t Remind Me” – This might have been a single, regardless, it’s a great tune.
  21. Soundgarden, “Pretty Noose”
  22. Soundgarden, “Spoonman” – Well, you knew this one was going to be on the list.
  23. Soundgarden, “Outshined” – A tune my good friend Steve turned me on to many, many moons ago.
  24. Audioslave, “Like A Stone” – The breakthrough hit for Audioslave.
  25. Chris Cornell, “Sunshower” – This is the first solo track Cornell ever did, to my knowledge, after Soundgarden broke up. It was another soundtrack tune.
  26. Audioslave, “Cochise” – On a side note, I’m thrilled the Kansas City Chiefs play this song right before the team takes the field on home Sundays.
  27. Soundgarden, “My Wave” – There are so many great songs on ‘Superunknown’ it’s easy to overlook this gem.
  28. Audioslave, “Sound of a Gun” – The riff on here is monstrous, the singing is even more so.
  29. Chris Cornell, “Nearly Forgot My Broken Heart” – The single from ‘Higher Truth.’
  30. Soundgarden, “Black Hole Sun” – Heavy metal, psychedelia.
  31. Chris Cornell, “Finally Forever” – A beautiful song Cornell wrote for his wife. Why this song isn’t played at every wedding is a mystery I don’t have time to solve. This is another song off of Cornell’s 2nd solo album.
  32. Chris Cornell, “Thank You” – I think Chris Cornell was born to cover Led Zeppelin.
  33. Chris Cornell, “Can’t Change Me” – The single from Cornell’s first proper solo album.
  34. Soundgarden, “Fell On Black Days” – The middle 90s were a tough time for me. This song helped pull me through those very “black days.” I wish it could have done the same for Cornell.
  35. Soundgarden, “Been Away Too Long” – The single from Soundgarden’s reunion album. It’s sad to think they were working on a follow up when Cornell passed.
  36. Audioslave, “Be Yourself” – “it’s all that you can do…”
  37. Chris Cornell, “Seasons” – I just love this beautiful song from the ‘Singles’ soundtrack.

I hope this selection of music helps you get through this horrible loss. It seems to be helping the Rock Chick and I. It’s a dark ride folks, take care of each other out there.

I Awoke To The Devastating News: Chris Cornell Has Passed Away, RIP

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*Picture taken by the Rock Chick, Sunday, May 14th, 2017

“I heard the news today, oh boy…” –The Beatles

I believe it was Robbie Robertson, guitarist of the Band who famously said, “The road has taken a lot of the great ones…” Sadly, we have one more name to add to that list.

I was awakened this morning by my wife, the Rock Chick, which usually doesn’t happen unless there is a task at hand, like “we forgot to put the recycling out.” I’m easily startled so nobody really likes waking me up before the alarm. She teared up as she gave me the devastating news that singer, guitarist, songwriter, father, husband, Rock Star Chris Cornell had passed away from an apparent suicide over night. I couldn’t believe it… surely there had to be a mistake here? My heart and thoughts go out to his family, his wife and two kids. I can’t imagine what they’re going through.

In a word, I’m devastated. This is made much worse for me as I just saw Chris and the rest of Soundgarden here in Kansas City on Sunday night at Starlight Theater and they were fantastic. When I was young, and I first started going to concerts, I realized that when you see a really great show there is a post-concert bliss or buzz, call it what you want, that can last for days. That Soundgarden post-concert high hadn’t even worn off for me yet. And now Chris is gone.

He prowled the stage like a prize fighter last Sunday. His voice was perfect. He sang all up and down the scale. His vocal was as strong as anything I’ve ever heard, and I’ve heard everybody. He played more guitar than I thought he would and actually had some chops. The man was truly a Rock Star, with a capital R and S. He told a wonderful story about his grandparents, who he said lived in KC. His grandfather built Rolls Royce engines here, apparently. He said coming over the river and seeing Kansas City, the few times he visited, always made him feel good. It was a lovely moment in the show. I felt he’d really connected with the adoring audience. My God, he was only three months younger than I am.

I was a big Soundgarden fan. The first thing I connected with was Cornell’s voice. “Fell On Black Days” is a song that means so much to me, I don’t feel I can share it in these pages. I also bought the Temple of the Dog LP, a tribute to Chris’ fallen friend Andrew Wood of Mother Love Bone. “Say Hello 2 Heaven” from ‘Temple of the Dog’ is another of those songs that take me back to a very specific time in a very moving way. After Soundgarden broke up I bought his first solo LP, ‘Euphoria Morning’ which I didn’t connect with, although “Can’t Change Me” from that album is still in high rotation here at the house (I play it for my wife). I really loved his work with Audioslave. I have all three of those great albums. When he returned to his solo career I was back on the bandwagon when he released the live acoustic ‘Songbook’ album and the fantastic acoustic based studio LP, ‘Higher Truth,’ reviewed on B&V. I can truly say I was a fan of most, if not all, of this guy’s work. ‘Higher Truth’ will be playing in my house all day.

I was happy a couple of years ago when Chris got back together with his mates in Soundgarden and they put out ‘King Animal,’ and was thrilled to see them Sunday night. I wanted to see him when he got back together with Temple of The Dog for a brief tour and I pray someone taped those shows. He even played with Audioslave at a benefit a couple of months ago… It seems he’d reunited and made peace with everybody. That is some comfort, I guess.

My friend, drummer Blake, said via text, “Only Eddie Vedder is left from the big 4 Grunge bands of the 90s…” It hadn’t occurred to me we’ve lost Kurt Cobain (Nirvana), Layne Staley (AIC), and now Chris Cornell. Soundgarden was purportedly working on a new album that I think we all were looking forward to…

This is just a fucking tragedy. I am distraught. If you’re out there, and you’re having a hard time, reach out to somebody. Don’t let it get to this point.

I had a dear friend commit suicide back in the early 90s. It left a mark on me that remains to this day. I can’t help but feel this particular artist, going out in this particular way is going to leave a similar mark on a lot of people.

It’s a dark ride folks, take care of each other. RIP Chris Cornell, Rock Star.

Review: Chris Cornell’s “Higher Truth” – Finally He Comes Through

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I always used to say Soundgarden was the Black Sabbath of the “grunge” era bands. At the time I was thinking more about the Dio-era Sabbath than Ozzy but I’m splitting hairs here. The thing that reminded me so much of Sabbath was Kim Thayil’s giant riffs. Every song had these dense slabs of guitar that Tony Iommi would certainly envy. The other key ingredient was the amazing vocals of Chris Cornell. I absolutely loved his voice. When Soundgarden broke up, naturally I thought Chris Cornell had a bright future.

The first solo thing I ever heard Cornell do was a song called “Sunshower” off the “Great Expectations” soundtrack in 1998. It was an acoustic based song but it just worked. His vocals were front and center, where they belong. As soon as I bought that song, it went into high rotation for the wife. Although I think her attraction to the song may be based more on the fact she considers Mr. Cornell very easy on the eyes. Chicks…

It was with great anticipation that I purchased Chris’s first solo album, “Euphoria Morning”. Maybe it was just me, maybe it was the fact that he was trying to totally break with his Soundgarden past but I was majorly disappointed by “Euphoria Morning”. “Can’t Change Me” was about the only tune I could connect with. Shortly after that Cornell joined Audioslave, a band I really enjoyed but it was an odd mix. Rage Against the Machine’s remaining members teamed with Cornell. How that combo actually survived to make 3 strong albums is a mystery to me.

After Audioslave, Cornell made a couple of forgettable, if not bad albums. His collaboration with Timbaland, “Scream” was particularly head scratching. It was quite possibly the worst thing I’ve ever heard Cornell do. After that he got back together with Soundgarden for a very strong reunion album. I started to think that Cornell could only function within the construct of a band, that as a solo artist he was a washout, which was a real disappointment for a guy of his talent level.

A few years ago I read that Cornell had been approached by someone who said they loved Johnny Cash’s version of “Rusty Cage” (I mean, who doesn’t love that song or Johnny Cash for that matter?). The person told Cornell that he couldn’t really understand the lyrics of song until they heard the Cash version. Inspired, Cornell went out for a solo acoustic tour which resulted in the overlooked, great live album, “Songbook”. His voice in an acoustic setting, like “Sunshower” really worked. He sang songs from Soundgarden, Audioslave, Temple of the Dog and his spotty solo career mixed in with a few choice covers.

When I heard the first single from his new album, “Higher Truth” I mentioned that it felt like the song was informed by that solo, acoustic tour. For once, and it’s rare, I was right according to what Cornell told Rolling Stone magazine. This is an acoustic based record which makes it sound like its a “mellow” record. Listening to it however, it doesn’t feel mellow. The way Chris Cornell sings, even ballads have an intensity. I will say, that after all the misfires on his solo career, Cornell has finally come through with a great album. Again, like “Sunshower” it focuses on putting his voice out front and surrounding it with acoustic guitar and some percussive elements. It’s not a folky album – although I was somewhat reminded of Bob Dylan’s “Another Side of Bob Dylan” which was a rock album without the instruments.

Luckily for “Higher Truth” Cornell didn’t rehire Timbaland but instead turned to a veteran producer of the “grunge wars”, Brendan O’Brien. Brendan has worked with a diverse number of acts including Pearl Jam, AC/DC and Bruce Springsteen. I really like this guy’s body of work and I must say it was a shrewd choice by Cornell. O’Brien knows how to bring out the best in any performer which just underscores how important the choice of producer is for any artist.

This is quite simply, the best batch of songs I’ve heard from Chris Cornell since “Superunknown”. Any of these songs could have been easily been translated into a Soundgarden song with the addition of some heavy electric guitar. But I like them better in this stripped down setting. For me it’s all about Cornell’s voice. “Nearly Forgot My Broken Heart” is just a classic. “Before We Disappear” is the best song on the album. The soulfulness of Cornell’s vocal on that one will haunt you. If I could have written a love song like “Josephine” for the wife, I would have done a lot better with her early on. I love the water imagery in the song “Circling”, I find myself returning to that song often. The album does get a little mellow toward the end but listened to as a whole it has a quiet intensity because of Chris’ singing. I highly recommend this album. These are simply put – beautiful songs, sung beautifully.

I remember hearing that Neil Young was the “Godfather of Grunge”. That may be true but the thing to remember about Neil Young is that there are 2 sides to Neil. The electric guitar drenched in distorted feedback of Crazy Horse and the mellow acoustic strummer of “Harvest”. Cornell has shown he can do the electric Neil in Soundgarden. With “Higher Truth” he proves he can pull off the acoustic side as well.

Pour something strong, turn this one up to “11” and enjoy! Cheers!