Tom Petty: New Vault Song, “There Goes Angela” From The Upcoming ‘Wildflowers’ Box

It’s no secret here at B&V how much I love Tom Petty (RIP Tom Petty, 1950 – 2017, A Devastating Loss: The Composer of the Soundtrack to My Life Is Gone). From the moment I purchased Damn The Torpedoes shortly after it came out, I’ve been on the Petty bandwagon. I’m still shook by his loss. He and his backing band The Heartbreakers – Mike Campbell on guitar, Benmont Tench on keyboards, Ron Blair (and later Howie Epstein followed by Blair again) on bass and Stan Lynch (later Steve Ferrone) on drums – were one of the most formidable rock and roll bands in the world.

It would be very, very difficult for me to pick a favorite Petty album. But, like most people, I’d have to say Petty’s second “solo” album Wildflowers would be on the list of nominees. While it was called a solo album, like Full Moon Fever before it, most of the Heartbreakers save for drummer Stan Lynch played on the album. Petty and producer Rick Rubin wanted more flexibility than working within the confines of the 5-piece Heartbreakers so they categorized this as a solo project. I guess Petty felt freer in that atmosphere. Stan Lynch could be a bit rigid in the studio, or so I’ve read. Sometimes you gotta shake up the chemistry, the vibe. Steve Ferrone played drums on Wildflowers and basically took over on drums for Stan Lynch after this album. Years and years later Ferrone would still be known as “the new guy.”   

Wildflowers was released in November of 1994 which seems like a lifetime ago now. That year, 1994, was an amazingly tumultuous year for me. I had a “milestone” birthday and as I much as I hate to admit it, I think it freaked me out. I felt my youth was slipping away. I was at loose ends. I was working for a medical supply company, a criminal outfit out of Chicago… I think they did most of their recruiting from prisons, a history of theft was considered an attribute… and I wasn’t making any money. I kept thinking my career was over. Emotionally I’d remained so walled off I had stayed unmarried while most my friends were “married with children,” as Frank Sinatra sang. Being a gypsy from an emotional standpoint was beginning to get old. It kept me protected but it also made me isolated. I was spending more and more time alone. 

Eventually that led me to a very, very destructive relationship. Looking back, if I was being honest about it, I have to admit that I was as bad or worse for the woman I was seeing than she was for me. I own my part of it. Sometimes we choose to jump into relationships for all the wrong reasons. There were breakups, betrayals, heartbreak and money lost. It ended up consuming two years of my life that would have been better spent working on “me” a little bit. I hope wherever that person ended up, she’s in a better place. I certainly know I am. 

In the midst of all that, Tom Petty dropped Wildflowers. I remember being blown away by the album. There were some great Heartbreaker style rockers that I just loved and that rank amongst Petty’s best tunes – “You Wreck Me,” “Cabin Down Below,” and “Honey Bee.” But perhaps because of where I was in the midst of my “mid-life crisis” (I hope it wasn’t a mid-life crisis, if that was the  midpoint of my life I’m gonna die pretty young), but I was really drawn to some of the quieter more introspective moments on the album. The title track remains one of my favorite Petty tracks. “Time To Move On” is a great song that should have been a sign from the Rock N Roll Gods, that yes, it was time for me to move on from where I was at. “Crawling Back To You” contains my all time favorite Petty lyric, a phrase that could sum up my entire adult existence, “Most things I worry about, never happen anyway.” Every track on that album was a standout. 

Little did I realize at the time, but Petty’s original concept for Wildflowers was for it to be a double album. Petty, before he died, mentioned all the leftover music from the sessions and his plans for releasing all the additional material in a package he was going to call Wild Flowers: All The Rest. Unfortunately Petty tragically passed before he could see that project come to fruition. And, as happens too often with rock stars, there was a legal battle over his estate. His daughters and his second wife sued each other for control of the estate and the back catalog. All of that legal crap has prevented us from hearing any of this “leftover” material. I do have a bootleg copy of the B-side track, “Girl On L.S.D.” that I’ve been hoping to see officially released. It’s a funny song. I think I included it in my Petty deep tracks playlist, Playlist: The B&V Best Tom Petty Album/Deep Tracks

Back in 2015 Petty actually released a song that was teased as single from the “soon to be released” expanded Wildflowers, “Somewhere Under Heaven.” Then of course, tragedy struck, legal battles, etc etc. Apparently juris prudence has prevailed, legalities have been settled and the long-awaited deluxe package is finally going to see release this October. To tease the box, they’ve released an early version of “You Don’t Know How It Feels (Home Recording)” which is fitting as that was the first single from the original album. Recently they also released “Wildflowers (Home Recording)” an early roughed-out version of the title track. Those tracks are interesting to obsessives like me, but I wanted to hear something I hadn’t heard before… 

Earlier this month, the Petty camp released a song, “There Goes Angela (Dream Away) [Home Recording}.” Seeing that “[Home Recording]” on the title made me think, ah, another demo. And yes, this probably should be considered a demo but it’s more fully realized than most demos. Petty was in fine voice during the Wildflowers session and this track is even more evidence of that. I love his plaintive vocal. The track is a ballad in line with “Wildflowers.” I played it for the Rock Chick and she had the same response that I did upon hearing it. She said, “Wow, that’s really pretty.” It’s quiet, strummed guitar, beautiful vocals punctuated with harmonica. I think this track would have fit nicely on the original album without any additional production or instrumentation. I love the lyric, “Have a dream on me…” 

I am delighted to see this long awaited box coming in October. And I have to say, I’m delighted by how great a song “There Goes Angela” is. I think this is going to be a fascinating look at the creative process Petty took in creating Wildflowers but this song is proof that there’s also going to be some great, unheard music on this thing. I urge everybody to check this track out, post haste. 

Be safe out there. 

 

Tom Petty: New Song From the Vaults, The Atmospheric “Real Love”

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I’ve always got my ear to the ground for rock’n’roll I might have missed out on. I was perusing the web and iTunes recently, because what else can you do when you’re snowed in, and saw that Tom Petty was putting out another Greatest Hits package. I fear he’s going to go the route of Elvis or Hendrix – artists who died too early whose heirs start repackaging their catalogs into multiple greatest hits packages. There’s a high likelihood if you’re interested in this greatest hits package, you’re not likely to be a reader of B&V… everybody who reads this blog probably owns most of this music.

I will say they took an interesting approach to this album. It’s two discs long and at 38 songs, its obviously fairly comprehensive. The approach to this album that would separate it from anything that came before it is the inclusion of tracks from Mudcrutch. For the first time ever you get Petty, Petty & the Heartbreakers and Mudcrutch in one two disc package. Petty’s solo career wasn’t quite like Springsteen’s, where Bruce would work without the E Street Band, typically in a stripped down, acoustic fashion. Petty’s “solo” work usually included at least Mike Campbell and usually Ben Tench. So the marketing angle on this is Petty solo, Mudcrutch, Heartbreakers, it’s all here. And if you haven’t purchased any Petty before, this looks like as good a place to start as any.

For me, when I see a Greatest Hits thing come out, I start sifting through the track list looking for anything I don’t recognize. They tell me OCD is treatable, but why spoil the fun? More often than not, one of the draws of a Greatest Hits package for those of us who have most of an artist’s catalog is the “previously unreleased” tracks from the vaults. This Petty “Career Spanning Hits Collection” is no exception. Included at the very end was a track that caused me to prick up my ears, “Real Love.” I scanned the memory banks and, no, this was not a track I was familiar with.

Apparently, rather than include this in last year’s box set, the brilliant American Treasure, LP Review: Tom Petty, ‘An American Treasure’ – A Different Path Through a Brilliant Career, the Petty camp decided to hold “Real Love” out to include in this year’s package. Why nobody will release the entire Wildflowers sessions, something Petty was working on and continually promising is anybody’s guess. I’m sure the record company wants to force us all to buy the original album again in order to get the bonus material and the Petty camp wants to make the bonus, unreleased stuff available separately. It appears we have reached an impasse. Which is too bad, because I’d love a pristine copy of “Girl On LSD,” my favorite outtake from the Wildflowers sessions. It’s actually an anti drug song… we don’t judge here at B&V. “I was in love with a girl on LSD, she’d see things I’d never see…”

“Real Love” starts off with just Petty’s voice and an acoustic guitar. Its a melancholy track, there’s no way around describing it as such. As I listened to American Treasure I could usually recognize which album the unreleased tracks came from. However, in this case I can’t quite put my finger on when this track was recorded, but if I was a betting man, I’d guess it was from The Last DJ sessions. He mentions a CEO, which makes me think of “Joe.” “Real Love” has a great Petty vocal, maybe he’s a little down but resolved and defiant. Petty sings over a jangling Mike Campbell guitar and Ben Tench’s piano. The narrative has Petty explaining his motive – he didn’t do it for anything or anybody except himself, his woman and real love. I can’t think of a better motive. It’s certain Petty wants everyone to understand that he never sold out.

While I’d hoped for some sort of revelation like “Gainesville,” or “Keep A Little Soul” I can’t quite say “Real Love” gets me to that same place. It’s a nice track to have, but it’s for those of us intense Petty fans and completists out here. I would recommend anybody who likes Petty to give it a spin but again, only True Fans Need Apply.

I hope everybody is staying warm and sane during what is turning out to be a horrible winter here in the US midwest. Pour yourself a toddy and keep the turntable working and we’ll all get through this. It’ll make Spring all the much sweeter. Cheers!

 

 

LP Review: Tom Petty, ‘An American Treasure’ – A Different Path Through a Brilliant Career

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“And may my love travel with you, everywhere” – Tom Petty, “Have Love, Will Travel”

As chance would have it, the day my copy of Tom Petty’s new box set, An American Treasure arrived at the house, September 28th (I’d pre-ordered it), I had to jump in the car to head out to points west to take my wife and daughter to see my KC Chiefs play the Denver Broncos on Monday Night Football. It was tough duty to hold that box set in my hands and leave it behind… Family comes first. After a great, long weekend in Denver, the Rock Chick slid behind the wheel as we headed back home… I realized it was October 2nd, the one year anniversary of Tom’s sad passing… I commemorated the date in a way I’d hope would make Tom smile, out on the open road, cruising down the highway at top speed, blasting the Tom Petty playlist the Rock Chick put together a year ago to honor the man. That quickly led me to my playlist of my favorite deep tracks, Playlist: The B&V Best Tom Petty Album/Deep Tracks, now posted on Spotify.

While my driving, binge-listening to Petty was a nice memorial, I found a much more fitting tribute when I returned home to An American Treasure. This is a superb box set. It was lovingly curated by Heartbreakers Mike Campbell and Benmont Tench and Petty’s wife Dana and daughter Adria. I would be remiss if I didn’t mention the contributions of Ryan Ulyate, whose remastering of these tracks is nothing short of genius. Petty and the Heartbreakers released their first box set, Playback in 1995 and one might wonder, “another box?” Playback was a six disc box. The first three discs were a wonderful career retrospective of greatest hits and “best of” kind of tracks. The last three discs were b-sides and unreleased tracks. It’s an exceptional listen.

An American Treasure is simply put, a different journey through this artist’s or this band’s career. It reminds me somewhat of Bruce Springsteen’s epic box set Tracks, that Bruce described as a different road than what his journey had taken him on. If you’re more of a greatest hits type fan, this box will take you into some deeper cuts from Petty and flesh out the man’s artistry. Campbell, Tench and company actively tried to stay away from the greatest hits or anything that was previously released on Playback here. You won’t find “Free Fallin'” on this box. The familiar tracks are either live or released in an alternative version, which (while cliche) is a window into Petty and the Heartbreakers’ creative process. The goal on An American Treasure was to bring you inside the studio with the Heartbreakers to get a glimpse of their genius. I was surprised what a cohesive listen this was from start to finish. To me, what this box highlights, is Petty’s amazing and oft overlooked ability as a lyricist. He remained through out his career an “Everyman” who could tell stories and paint pictures with just a modicum of words and whole lot of emotion. What he’s able to convey with such an economy of words is amazing and perhaps something I should learn from. When you do listen to this set all the way through (at four hours it’s a commitment) you start to realize the cinematic scope of Petty’s writing. His songs, for me, evoke images in my head. I can see what’s happening in the song.

If you will indulge me in a metaphoric detour, I would compare An American Treasure to my old days, driving up to college. Between my hometown and my college, there is a 4-lane, interstate highway, part of which is a toll road. It was the fastest way to get there… hit the on ramp, pay the toll, speed to college. But there were many of us, mostly to avoid the 75-cent toll, who would skip the interstate and take back roads… It was slower on the two-lane black top roads but the ride was much more interesting. You had to slow down at every little village and hamlet on the way, but you saw a lot more of the country side. There was even a bar or two one might stop at, if you were so inclined. If I was at one of those places now, I’d be highly motivated to put this box set on the stereo… “a round for everyone, I’m here for a little while” to quote Petty himself… An American Treasure is that slower journey down that road less traveled.

There really is something on this box for everyone, no matter what kind of fan of Petty’s you are. If you’re only into the greatest hits, there are deep/album cuts here that will deepen your understanding of Petty’s work. From “Rockin’ Around (With You)” from the first album to “Crawling Back To You” from Wildflowers, there are a bunch of tracks that you won’t find on a Greatest Hits compilation but are of such a high quality one must wonder, “why wasn’t this a single?”

Stepping in a little deeper, there are a lot of unreleased live versions of songs here. While Petty released a big multi-disc live set, Live Anthology the live versions of tracks you find here are revelatory. You get to hear the band develop as a live act. Especially of interest to me was a live version of “Breakdown” that was recorded live for a special radio broadcast at Capitol Studios, in front of a very small audience. That version of “Breakdown” was the only version of that song played on my local radio station, KY/102. This is the first official release of the song and it’s about time! When I bought their first eponymously titled album, I was disappointed when I realized the version of “Breakdown” was a studio version. It’s nice to finally hear this released in a clean copy. There are great live versions of tracks, including ones by Mudcrutch that are worth exploring. The Heartbreakers, Campbell on guitar, Tench on keyboards and either Ron Blair or Howie Epstein on bass, Stan Lynch or Steve Ferrone on drums, and utility infielder Scott Thurston on, well, almost everything, were one of the tightest bands around.

For those of you who own all the albums, many of the familiar tracks are here in “alternate” versions. “Here Comes My Girl” is the same track as originally released, but rather than fade out you get to hear the band jam a bit at the end. “Fooled Again” from the second album was sped up when it was originally released, and I like this slightly slower version. There’s something new to discover in these different versions. Special kudos to Ulyate for his work on bringing out features and sounds on these alternate versions that you might have missed on the first go around. Many of the alternate versions were earlier versions or have different arrangements or lyrics. There are enough differences in the alternate versions that kept me highly interested. The redone version of “Rebels” with a different drum track (without that 80s echo) is perhaps definitive here.

Finally, for me, the intense collector, there are a host of previously unreleased tracks. It’s an American treasure trove. I’d heard a few of these before, in different versions, “Surrender” (here a first take) and “Keeping Me Alive” (a Long After Dark leftover). There’s a great, funky little, Leon Russell-like track from Mudcrutch, “Lost In Your Eyes,” that makes me wonder, why’d they hide this amazing song so long. Of course, the first single, “Keep A Little Soul,” also an out take from Long After Dark, remains one of my favorites Tom Petty: New Single From The Upcoming Box-set, “Keep A Little Soul”. “Walkin’ From the Fire” is an excellent track from the Southern Accents that should have been on the album. There are just so many great tracks – “Gainesville,” Chuck Berry-style rave up “Lonesome Dave” or the jam “Two Men Talking” – everyone needs to hear these songs.

An American Treasure, which is a term we all use to describe Tom Petty, is an aptly named, wonderful tribute to Tom Petty and the Heartbreakers’ career. This is a must hear for all fans. Lock the door, turn off your phone and spend the evening with an old friend, Tom Petty, and may his “love travel with you, always.”

Cheers!

 

Tom Petty: New Single From The Upcoming Box-set, “Keep A Little Soul”

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I think I speak for the majority of rock and roll fans when I say, I’m just not over the loss of Tom Petty. I don’t know if I ever will get over it (RIP Tom Petty, 1950 – 2017, A Devastating Loss: The Composer of the Soundtrack to My Life Is Gone). His music and concerts were so ingrained as a part of my life it just feels weird that he’s gone. One thing I’ve been hoping for, nay, praying for, is that his estate and the Heartbreakers would release some of the material that Petty had compiled in his vaults. For a couple of years prior to his passing, Petty himself spoke about revisiting the Wildflowers album and doing a reissue. His original concept had been for that to be a double-album. The re-release would have restored Wildflowers to his original concept and he and the Heartbreakers were going to tour and play the whole thing. Oh, how I wish we all could have seen that.

As far as I know, the Wildflowers project is still in the works. I started seeing on Petty’s Instagram and Twitter accounts, much like McCartney did lately, pictures of boxes of tape reels and other hints that something was coming. I thought fleetingly that it would be the Wildflowers project finally seeing the light of day. Well, it’s not the Wildflowers project I’d been anticipating, instead my prayers have been answered and the Petty camp has announced they’re releasing a box-set (4-CDs or 6 vinyl LPs) entitled perfectly, An American Treasure. The project was curated by longtime band members Mike Campbell (guitar and recent addition to Fleetwood Mac), Ben Tench (keyboards extraordinaire) and members of Petty’s family. The Rock Chick would probably like me to wait until Christmas to snap this box up… I have bad news for her. The release date is set for September 27th.

I have seen, in several publications, the album’s song list. There is a lot to get excited about. First and foremost, he’s releasing the three song set he recorded at Capitol Studios that contains, for those of us who grew up listening to KY102, the definitive version of “Breakdown.” It’s the only version we knew…(Playlist: The B&V Best Tom Petty Album/Deep Tracks). There are B-sides and additional live tracks, not only from Tom Petty and the Heartbreakers but from Mudcrutch too. Oddly, they do throw in a few “deep cuts” or as they call them, “album cuts” from some of the lesser known albums of Petty’s career like the soundtrack for She’s the One and The Last DJ. Overall, I’d have to say this is a fitting box-set to celebrate Tom Petty’s long career. Each CD is organized around a certain decade of Petty’s career. My only complaint is that I don’t see “Sweet William,” a rollicking, bluesy B-side from the Echo sessions. But, I’m sure we’ll see that in due time. Also absent is much of the Wildflowers stuff, like “Girl On LSD” which I’m sure means the expanded edition will come out sometime in the future.

To commemorate the announcement of the new box, a single has been released, “Keep A Little Soul,” a track recorded in 1982 for the Long After Dark sessions. I have to say, and this may be a little sentimental on my part, I love this song. Long After Dark is a bit of an overlooked album in the Petty canon. It came after the two triumphs, Damn The Torpedoes and Hard Promises. Petty and the Heartbreakers had been on the road almost non stop and released an album almost every year and a half. Long After Dark had a bit of darker undertone, despite some of the more modern touches like the synth on “You Got Lucky.” They sound, well, a little tired on this record. I think they were burning out a little bit. I still love the album but it just didn’t do as well as the two previous records.

To put it in perspective, Long After Dark came out a mere three years after Torpedoes, a pace of an album a year, plus a tour. It had been six years since the first album came out. Five albums and constant touring can take it’s toll on a band. It was no surprise that it took three years for the follow up, 1985’s Southern Accents to come out. Of course, in the interim, Petty had smashed his hand when punching a wall in a fit of anger… They couldn’t get a guitar part to sound right. I think we’ve all been there. Looking back at Long After Dark, the most notable thing about it might that it was Howie Epstein’s first album with the band on bass and exquisite harmony/backing vocals.

When I first heard “Keep A Little Soul,” I couldn’t help but think, how did this not make the album? How in the world did Petty keep this in the can for all these years. “Keeping Me Alive” was another outtake from the Long After Dark sessions but it finally came out on the box-set Playback in 1995. But upon further listens you start to realize, this song really didn’t fit the darker tone of the album… This track isn’t a song that would have fit in with “Change of Heart,” or “Straight Into Darkness.”

This song is a great midtempo, upbeat message track. It’s one of those, everything is going to be alright lyrics. “It doesn’t matter, when you keep a little soul, nothing really matters any more.” The sound is classic Petty and the Heartbreakers. If anybody shines here it’s Benmont Tench’s keyboards. Howie Epstein can be heard singing the background vocal. Petty is engaged and sounds happy. This song doesn’t have that world-weary feel that many of the other tracks on the album have. The track starts with only Petty’s voice counting it in and ends, in a bittersweet moment, with Petty saying, “That was fun…”

I think “Keep A Little Soul” is an essential track in what will turn out to be an essential addition to the Petty catalog. I have to mention, if you haven’t already, go out to YouTube and check out the video for it. It has never before seen footage of the band on the road and on stage. Although I was an early Petty fan, I didn’t get to see them live until the Southern Accents tour. It was fun to see Petty, with the different hair cuts – with that Long After Dark era mullet (full confession, I, your intrepid blogger rocked a mullet in the 80s) – on stage and going crazy, dancing, running around. God, I could kick myself for not going to see him earlier… I’ll be the first to admit, I smiled through the entire video and when it was over there was a tear in my eye… It was a bit like looking at an old photo of a friend or a fallen comrade and being taken back to the moment of the photo… and just for a second, feeling that same youthful joy…

Keep a little soul out there folks! We all need it. Cheers!

Playlist: The B&V Best Tom Petty Album/Deep Tracks

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*Picture taken 6/2/2107, Kansas City’s Sprint Center

If you’re like me this has been an awful week. The loss of Tom Petty has left an enormous void in the Rock N Roll Firmament. The man was a National Treasure. More than that, his songs made him feel like a friend. I can’t count the number of people who have reached out to me over the course of the week who are as upset as I am about his passing. From people I knew in high school to college roommates to people I work with, people keep texting or calling. Arkansas Joel reached out, he knows what a huge Petty fan I am. One of my friends texted me and said, “Petty, what a badass!” Indeed, my friend, indeed. Needless to say, I remain distraught over this untimely loss. It’ll take a long time to shake this one off. I know a lot of you are feeling the same way I am, and if this blog can bring you any solace, that you’re not alone, my job is successful… The tributes by famous rock stars from Bruce Springsteen to (believe it or not) Coldplay with R.E.M.’s Peter Buck have been amazing. (Yes, I still hate Coldplay, just a little less right this moment).

In the old days, during times like these, I’d lock myself in my apartment with a fifth of rye and Petty’s entire catalog of music. Since I’m married now, I can’t lock myself away, but I can sequester myself in a room with a liter of rye (nice to see that booze has gone metric) and Petty’s entire catalog. It took me three days to get through all of the Tom Petty I own, only taking breaks to sleep, go to the restroom and get more ice for the rye… I can only marvel at the man’s songwriting prowess and the power of the Heartbreakers as a band. They could rock with the hardest bands around and bring it down to play the most intricate, beautiful ballads. I feel like they were always under-rated. Mike Campbell (guitar), Ben Tench (keyboards) and yes, Stan Lynch (erstwhile, estranged drummer) deserve special notice for their individual talents and contributions. I can’t imagine what those guys and Petty’s family are going through right now. As bad as I feel, I know those individuals are suffering infinitely more.

When I first heard the news about Petty, I was out at Arrowhead Stadium. People were playing his music and you could hear different groups playing different songs. I heard “Free Fallin'” a couple of times. “Here Comes My Girl” and “Don’t Do My Like That” came floating over the wind from different directions in the parking lot. “Running Down A Dream” was played by the heavy metal enthusiasts in the pick-up truck next to me… Petty’s music was truly universal. While I love all of those tunes, having spent three days listening to Petty’s whole catalog, I have to say, there was SO MUCH more music there.

Every single one of Petty’s albums has those signature singles (and from the old days signature videos). But to go along with those, there were always album cuts that never received any airplay on radio, which for any other band would have been hits. Side 2, song 9 for Petty would have been the lead off track for most bands. After three days of intense listening, I put together the following playlist of those album tracks or perhaps more appropriately “deep tracks.” I went through each album (and tried to grab at least a song from each), each box set and tried to cull through some of the lesser known, or less famous tracks. When I was done, I had a list of 64 songs. I did a lot of soul searching as I winnowed this list down to twenty-seven cuts. It truly was not easy but I think this is a good representation of some of the great music that Petty and the Heartbreakers did that didn’t get the exposure of his hits – from rockers to ballads. If you’re a “greatest hits” type fan, this collection might help you delve further into Petty’s catalog. If you’re a big fan, you’ll likely recognize most of these tunes and hopefully, in this dark time, you will smile like I did when I heard them (or occasionally tear up). If the Rock Chick will help me figure out how, I’ll be putting this play list out on Spotify under the creative title, “BourbonAndVinyl Petty Deep Tracks”

I’ve seen lists like this from “major publications” and oft times they list tracks that aren’t readily available like say, bootlegs. Rolling Stone magazine did a list of 100 Springsteen songs and one was a song he’d performed once and had never committed to tape. I consider that kind of a dick move and have tried to avoid that if I can… And while there are an almost infinite number of songs I could have put on this list…I chose these because they jumped out at me. Think of this as a primer instead of the definitive list.

  1. “Breakdown (Live In Capitol Studios),” DJ Promo Only – So after decrying Rolling Stone for using bootlegs and unobtainable tracks on their lists as a dick move, I start off with an unobtainable track… I know, dick move. “Heal thyself physician…” This is the definitive version of this song and I pray some day it’ll be released. It’s the only version of “Breakdown” that my local radio station, KY/102 used to play. A friend slipped me a copy recently and it’s amazing… the band is loose and the drums start off almost sloppy, then Campbell’s guitar stabs it’s way into the mix. Petty’s vocal is impassioned but his rant at the end is funny.
  2. “Hometown Blues,” Tom Petty And The Heartbreakers – Petty’s early work was always compared to the Byrds, but the drums on this upbeat rocker sound almost Bo Diddley-like.
  3. “Restless,” You’re Gonna Get It! – Petty’s second album gets lumped into he “sophomore slump” category but that’s only because it’s sandwiched between his seminal first record and his first masterpiece, Damn The Torpedoes. This is a great track from an underrated album.
  4. “Casa Dega,” Damn The Torpedoes – Deluxe Edition – “Casa Dega” was actually originally released on the exceptional box set, Playback, but it sprang from the sessions for Damn the… One of many great “baby what’s up” songs.
  5. “Louisiana Rain,” Damn The Torpedoes – This was always one of my favorites from side 2 of Torpedoes. There’s a country version on Playback.
  6. “Nowhere,” Damn The Torpedoes – Deluxe Edition – It’s a testament to how strong the material on Torpedoes was that they left this rocking track off. I love the riff.
  7. “Nightwatchman,” Hard Promises – This song is such a great demonstration of Petty’s signature sense of humor. It’s a great track and actually got a little radio play. Funky and rocking.
  8. “Straight Into Darkness,” Long After Dark – This album was sort of the soundtrack of my first breakup… While “You Got Lucky” and “Change of Heart” got the radio play, this track captures the emotion of a breakup better than anything else on the record.
  9. “Dogs On The Run,” Southern Accents – Great, soaring rock from the Heartbreakers…”Honey, ain’t it funny how a crowd gathers around anyone living life with out a net.” I can actually testify to the truth of this… oh, my misspent youth…
  10. “Spike,” Southern Accents – My buddy Drew told me that for whatever reason, Wichita radio actually played this song a lot. I heard an interview with Petty on the radio once and he said, “In Wichita we play “Spike” and they go nuts…” This is Petty’s funniest, funkiest songs. There’s a great live version on the Live Anthology as well.
  11. “Runaway Trains,” Let Me Up, I’ve Had Enough – Another song which may be considered a breakup song… I see a theme here… Actually I see it more as a song about moving on from a situation and the regrets that brings. Beautiful, atmospheric Petty.
  12. “Out In The Cold,” Into The Great White Open – A good, old-fashioned, Heartbreakers, ass-kicking rocker. It’s like they looked at each other at the beginning of this track and said, “Meet me at the finish line…” Full-tilt rock.
  13. “Time To Move On,” Wildflowers – There were many times in my younger days where I needed to tell my resilience and stubbornness, boys pack your bags, “it’s time to move on…” I wish I’d learned this lesson earlier. The music sounds almost like an old Johnny Cash train song.
  14. “Cabin Down Below,” Wildflowers – While “You Wreck Me” was one of the Heartbreakers greatest rock songs, it sort of overshadowed other great rock tracks like “Honey Bee” and this great barn-burner of a tune.
  15. “Girl On LSD,” bootleg, probable inclusion on the extended version of Wildflowers, due any time now…- I know, another dick move. I hope this song comes out soon with the rest of the material left over for Wildflowers. It’s actually a love song disguised as a drug song.
  16. “Waiting For Tonight,” Playback: Nobody’s Children – This great song was actually released as a single to herald the arrival of Playback, but disappeared pretty quickly. I thought it was an underrated gem of a tune that deserved another listen.
  17. “Travelin’,” Playback: Nobody’s Children – This rocker is a great traveling tune. If, and I know it’s inevitable, I do another road-song playlist, this song will be on it. I would have loved to hear this live…Alas.
  18. “Swingin’,” Echo – Most Petty fans will know this song. My friend Stormin actually saw him sing this one live on the final tour, in Denver. “Like Sonny Liston…”
  19. “Have Love Will Travel,” The Last DJ – Last DJ is always derided as Petty’s “angry” album. There are some great tracks on this record, and this is one of them. I love when he sings, “how about a cheer for all those bad girls.” I saw this song performed live and the every woman in the crowd screamed!
  20. “I’m Walkin’,” Goin’ Home: A Tribute To Fats Domino – Petty, bringing his Florida swampy sound to a Fats Domino swampy Louisiana song. What’s not to love here. This was a great tribute album and one of the first things I reviewed on B&V… I have a real soft spot for this tune.
  21. “Down South,” Highway Companion – I loved this album but it got almost no airplay. This is a great travelogue of a song… “Gonna head back down south, gonna see my daddy’s mistress.” Petty was such a brilliant lyricist.
  22. “Big Weekend,” Highway Companion – Great party song, great road song… “If you don’t run you rust…” This could be the B&V theme song.
  23. Mudcrutch, “Topanga Cowgirl,” Mudcrutch – Petty reunited with his original outfit, Mudcrutch with Campbell and Tench, who eventually morphed into the Heartbreakers and put out this great album. This is my favorite song on the album because I think it captures the loose, country-rock spirit of the entire album.
  24. “It’s Good To Be King (Live),” Live Anthology – “It’s Good to Be King” is a great song but anybody who ever saw Petty in concert knows that the song exploded when they played it live. Petty and Campbell would jam on their guitars on this song for over 12 minutes. It’s a great live cut and the definitive version of this song. Kudos to Campbell on this one.
  25. “High In The Morning,” Mojo – Great, funky little bluesy number from a great funky, little blues album. “He’ll be high in the morning and by evening, he’ll be gone.”
  26. “U Get Me High,” Hypnotic Eye – Petty’s last album was a great one. This song is a favorite of the Rock Chick and mine… It’s an unconventional love song.
  27. Mudcrutch, “Hungry No More,” 2 – I was lucky to see this tour, again with my thanks to my old pal Stormin. I really like this record, but I love this song. It’s a soaring, beautiful ballad. The resolve and strength in Petty’s voice on this one gives me hope.

I’m sure there’s tracks that I missed on this, that many of you like. If you have any suggestions for additions, please suggest them in the comments section. It’s a tough time in rock and roll when our heroes are passing unexpectedly. Take care of yourself out there and we’ll get through this together.

 

 

RIP Tom Petty, 1950 – 2017, A Devastating Loss: The Composer of the Soundtrack to My Life Is Gone

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*Brilliant photo taken from the inside album sleeve of ‘Damn The Torpedoes’

As far as Mondays go, yesterday was one of the worst. I’ve never liked Mondays… I awoke to the horrible news that some nut job had shot up a music festival in Las Vegas. Add to that, the usual Monday work “horrible-ness” brought on by my Corporate Masters and it was already shaping up to be a bad day. But then the unspeakable happened. My friend the Jean-Genie texted to tell me the devastating news that Tom Petty, music icon, songwriter, singer/guitar player, legend had suffered a massive heart attack and was in critical condition. I was out at the Kansas City Chiefs’ Arrowhead Stadium when the news he had passed came…then, weirdly, it came out that maybe he wasn’t dead, that he was fighting. I could hear Petty’s music all over the parking lot. Perhaps there was hope… Alas, it was false hope. I just can’t believe Tom Petty is gone…. too soon, too soon. He was only 66. I just saw him on the 40th Anniversary Tour in June… (Concert Review: Tom Petty & the Heartbreakers, Kansas City, 6/2/2107)

Tom Petty was one of only a handful of artists I can say have written the soundtrack to my life. I own every album, box set, live box set, literally everything that Petty ever put out. His music is a constant in my life, like the North Star. Petty always said that the reason the Heartbreakers weren’t “bigger” was because they were always so consistent. I would argue with Tom a little on that point… I think Tom Petty and the Heartbreakers were spectacular. My heart goes out to his family, his band and all of my fellow Petty fans out there. Its going to be a tough few days…this one is gonna leave a mark. In his honor, I will be shuffling his entire catalog…which might take a while…

It was awful to lose David Bowie a couple of Januarys ago, but Bowie was always so “otherworldly” that he seemed distant. Tom Petty felt like a friend… someone you could sit next to at a bar. He wrote about things that everybody understood: love, loss, driving real fast and of course the South. While he was a part of the 70s southern-California music scene that included the Eagles and Fleetwood Mac, Petty and his Heartbreakers always remained firmly rooted in the Florida south they grew up in… and lets face it, they also rocked a lot harder.

So many memories…. so many. I will share but of a few of my own memories…I know all of us have similar memories of the man and his music.

I can still remember being in Junior High School and buying my first Petty LP, ‘Damn The Torpedoes,’ his first masterpiece. I would just stare at his picture, above, on the inner sleeve and wonder, where did this cool, long-blonde-hair guy, smoking a cigarette come from? I’ve always loved that picture. I figured he was the coolest person in the world… “Don’t Do Me Like That,” and “Refugee” were the big hits, but as a skinny kid with acne, “Even The Losers” was the tune that felt like it was my anthem. KY/102 used to have this bootleg of “Breakdown” that sounded like it was recorded in a bar, not even a club, a bar… that was for me the definitive version of that song. I’d do anything to get a copy of that, I’ve never been able to find it. After ‘Damn The Torpedoes’ and hearing that version of “Breakdown” I bought his first two, fantastic albeit overlooked LPs, ‘Tom Petty & The Heartbreakers,’ and ‘You’re Gonna Get It’ and I’ve been buying his albums on the day they came out ever since.

‘Hard Promises’ was his second masterpiece and was the album he was going to name ‘$8.98′ after his dumb ass record company threatened to charge $9.98 for “premium” artists’ albums. He always fought for his fans… I can remember breaking up with my high school girlfriend when I went to college to the strains of “You Got Lucky” and “Change of Heart,” songs which still evoke those memories (I was the one who was lucky, and it was her that had the change of heart). His music has literally been that much a part of my life. It was during those college years, that I finally got to see Petty and the Heartbreaks live, on the “Pack Up The Plantation Tour” in support of ‘Southern Accents,’ which is a flawed but still essential Petty record and one of my favorites… “Rebels” and “Dogs On The Run” are always in high rotation here at B&V. That was the beginning of a lifelong series of Tom Petty concerts for me… I even got to see Tom and the Heartbreakers backing up Bob Dylan at Sandstone Amphitheater… I thought the solo Petty/Heartbreaks portions of the show were the best parts.

I was living in exile, in Arkansas, when ‘Full Moon Fever’ came out, Petty’s first “solo” album. I hated living there and I hated my very challenging job… every morning I’d put on “I Won’t Back Down” and that song gave me the strength to get in my car and drive to work each day. By the time Petty was touring for that LP, I’d moved back to KC (I guess I did “back down” after all). My friend Stormin’ and I weren’t going to go to the show, we were both broke, but our friends who had tickets convinced us to go down to Kemper and scalp tickets. Some guy sold us 10th row tickets for below face value. Our seats were better than our pals… The show was amazing, but up in the top deck, in a hallway in the roped off section of the arena behind the stage, a couple in silhouette danced to the music…. they were better stage props than even the wooden Indian and those two seared the memory of that show into my mind.

“Wildflowers” was such a masterpiece, it remains in high rotation for the Rock Chick and I to this day. “You Wreck Me” is such a great rock song. I was thrilled that at the 40th Anniversary show in June, he played a small, acoustic set from that record. There’s not a bad moment on there… They should hand that LP out at every music appreciation class on every college campus out there.

After ‘Wildflowers’ one could say that Petty’s star started to fade a bit. There were still sold-out concert tours, but radio had changed and classic rock guys weren’t getting played on the radio any more. I always loved the dark, rocking album, ‘Echo,’ but it didn’t do as well as ‘Wildflowers’ and Petty reacted with the angry, ‘Last DJ,’ an album I still own… there are some good tracks on that record, like all of his records…”Dreamville” and “Like a Diamond” are great songs… That’s just it, even on his rare weaker moments, there were always great songs on those records.

Petty’s last three records, ‘Highway Companion,’ ‘Mojo,’ and ‘Hypnotic Eye’ rank up there amongst his best work. Alas, without the broad radio airplay that artists used to enjoy in the old days, I’m not sure those albums ever got the exposure they so richly deserve. When you take those records and add in the two albums he did with his superb “side-project” Mudcrutch, his latter body of work is incredible. I urge everyone to check those albums out, they’re essential Petty listening. That late career hot streak is one of many, many reasons Petty’s untimely, early demise is such a tragedy. The man had so much more music in him.

I know this post has meandered a bit and that I’ve indulged in my own personal memories and experience with the man and his music. I remain devastated. I will cherish the memory of the many of his concerts I saw over the years. I’m so glad my friend Stormin’ helped me get tickets to his final KC show this June… I fear I might have missed it if he hadn’t reached out. I wish I’d taken my daughter to see him when I had the chance… like my friend Stormin’ did for his daughter, I turned mine onto Petty early on… These rock stars who come through town, I’m telling ya, buy the ticket, they might not come back… especially these days. We all share his wonderful body of work which will live on for generations… But make no mistake, the world is a dimmer place today without Tom Petty than it was yesterday.

It’s a long, dark ride. Take care of yourselves and those you love…

“I’m gonna free fall, out into nothing, gonna leave this world for a while…” I miss the man already….

Concert Review: Tom Petty & the Heartbreakers, Kansas City, 6/2/2017

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*image from the Kansas City Star

It was a bit of a rough May… First we lost Chris Cornell and then we lost Gregg Allman. I was beginning to feel that numb sense of despair I’d felt for much of 2016. But then I remembered on Friday, June 2nd, I had tickets to see Tom Petty & the Heartbreakers on their 40th Anniversary tour. And as a bonus, former James Gang/Eagles guitarist Joe Walsh was slated to open. While I love Tom Petty, and concerts in general, I was having a bit of trouble getting up for this show. It’s just that I’ve seen Petty so many times, I was fearful it would the same old set, the same old show. As usual, I was wrong…

As Petty is reflecting on his 40th anniversary, I couldn’t help but think back to my history with Tom. I can still remember my first Petty show. I had been a huge fan of his since their debut album came out when I was in junior high school, but I didn’t get to see him live until I was in college on the Pack Up The Plantation tour in support of the flawed but still enjoyable album, ‘Southern Accents.’ That show was ok, but the Heartbreakers were augmented with a horn section and back up singers. Sadly they also chose to hang a giant Confederate flag behind them, a choice Petty now regrets.

It wasn’t until I saw them on the ‘Let Me Up, I’ve Had Enough’ tour that I got the real, genuine rockin’ Tom Petty experience. That album was very Stonesy, for lack of a better word, and the show was more full on rocking. Sure, I’d seen them behind Bob Dylan, but they were better on their own. It was at the ‘Let Me Up…’ show in Boston that I realized what great musicians these guys are. Stan Lynch was still manning the drum kit and he was a monster. It was Mike Campbell’s guitar that really caught my attention. The man should be on the list of every “Greatest Guitarists” everywhere. I can’t say enough about Benmont Tench’s abilities on keyboards. He sits on a stool surrounded by every type of keyboard imaginable and seemingly plays all of them at the same time… it’s like the guy has 4 arms.

After that experience, I made a point to see Petty on every tour. I remember my buddy Stormin and I drinking with a group of friends of ours who were going down to old Kemper Arena in Kansas City to see Petty on the ‘Full Moon Fever’ tour. Stormin and I were broke and I was unemployed. Neither of us had bought tickets. Our friends talked us into going down to scalp, something I rarely do. Some guy walked up to us and asked us what we thought his tickets were worth. They were 5th row on the floor. “Uh, face value?” He just smiled and said, “Give me $20 each and we’ll call it even.” We ended up with better seats than our friends. That was such a great show for me, when you’re that close it changes the experience. I can remember, looking up to a darkened entry way, behind the stage, and a couple I could only see in silhouette were dancing to the music… it was like they were the perfect stage decoration. I envied them their joy.

It was my old friend Stormin who called to alert me that Petty was on tour for his 40th Anniversary. I hesitated a bit, only because at our last Petty show my wife, the Rock Chick said, “He plays the same 10 songs every time we see him… I may be done with Petty.” But knowing this was his 40th anniversary show, and likely the Heartbreakers last big tour, I did some research. Petty claimed they were going to mix up the setlist. I was in. I can only say, thank God for my over 30 year friendship with Stormin, because I would have hated to miss this beautiful Anniversary celebration.

Petty strolled out on the stage last night in a purple jacket. He’s so charismatic and lets face it, purple is just a regal color. I knew this was going to be a different night when they opened with the first song from their first album, “Rockin’ Around With You.” It’s got a Bo Diddley beat and was just a nice burst of rock to start the show. He followed up with a blistering version of “Last Dance With Mary Jane” which ended in a guitar dual between Petty and Mike Campbell… You just know Campbell is going to win all of those. He put on a guitar clinic all night. Everyone really needs to see this show just to hear Campbell play.

While Petty did mix up the setlist last night, what does it say about his catalog that when he plays a song like “You Got Lucky” which was a big hit, that it’s his change of pace material he rarely plays. That would be a must-play for any other artist. Last night was the first time I’d ever heard it live, and it was fantastic. I was thrilled he played some of his newer material… he really accessed all of his catalog and the newer song “Forgotten Man” is more relevant today than it was a few years ago. Playing these unfamiliar tracks put new life into “Won’t Back Down” and even “Free Fallin'” that Petty always plays.

The thing that really electrified last night’s performance was the enthusiasm of the crowd. They sang along on almost every song. I hadn’t seen a crowd that jacked up since the Stones a couple of years ago. The place was full and everybody was in full voice. I even caught the Rock Chick singing along loudly. It was just that kind of night. Petty announced the obscure soundtrack tune “Walls” as a song that had been requested… by him it turns out and the crowd even sang along for that one.

The middle of the set turns acoustic as he turns his focus on a subset of songs from his brilliant ‘Wildflowers’ LP. “It’s Good To Be King” was the usual extended jam. Then he went into “Crawling Back To You,” which has the great quote, “most things I worry about don’t happen anyway,” which could be my theme song. The acoustic strummer, “Wildflowers,” was simply transcendent. He kept things rolling with the rarely played “Yer So Bad” from ‘Full Moon Fever.” Wow!

Petty and the Heartbreakers brought it back up for “Should Have Known Better” which verged on punk rock last night. It was killer. After that, he even played “Refugee” which is a tune I’ve only heard him do once, maybe. The encore was one of my all time favorite songs “You Wreck Me” followed by “American Girl” which would have felt obligatory had the Heartbreakers not brought so much energy to it. When the lights came up, I was ecstatic. Even the Rock Chick turned to me and said, “That was a great, great show.”

I must also mention, the opening act, Joe Walsh. Joe is such a consummate showman. The things he did to his guitar could be classified as abuse. It was fantastic. “The Bomber” was a guitar workout like I haven’t seen in a while. The middle section of “The Bomber” where Joe sounds like he’s playing classical music on electric guitar was even better live. As my friend drummer Blake would say, he’s a very tasty guitarist. People take these amazing guitarists for granted… nobody can play like Joe (and later Mike Campbell) did. Cherish these guitarists people, they’re a dying breed. When Joe said, “I know there are a lot of millennials here, and most of these songs were done before you were born. Let me just say, welcome! This next song, however, is going to make your parents really happy…” and then launched into “Funk 49,” I almost wept with joy. In the words of my friend Stormin who saw the show two nights earlier at Red Rocks, “Joe Walsh is crushing it right now.” And, I’d be remiss, if I didn’t mention the beautiful gesture of Joe dedicating his cover of “Take It To the Limit” to his “brother and bandmate,” Glenn Frey. Class move, Joe, class move!

Last night was a celebration of Tom Petty and the Heartbreakers 40 years as a rock band. But it was more than that, it was a celebration of rock and roll and live music. It was a celebration of the communal aspects of concerts. Different people from all over coming together in unison to drink a little, sing a little and enjoy a whole lot of great music. The temptation to skip seeing that favorite band can sometimes be strong. Many times you think “I’ll catch them next time…” I’m telling you people, get out and see live music… there will come a time when these bands will disappear and you’ll wish you had…

Simply put, a magnificent show last night. Kudos to the crowd! And of course, Happy Anniversary Tom Petty and the Heartbreakers.

P.S. Joe Walsh for President!

Review: Mudcrutch, Denver, Co; Ogden Theater 25May16

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*Mudcrutch takes a bow in front of your intrepid blogger (apologies to Tom Leadon on the right who I drunkenly cut off)

It was about a month ago I got the text…. it was from one of my dearest friends, Stormin’… it went: “My prayer has been answered. Mudcrutch May 26, Ogden Theater. Unfortunately my pre-sales code only allows for two tickets. Thoughts?” “Thoughts” indeed….the hook was baited but would I be able to take it? My first thought, as it always is when Stormin’ invites me off to an adventure was “How am I going to work this?…” The Rock Chick, strangely, is not a fan of Mudcrutch but is a fan of Tom Petty. It’s a little like saying you like Superman, but you’re not crazy about that Clark Kent guy. There were options… I could go alone but I quickly realized this was Memorial Day Weekend and that wouldn’t fly. I could buy the Rock Chick a ticket but that option was facing some stiff resistance. Or, and this is what we compromised on, I’d go alone with Stormin’ and the Rock Chick would get to go to Vail the next day… It was a dicey gamble, the Rock Chick likes to shop, but I can now say with clear hindsight, it was a good bargain all around.

In the old days, when Stormin’ and I went off into the night time, in search of rock and roll and other recreations, there was a good chance one or both of us would end up in shackles. There have been “episodes” in the past that decorum prohibits me from discussing in this rather public format. Things are quieter now that we’re both married dudes… I was on vacation all week anticipating this concert. The last time Mudcrutch toured they only played dates in LA and SF or maybe just LA… this was their first real trek across the States. I got to Denver Wednesday night to discover Stormin’ had his vegetable crisper full of beer and, of all things, “Sad Wings of Destiny” by Judas Priest on the stereo. Oh, yes, this was working out perfectly.

The only other time I was in the Ogden Theater in Denver was when I was there for the Cult’s “Electric” Tour where they performed, not surprisingly from the name, the entire “Electric” album. That was a banner evening. The Ogden seats, and I’m guessing here, maybe 1500 to 1600 people. I was assuming being able to see Petty and a few of the Heartbreakers in Mudcrutch in this small room was going to be something special. For once, I was right… It was an amazing night. Since we had the VIP package, we got in earlier than the rest of the GA crowd and ended up right at the stage, two people back from the barricade. There’s an intimacy in a small theater that I experienced first hand. When Petty came out, with his bass guitar slung low, he’d look slightly to his left, right into my eyes. As he sang, there were a few times I had to look away, it was like he was looking right into my soul. That’s how close I was. So naturally, this was not a normal show for me.

First and foremost I must call out Mike Campbell. He is one of the greatest guitarists I’ve ever seen. Whether in the Heartbreakers or Mudcrutch, he’s (as my friend Stormin’ said) “the glue.” Whether it was mandolin or guitar, the guy just shredded. To see his dexterity up close was something I will not soon forget. Benmont Tench, the other Heartbreaker in Mudcrutch, on keyboards was equally amazing. His boogie-woogie piano was all over the music. Each member sang at least 1 song and I must give a shout out to rhythm guitarist Tom Leadon (Bernie from the Eagles brother) for the amazing lead, harmony and backing vocals he contributed. He and Petty’s banter caused most of the laughter during the show. Randall Marsh on drums was a big hitter – not a lot of swing – but he was very capable and his vocal turn on “Beautiful World” was spot on. Petty played a nice bass guitar. He seemed almost nervous to be away from his natural instrument, the guitar. His hands were even shaking a bit as they came on stage. His vocals were amazing as usual. “I Forgave It All,” a haunting ballad and “Hungry No More” were vocal performances that I will never forget. Simply beautiful.

The show opened with a tune off the first Mudcrutch album, “Shady Grove” which spotlights both Leadon and Petty’s vocals. They followed up with three more tunes from the first record until they got to the first single from “2,” “Trailer.” They played almost all of “2” with the exception of “Beautiful Blue” which I’d liked to have heard and a good portion of “Mudcrutch.” The encore was a Jerry Lee Lewis cover, once again spotlighting the amazing piano of Ben Tench. Anyone expecting to hear something from the Heartbreaker’s repertoire will be disappointed… I was not.

Highlights for me include the Byrds cover from the first album, “Six Days On the Road,” which is just a great, galloping road tune. “Beautiful World,” “Dreams of Flying,” and “Crystal River” were all great performances. The latter tune being the longest jam they played all night. The interplay between band members was a lot of fun. Campbell would walk over to Leadon to trade licks, or all the guitarist would end a song standing near the piano watching Tench bang out a solo. The song “Hope” from “2” which on the record is an organ driven Animals’ style rocker, turned into a muscular guitar showcase for Campbell.

“Bootleg Flyer” was the last song in the main set and it was a scorcher. It was the perfect way to wrap up the two hour set. The band quickly returned for the encore, the aforementioned Jerry Lee Lewis’ cover, “High School Confidential.” The crowd was frenzied at that point. I could barely hear over the screams as Petty and the rest of the band took their final bow, right in front of me, as pictured above.

My legs were sore, but I had a huge smile on my face as a hobbled out of the Ogden. I once again grabbed my buddy Stormin’s shoulder and yelled, “Fuck, wow!” It was all I could muster. Storm and I staggered down to a deserted bar and had a few celebratory beers and finally managed to convince the bartender to call us a cab.

Where ever you happen to live… if Mudcrutch is in your town, call the ticket broker, this is a must see show.

Cheers!

Review Redux: Mudcrutch “2” (Full Album) A Very Strong, Tighter Return

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First and foremost, I must apologize to any of you who read my original review of the full album “2” by Mudcrutch. I wasn’t happy with my original title, which included the words, “A Band Having Fun.” I felt like that title was misleading and made the album sound more upbeat than it is. I do think, in terms of fun, Petty is  having a great time playing bass, playing with different musicians and having the entire band contribute songwriting, but that doesn’t mean all the music is happy. So, I went in and tried to edit the title. Being the Luddite that I am, I didn’t realize that changing the title would delete all the actual text under the title in the body of the post. Technical SNAFU’s seem to be my specialty. I will attempt, in this Redux Review, to recreate what I wrote earlier from my notes. Again, I am sorry for my technical stupidity.

If anything, these few extra days have only made my esteem for this record grow… leaps and bounds, in fact.

I’ve always been a huge Tom Petty fan… I can still remember buying “Damn the Torpedoes,” my first Petty album, on vinyl at the record store in the mall. That album was a certified masterpiece. I’ve always felt Petty’s career had a bit of an ebb and flow to it until “Fool Moon Fever” came out. Petty’s popularity exploded. I can still remember driving to the office when I was exiled to Arkansas and hearing “I Won’t Back Down” on the radio and thinking, “this is my new theme song…” It didn’t work, I ended up backing down, I quit. It was the best thing for me at the time. As Keith Richards once sang, it was time for me to “walk before they made me run…” but those records are also sealed.

After “Full Moon Fever” Petty seemed to have had the Midas Touch. Everything the guy did, with or without the Heartbreakers, turned to gold. That purple patch lasted him from “Full Moon Fever” through the whole Wilbury’s thing up to “Wildflowers.” Even the departure of founding drummer Stan Lynch during this time period seemed to make the Heartbreakers even stronger, which many times is not the case with a band member’s departure. Then came the superb and highly under-appreciated “Echo” album. For reasons unclear, the album didn’t reach the heights of Petty’s then recent successes. I will say, “Echo” had a bit of a melancholy fog hanging over it likely caused by Petty’s recent divorce. Petty did not react well to the lukewarm reception of “Echo” and recorded what seemed like a very angry follow-up, “The Last DJ.”

But after “The Last DJ,” the strangest thing happened. It’s as if Petty decided, “fuck it,” and started making music that made him happy and music that the Heartbreakers clearly enjoyed playing. He has a trio of great, late-career. kick-ass albums – “Highway Companion,” “Mojo,” and “Hypnotic Eye.” These are the types of albums that inspired me to start writing BourbonAndVinyl in the first place. All three are on the highly recommended list.

During this late period surge, in 2007, Petty agreed to doing a documentary on his and the Heartbreaker’s history, “Running Down a Dream,” and I must say it’s a must see for Petty fans. In the documentary, they dedicate a section to Mudcrutch, Petty’s first band out of Florida. Randy Marsh (drums) and Tom Leadon (guitar/vocal) were in the band with Mike Campbell of the Heartbreakers and Petty on bass guitar. Later, after Leadon left, Benmont Tench (keyboards) joined. The band recorded a few singles that were completely ignored before disbanding. Petty switched to guitar, kept Campbell and Tench, formed the Heartbreakers and the rest, as they say, is history. But something in the documentary must have inspired the whole “what might have been” thought process…usually that leads to calling an ex-girlfriend, but in this case, Petty pulled together Mudcrutch in 2008 and recorded the album “Mudcrutch.” It was a loose-limbed, “jammy” affair, but I really liked that record.

I had always assumed “Mudcrutch” was a one-off affair, but then late last year the rumors began that Petty was reassembling Mudcrutch to record another record. This past weekend saw the release of “2,” the band’s second record. Clearly with album names “Mudcrutch” and “2” it’s clear that Petty and the lads don’t put a lot of time or thought into their album titles. Having had some recent “title problems” of my own, I get it. Damn technology. The record starts off with an old outtake from Petty’s “Playback” box-set, “Trailer.” “Trailer” is one of those wistful, looking back tunes about a relationship that failed. At first, I was surprised he dug out that old tune for this album, but the sentiments in the tune sort of sum up the whole Mudcrutch enterprise. It’s a great version of the song.

Petty required everybody in the band to write a song. My favorite band contribution is “Beautiful World” by Randy Marsh. I think he sings it. I do wish, as I stated when the single came out, that Petty had sung it, but it’s still a kick ass rock song. It and “Dream of Flying” (which Petty sings) are the closest you’ll get to a Heartbreaker-y sound here. “Dream of Flying” is superb. I do think Petty is enjoying this different group of collaborators but that doesn’t mean the songs are all as upbeat as “Beautiful World”.

The centerpiece of the record for me remains “Hungry No More.” It’s a defiant song about resilience that makes Scarlett O’Hara’s vow to never be hungry again seem tame in comparison. Mike Campbell’s guitar is all over “Hungry No More” and his performance here is why he’s one of the greatest to ever strap on a guitar. “I Forgive It All” is a beautiful, spare ballad in the manner of “Highway Companion”s song “Square One.” It and “Beautiful Blue” are the best love songs here. “Beautiful Blue” simply shimmers. “Victim Of Circumstance”is Campbell’s writing effort here and it’s another exceptional tune.

The only tunes that left me cold are Leadon’s “The Other Side of the Mountain” mostly because there’s a banjo (not to sound like the Rock Chick, but I am “banjo-interolerant) and Ben Tench’s “Welcome to Hell.” I love Tench’s boogie woogie piano on the song, but the lyrics are like a joke that just misfires. But these are minor complaints, neither song is terrible. Mudcrutch’s first album, as I mentioned, was such a loose jam, it’s nice to hear these guys so focused. The songs are finely crafted, much tighter than the first record and well played.

“2” is a highly recommended purchase from BourbonAndVinyl. Play it loud and often… and the best part of this album is that for the first time Mudcrutch is playing concerts outside the state of California… which means I’ll be heading to Denver for Memorial Day Weekend with one of my best friends Stormin’ and Mudcrutch. If you get a chance to see these guys, run to the concert, don’t walk. I’ll post an update after I’ve seen the show!!

Again, my apologies for accidentally deleting the original review of this superb record and as always, Cheers!

 

Review: Mudcrutch “2” – Three Songs Released So Far

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I got a text a few weeks back from one of my oldest and dearest friends, Stormin. Storm and I roomed together with GP and some other dudes back in college but those records are sealed until twenty-five years after my death. Storm’s text was in reference to Tom Petty’s side project, Mudcrutch and their upcoming concert in Denver. “My wildest dreams have come true and Mudcrutch is finally coming to Denver. I’ve purchased 2 VIP tickets…” Now this was interesting… The next thing I knew I was booking a trip to Denver to see Mudcrutch.

Storm and I saw Petty together on the “Full Moon Fever” Tour. We weren’t going to go to the concert, but a few of our friends were attending so we went down to the old Kemper Arena and stopped in Sutera’s Tavern for a few quick brews. We made the cursory walk over to check on scalped tickets and a guy approached and asked if we thought twenty dollars was a fair price for the two tickets he had… they were 10th row, center on the floor. Other than seeing Van Halen on the “Fair Warning” tour it was one of the best concerts of my illustrious concert career. Best 2o bucks I ever spent.

To describe Mudcrutch as a “side-project” is probably a misnomer on my part. Mudcrutch was Petty’s first band. They had all moved together from Florida to LA and actually recorded a few singles. Those songs never really broke and I didn’t even hear them until Petty released his monumental box set “Playback” in the 90’s. Mudcrutch’s line up changed a bit but it consisted of Randy Marsh on drums, Tom Leadon (whose brother Bernie was a founding member of the Eagles) on guitar/vocals, Petty on bass guitar/vocals and Mike Campbell on lead guitar. Later after Leadon left Benmont Tench joined on keyboards. After Mudcrutch broke up, Petty moved to rhythm guitar, Stan Lynch took over drums and Ron Blair took over bass, they dubbed themselves Tom Petty & the Heartbreakers and the rest, as they say, was history.

In the excellent 2007 documentary “Running Down a Dream” chronicling the Heartbreaker’s history, they touched on Mudcrutch. I don’t know if it was revisiting his  history, or this was something that Petty had been considering for a long time, but merely one year later in 2008, Petty regrouped the Mudcrutch lineup and put out the great record “Mudcrutch.” It was written and recorded in like, 10 days. To support the album Mudcrutch did a two week, 10-concert residency in some LA theater. I think they might have done a few nights in San Francisco, but my mind gets foggier with time. I really loved the “Mudcrutch” record but I figured that was going to be the end of the story for these guys. It was like going to see an ex-girlfriend, Petty was curious, checked it out and realized he was better off where he was… so to speak… not that I’ve ever done that, I’m just saying’… it happens.

Now, eight years later, Mudcrutch is set to return. The second album is creatively titled “2.” Naturally I’v done the pre-buy and they’ve released three very strong tunes so far. The first track “Trailer” was actually originally released on the box set “Playback.” I think it was recorded around the “Southern Accents” timeframe. The “Southern Accents” album was supposedly Petty revisiting his roots, and telling the he and the Heartbreaker’s story. It got a little weird when he brought in Dave Edwards from the Eurythmics to produce it but such is life. “Trailer” got left in the can, as they say. Like returning to Mudcrutch “Trailer” is a wistful look back at a relationship long gone. It’s a great song, but like I mentioned in the Peter Wolf review a few weeks ago, when a band redoes a song already released, it feels a little like cheating to me. Unless of course the song is significantly different like Sting’s solo version of “Shadows In the Rain” which is a radical reinvention of that song vs the Police version. So I liked “Trailer” but I’d already heard a very similar version on “Playback.”

The second song, “Beautiful World” is a great, upbeat and hopeful tune. It’s got a nice little riff and I think it’s going to be a lot of fun to hear live. It was written by Randy Marsh, the drummer and I don’t know if it’s him or Tom Leadon who sings it but it’s not Petty singing. Petty wanted a more “group” feel for this album so each member was asked to write one song. Marsh’s “Beautiful World” is a superb tune so we can only hope the other contributions from band members are as strong. I do sort of wish Petty had sung this one though. Still, it’s a great rock song.

Finally, the third song was released last week, “Hungry No More,” and it is awesome. It is certainly the pick of the litter so far. It clocks in at over six minutes and it allows Mudcrutch to stretch out quite a bit. It’s a mid tempo tune but has some blistering lead guitar work from Mike Campbell. Whatever he’s doing to his guitar is probably illegal in a number of states, but it sounds fantastic. The song has an impassioned vocal from Petty. It’s a down on your luck story but it’s sung with a beautiful, defiant vocal. “You can’t live on nothin’ at all, and I ain’t gonna be hungry no more…” Wow. With the economy like it is, it’s hard not to feel that this song was ripped from the headlines… but as usual, I digress.

I have to say, so far, so good on “2.” Petty has been on a hot streak since his solo album “Highway Companion.” Everything the guy touches lately is gold. There’s an exploration in his music – blues, country, jam-band – that is adventurous and always interesting. I am really looking forward to hearing the rest of this album… and actually seeing these guys destroy it live in Denver with my buddy Storm!

Until then, I’ll keep you posted as I hear more Mudcrutch. Check it out!

Cheers!