Metaphysical Wisdom: The 1986 Ozzy Concert, The Preacher and the Pot Smoker

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It’s rare that you find any “Universal Wisdom” at an Ozzy Osbourne concert. Somehow, in the 80s, I managed to do so.

It was 1986, right in the heart of the 80s, when a group of friends and I loaded up in the car and drove from Manhattan, Kansas down to Wichita to see the Prince of Darkness, Ozzy Osbourne, in concert at the Kansas Coliseum. We were especially excited to see the Oz-man in Wichita because the arena had “festival seating,” where you show up, line up at the door, and when the doors opened, you sprinted as fast as you can to get a seat near the stage, or better yet, get to the open area in front of the stage. I saw Van Halen in Wichita once and actually stood right in front of the stage, hanging on to it for dear life. God Bless Eddie Van Halen, but as usual, I’m off topic. The opening band for Ozzy was some dark metal band we’d never heard of, Metallica, but that’s another topic. We didn’t fight to get down to the stage but found some nice seats on the lower deck, really close to the stage.

This being the 80s there were a lot of stimulates among the pirate crew I’d journeyed to the concert with. We were drinking a lot of beer that day, which could be said of most of our days at the ol’ University. As the old song goes, “for it’s not for knowledge that we came to college but to drink beer while we’re here…” We had a rule when road tripping, not a very smart one, that you had to have a six pack for each person in the car at all times. (Don’t Drink and Drive kids, it’s a bad idea.) I was with several herbal enthusiasts as well. I’ve always been a fan of dark, murky fluids and was never a smoker but I’d probably list myself as a “pot sympathizer.” You enjoy your vices, I’ll enjoy mine. For some reason we had a bunch of black beauties with us. I was never big into stimulates, but speed was always prevalent at college, especially during finals. If you needed to stay up cramming, rather than drink a pot of coffee, take a black beauty or a “No Doze” and zoom, you’re up. Soon we realized it was fun to take one with beer – one foot on the gas, one foot on the brakes. We were so riled up by the heavy metal and speed, we were on our feet, high-fiving like amateurs and sloshing beer all over. Even before Ozzy came on, the poor high school kids in front of us politely moved off to find safer seats. We were young Vikings on a quest for Heavy Metal Valhalla.

Finally, after playing louder, faster, louder, faster these dour guys calling themselves Metallica (how did we not realize what we were seeing, perhaps it was the beer?), left the stage and after a short intermission to remove Metallica’s white-cross cemetery stage set, a giant Ozzy Ghoul descended from the rafters. The stage prop was designed to look like the cover of his latest album, “Ultimate Sin.” The arms/wings of this Ghoul opened up and sitting on his throne was Ozzy, in all his glory. He leapt out of the chair, launched into “Bark At The Moon,” and didn’t stop moving all night. We went bonkers. I think at one point I may have actually barked in the general direction of the moon…Ah, youth.

Ozzy had had an up and down decade. He’d started his surprisingly successful solo career with the legendary guitarist Randy Rhodes but then Randy was killed in a freak airplane accident. Ozzy had finally recovered and pulled a new band together with Jake E. Lee as his new lead guitarist. Jake was with Ozzy that night and while he was no Randy Rhodes, he held his own. The man could “shred” as the kids say. The song “Shot In the Dark” was our favorite and we went appropriately insane when Ozzy played it. “Never Know Why (We Rock)” was another highlight because let’s face it, Ozzy was right when he sang “they’ll never know why we RAWK!” By the time Ozzy played “Paranoid” as the encore, we were certain we’d reached that Heavy Metal Valhalla we had been seeking.

We slowly began to file out of the Kansas Coliseum to find the car when, in the midst of the exiting metal fans we saw a giant cross. I couldn’t help but wonder what the heck was going on, was this more Ozzy theater? It was then that I heard the Preacher’s voice over the loud speaker, decrying the “Evil” that we had just been a part of. The 80s were a weird decade. Ronald Reagan was President and it was “morning in America.” Out of nowhere Heavy Metal and hard rock came under siege from religious groups. Ozzy and his fellow Metal buddies, Judas Priest had been sued for their dark music being wrongly considered to cause suicides. You had the PMRC, the Parents Musical Resource Committee (or was it Center), led by the uptight Tipper Gore who was attempting to censor rock lyrics. For me this all reached it’s apex when my mother went so far as to warn me that Rush was Satanic, “Ruled Under Satan’s Hand.” Sigh. Ozzy in particular seemed to like to goad these “enemies of rock” as we dubbed them. The Ghoul on the cover of his album and the LP title “The Ultimate Sin” seemed to be aimed right at his religious critics.

Apparently inspired to respond, this Preacher had set up a giant cross in the parking lot and had a bullhorn he was shouting scripture through, along with extended diatribes about why we were all going to Hell for attending an Ozzy show. I never thought nor do I think the music you listen to can condemn you to a life of eternal damnation (unless you listen to Wham) but sure as shit, this guy was telling us it could. My friend SB and I stood at the edge of the crowd that had assembled around this guy, merely for amusement purposes. The guy was really into it, screaming into his bullhorn and foaming at the mouth. Most of the Ozzy fans around him were chuckling and a few had the temerity to make fun of the guy. I was worried the Preacher might stroke out in front of us and we were going to need to clear out of there pretty quickly if that happened. I never liked to hang around when the cops showed up.

It was then that a diminutive kid in the hard rock uniform: jeans, concert t-shirt and flannel shirt over it, came forward to ask a question. “Excuse me, Sir…” The Preacher looked stunned and frankly a little joyful that someone had paid close enough attention to ask him a question. Most of the concert goers were merely walking past him. The intrepid Pot Smoker then posed this metaphysical question to the Preacher, “So, if God created the natural world, and pot grows in nature, doesn’t that mean God put pot here for us to enjoy? I mean, doesn’t that mean God wants us to smoke pot?” My mind was blown. Unfortunately for the Preacher, I think his mind was blown too. He didn’t have an answer. The stunned look on his face betrayed his confusion. He began to sputter and stutter into his microphone…The crowd was hanging on what his response was going to be. After what seemed an eternity, the Pot Smoker turned and walked off toward his car. He was pretty sure, as we all were, that the Preacher couldn’t answer that “Big Question.” When the Pot Smoker walked away, the Preacher suddenly composed himself and muttered unconvincingly, “He doesn’t want an answer, look, he’s walking away…he doesn’t want an answer.” Like the rest of the crowd, I just shook my head and we headed to the car. Game, set and match for the Pot Smoker. As we walked to our car, I could hear the Preacher bellowing through his loudspeaker again and maybe it was my imagination, he seemed to have lost a little of his vim and vigor.

I felt like I’d walked away from that great concert a little smarter about the universe and how it works. While I’m a bourbon man, I certainly don’t think a little pot and a lot of heavy metal is gonna send anybody to Hell or anywhere else. I know I realized that night that you should never allow a judgmental individual or group to influence your behavior or your listening. As long as you’re not hurting anybody I say, go for it.

It’s a dark ride folks. Find someone you love, put on some good music and enjoy yourselves.

Cheers!

Playlist: The BourbonAndVinyl Election Day Playlist To Relieve Election Fatigue

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And I ain’t no communist
And I ain’t no capitalist
And I ain’t no socialist
And I ain’t no imperialist
And I ain’t no democrat
And I ain’t no republican
I only know one party
And it is freedom  

– “I Am A Patriot” – Little Steven

I think I speak for everybody in America and beyond, no matter what your political persuasion, your political party, right or left, when I say, I’m tired of this Election. I am suffering and have been for quite a while now from Election Fatigue. Just once I’d like to watch television and during the commercial breaks see a wacky local car dealer who mistakenly thinks he should be in his own commercials. Or I’d like to see a commercial for Cialis with the couple sitting in adjoining bath tubs holding hands, which I’ve never really understood, if you’re on Cialis shouldn’t you be sitting in the same bathtub (the guns loaded, you need to pull the trigger)? Who would have thought I’d miss those commercials? All I see these days is point-counterpoint. I often see opposing politician’s commercials in the same break. Politician A accusing Politician B of being a traitorous bastard only to have the next commercial accuse Politician A of being the real traitorous bastard. None of this shit gives me a very positive vibe. I don’t know exactly when we became such a divided nation, but it appears to be getting worse.

Putting all the bile aside is becoming increasingly more difficult. I have stopped watching the news altogether, it’s too depressing. I am just pleased that in a mere five days, this great National Nightmare will be over. Don’t get me wrong, I am extremely lucky to have been born and raised in a free, democratic country. The fact that every four years the populace is allowed to stand in line and go to the polls for a peaceful transfer of power is one of the greatest things on the planet. Not only is it a great thing, it’s a God damn inalienable right. But as much as I love Democracy, it took a whole lot of bourbon to get me through this one.

Well, if you’re like me, although I’m five days early, the only thing besides bourbon that’s going to get you through this negative, spiteful election is rock and roll. I’m not a political person per se. I vote, I always have, in every election from Reagan to Obama. I’m not tied to any party, I’m just looking for the best guy at the time. I like to think of myself as a hedonistic, moderate, centrist independent who enjoys fermented liquids and loud music. Although to the right I look like a communist and to the left, well I don’t know what I look like to them. I am genuinely concerned about the state and direction of my country.

In reaction to this Election season B&V put together a little play list with tunes that I feel should be taught in high school Political Science classes. The lessons may not sink in, but what a fun class. There’s not strident stuff here. In music I always lean a little more to the hippy, freedom, peace thing. I feel like peace and freedom is something both sides in this quad-annual tussle can agree on. And if you can’t agree on that, you probably aren’t a B&V reader in the first place. As usual, my play list is all over the place – loud/quiet, metal/acoustic… The Rock Chick is probably right, I shouldn’t do play lists… So if I’ve missed any of your favorite Political Science songs, please make suggestions in the comments. I’m always looking to expand these things.

  1. Alice Cooper, “Elected” – What better place to start than some manic hard 70’s rock and it sums up what the goal seems to have become.
  2. Little Steven, “I Am A Patriot” – My favorite song about politics. Jackson Browne does a great version as does Pearl Jam if you can find it on one of their live bootlegs.
  3. Jimi Hendrix, “Freedom” – That’s what it’s all about.
  4. Warren Zevon, “Disorder In the House” – “Helicopters hover over rough terrain,” great guitar solo by Springsteen.
  5. CSNY, “Stand And Be Counted” – Great hippy voting anthem.
  6. Ozzy Osbourne, “Civilize The Universe” – Ozzy’s plea for world peace & one of the Rock Chick’s favorites.
  7. The Cult, “Wake Up Time For Freedom” – From the great ‘Sonic Temple’ LP.
  8. Green Day, “Revolution Radio” – “I wanna revolution, I wanna hear it on the radio.”
  9. The Doors, “Five To One” – “They’ve got the guns but we’ve got the numbers.” I almost went with “Peace Frog,” which is funkier.
  10. Credence Clearwater Revival, “Fortunate Son” – Also love the Dead Daisies cover of this one.
  11. The Who, “Won’t Get Fooled Again” – We probably will be…
  12. John Mellencamp, “Hard Times For An Honest Man” – Amen.
  13. Bruce Springsteen, “We Take Care of Our Own” – Damn right we do.
  14. Fitz & The Tantrums, “Dear Mr. President” – One for the kids…
  15. Jackson Browne, “For America” – I always liked this track.
  16. Bob Marley & The Wailers, “Get Up Stand Up” – I could have included half his catalog…”Them Belly Full But We Hungry” springs to mind… I settled on this one.
  17. Sam Cooke, “A Change Is Gonna Come” – One of the greatest songs of all time.
  18. Little Feat, “A Apolitical Blues” – “The telephone is ringing, if it’s Chairman Mao, tell him I can’t talk right now.” Van Halen with Hagar did a great cover of this too.
  19. Pete Townshend, “Give Blood” – “Give blood, but soon you’ll find it’s not enough.”
  20. The Beatles, “Revolution” – There’s also “Revolution #1” for you more acoustically minded folks.
  21. Neil Young, “The Campaigner” – “Even Richard Nixon has got soul…” Did he? An acoustic gem from Neil.
  22. John Lennon, “Give Peace A Chance” – My hippy side is showing through…
  23. The Vaughn Brothers, “Tick Tock” – Stevie Ray with his brother Jimmy and a plea for a better world before the clock runs out. God we miss Stevie Ray Vaughn.
  24. Buffalo Springfield, “For What It’s Worth” – A little something for the paranoid.
  25. John Mellencamp, “Love And Happiness” – One of his best hard rock, political songs.
  26. Bob Dylan, “Political World” – Yes, I could have put all of Dylan’s first three albums on the list but I was trying to stay away from the acoustic guitar/harmonica stuff.
  27. John Lennon, “Imagine” – Well, you knew this was going to be on here.
  28. The Eagles, “On The Border” – “I’m just tryin’ to turn this water to wine…”
  29. The Clash, “Know Your Rights” – Something everyone should know.
  30. Randy Newman, “Political Science” – The funniest song ever written about geopolitics.
  31. Marvin Gaye, “What’s Goin’ On” – What the Hell is going on?
  32. Jackson Browne, “Lives In the Balance” – I double dipped on this record, one of my 80s favorites by Jackson.
  33. Bob Seger, “Long Song Comin'” – Great song about a blowhard politician. I can’t listen to one more speech.
  34. Cream, “Politician” – “Get into my big black car,” sounds more like a threat than an invite…
  35. Lynyrd Skynyrd, “Things Goin’ On” – “‘Cause there’s things goin’ on that you don’t know.” Great obscure track from their debut album.

If this track list isn’t to your liking, put on something that you do like. Season to taste, as they say. We all need a little music these days. If the Election doesn’t break the way you want it to – celebrate Veteran’s Day (aka Armistice Day) on Nov 11th like my pal Drummer Blake, by playing some loud rock and roll (Although in Blake’s case he’s actually playing the instruments not the radio, like me). At least Veteran’s Day is something we can all agree should be celebrated.

These are dark times… pour something strong and turn it up loud… Cheers!

My Fever Dream: Dark Days, A Hopeful Wedding And A Glimpse To The Future

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I love the fall. As the Red Hot Chili Peppers once sang, “autumn’s sweet, we call it fall, I’ll make it to the moon if I have to crawl.” Autumn is usually sweet for me. It’s a time for football and breaking out the dark and murky fluids… it’s my bourbon season. Even the holidays are great. Halloween is always fun (hello to all those Naughty Nurses out there and sincerely, thank you all) and who doesn’t love Thanksgiving. All I have to do on Thanksgiving is show up eat, drink too much and watch football. Besides Saint Patrick’s Day, Thanksgiving is the PERFECT holiday.

And yet this year I’m feeling more of the grim determination of the second part of that Chili Pepper’s quote, “I’ll make it to the moon if I have to crawl,” than my usual autumn joy. It’s been a bit a tough year this year. Things are pretty grim at the office… lay offs and more threatened. I’ve been traveling almost all of October for work and as usual have had my annual bronchial infection that knocked me on my ass. Perhaps it’s my illness that has me down. With the exception of going out west to see my wonderful daughter fall has been a drag.

I must admit that a lot of this dark juju I’m feeling stems from this year’s Presidential Election. I think I speak for everybody who isn’t a cable TV news commentator that I’m suffering from “Election Fatigue.” My wife, the Rock Chick won’t even watch the news any more. Dark pronouncements, anger and contention is really getting to be a drag. Even the local commercials are full of bile, lies and accusations. It’s like being in the middle of a divorce trial. Why is daddy yelling “wrong” at mommy, if you get what I mean. I’m not a political person per se. I never talk about religion or politics, but it’s just been impossible to avoid this year. It’s really set a dark vision of the future.

Against that back drop, my oldest and dearest friend Jack’s eldest daughter got married last weekend. I was honored to have been invited. I know that it makes me sound like a sentimental sap, dressed in a fluffy robe, clutching a half-empty bottle of Maker’s Mark, singing “Send in the clowns, there oughta be clowns…” when I say this, but I do love weddings. I was always that guy people called when they had an extra slot in the wedding party. “We need an extra usher… let’s call Ken, he’s fun… but keep him away from the Vicar…”

This particular wedding last weekend was a beautiful, hippy-esque ceremony, and I mean that in a good way. The ceremony was held outside under a copse of trees on a beautiful Indian Summer day. It was cloudy and a beautiful breeze pushed the leaves around. A gauzy tapestry of green and lime hung behind the make-shift alter. The groom danced down the aisle with a smile that lit up the park. They were playing a rap song I vaguely recognized (Hey, I’m a Stones guy…give me some slack) and there was a palpable sense of joy. It felt like the trees were dancing along with him in the breeze. Jack’s daughter looked glowing in her beautiful gown. The vows were beautiful and emotional. What can I say, I was moved. I felt something for the first time all fall, and frankly for the first time in a long time. I felt a glimmer of hope.

Weddings have always been hopeful affairs in my mind. The joining of two people into one couple, the merger of two disparate families. The wonderful ceremony where friends and family join to witness and consecrate the union. The joy emanating from the couple and their families is always contagious. I’m not a religious person, but weddings and funerals do bring about a spirit of community that’s possibly akin to religion. Despite all the horrible shit that’s happening in the world, these two kids, bravely and beautifully standing up in front of everyone they know, holding hands and vowing to share their lives together felt almost defiant in their hope. And that in turn, gives me strength.

I began to think of the Rock Chick and my future. Our daughter isn’t too much younger than Jack’s eldest. They knew each other slightly when they were growing up. I couldn’t help but wonder what the future holds for my daughter. She’s smart, educated and a hard worker. I don’t worry about her at all. But as I watched this new couple wed last weekend I wondered what that’ll be like when my own daughter gets married. As a step dad, my role in the wedding will likely be largely ceremonial, like paying for stuff, but it’ll be a life changing event. Then, inevitably there will come grandkids some day. I’m hopeful that’s a long way off. I was extremely immature when I married my wife (not that I’ve changed much since), and I like to say my stepdaughter and I grew up together… but grandkids? I’m not old enough for that yet…

I know a lot of people who are into this whole “grandparent” thing. They call themselves P-Paw or Nana or G-Maw… I want none of that shit. My daughter has always called me by my first name, Ken. I’m cool with that, as I never intended to supplant her dad. My vision of being grandparent, and this may seem odd, is based on the movie Cool Hand Luke. I don’t want my future grandkids to call me Grandpa, I want them to call me by the name I deserve – Boss Ken. I envision myself sitting in a big rocking chair out by the pool, straw hat on my head and mirror shades on, a large tumbler of bourbon that I’ll call “Boss Ken’s iced tea” in my hand. The children will call out to me things like “movin’ on into the pool now Boss Ken,” or “getting some water now Boss Ken.” They’ll whisper to each other things like “Don’t cross the man with no eyes…” like George Kennedy did. They’ll wonder why Boss Ken’s iced tea smells like gasoline. For their rapt obedience I shall reward them by teaching them about rock and roll. They’ll learn all of Jimi Hendrix’s catalog. I’ll sit in my rocking chair and say things like, “Wha, wha, what we have here is a failure to communicate. That’s the way this chirren wants it, well he gets it… he’s in timeout.” I’ll have to work on developing a southern accent.

In turn, my wife, who is the most elegant woman I know, should be called “The Duchess.” I think that’s better than Nana. I can see my future grand kids asking their mother, “Do we get to go and see the Duchess this weekend? She always has presents and baked goods for us…but is Boss Ken gonna be there? He said we were going to have to listen to something called “Goats Head Soup” this weekend… that doesn’t sound good.”

Oh yes, Boss Ken and the Duchess… this does give me great hope for the future and it has a nice ring to it. I can see it all so clearly now….Maybe it’s the excess of cough syrup I’ve been drinking.

It’s a long dark ride people. Keep your friends and family close and as always, Cheers!

LP Review: Van Morrison, “Keep Me Singing” Rock’s Curmudgeon’s Understated, Rootsy Return

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I have to admit upfront that the Rock Chick hates Van Morrison with the same passionate distaste she usually reserves for the Eagles. Oh well, no two people’s musical tastes are ever going to match up perfectly… with the Rock Chick and I, we’re a Venn Diagram… with significant overlap, thank God. I couldn’t be with anybody with crappy musical taste. I once stopped seeing a beautiful, rich girl after two dates because she liked Barry Manilow. Gads man, Barry Manilow. Somehow, I’ve digressed way off point here. Anyway, I love hard rock and heavy metal as much as the next rock and roller, but there are those moments that I need to turn the volume down. Those 3 am, everybody’s asleep and I’m out on the deck, waiting for the sun to come up and join me, with a tumbler of bourbon in my hand, ruminating about “the big questions.” Oddly, I never find any solutions out there, just more bourbon. For those moments I can’t hear screaming guitar. I need more contemplative music… like Peter Wolf’s “A Cure For Loneliness.” In a word, or in this case a name, I need some Van Morrison.

My college roomie, Drew was the one who turned me on to Van Morrison. He played me “Astral Weeks” for the first time and after that I was hooked. In his early days I’d say Van was second only to Bob Dylan as rock’s premier poet. There was something about that crazy, Irish mystic that I found irresistible. That voice… Those early records were simply transcendent. 1968’s “Astral Weeks” is as close as this pagan ever got to a religious experience. I felt like I was listening to a groovy jazz monk chanting. Van was an Irish Soul Man extraordinaire. Emphasis on the Soul… Van was a searcher, always reaching out for some truth that just exceeded his grasp. He expressed his longing for enlightenment in almost every thing he did.

“Moondance” from 1970 was his best known LP and his other masterpiece but he did a lot of other great work. “His Band And the Street Choir” is a great, great album, that was a heavy influence on both Bruce Springsteen and Bob Seger. Seger even covered “I’ve Been Workin'” from that LP on “Live Bullet.” It’s hard to exaggerate Van’s influence on popular music in the ’70s. “Tupelo Honey” is one of the most romantic songs I’ve ever heard. If it weren’t for the Rock Chick’s antipathy for Van, we would have danced to that song at our wedding. As it turns out, I snuck a Van song in for that first dance with “Have I Told You Lately,” but I used the Rod Stewart version.

That purple creative patch that Van had during the late 60’s, early 70’s drew to a close around the time he recorded “St Dominic’s Preview” in ’72. That was another set of mostly long tracks full of mystic poetry. “Listen To the Lion” still blows me away. Shortly after that he recorded one of the greatest live albums ever, “Too Late To Stop Now.” Do yourself a favor and pick that one up. Turn it up loud and just…groove, baby. He called his band in those days the Caledonia Soul Orchestra and they sounded like nobody else.

After that period Van’s music was kind of hit and miss for me. It’s hard to sustain that kind of creative genius. I know he went through a divorce somewhere in there. Like Dylan, he even went through a Christian period, although not quite as overt and strident as Dylan. I guess it shouldn’t have been a surprise, the spiritual had always mixed with the sensual in Van’s music. But as I said, it was always a little inconsistent for me. For every great album like “Poetics Champions Compose,” or “Enlightenment” there was a “How Long Has This Been Going On,” or worse, “Days Like This.” I sort of consigned Van to the past. I continued to cherish those early albums but gave up on hearing anything new and exciting from him. His personality turned sour and he became the quintessential curmudgeon. I was waiting for him to record a song entitled “You Kids Get Off of My Lawn.” His latest interview with Rolling Stone can only be described as “prickly.” He’s always got that porkpie hat on… It’s like he’s channeling Boris from the old Bullwinkle cartoons. Bitter party of Van…your table is ready.

Then, seemingly out of nowhere Van released “Down The Road” in 2002. It was jazzy, bluesy and Van sounded really committed. It’s like suddenly he was focused and trying again. He even evinced a sense of humor on that record on songs like “Whatever Happened To PJ Proby.” Van wasn’t breaking any new, transcendent ground here, he was just playing great music. He continued that streak with 2003’s “What’s Wrong With This Picture,” another jazzy, rootsy album. It was official in my mind, Van was on a hot streak. This was the kind of late career stuff that inspired B&V. He capped all of that off with “Magic Time” which was a return to those mystic, searching grand songs of his early period. “Magic Time” really blew me away. “Gypsy In My Soul” from that record is a song they should play at my funeral.

His follow up album, “Keep It Simple” was still strong but it paled in comparison to the three preceding LPs. Other than a great live performance of the entire “Astral Weeks” album recorded at the Hollywood Bowl I slipped away from Van again. He put out a critically lauded album, “Born To Sing: No Plan B” but I thought, if he couldn’t bother to come up with a better album title than that, why bother. If Van wasn’t going to make the effort, why should I? He followed that up with “Duets: Reworking the Catalog,” which screamed “cashing in,” although the critics were very kind to that record as well. It wasn’t like he was recording with Lady Gaga or any current pop singer. He mostly recorded with old friends and did obscure deep album tracks so perhaps my judgment on that LP was a bit harsh. I did pick up the song “Streets of Arklow” from that disc, the duet with Mick Hucknall from Simply Red – and believe me, I know how that sentence looks (Simply Red?) – and it’s an amazing song. I almost want to put on a kilt when I hear that one… almost.

I was in my car a few weeks ago, with the satellite radio on when I heard, “Too Late” a rollicking bluesy thing from Van’s new album “Keep Me Singing.” I really liked that song. It was catchy, well sung and gave me hope for another great LP from Van. I must admit, he’s delivered just that. This is not a party record, or a screaming guitar album. It’s Van’s usual mix of jazz, blues and Sinatra-era pop standards, a truly rootsy brew that is great late night music. Listening to “Keep Me Singing” makes me feel like I just walked into the basement music joint in Westport, Blaney’s, and the band is grooving. Van’s music is so anachronistic these songs could have been recorded 40 years ago or 40 days ago. Just hearing this album, makes me want to go up on the roof and pour a bourbon and it’s not even 3am.

There is a palpable sense of longing on this album. It’s not melancholic, but Van is clearly missing someone or some period of time, now distant and past. “Every Time I See A River” and “Out In the Cold” are both great “I still miss someone” songs. “Out In the Cold” is a true stand out here. “Memory Lane” again looks to the past as the title would obviously suggest. “In Tiburon” harkens back to Van’s halcyon San Francisco period as he name checks people and spots where he used to hang and “Going Down to Bangor” also is tied to Belfast memories. Van actually quotes the old spiritual “Nobody knows the trouble I’ve seen…” in the great song “Holy Guardian Angel.” While this all sounds like sad stuff, it doesn’t come across that way. The title track is another of Van’s songs about reaching out for something just out of his grasp. His voice is spectacular as always. His “instrument” has aged quite well. I love his bluesy growl on “Going Down to Bangor” and “The Pen Is Mightier Than The Sword.” I just wish John Lee Hooker was still alive to have done one of those with Van as a duet…

While the theme here seems to be looking back, perhaps longingly, it’s with a certain joy. I don’t sense regret here. It’s more of an acknowledgement of the impact the past can have on you, on all of us really. It’s all heady stuff and really enjoyable music, if you dig music grounded in the traditions of jazz and blues. This is a triumph for Van to put out something this strong at this stage in the game. I always worry about craft over creativity with Van, but in this case, creativity wins out. There’s passion on this record.

Pick up “Keep Me Singing,” pour something strong after everyone has gone to bed and head out to the deck… those “big questions” need contemplation and this is just the soundtrack you need.

Cheers!

The Cult: Hidden City Live, Kansas City

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Editor’s Note: While blogging about drinking and rock and roll is OK, blogging while drinking and listening to rock and roll isn’t always great… We’ll try to restrain Mr. B&V from his drunken, ecstatic post-concert ramblings, like those below, but we can’t guarantee anything…

Man, what a shitty week I was having… and then live rock n roll happens and everything is ok…

I took the Rock Chick out tonight to see the Cult on what was our second show on the “Alive In The Hidden City Tour” tonight… our first show was in Chicago back in, I believe April or maybe March. What a difference 5 months can prove to be. Many of the same songs were played, but in a much different order and with a lot looser approach. Noticeably missing was “Dark Energy” which is the first song on “Hidden City” and was the opening song in Chicago…

We stood next to a couple of guys, Sean and Terence who hadn’t seen the Cult since the “Sonic Temple” tour, many years ago. It was great to meet two guys who were inspired by Billy Duffy to pick up the guitar and start a band. I may have had way too much vodka tonight but as I write this I’m pretty sure I’m still going to be impressed by all of this in the morning. Wow, what a healing experience a concert is. All the tension I was feeling is gone now.

The Cult were loose and clearly having fun. This was the first show I’d seen them from up in a balcony, instead of down on the floor amongst the masses. The difference in viewpoint was startling. Billy Duffy was just man-handling the guitar tonight and I mean that in a good way. From my elevated view point I could see Ian Astbury and the joyous dancing he was doing. He was more animated than I’d seen him since the “Beyond Good and Evil” tour when I first saw these guys live. Tonight’s show may have even topped that first Cult show on “BGE” but that may be the vodka talking.

Highlights for me tonight were “Deeply Ordered Chaos” and “GOAT” (the first encore tune) from the new album. These are tunes that they should play in every show from now on. I also liked the loose, jammy version of “Sweet Soul Sister” they played, but I should mention the Rock Chick doesn’t like that sort of thing, and was vocal about Ian’s loose approach tonight. I thought it was great, but hey, I’m full of Ketel One…. “Fire Woman” was the crowd pleaser it always is. “Rain” is another personal favorite of mine, as is “Phoenix” both from the “Love” album.

Ian, at one point, asked if we had a “rock station” in KC…and further pondered why they wouldn’t play the new Cult album. I have to ask the same question… He said he was as depraved and debauched as anybody else, why not play the Cult’s “Hidden City?” Again, I have to ask the same question. It’s great to hear hard rock played live, why not play some of that music on the damn radio…

If you haven’t already done so, pick up “Hidden City” on vinyl, CD or iTunes, and turn it up loud…

Cheers!

 

Travelogue: Fear And Loathing* In MSP Airport: I Meet a Bernie Sanders Fan

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*A weak homage to Hunter S. Thompson

I’ve always loved the writing of Hunter S Thompson. “Fear And Loathing In Las Vegas” was given to me by my dear friend DJ and it’s one of my all time favorites. One of the things that seems to get glossed over these days is the brilliant political writing he did. “Fear And Loathing On the Campaign Trail ’72” is a fascinating read. Of course, I’ve always been a little obsessed with that era of American history. Not only did Hunter write his book in ’72, published serially in Rolling Stone magazine, but he came up with the idea for Tim Crouse’s “The Boys On the Bus” detailing the press’s and the campaign’s symbiotic (and at times ethically challenged) relationship. Apparently, early on in the ’72 campaign, cigarette holder clinched between his teeth, Thompson said to Crouse, while pointing at the pack of reporters, “Those are the bastards you really oughta be watching…” True words indeed…

Despite my enjoyment of Hunter’s political writings, I’m not a political person per se. I enjoyed reading his books because of the historical perspective that it gave me, however warped that perspective may have been. I try to never discuss politics unless “I’m talking a little treason” amongst likeminded friends at the pub. I like the words of Little Steven’s song, “I Am A Patriot” in regards to my view on politics:

I ain’t no communist
And I ain’t no capitalist
And I ain’t no socialist
And I ain’t no imperialist
And I ain’t no democrat
And I ain’t no republican
I only know one party
And it is freedom

Needless to say BourbonAndVinyl won’t be endorsing any candidates. I certainly would never ever talk about politics to a stranger. And yet, this being an election year, politics is on everybody’s mind. It’s hard to avoid a political discussion even in the oddest places… say, in a tavern on a concourse of the Minneapolis-St Paul Airport on a cold February evening. And while it’s not exactly a political story… in honor of Dr Gonzo, I must share. And I will say, as a disclaimer, I admire Mr Sanders and this is in no way meant to be derogatory toward him or his followers. I just thought it was a good story and weird things continue to happen to me…


I’ve always considered Minneapolis a gem of a city, since the first time I visited there a decade ago. The downtown has a lot of great nightlife and restaurants. I even had a rather wild evening there where I ended up in some place called Nye’s which I thought was in Canada, but that was a different B&V post. The main problem with Minneapolis is it’s too fucking cold. I honestly don’t know how anybody lives there. I wander the downtown ant-like tunnels and walkways to avoid going outside, still shivering, surrounded by Nordic types who seem oblivious to the cold. More power to them.

For reasons unclear, the team that works for me there always seem to summon me up there in the dead of winter. I never get to visit Minneapolis during their all too brief 4 day summer season, it’s always February when I get to go to Minny. It’s hard enough to fly but in winter to fly to Minneapolis means you have to peel layer after layer off when you get on the plane and then put it back on again when you land. I had spent two very cold, crazed nights in Minneapolis and was, as usual on these trips, exhausted when I got to the airport. I had been forced to again strip off layer after layer while being x-rayed and probed by the TSA people only to have to put everything back on again. I lumbered down the concourse where my gate was, looking like an extra on The Revenant set and I couldn’t help but think, after the stressful business reviews I’d attended, that perhaps a libation might ease my travel woes and warm me up. Near the Burger King, I spotted a pub and to my surprise, an open seat at the end of the bar. I went crashing through tables and people with my coats, bags and winter gear to claim the open seat.

“Is this seat open?” I asked. The bartender and the rumpled woman in the next seat seemed all too eager to both say in unison, “No, sit down.” I ordered a bourbon from the harried bartender and covertly glanced at the woman to my right. Her hair was a long, tangled mess. She couldn’t be local because she was only wearing a t-shirt that was belted at the waist with what looked like rope. Her arms were pasty with blotches of sunburn. Her wrists had too many bracelets to count. I thought perhaps she was somebody coming home from a vacation or perhaps a hippy escaped from her commune. In front of her sat a extra large screwdriver with an extra shot of vodka on the side. She looked a little bleary and I didn’t really feel like talking to anybody anyway so I just sort of closed myself off. It’s like that scene in the movie Sharky’s Machine, where the black cop goes completely blank. I was doing that imitation to avoid speaking to this drunken stranger.

“Sssso are you headed home or headed ssssomplace elsssse?” the woman slurred at me. Home, I answered. “Me too, I’ve been in Phoenix… my mom is sick. I was staying at my brother’s house.” Now that she had played her sick mom card I had to come out of my Sharky’s Machine zen place of detachment and at least talk with her. I could tell she was hammered. “I got stoned with my niece, I’m the cool art teacher aunt.” Sure, lady, sure.

The TV was tuned into CNN and suddenly beady-eyed candidate Scott Walker was on the screen. My bar mate became extremely agitated…I guess because she was a teacher and Gov Walker had done a lot to destroy the teacher’s union in Wisconsin. “This fucker is the devil…” she exclaimed loudly. When I saw the rest of the bar turn toward her, I considered egging her on but returned to my zen quiet place. “Who are you  gonna vote for?” she asked me suddenly. Geez lady, why not ask me if I go to church or if I masturbate? “Uh, I don’t talk about politics, ever…” I had hoped that response would shut her down. But after slamming her vodka shot, finishing her screwdriver and quickly ordering another, she asked me again. Suddenly I found myself trapped in a conversational loop that didn’t appear to have an end – she’d ask who I was voting for and I’d decline to answer. It was like that comedy routine, “who’s on first?”

“You remind me of my brother…I bet you’re a Republican.” I was dressed in a suit and tie and looked like an off-duty narcotics agent, I could see where I might give off that vibe, but again I declined to give her a definitive answer. My politics are more “fluid.” “You remind me of my brother she repeated.” At least she’d stopped asking me who I was going to vote for. I hadn’t asked her but suddenly she volunteered, “I feel the Bern. I’m 100% behind Bernie Sanders and I say fuck anybody who isn’t.” She was significantly more agitated and in order to deal with her, I quickly ordered another bourbon. I was wondering when the jack booted thugs in airport security were going to burst into the bar and club her into submission. I only hoped I wouldn’t be collateral damage. She ordered another large screwdriver but said she’d settle for a shot of vodka… the elderly bartender gave her a glass of orange juice and said, “Sweety, I think you’ve had enough.” Wow, here was something I’d never seen before, a person cut off in an airport bar. It’s like a crack dealer turning down a junkie with money. You just never expect to see that.

Being cut off seemed to jar her back to reality briefly. She started asking every 2 minutes, what time it was. Her flight was in another ninety minutes and she had to get back to Green Bay. When I looked at my watch the third time, to verify that only 2 minutes had passed since her last asking me, she noticed my wedding ring. “So, you’re married?” Uh, yes. “I am too, but I have to tell you, I’m very attracted to you…” Uh, oh this was getting weirder. I’ve been married a long time… nobody had seriously worked me for ages. I went back to my zen place of blankness. I didn’t respond at all. I sipped my bourbon and wished they allowed smoking in this bar, even though I don’t smoke. Now seemed like a good time to start.

“Yes, I’m very attracted to you. You remind me of my brother.” I had to pause and consider that sentence for a while… Before I could truly digest her simultaneous attraction to her brother and me, she leaned in and conspiratorially whispered, “Do you think there’s a unisex bathroom around here… we could lock the door.”

Um… no.

I wasn’t sure what kind of incestuous fantasy this vodka crazed socialist was working on, but I’m happily devoted to the Rock Chick… I was having none of this. Maybe my suit made her consider me “the man” and she wanted me to “stick it to her” in a literal way. I considered saying, “I’m flattered” but by this time she had a death grip on my forearm and I was wondering how I’d explain getting into a fist fight with an art teacher in the MSP airport to the authorities.

Thankfully, the bartender, who had been intently listening to all of this, likely with the idea he was going to have to restrain this woman at some point, set another bourbon in front of me, it was apparently gratis, and gave the socialist art teacher her bill. Jumping on his train of thought, I said, “Quick, you must get to your gate, it’s almost flight time…” despite the fact that only a few additional minutes had passed and this woman had another 70 minutes until flight. It seemed the appropriate time to motivate her movement.

As she staggered slowly away, she turned to say good bye and I whispered, “Don’t worry, I’ll never vote for Trump…” It was the most I’d said publicly about politics in years but I felt she’d earned it. I don’t begrudge anyone their politics and I admired her devotion to Bernie Sanders but I just wasn’t going to talk politics with her in an airport bar. I certainly wasn’t going to join her in the bathroom either, but that goes without saying. And off she staggered, a tangle of scarves, coats, and luggage. I’ll never know if she made it home alive or not. I just thank God she didn’t locate a unisex bathroom…

It did turns out the bartender, who had been highly entertained by the entire exchange, did charge me for that last bourbon. Oh well, it was worth it to get her out of there…

Cheers!

The BourbonAndVinyl List of Groups Overdue for an LP Release

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 Album releases have become quite “the thing” these days. It appears that now, releasing an album that no one expects is the hipster thing to do. The surprise album “drop” like Beyonce or better yet, David Bowie (“The Next Day”) is in vogue. U2 even gave their last album away, much to many people’s consternation. People just woke up and “Songs of Innocence” was on their iPhone… very Big Brother if you ask me. In the old days, bands wanted all the hype they could get before their record came out. Usually a single or two would be released to stoke excitement. Shit, to hype a new album the Stones once set up their equipment on the back of a flatbed truck and drove around New York City playing their new music from “Some Girls” (or was it “Black and Blue,” I forget) to the bewildered pedestrians and traffic around them. Ronnie Wood almost fell off the truck. I suspect illegal substances were being used… but that’s just Ronnie.

Album releases are tricky to predict. It’s not like the movies, where there’s a “summer blockbuster” season or a Christmas movie season. I can remember driving a giant one-ton construction truck home from my summer job, my car was broke down, to have lunch and hearing Springsteen’s “Born In the USA” for the first time. I almost had to pull the rig over. I knew the album was coming out, but hadn’t known it was coming out on that day. As soon as I clocked off, I headed straight to the mall to buy the album. For a long time, to game the album charts, record companies would release albums on Tuesday to give a record all 7 days of sales to push the record as high on the charts as they could. Now records come out on Friday.

Lately I’ve noticed there seems to be a  dearth of new music coming out. Bands I know and love who are still out there touring just don’t seem to be releasing new music. Or if they are releasing new music they’re taking years and years to get it released. I get it, there doesn’t seem to be a market for older act’s music any more. They certainly aren’t getting played on terrestrial radio and barely on satellite radio. Sammy Hagar has refused to go back in the studio with Chickenfoot because as he said recently, “I don’t want to work for six months on music no one is going to hear.” I hear ya, Sammy.

The Beatles between 1963 and 1970, a span of 7 years, released 13 albums and one was a  double album. That’s a new album almost every six months. That doesn’t include the myriad number of singles they put out, enough to fill a double LP in and of themselves. That’s a pretty intense schedule. Now we sit and wait and wait for new stuff to come out. There are a number of bands that I’ve noticed are way overdue for a new record. If I’ve missed somebody, please add them in the comments. These bands need to get off their ass and get some new music out. Nobody likes a nostalgia trip… tours take on more meaning when there’s new music to be heard.

In order to help make my case, I will list the band name, their last record and it’s release year…

  1. The Rolling Stones – A Bigger Bang, 2005 – I have never mentioned this in B&V but the Stones are the pinnacle of rock and roll for me. “Some Girls” was the first album I ever bought with my own money. I love the Stones and will travel about anywhere to see them. My buddy Steve helped me see them in New Jersey on their 50th Anniversary Tour, an event I will never be able to repay him for. I can’t believe it’s been over a decade since the Stones put out the awesome late career gem, “A Bigger Bang.” That record was so strong I hoped it would spark a new creative period for the Stones but alas, no. I hear they’re in the studio, but then I heard over the course of a week in December or January they banged out an entire album of blues classics and they might release that. I say, keep working on the new stuff, release the blues thing and we get the best of both worlds.
  2. Steely Dan – Everything Must Go, 2003 – I know these guys have  more music in them. Donald Fagan released a very strong solo album a few years ago, “Sunken Condos” but it’s time Walter Becker joins him in the studio.
  3. The Who – The Endless Wire, 2006 – I just saw the Who live and they still have the fire… It’s been a decade Pete, c’mon. “The Endless Wire” even had a mini-rock opera, “Steel and Glass.” Daltrey did a great album, “Going Back Home” with Wilko Johnson a few years back proving he’s still got the passion in his voice. I’d love a little more Who, I mean, who wouldn’t?
  4. Metallica – Death Magnetic, 2008 – These guys have been promising a new album for a couple of years now. I’ll believe it when I’m  holding it in my hands. “Death Magnetic” was a fantastic return to form for this band. I hear the new stuff will be more like the “Black Album” but they are taking forever.
  5. Guns N Roses – Chinese Democracy, 2008 – Am I nuts to think Slash, Duff and Axl will end up in the studio after their triumphant reunion tour. I can still dream can’t I? It’s been 8 years since Axl’s magnum opus “Chinese Democracy,” surely he’s got something new?
  6. Green Day – Uno, Dos, Tre, 2012 – I can’t believe it’s been four years since Green Day went nuts and released three albums at time, and then Billie Joe Armstrong had his meltdown. There was probably one classic record hidden amongst these three albums. I was glad to see them drop the rock opera thing and just cut songs. Billie Joe did a duet album of Everly Brothers songs with Norah Jones, which was solid, quiet little album in 2013 but nothing since…
  7. Norah Jones – Little Broken Hearts, 2012 – Speaking of Norah Jones it’s been 4 years since her last solo record (“Foreverly” w/ Billie Joe Armstrong, aside). I know, I know, she’s not rock and roll per se, but she sings like an angel. Whenever I hear her voice I stop what I’m doing and just stare at the stereo. If I die and hear her voice, I’ll know I’m in Heaven. If I hear country music, I’ll know I’ve been a very, very bad man.
  8. Randy Newman – Harps and Angels, 2008 – Many people hate Randy Newman. I am not one of them. “Short People” was a joke, folks. He was being satirical and trying to make a statement about bigotry. “Harps and Angels” had some wonderful political satire and God knows, America could use some of that right now. And, the song “Potholes” is one of the funniest fucking songs he’s ever done.
  9. Depeche Mode – Delta Machine, 2013 – I loved this oddly bluesy album. Depeche has been on a hot streak of late. I also loved Dave Gahan’s record with the Soulsavers, “Angels and Ghosts.” I’m ready for some more Mode!
  10. Fleetwood Mac – Say You Will, 2003 – Christine McVie is back in the fold. Lindsey is releasing more music these days than he’s ever done. Likely the problem is Stevie Nicks who keeps thinking she’s going to regain her “Bella Donna” era fame… Stevie has released a couple of great solo albums of late, but it’s time for a Mac Attack.
  11. Paul McCartney – New, 2013 – Sure, it’s only been 3 years, but this was a guy who was in the Beatles who released music every six months… He seems to spend all his time in the studio or on the road. “New” was the last in a succession of great LP’s that McCartney has been releasing that began with “Flaming Pie.” His late period albums have been really great, quite like Bob Dylan. Do yourself a favor and explore his later catalog. “New” was so good, I”m ready for more.
  12. No Doubt – Push And Shove, 2012 – I never liked No Doubt until I saw them live. They were loud and they rawked! Gwen Stefani, when she’s not fucking about on her solo crap, is a charismatic and energetic front woman. I know she’s off doing her solo stuff now, which I despise, while her former band mates are carrying on with another singer. Let’s settle this little rift and get back together kids. Come home, Gwen, all is forgiven.
  13. Gregg Allman – Low Country Blues, 2011 – The Allman Brothers are now defunct, sadly. Gregg’s last solo album, “Low Country Blues” was a great T Bone Burnett produced album of blues classics. I’d like to see Gregg write some stuff, let T Bone produce, but can we bring the organ sound back up in the mix a little this time? “Laid Back,” Gregg’s first solo album is one of my all time favorites. He’s sober, he’s been touring so his voice is likely strong… now is the time!
  14. Bruce Springsteen – High Hopes, 2014 (really it’s Wrecking Ball, 2012) – Sure, Springsteen released the strong “High Hopes” in 2014 but it was a group of songs that were left over from his previous two or three records. So, his last actual album of new stuff was 2012’s “Wrecking Ball.” I wasn’t crazy about “Wrecking Ball,” it was ok, but I liked “High Hopes.” I just read Springsteen is putting out a companion disc with his biography of “greatest hits”and a few unreleased early tracks but I’m ready for a full album of new stuff. I hear he’s got a solo record in the can, but I’d rather hear him with the E Street Band… we’ve already lost Clarence and Danny, how much time can Bruce afford to waste here? The band sounds great on the River Tour, lets take that energy into the studio.
  15. The Faces – Ooh La La, 1974 – OK, as everybody whose read B&V knows, I’m obsessed with Rod Stewart reuniting with the Faces. I know Kenny Jones and Ronnie Wood are the only remaining members (besides Rod) left but Goddammit I love the Faces. How kick ass would it be to see those guys put out an album. The songwriting team of Stewart-Wood put out some of my favorite tunes. This is more of an inside joke than anything, but like GnR, I can dare to dream….

Cheers!!

BourbonAndVinyl Turns 1 Year Old: Thank You!

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Yesterday, July 11th, BourbonAndVinyl.net turned 1 year old… Happy Birthday to us! I just wanted to pause and thank all of you who have stopped their busy days to take some time to read B&V. When I started this music blog with my Mission Statement a year ago, I never thought anybody would actually read this. It was just something to do in between drinking and putting albums on the stereo. My goal was to entertain. I’m not sure if I’ve accomplished that or not, but over 2,000 people have visited us over the last year. Well, it’s either 2,000 different people or my mother has just logged on 2,000 times… My Sainted Mother is very supportive… Anyway, thank you to all of you who have read B&V. I appreciate all the support and comments. I hope you’ll continue checking us out from time to time. If you like something we post, please tell a friend.

Thank you!!!

BourbonAndVinyl Eclectic Summer/Sun/Beach Playlist

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“Summer, summer, summer, it turns me upside down…” The Cars, “Magic”

Ah, summer…. when I was kid it held so much promise. It could never arrive fast enough especially when I was in school as it signaled the end of the term. “School’s out for summer!” as Alice Cooper so famously sang. And, along with taking forever to arrive, summer was always like a great party, it always ended too soon.

When summer arrived girls started wearing short-shorts, cut-off shorts and even better, bikinis. It was all tan skin, buttery lotion and slick bronzing oil. It was like Earth had transformed into Eden. You had all summer to sleep late, play outside and best of all – go to the pool and see the aforementioned girls in their bikinis. By middle school, the public pool had become “lame” and the goal was to find the private pool or apartment complex pool where the pretty girls were all hanging out like Sirens from Greek mythology luring me toward sweet destruction. Unlocking the mystery of where the pretty girls were led to all sorts of untoward treasure. Someone always had a radio or a “boom box” and music would be blasting. I can remember standing in a pool with a beer in my hand with a bronzed beauty draped over my back and Van Halen’s “Diver Down” blaring…Sorry, the rest of that story has been redacted out of respect for the guilty, including me. Let’s just say I’m glad I was waste-deep in cold water.

Even later when I started mowing lawns and doing light construction work during the summer, you still had summer nights to look forward to, “drinking beer in soft summer rain,” if you will. And while those outside jobs were dirty, hot and arduous, at least it was an honest day’s work. Working outside had the advantage of earning money while getting tan. Nobody on a job site was using sun screen in my day, which was likely a mistake in retrospect. After work and a quick shower, it was out to some patio bar, where all the women were in short skirts and the beer was cold as ice.

Of course nowadays, my corporate overlords have taken a bit of the luster off of summer. There is no longer a beautiful two month summer break. At the end of a long hot summer day, I emerge from my air conditioned office pasty, looking like an extra from “The Walking Dead,” a corporate zombie. I wish I lived in Europe where everybody takes August off, but it wasn’t in the cards. One thing I can still do is head down to the neighborhood pool on Saturday or Sunday and relive those glory days of summer, basking in the burning sun. Although now that I’m an adult, living in a neighborhood surrounded by families, I have to suffer the presence of small children. Not that there’s anything wrong with loud, screaming, thrashing little kids but… “I just sort of feel better when they’re not around…”  The only remedy I have been able to find is my headphones. I slip the headphones on and hit the volume on my iPod and suddenly I’m back in that illicit apartment pool, surrounded by memories and ghosts alike…the workaday week slipping slowly off my shoulders…

As time has passed, I started to gravitate toward certain songs to listen to on sunny, summer days. I even listen to them when I’m lucky enough to occasionally vacation on a beach. The beach is like permanent summer. I finally decided to put these tunes all together on one playlist and shuffle through them. It’s about a 2 hour playlist so I know that half way through, it’s time to roll over and get a little sun on my back. Now, I’ll be the first to admit, the Rock Chick is the ultimate creator of playlists. I used to make “mix tapes” back in the day with the focus of John Cusack in the movie “High Fidelity,” and I truly believe it’s an art form. I curated the shit out of those mix tapes. But with the advent of MP3 players, the playlists can get longer and I can indulge my bizarre, ever expanding eclectic tastes. The Rock Chick always has laser focus on her playlists – her alternative rock playlist is always requested at any party we have and invariably someone stumbles up to me to ask me, “what song is this, this is awesome…” When I put on my playlists, typically someone asks for the Rock Chick’s music. She beats me at Scrabble too, and I’m supposedly the wordsmith in the family…such is life. My Summer/Sun Playlist is more of a headphones experience than something to put on the loud speaker for a pool party. This is for escape, typically from the McKean triplets (monsters, I assure you, and I know they pee in the pool), but I digress. As usual with my playlists I go from loud to quiet, rock to reggae. I’m all over the board. But with my headphones on and a beautiful Citron vodka and lemonade secured in my hand, the music takes me right where I wanna go…. So with all that in mind, here is the BourbonAndVinyl Summer/Sun Playlist (in no particular order, and I alway hit shuffle anyway):

  1. The Doors, “Waiting For the Sun” – trippy rock
  2. Steely Dan, “Blues Beach” – “drinking at the Manatee Bar…”
  3. Neil Young, “Sunny Inside” – I still love the Blue Notes
  4. Beck, “Girl” – “my summer girl…” takes me back to high school
  5. Bob Dylan, “Summer Days” – “I’m standing on a chair making a toast to the King”
  6. Kid Rock, “All Summer Long” – Lynyrd Skynyrd meets Warren Zevon meets Bob Seger
  7. Oasis, “Turn Up the Sun” – excellent late period Oasis, sadly ignored
  8. The Cult, “Sun King” – “I’m a sun king baby, won’t you share my throne?”
  9. The Faces, “Behind The Sun (Outtake) – excellent outtake from last year’s box set
  10. Bob Seger, “Sunspot Baby” – the classic detective mystery of a woman who steals your credit card and hops from vacation spot to vacation spot. Why he chooses to follow her instead of canceling the credit card is the real mystery. Great riff, though.
  11. John Mellencamp, “Summer of Love” – “it’s the summer of love, least ways, I’m hoping it is”
  12. The Cars, “Magic” – “summer, summer, summer, it turns me upside down”
  13. The Dirty Heads, “Cabin By the Sea” – a little something for you herbal enthusiasts
  14. Zwan, “El Sol” – “a little sunshine, just to butter my toast,” a pop rock confection from Billy Corgan.
  15. The Rolling Stones, “Summer Romance” – Mick singing about breaking up with his summer girlfriend who apparently had to return to high school when fall term came. I think this is illegal now…
  16. Bruce Springsteen, “Girls In Their Summer Clothes” – see the aforementioned comments about cut off shorts…
  17. The Beatles, “Here Comes the Sun” – beautiful George Harrison song
  18. Eddie Vedder, “Hard Sun”- Great solo Vedder
  19. Red Hot Chili Peppers, “Behind the Sun” – classic from “Uplift Mofo Party Plan”
  20. David Lee Roth, “Goin’ Crazy” – “from the heat…” Roth may be the King of Summer
  21. The Beatles, “Good Day Sunshine” – midtempo, perfect for a lazy, sunny day
  22. Van Halen, “Ice Cream Man” – “let me cool you one time, you’ll be my regular stop,” who doesn’t like ice cream on a hot day?
  23. The Firemen, “Sun Is Shining” – excellent example of an older artist (McCartney) doing trippy, experimental music. Check out this whole excellent album, “Electric Arguments”
  24. Van Halen, “Summer Nights” – something for the Van Hagar contingent. This was supposedly written on their first jam together when Hagar was trying out for the band.
  25. Bruce Springsteen, “Seaside Bar Song” – great beach/pool song
  26. Jimi Hendrix Experience, “Long Hot Summer Night” – because Hendrix is always appropriate
  27. Van Halen, “Beautiful Girls” – “I’ve got my toes in the sand and a drink in my hand…” and aren’t beautiful girls the only reason for summer?
  28. The Kinks, “Sunny Afternoon” – “accused of drunkenness and cruelty”
  29. Cream, “Sunshine of Your Love” – what a riff for a summer day
  30. The Who, “Summertime Blues” – many have covered it but let’s face it, the Who own this song

There you have it folks. Music to drink vodka lemonades to by the pool. Slip the Beats headphones on, turn it up loud, take a long pull from your drink, and hopefully with your shades on, glance around the pool at those wonderful bodies and maybe not so wonderful bodies out there! If I missed any great summer/sun songs, please suggest additions in the Comments section, I always appreciate new ideas. Enjoy!

Cheers!

Review: Mudcrutch, Denver, Co; Ogden Theater 25May16

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*Mudcrutch takes a bow in front of your intrepid blogger (apologies to Tom Leadon on the right who I drunkenly cut off)

It was about a month ago I got the text…. it was from one of my dearest friends, Stormin’… it went: “My prayer has been answered. Mudcrutch May 26, Ogden Theater. Unfortunately my pre-sales code only allows for two tickets. Thoughts?” “Thoughts” indeed….the hook was baited but would I be able to take it? My first thought, as it always is when Stormin’ invites me off to an adventure was “How am I going to work this?…” The Rock Chick, strangely, is not a fan of Mudcrutch but is a fan of Tom Petty. It’s a little like saying you like Superman, but you’re not crazy about that Clark Kent guy. There were options… I could go alone but I quickly realized this was Memorial Day Weekend and that wouldn’t fly. I could buy the Rock Chick a ticket but that option was facing some stiff resistance. Or, and this is what we compromised on, I’d go alone with Stormin’ and the Rock Chick would get to go to Vail the next day… It was a dicey gamble, the Rock Chick likes to shop, but I can now say with clear hindsight, it was a good bargain all around.

In the old days, when Stormin’ and I went off into the night time, in search of rock and roll and other recreations, there was a good chance one or both of us would end up in shackles. There have been “episodes” in the past that decorum prohibits me from discussing in this rather public format. Things are quieter now that we’re both married dudes… I was on vacation all week anticipating this concert. The last time Mudcrutch toured they only played dates in LA and SF or maybe just LA… this was their first real trek across the States. I got to Denver Wednesday night to discover Stormin’ had his vegetable crisper full of beer and, of all things, “Sad Wings of Destiny” by Judas Priest on the stereo. Oh, yes, this was working out perfectly.

The only other time I was in the Ogden Theater in Denver was when I was there for the Cult’s “Electric” Tour where they performed, not surprisingly from the name, the entire “Electric” album. That was a banner evening. The Ogden seats, and I’m guessing here, maybe 1500 to 1600 people. I was assuming being able to see Petty and a few of the Heartbreakers in Mudcrutch in this small room was going to be something special. For once, I was right… It was an amazing night. Since we had the VIP package, we got in earlier than the rest of the GA crowd and ended up right at the stage, two people back from the barricade. There’s an intimacy in a small theater that I experienced first hand. When Petty came out, with his bass guitar slung low, he’d look slightly to his left, right into my eyes. As he sang, there were a few times I had to look away, it was like he was looking right into my soul. That’s how close I was. So naturally, this was not a normal show for me.

First and foremost I must call out Mike Campbell. He is one of the greatest guitarists I’ve ever seen. Whether in the Heartbreakers or Mudcrutch, he’s (as my friend Stormin’ said) “the glue.” Whether it was mandolin or guitar, the guy just shredded. To see his dexterity up close was something I will not soon forget. Benmont Tench, the other Heartbreaker in Mudcrutch, on keyboards was equally amazing. His boogie-woogie piano was all over the music. Each member sang at least 1 song and I must give a shout out to rhythm guitarist Tom Leadon (Bernie from the Eagles brother) for the amazing lead, harmony and backing vocals he contributed. He and Petty’s banter caused most of the laughter during the show. Randall Marsh on drums was a big hitter – not a lot of swing – but he was very capable and his vocal turn on “Beautiful World” was spot on. Petty played a nice bass guitar. He seemed almost nervous to be away from his natural instrument, the guitar. His hands were even shaking a bit as they came on stage. His vocals were amazing as usual. “I Forgave It All,” a haunting ballad and “Hungry No More” were vocal performances that I will never forget. Simply beautiful.

The show opened with a tune off the first Mudcrutch album, “Shady Grove” which spotlights both Leadon and Petty’s vocals. They followed up with three more tunes from the first record until they got to the first single from “2,” “Trailer.” They played almost all of “2” with the exception of “Beautiful Blue” which I’d liked to have heard and a good portion of “Mudcrutch.” The encore was a Jerry Lee Lewis cover, once again spotlighting the amazing piano of Ben Tench. Anyone expecting to hear something from the Heartbreaker’s repertoire will be disappointed… I was not.

Highlights for me include the Byrds cover from the first album, “Six Days On the Road,” which is just a great, galloping road tune. “Beautiful World,” “Dreams of Flying,” and “Crystal River” were all great performances. The latter tune being the longest jam they played all night. The interplay between band members was a lot of fun. Campbell would walk over to Leadon to trade licks, or all the guitarist would end a song standing near the piano watching Tench bang out a solo. The song “Hope” from “2” which on the record is an organ driven Animals’ style rocker, turned into a muscular guitar showcase for Campbell.

“Bootleg Flyer” was the last song in the main set and it was a scorcher. It was the perfect way to wrap up the two hour set. The band quickly returned for the encore, the aforementioned Jerry Lee Lewis’ cover, “High School Confidential.” The crowd was frenzied at that point. I could barely hear over the screams as Petty and the rest of the band took their final bow, right in front of me, as pictured above.

My legs were sore, but I had a huge smile on my face as a hobbled out of the Ogden. I once again grabbed my buddy Stormin’s shoulder and yelled, “Fuck, wow!” It was all I could muster. Storm and I staggered down to a deserted bar and had a few celebratory beers and finally managed to convince the bartender to call us a cab.

Where ever you happen to live… if Mudcrutch is in your town, call the ticket broker, this is a must see show.

Cheers!