Mick Jagger: “Get A Grip/England Lost,” The New Politically Charged Singles

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I was beginning to wonder what I was going to do this weekend… the Rock Chick decamped last night for points West to visit our daughter. Our daughter recently changed apartments and it appears this cross-town move has precipitated the need for my wife to fly out to help “decorate the new, bigger place.” I have an image of the two of them racing down a desert highway, lifting off the ground, Thelma And Louise style. Oh well, anything for my daughter. In the words of Severus Snape, “…Always.”

Anyway, I was wondering what I would do with myself this weekend. In the old days, the moment my wife announced she was leaving me to my own devices, I would have been icing down beer and loading up on bottles of whiskey. My friends, or as I refer to them, the Troops, would be assembled. E-mails and texts would have been exchanged. Liquor, taxi cabs, grapefruits and lots of ice would be procured. In the really old days, perhaps a pack of Marlboro Lights too, but those days are long, long gone. I was never a real smoker. My wife normally would have returned to find me slathered in bourbon and take-out food… She returned home one time to find me holed up in the basement watching an old video of the E Street Band weeping over the fact that Clarence Clemons, “The Big Man” had passed. I kept saying, through my tears, “The Big Man, honey, The Big Man is gone…” In my defense, I was never really allowed to mourn properly and it had been a helluva weekend.

This weekend, I merely drew the blinds and pulled up the drawbridge. Last night I read Jo Nesbo’s excellent The Leopard in it’s entirety…while listening to Hendrix’s entire catalog… It appears I’m in a Greta Garbo stage. The Rock Chick has been gone for almost 24 hours and I haven’t spoken to anyone outside of work. Well, I did speak to the barista at my local coffee shop. Despite leaving strict instructions about watering plants and feeding her cat, the Rock Chick left literally nothing for me to eat here. So, in truth, I did speak to the folks at the coffee shop to order a scone. Dinner tonight will be a Rubik’s Cube for me to figure out… but who cares.

As I sat pondering my starvation, I saw on social media that Mick Jagger had released not one but two surprise singles. “Gotta Get A Grip” backed with, or as they used to say in the old days “b/w,” “England Lost.” As everyone knows, for us here at B&V, the Stones are our Alpha and Omega, so I was intrigued that Jagger had surprisingly “dropped” these two new songs. Suddenly, my weekend had purpose. Naturally, I purchased the tunes immediately.

Now, I realize that many people have been critical of Mick’s solo work. No one more than say, Keith Richards. Frankly, I love Keith, but he needs to shut his pie-hole on Mick’s solo work. ‘Wandering Spirit,’ produced by Rick Rubin and ‘Goddess In The Doorway’ were both superlative albums. Mick played to his strengths on those records and they’re must-haves, in the opinion of B&V. I’m probably in the minority here, but I also dug his side-project, Superheavy with Dave Stewart of Eurythmic’s fame and Joss Stone and a few others including a son of Bob Marley. I like when Mick explores his experimental side outside of the Stones. Nothing will match the push-pull of Mick and Keith and the Stones, but hey, Mick makes great music.

Artists are an interesting bunch. I’ve always aspired to that title, “artist,” but I have no musical talent (or frankly talent, period). I certainly can’t paint. The one novel I wrote was in a word, horrible. But I have always respected and admired true artists. They’re almost like human antennae in that they seem to sense and feel the zeitgeist of any particular moment and are able to translate that into music, like Dylan doing “A Hard Rain Is Gonna Fall,” seemingly prescient that the Cuban Missile Crisis was near at hand, or in paintings, like Picasso during WWII with Guernica. Reportedly, when asked by the Gestapo, about the painting, “Did you paint this?” Picasso replied, “No, you did.” As they say, “no one called Pablo Picasso an asshole, not in New York…” but I digress.

I’ve never thought of the Stones as overtly political. The Beatles had Lennon, who in their later years was increasingly outspoken politically and anti-Vietnam War. The Stones’ greatest political stance was an antipathy toward authority… which I’ve always shared. Question authority, at all times, people. However, on their last album of original songs, I noticed they slipped a political broadside, “Sweet Neo Con” onto the album. “How could you be so wrong, sweet Neo Con?” was the chorus. Keith, interviewed at the time, was nervous about Mick’s political statement… Perhaps Mick was going to be more vocal about his beliefs, musically….

Mick has dropped two songs this week that almost perfectly capture the mood of everyone I know. I realize that anything political from an artist will automatically divide the crowd. Half will love it, half will be offended. Well, when I think about rock music fans, that percentage may be a bit lower on the offended end… In a statement about the tunes, Mick said he didn’t want to wait for a year or so when the songs might not be as relevant. He felt the immediacy of these songs and having heard them, I completely agree.

These songs are a reaction to the bat-shit crazy way the world has turned upside down. I hear these songs as Mick’s reactions to Brexit. However, they could easily be the reactions of people I know here in the States to the current “Administration.” Mick has said he wanted to capture the anxiety of not knowing where things are going. If that was his goal, he has certainly hit the nail on the head.

I played both tunes for the Rock Chick and she immediately liked “Gotta Get A Grip.” “The world is upside down, run by lunatics and clowns…” what a great lyric to start with… Mick keeps singing, “Beat it with a stick…” There’s a great drum beat and a muted groovy guitar riff that turns ferocious as the song moves toward the chorus. It’s the funkier of the two songs. Mick’s vocals are slightly distorted as though they’re someone shouting through a bullhorn to a crowd of protestors. “Intellectuals shut your mouth, beat ’em with a stick, gotta get a grip…” This is priceless stuff, man. If you’re on this side of the equation, this is extremely stirring.

The other tune, “England Lost” is the one I liked best. Using the metaphor of fans at an English football (soccer for us Americans) game, it’s the perfect anthem for Brexit. “I went to see England but England lost, everyone said we were all ripped off…” Mick even breaks out the slightly Cockney accent at one point (like I’m an expert on English accents…yes, I’m guessing). The song is more mid tempo. It’s no sad ballad about England losing. It’s someone who is angry but not “burn a car” angry. “I’m tired of talking about immigration.” If you listen to these lyrics, punctuated by (as usual from Mick) fantastic harmonica, they are as charged as an electrical storm. The metaphor of sports fans, frustrated by the results/outcome of a contest is brilliant. It’s one of Jagger’s finest moments as a lyricist.

I love these songs. However, like Roger Waters’ new LP, ‘Is This The Life We Really Want?’ your political persuasions may color your opinion. I think this is a great couple of tunes by a man, nay, an artist, expressing his opinion. And no matter what your  political stripe, expressing your opinion is an important, vital and wonderful thing. There are the dreaded remastered versions of these songs out there, but I prefer Mick’s rockier, original versions… Turn it up loud and head to the barricades, people! And oh yes, there will be dancing at the revolution if these songs have anything to do with it…

Take care of each other out there…

 

 

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