Review: Red Hot Chili Peppers’ “Tippa My Tongue” From Their Upcoming Second LP of 2022 – No Bad Vibes Allowed!

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I don’t know what the first thought that popped into my head was when I heard the Chili Peppers had released a new song “Tippa My Tongue,” and that they had a second LP coming out this year but I’m sure I had the same surprised look that singer Anthony Kiedis has on his face in the picture above. I do remember thinking, “Ah, so Jack White – who released both Fear Of The Dawn and the sensational Entering Heaven Alive this year – isn’t the only one who put out two albums in 2022!” In the 70s it was actually expected that artists would put out at least one album every calendar year and most record companies wanted two albums a year. That fact was underscored to me when I was doing the research for my 1971 and 1972 themed playlists. Several artists have multiple songs on those lists because they put out multiple albums in those respective years. And often back then those 2 albums in a calendar year were both sensational… now that’s genius on a deadline. Nowadays two albums in one year is unheard of. The last time I can remember an artist doing something like this was in the 90s when Guns N Roses put out the two Use Your Illusions albums or when Springsteen released Lucky Town and Human Touch on the same day.

Of course where the Chili Peppers are concerned I probably shouldn’t have been surprised. Their creative process has always been a jam-based process. That is probably even more true now that “once and future” guitarist John Frusciante is back in the fold. These guys aren’t like U2 where the Edge comes in with a riff, the band records a basic track and then Bono comes in and writes some lyrics. The Chili Peppers all get in a room and if somebody’s got something they start there and all join in with Kiedis standing to the side of the room scribbling stream of consciousness lyrics, all while they record the whole thing. Then they sift through the tape and find stuff they can build into songs. And since they use this jamming method to write songs they often have way more songs than they need for an album. That’s how Stadium Arcadium ballooned into a two-CD, 28 song album. And they still had a bunch of songs leftover that they put out as B-sides. “Mercy Mercy” was a b-side from “Tell Me Baby” that I particularly liked…

Even when Josh Klinghoffer was their lead guitarist they utilized their jamming method when recording the I’m With You album – an record I still dug despite Frusciante’s absence – and again they had a bunch of left over material. Eventually they released all of those “extra” songs as singles and B-sides. There were 9 “singles” released and 17 total tracks. They finally did a Record Store Day double-album release entitled, I’m Beside You. Having purchased all of the singles I have them on a playlist since I’m never lucky enough to snag anything at Record Store Day and I’m Beside You was no exception to my bad luck. You’ve got to get up pretty damn early on RSD if you’re going beat the vinyl fiends. I’m convinced you’ve gotta know somebody but even so I still go to my local vinyl stores on that glorious day… but I’m getting off topic.

I was thrilled when I first heard John Frusciante had rejoined the Chili Peppers. I didn’t have anything against Klinghoffer, it’s just that the chemistry between four very specific musicians is a delicate and very special thing. The Chili Peppers have reached all of their absolute pinnacles – creatively and sales-wise – with Fruciante on guitar. I greeted it as great news when I’d heard John had returned from the wilderness. I never thought he’d come back again and included Frusciante/the Chili Peppers on my list of reunions I’d never thought we’d see. I clearly thought he was gone for good. And I liked Unlimited Love, which has turned out to be only their first album of 2022, quite a bit. It’s a “grower.” I also really liked the dark, laid back first single “Black Summer.” It had a very “Slow Cheetah” vibe. I saw Frusciante interviewed and he said he wasn’t sure he even knew how to write rock songs any more when reunited with his erstwhile buddies. The Rock Chick would say he obviously doesn’t because Unlimited Love was too mellow for her. She is the Rock Chick.

Back when Unlimited Love came out I saw Kiedis interviewed in some magazine and he said they had another album with songs that were “looser” and he hoped they’d release it too. I figured, like with I’m Beside You, we’d just see a bunch of B-sides slowly trickling out with singles from Unlimited Love. So I guess I can’t claim complete surprise when I heard they were releasing Return Of the Dream Canteen as the rather immediate follow-up to Unlimited Love. I don’t think we should think of this new album as a “collection of B-sides” or “leftovers,” but rather a second collection of songs that perhaps fit together better. And one could argue that the songs on Unlimited Love all fit together pretty well too. I mean, I couldn’t imagine “Tippa My Tongue” on that earlier album. I don’t think any of us should be discounting this second LP, but we should rejoice that we get another taste of the Chili Peppers this year. I like my rock bands prolific. And Kiedis said they’d gone on a journey to discover who they were as a band… and perhaps that has led them back to their funk roots.

I have to admit, I first heard the teaser for “Tippa My Tongue” on the social media. It was just a quick snippet of the intro and then Anthony singing “Ya, ya-ya-ya…” I’m not gonna lie, it concerned me. In truth this song should be something I really don’t like it’s so… “pop” oriented? The album’s artwork is all soft psychedelic colors like an old Hippy’s faded tie-dye t-shirt. But damn this is a catchy tune. I actually really like this song. It’s 180 degree turn from “Black Summer” and feels more like a “No Bad Vibes” kind of song. It’s much more suited to summer… We have to remember the Chili Peppers started as a funky punk band. This song really takes them back to those roots, even back to the days of say, Hillel Slovak. Well, without the punk punch.

The track starts quietly with Chad Smith’s drums, Flea’s bass and Frusciante’s guitar all together building slowly. It almost summons the menacing beginning of “Dark Necessities.” But then the “ya, ya-ya-ya” thing starts. And yes, I would have appreciated the dark menace of that earlier first single but that doesn’t mean this isn’t a great song. Frusciante’s guitar is more prevalent and I love his brief but soaring solo. With the title “Tippa My Tongue” Kiedis manages to tie together a drug reference and a sexual reference all in one phrase, so kudos. I will admit the lyric, “Funky monks are on the run,” sent me back to the Blood Sugar Sex Magik track “Funky Monks.” I guess the Chili Peppers have gone from “There are no monks in this band, there are no saints in this land,” to “We’ve only just begun, funky monks are on the run, I’m gonna get you with the tippa my tongue.” Perhaps after all these years the Chili Peppers are now lovers, not fighters. Here’s the colorful video:

After the serious heft of “Black Summer” I’m down for the Chili Peppers lightening up a bit. It certainly sounds like they’re having fun. And while I’m not sure what “Well, I believe in love, Perfectly receiving love, It’s vociferous, Then come and get a whiff of this, I’m at the pyramids, Never had a fear of kids” means, I feel so funky and good listening to this track I don’t really care. It’s like I read recently, “August is the Sunday of summer…” So maybe fill a glass of wine and dance around the backyard with this track cranked up… When I first envisioned Frusciante returning to the Chili Peppers I expected he’d come back as the Guitar God we all knew from Stadium Arcadium. But he’s come back on his own terms and the band seems like they’re in a better place. I have no idea what all this portends for Return Of the Dream Canteen but if the record is this much fun it’s going to be a great fall…

Cheers!

Review: Red Hot Chili Pepper’s ‘Unlimited Love’ – Frusciante Returns For A Midtempo, Groove-fest

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If you’re like me, you spent the weekend holed up in a room with big speakers listening to the highly anticipated new LP from the Red Hot Chili Peppers (complete with John Frusciante back on guitar) Unlimited Love.

A few weeks ago my daughter was in town and we went over to see my parents. My father, a half a glass of wine in, decided to drop some family trivia. Each member of our nuclear family was born in a different state. While true, it’s not something I think about a lot. My father was actually born in Los Angeles. His parents, my grandparents, migrated from Kansas to California during the Great Depression like so many people did. It wasn’t quite as Grapes Of Wrath as it sounds. My grandfather had a job in a factory waiting for him. My grandparents were comfortable enough they not only had my dad but my uncle both in L.A. Eventually they returned to the Midwest but I always wonder what would have happened if they’d stayed out West. Who knows, I might have gone to high school with Anthony Kiedis, Flea and Hillel Slovak. I’m about the same age as those cats. Maybe, despite no evidence of musical ability, I’d be in the Red Hot Chili Peppers. Although my low pain threshold has kept me away from tattoos… and I’m not brave enough to appear on stage in only one sock. Dare to dream.

New music from the Chili Peppers is always a treat. Maybe it’s because (as mentioned) I’m roughly the same age, it always feels like getting an email from an old friend when they drop new music. Admittedly I was late getting on their bandwagon. I am probably the only Chili Peppers fan who discovered the band through the one album they did with Dave Navarro, One Hot Minute. Critics felt the songs on that album were under developed but I love that record. “Warped” is just an amazing song. “My tendency for dependency is up ending me…” From there I went back to their seminal line-up and most famous LPs featuring John Frusciante – Blood Sugar Sex Magik and Mother’s Milk. Those albums were a tour de force of guitar funk. Flea is the greatest bassist of his generation. It was fun following Kiedis’ development as a vocalist. He started as a rapper now he’s a fabulous vocalist. I was hesitant to buy Californication when it came out. I remember listening to samples of it at the Barnes & Noble on the Plaza. I walked out of there with that album and it solidified my place on their bandwagon.

I was terribly bummed after Frusciante left a second time after Stadium Arcadium. I’d seen them on that tour and he played with an almost religious ecstasy on his face. Everyone except my parents loved Stadium Arcadium. I had people significantly older than me at work tell me they were listening to that album. You could argue they were the biggest band on the planet at that point. A friend of mine at the time said to me, “I can’t believe I’m more into the Chili Peppers LP than the new Pearl Jam. If you’d told me 10 years ago that would happen I’d have told you you were crazy.” While I was bummed they’d lost Frusciante after that album and tour I stayed on the bandwagon. I thought Josh Klinghoffer who replaced Frusciante was a significantly less talented lead guitarist but I was in no way anti Josh. I loved I’m Beside You. However, I was really unimpressed with The Getaway, despite the sensational first single, “Dark Necessities.” The wheels came off on the second half of that album… Having listened to it for the first time in a long while this weekend, I stand by my opinion.

As I said, with Frusciante returning to the fold after an amicable split with Klinghoffer (Chad Smith played with Josh on Eddie Vedder’s new LP and tour) anticipation has been running high for this album. Anticipation is a tricky thing. If it gets to excessive it can interfere with how you perceive an album. I expected the same kind of guitar masterwork we got on Stadium Arcadium. There are moments of Frusciante’s transcendent guitar work but I would describe this album as more “Flea forward” than their last LP together. This album has a lot of funky bass and that is not a bad thing. These guys remind me of my old college roommates. There were five us in a tiny apartment. Rent was like $60 a month. We were wild men in those old days. When we get together for reunions these days they’re always fun but nothing as crazy as the college years. Maybe that’s what happened on this record. Old pals got together not to recapture old glories but reaffirm their bond and vibe. This album is a very midtempo affair. That doesn’t necessarily bother me, but the Rock Chick was not pleased.

The album starts with the first single, the somber “Black Summer.” It may not be as glorious as “Dark Necessities” but it’s a great track. It’s very “Slow Cheetah.” The first third of this record is just sensational. It’s as varied and melodious as anything they’ve ever done. “Here Ever After” is an upbeat, funky ear worm of a song. It gets in your head and it stays there. “Aquatic Mouth Dance” has some great horns that distinguish it. I do love Flea on trumpet. It’s another funky rocker. “Not The One” is just a gorgeous ballad. I love the line “I don’t look like myself in photographs.” Beautiful song, beautifully sung. “Poster Child” is a funky “We Didn’t Start The Fire” trippy trip through history. The chorus is another “stick in your brain” kind of moment. “I will be your poster child…”

“The Great Apes” is really the first track that Frusciante’s guitar dominates. The sounds he gets out of a guitar are so distinct. There are certain guitarists who I hear and just know who it is. It’s as unique as a vocal. David Gilmour and even Clapton are like that for me. I’m realizing Frusciante is as distinct as those guys. “It’s Only Natural” continues the hot streak. While it’s mellower it’s got some cool guitar sound effects. “She’s A Lover” is another bass heavy, funky up beat track. It’s another song I like a whole lot. “These Are the Ways” is probably the biggest rock song on the album. Frusciante lets loose with some heavy riffs on that track.

It’s after that, starting with “Whatchu Thinkin'” and “Bastards of Light” that the album falls into that midtempo vibe and they never really get out of it. I like Rick Rubin and I think he’s the perfect producer for these guys but he lets them get a little monochromatic at times, like Picasso in his “Blue Period.” The Chili Peppers’ creative process is jam based – most of their songs come out of sessions where they get together and jam. That jam based process doesn’t really lend itself to editing. They probably could have cut a few songs and it would have helped the album. It’s an hour and thirteen minutes long. “Bastards of Light” is the only track I didn’t connect with, it turns into Kiedis singing through a megaphone. “White Braids & Pillow Chair” is a pretty ballad but it meanders as did my mind at that point in the album. Taken by themselves each of these songs are great but as a whole the album does seem very midtempo. There’s nothing wrong with mellow it’s just not what I’d expected.

Things get back on track toward the end of the album with the upbeat “One Way Traffic.” “Will you be my traffic jam?” It’s got a great sing along chorus. That’ll be a big one live. I really love the song “Let ‘Em Cry.” It may be my favorite on the album. “Veronica” has great lyrics. “The Heavy Wing” is probably, yes, the heaviest track on the album. Frusciante takes over the vocals on the back end of that song which is an unfortunate choice. “Tangelo” wraps things up much like “Roadtrippin'” did Californication, with a beautiful acoustic guitar driven track.

This is certainly one of the biggest albums of the year and I urge everybody to check it out. I can’t wait to see these guys live again. I want the Rock Chick to behold the majesty of John Frusciante live. They purportedly put together 50 songs when recording this album and there are rumors they might release a follow up in short order. I’m for all the Chili Peppers with Frusciante I can get!

Enjoy this laid back groove of an album. I know it made my weekend! Cheers!

New Song Review! Red Hot Chili Pepper’s “Black Summer” – Welcome Home John Frusciante!

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I’ve spent the last week deeply immersed in the Beatles’ Rooftop Concert and man has that helped cure my winter blues. Of course, the funk I’ve been in may be lifting merely because Dry January is finally over… I guess we’ll never know what cured me. As if I wasn’t blissed out enough, the Red Hot Chili Peppers (one of our favorites down here at B&V) have dropped the first single from their upcoming album Unlimited Love. The album drops April 1st, yes, April Fools Day. The new song is called “Black Summer” and comes complete with a new video. I was particularly pumped about this upcoming album because it heralds the return of guitarist John Frusciante who has rejoined singer Anthony Kiedis, drummer Chad Smith and bassist Flea for the first time since he departed the band after the hugely successful Stadium Arcadium.

This actually marks the second time Frusciante has left the Chili Peppers and returned. He couldn’t handle the world wide attention that Blood Sugar Sex Magik generated and left only to return a couple of albums later for Californication. There was a similar arc of events after Stadium Arcadium came out. Everybody loved that album. Everyone I knew was calling me to tell me about it – from old dudes I worked with to my daughter (who was still in high school) and her friends. Literally everyone except perhaps my Sainted Mother dug that record but she’s still immersed in Roger Whitaker albums from the 70s…I can hear her now, “Bring me another sherry darling and turn this up…” I saw the Chili Peppers on that tour (although sadly I didn’t take the Rock Chick and am still hearing about it) and Frusciante played with an ecstasy usually reserved for the religious convert. I thought he was happy? Maybe after Stadium Arcadium, when they were at yet another career zenith, Frusciante – who is a true artist in every sense of that word – felt he’d done all he can do and he had enough money so he split for a curious solo career. Rumors are swirling that he lost 70% of his net worth in his recent divorce and that may be the impetus for his return. Regardless of why he came back, I’m just glad he’s returned. His Chili Peppers’ LP resume includes all of their best albums: Mother’s Milk, Blood Sugar Sex Magik, Californication, By The Way and the aforementioned Stadium Arcadium. They have had a lot of guitarists from Hillel Slovak to Josh Klinghoffer but there’s only one man whose chemistry with the band spurs them to their utmost creative heights and that’s John Frusciante. We should cherish any music these four guys create together.

I’ll say off the bat, I dig “Black Summer.” But how does it compare with their recent first singles? Let’s watch the video and listen to the song:

If we harken back to John’s last album with the band, Stadium Arcadium, the first single was “Dani California.” That’s one of the Chili Pepper’s greatest songs of all time, in my not so humble opinion. Frusciante’s guitar is Hendrix-ian at it’s utmost. The solo’ing at the end is epic. That was a mighty first single. After John left, the first single the Chili Peppers released from their next album I’m With You was “Rain Dance Maggie.” A lot of people didn’t like the Josh Klinghoffer era of the band but I really dug I’m With You. Rick Rubin was still on as producer. They did a video for “Rain Dance Maggie” where they were playing live on a roof overlooking a beach in California. Hmm… playing on a roof… I wonder where I’ve heard of that before. I do dig “Rain Dance Maggie” and I thought it was a great first single continuing their trend of great first singles. Finally, their last LP (and Josh’s last with the band) The Getaway saw “Dark Necessities” released as the first single. I reviewed The Getaway and I stand by that review – the album disappointed me. I rarely reach for that disc. However, “Dark Necessities” is one of the greatest songs I’ve ever heard. It’s got an infectious melody and groove – Flea just kills it. Kiedis lyrics are dark but yet enticing. “Dark necessities are part of my design” could be printed on my tombstone. Bad album and yet a fantastic first single!

With that history of great lead singles, I imagine there was a lot of pressure on the Chili Peppers to “bring the house” on this one. I don’t think Flea does “pressure.” I know John doesn’t do “pressure.” I like “Black Summer” but it is a curious choice of a first single. It starts with that spooky guitar riff the Peppers have been playing on their social media posts teasing the new track. There is not a guitarist on the planet besides Frusciante who can play this close to what Hendrix sounded like. You can hear the influence even on the quiet opening riffage. The song starts slow with just Frusciante’s guitar and Anthony’s vocal. The band doesn’t kick in for about a minute and a half. The guitar solo mid song is vintage Frusciante. You know it’s him on guitar and everything just seems right in the universe. You can also tell this was produed by Rick Rubin who is the fifth Pepper as far as I’m concerned. I’m extremely glad he’s back at the board for these guys. “I’ve been waiting, waiting on another black summer to end.” God haven’t we all been waiting for this “Black Summer” we find ourselves in to end? I know I have.

The song doesn’t have the hook of say, “Dark Necessities” that you’d expect in a first single. It doesn’t have a giant sing-along chorus of say, “Rain Dance Maggie” that you’d expect from a first track. It’s a little dark but isn’t everything these days? I’ve always liked the inherent darkness in the Chili Peppers music, when they touch on that vein is when they’re at their best. This is a great rock n roll tune and we don’t hear much great rock n roll played on actual instruments these days. And let me say, thank god there is no presence of keyboards on this record. I think this is going to be a great year with a new album and tour from the Chili Peppers. And let me say again, welcome home John, you’re back where you naturally belong.

Until I can hear the album and see these guys in concert – this time with the Rock Chick, I promise – I guess I’m resigned to sit and “with the birds I’ll share this lonely view…” If Frusciante can find his way back, maybe all of us can. Take care of each other. This black summer really is almost over. Cheers!

LP Review: Red Hot Chili Pepper’s “The Getaway”: Disappointed

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The Red Hot Chili Peppers, to me, have always been like guys I went to high school with. They might have been a few classes ahead of me and part of that cool crowd I could only aspire to hang out with but they seemed like friends. I look forward to their LP releases like I do an email from an old roommate. My anticipation for “The Getaway” was extra heightened as it’d be their second with “new” guitarist Josh Klinghoffer. After spending the last two days listening, I have to say, I’m disappointed. I can’t even print the Rock Chick’s reaction…suffice it to say her beautiful nose was crinkled up…

I’m like most people. I got on the Chili Peppers’ bandwagon after “Blood Sugar Sex Magik,” their masterpiece. I bought it in the used record store after I heard “Under the Bridge.” Nothing had me prepared for the punk rock/funk that exploded out of the speakers. I sort of filed that record away and only went back to it sparingly. I was too focused on Pearl Jam and Soundgarden at the time… Then, years later came “One Hot Minute” with Dave Navarro manning the guitar. When I heard the song “Warped” something clicked in my brain (“my tendencies for dependencies are upending me…” God, I love that line). I loved that song and I even liked that mostly uneven album. I read recently that Flea describes it as a “bastard” album. I think “orphaned” album would be the more proper term, at least a bastard has parents. It was deeply flawed but I loved what they were doing. I quickly pulled out “Blood Sugar Sex Magik” and realized I’d over looked a really special album. I immediately decamped to the record store and bought “Mother’s Milk.” I was hooked, I was in. I even own their first album despite the fact that I despise “rap-rock” for the most part. “Police Helicopter” and “Get Up And Jump” are great tunes…but I digress.

To have been along for the ride when Frusciante came back was thrilling. “Californication,” “By the Way,” and especially “Stadium Arcadium” are landmark albums in this band’s career. One might consider it their “golden” period. I even bought the oft overlooked live album, “Live In Hyde Park” which will be on my list of Essential Live Albums, if I ever get around to writing it. I was saddened when I heard Frusciante was once again leaving the band after the “Stadium Arcadium” tour but by then I’d realized that the Peppers had survived so many changes at guitarist that I was un-phased. It was a shame but I looked forward to what came next. I mean, I dug “One Hot Minute,” it was likely I was going to like what came next.

What came next, of course, was “I’m With You” with then new guitarist Josh Klinghoffer. I think Chad Smith’s quote about the state of the band at the time sums it up, “This is a new band. Same name, but it’s a different band.” Anthony Kiedis even said, “This is a beginning.” With Frusciante and even with Navarro the Chili Peppers had a very strong guitarist and they sort of let the guitar take the lead (maybe especially with Navarro, they really accommodated him). Granted, Flea is the greatest bass player of his generation and plays with an aggressive abandon that I just love, but the band tended to cater to the guitarist de jour. That changed with Klinghoffer. He’s a capable, melodic guitarist, but virtuoso would not be on his resume. Between “Stadium Arcadium” and “I’m With You” Flea had famously gone to USC to study “music theory” and it showed on “I’m With You.” It was clear the focus on song structure was more acute on that album. I liked “I’m With You,” I even bought all the B-sides (“I’m Beside You”). Even so, I could tell “I’m With You” was a transitional album. The music was basically the same thing they’d done with Frusciante, only with Klinghoffer, a less skilled guitarist, filling in that role. I knew something would change on the next outing…

Enter, “The Getaway.” First and foremost, it would appear that Klinghoffer has now been fully integrated into the band. He’s no longer trying to fill Frusciante’s shoes, he’s clearly changed the way they approach songwriting and how they perform. The band seems like a more cohesive unit vs a group playing around a virtuoso guitarist ala Frusciante. The next big change was with producer: Rick Rubin was out after six albums together and Brain Burton (aka Danger Mouse) was in. I wasn’t too worried about the change at producer, especially because on U2’s last outing, “Songs of Innocence,” the best tunes were the ones Burton produced. However, Burton’s production brings a more “pop” sensibility where as Rubin brought a rock sensibility. This album is very slickly produced… I have remarked it’s so polished I can see my reflection.

After repeated listens, I must sadly admit, I’m disappointed. I read on-line that Kiedis recently went through a painful break-up and who knows what’s true, but this feels like a break-up album. An undercurrent of remorse and regret run through the whole thing. The rockers don’t quite rock with the raw, dangerous feel that the Chili’s usually bring. Even on the upbeat song, “Detroit” when Anthony sings, “Detroit, I’m crazy,” it doesn’t sound like a good kind of crazy or joyful at all. The ballads don’t seem to have the emotional intimacy the Peppers can usually create. Most of the songs fall into a mid-tempo, gauzy groove. Burton’s production makes this sound like a 70s pop album… and appropriately enough the King of 70s Pop, Elton John shows up on the collaboration “Sick Love” which is one of the better tunes here.

“The Longest Wave” is a beautiful ballad but it’s followed up with the slow “Goodbye Angels” which is better, but still midtempo at best. “The Hunter” is just depressing. I’ve heard some comparisons to the Beatles psychedelic period but I only hear that on “Feasting On the Flowers” and “Dreams of a Samurai” and it comes across more as an additional, accent color on their musical palette than a real musical direction. “Encore” is another meandering mid tempo song. It’s just too easy to lose interest amidst all this downer mellowness.

“Go Robot” is a funky, upbeat tune that is one of the better things here. “Ticonderoga” misses the mark slightly but at least it rocks. “Detroit” musters a little menace, I mean if you’re going to name-check Iggy’s home town you better bring a little “Search and Destory” swagger… But, alas, again the rockers just don’t bring the danger.

The best songs here are the first three that were available when you preordered the LP. “Dark Necessities” is one of their all time best tunes, proving even on bad albums, great bands will come up with at least one classic. “We Turn Red” is the best funky rocker on the album. Even the disco pretensions of the title tune, “The Getaway,” work. That song grows on you with each additional listen.

Further on the upside, I’ve never heard Kiedis sing better. Each album his vocal abilities improve. He sings beautifully and clearly from the heart. Flea’s bass is a gem. I think I finally understand Flea and Anthony’s relationship. It’s basic yen/yang. Flea is the light, Anthony brings the darkness. Klinghoffer isn’t going to win any “Guitarist of the Year” awards, but he brings some interesting guitar melodies. Chad Smith is the one who has to be most upset here… what they did to his drum sound is quite possibly illegal in southern states. He misses Rubin the most out of anybody here. And, I have to admit, there is more experimentation with different sounds on this record than I’ve heard from these guys and I will always respect an artist who stretches what they do. I would chalk this up as a “Noble Failure.”

While I can’t recommend this album, I’d say there are still a few tracks like “Dark Necessities” that are worth checking out. If this album tanks you have to wonder if Flea and Anthony will continue with Klinghoffer at guitar. It doesn’t look like Frusciante will be coming back as he continues to release unlistenable solo albums. Will they stay the course? I’m hopeful they do change producers. The Danger Mouse thing didn’t work for me… I don’t think I’m getting off the Red Hot Chili Peppers’ bandwagon… but this record makes it a challenge to hang on… I guess I’ll just have to look forward to the next one…

Cheers!

Red Hot Chili Peppers: “We Turn Red” – Song 3 From “The Getaway”

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It’s been a big weekend here at the house… On the good side of the ledger the Red Hot Chili Peppers have released the third song from their upcoming LP, “The Getaway.” The new song, “We Turn Red” is, I assume, the last single to be released before next Friday when the LP “drops” as the kids say. On the bad side of the ledger a) I had a bat get in my house, so I spent all night Friday under the bed and b) the wife let me know she is onto how much music I’ve been buying lately. I’ve had to start moving around the house to hidden alcoves in order to post my musical missives. Marriage is a compromise. On to the new music….although I did catch and release the bat… another story for another post…

The first thing that jumped out at me on this new single, “We Turn Red, ” is the return of Chad Smith’s drum sound. Finally he’s out of the doghouse. His drums are the bedrock of this tune. This is the full, strong drum sound I’m used to on a Chili Pepper’s album. I have to admit to you, after the initial blast of drums and guitar, the tempo shifts to a funky, wah-wah riff and for just a second, only briefly, I had a “Blood Sugar Sex Magik” flashback. I’m not suggesting Klinghoffer has suddenly found his inner Frusciante, but that funky riff took me back.

After three very different songs from “The Getaway” I have no idea where this album is going to go. I always assumed the last record, “I’m With You” was going to be a transition to something post-Frusciante, but I haven’t been sure where they were going to go next. Again, I’m three songs in and I’m not sure I have a clearer picture. I will say this, two of these songs are very funky. The Chili’s have always been a funk band but after “Blood Sugar Sex Magik,” funk was more of a garnish or a side dish of what they did. Every record got progressively more rock and less funk which is understandable with the guitarist they had. It seems to move forward the Chili Peppers may be moving backward to a more funk-based sound. I’m ok with that in this case because funk is grounded on a great bass line and strong drums… things the Chili Peppers happen to have. It’s going to be hard for them to rock like they did in the Frusciante-era because Klinghoffer just can’t play like that. He’s a nice, melodic, capable player but John Frusciante was like the second coming of Hendrix. It’s like trying to replace Mickey Mantle…

As I said, the song blasts out of the gate with some strong drums and the most aggressive guitar I’ve heard so far on this record. The song has at least three time-signature changes that I counted. They start off rocking, shift to that “Blood, Sugar…” funky riff and then on the choruses there’s an ethereal, acoustic/vocals break that is amazing. As I stressed to my daughter’s friend yesterday afternoon when I was forcing my daughter’s gang to listen to the new Chili Peppers with me at the pool, (someone has to teach the children about rock and roll and it might as well be me…) when you think about how far Anthony Kiedis has come as a vocalist it’s quite amazing. He started as a rapper. The time-changes in this song come fast and often and it’s pretty impressive to hear. Only a band as tight and as talented as the Chili Peppers can pull that kind of thing off. Rush could probably do this, I mean, those guys can do anything, but not many bands can do that in the confines of one song.

“Dark Necessities” remains my favorite of the new songs. The title track, “The Getaway” has really grown on me and I like “We Turn Red.” I look forward to hearing this whole album because it could really go in any direction at this point. This is a great band at a real inflection point. “I’m With You” was more about the indestructibility and resilience of the Flea, Chad and Anthony. They’ve changed guitar players more than anybody outside of Pearl Jam’s drummer situation that I know of. With “I’m With You” proving there was going to be life after Frusciante, “The Getaway,” the second with Klinghoffer on guitar is the statement record. What is the new identity of the Chili Peppers? I guess we’ll find out on Friday….I for one, can’t wait to find out!

Cheers!!

Red Hot Chili Peppers: “The Getaway” Song 2 From the New LP

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While the Rock Chick and I slipped out to Denver for the Mudcrutch concert this week, (post on that show coming soon…) the Red Hot Chili Peppers released the second song on the highly anticipated (well, highly anticipated here at B&V) album “The Getaway.” It’s the title track, “The Getaway” and after the stellar first song “Dark Necessities” hope was running high that the next track would be as stellar. I got an email notification on my phone the tune was out but because of my feeble technical skills, I couldn’t download and hear the tune until I got back to the home base. “The Getaway” is not only the title track from the record but is also the first track on the record.

Being that this is the first track on the album, I was expecting to be blasted out of my chair with an upbeat rocker. I was surprised when a quiet, jazzy beat starts the song, followed by a spacey, mellowed-out guitar. Of course, Flea’s bass is still all over this song and impeccable. I do wonder if Danger Mouse and the rest of the band are mad at Chad Smith based on what they’ve done to his drum sound here. It sounds like he was recorded down the hall from the rest of the band like they sent him to a “time out.” One has to wonder in a band as notorious as the Chili Peppers what you’d have to do to get sent to a “time out” but I digress. I’m guessing ol’ Chad misses Rick Rubin and the wonderful drum sound he seemed to coax out of him.

There are a lot of things here I hadn’t heard on a Chili Pepper’s tune… female back-up vocals being the most surprising element. The guitar is understated but as I’ve said before, with Frusciante gone and Klinghoffer in, this is a different band. I wouldn’t call this a ballad, but it’s pretty mellow. It’s best described as “mid-tempo.” I will admit, and perhaps it was my expectations, I didn’t like this song the first time through. Though I also must admit, the more I listen to it the more it has grown on me. Anthony’s vocal is another stand out performance. The more I listened to this track the more that vocal and Flea’s sublime bass began to hit me harder. I will say, the Rock Chick, on her first listen said, “Not bad…” which for her is almost a rousing endorsement.

This song has long verses and a very short chorus. So the hook is not apparent, you have to really listen a few times before it clicks. The first few times it felt like one long lyrical blast from Anthony. Then you start to key in on the female backing vocals and there it is… the chorus. It’s a complicated song performed with deceiving simplicity, but it does reward you with repeated listens. Again, strange tune to open the album with, but when you’re the Chili Peppers, you can do what you want.

I will continue to post updates as more songs are released, if any are released, prior to the June 10th album release date. I’m looking forward to seeing these guys live again but with the recent health scare concerning Anthony, it might be a while. Thank God he’s ok, we’ve lost too many rockers this year. Get well soon Anthony!

Check the tune out, let me know what you think in the comments section.

Cheers!!

Review: Red Hot Chili Peppers’ new single “Dark Necessities”

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The thing I love about great rock bands is that you can NEVER count them out! The Red Hot Chili Peppers have had more than their share of setbacks, including the exit of the ultimate Pepper Guitar God John Frusciante. (Thank God I saw them in concert a couple of times w/ Frusciante). Many of my friends and even the Rock Chick lost interest in the Chili Peppers after Frusciante left. I, for one, really liked the last record “I’m With You” which debuted new guitarist Josh Klinghoffer. While he’s not the strong lead guitarist Frusciante was, the chemistry of the band has altered and Flea, Chad and Anthony have come more to the front. The songs were better formed and more musical. Maybe that stems from Flea going back to college to study music theory. They still rocked and I’ll admit I miss John, but this band survived. That’s what I love about these guys, they always find a way to shoulder on.

Today marks the release of “Dark Necessities” from their upcoming June release “The Getaway.” This is the first RHCP’s album not produced by Rick Rubin since “Mother’s Milk.” At the helm for this project is Danger Mouse with help mixing from Nigel Godrich (sp?) of Radiohead fame. From what I can hear, and I love Rick Rubin, the change has done the boys good.

“Dark Necessities” is a great song. It’s a great first song/single. It’s catchy as Hell. The first sound you hear is Flea playing a wonderful bass line. The keyboards and rhythm guitar come in and a palpable sense of tension is created… The Rock Chick was with me for the first listen and said, “No other band puts the bass out front the way the Chili Peppers do with Flea.” Well said, Rock Chick, well said. The shining star here is Anthony Kiedis, when his vocal starts, all full of confessional yearning, I can’t turn away. I am embarrassed to admit I got goose bumps. To think when these guys started all Anthony did was rap. His vocal is fucking funky, baby.

That’s the thing I always forget about these guys, they started as a funk band! While they’ve come a long way from that – they are more rock centric now – and have gone through all kinds of changes, musically, guitarists, drummers, producers etc, they remain a solid funk band. Flea’s heavy bass with Chad in the pocket, it takes me back to “Uplift Mofo.” Josh plays a little funky, wah-wah 70’s guitar thing in the background. There is a keyboard break, piano, in the middle of the song, and in the old days it would have been a blistering, Hendrixy guitar solo and I’ll admit it, I still miss that, but the song plays out with a beautiful, soulful guitar solo from Josh and while it’s nothing Frusciante would have played it fits the song better. It’s not the same Frusciante style Chili Peppers, but I like this incarnation.

My only complaint right now is that I can’t buy “Dark Necessities” on iTunes or on vinyl or anywhere. You can hear it on YouTube and see the cover art for “The Getaway.” The Rock Chick, ever the optimist said, “I hope this isn’t the only good song on this album.” Apparently she didn’t share my love of “I’m With You…” Ah, love…

Keep an eye out here for new Chili Pepper news. I’ll put out whatever I can whenever I can as they release the songs. I’m really looking forward to hearing from these guys again.

Cheers!