B&V’s Best of 2020: New LPs And Live/Vault/Archival Releases, Bad Year/Good Music

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I can’t believe 2020 is almost over. Most years I blink and the year is gone. I can’t really say that about this year. In a matter of two days I’ll be scribbling a “1” over the “0” in the date column on my checks… “Oh it’s 2021 not 2020, sorry.” Yes, I still use checks… you kids and your “apps.” At least this year, in Christmas cards, I didn’t have to read everybody’s not-so-humble bragging about what they did in 2020. This year we’re all just glad we survived. While 2020 was a long slow slog in most areas, it was actually quite a nice year for music. I find myself, in my prior year end retrospectives quoting Don Henley, “It was a pretty good year for fashion, a lousy year for rock n roll.” I certainly can’t say that this year. I will say there is one glaring exception to my 2020 rosy music view: concerts. I miss live music so much I can’t stand it. I’m hopeful, like I never was at the beginning of 2020 about anything, that in 2021 I will be standing in a darkened room in front of a band with my hands in the air, screaming wildly. If Springsteen and the E Street Band’s SNL performance is any indication… I think these musicians are ready to go and are going to come out firing once “the coast is clear” as they say.

It was, if I may say so, a great year at BourbonAndVinyl. I want to say a big Thank You to all the readers, commenters, and followers out there – both those joined us this year and to all of you have been around a while as well. I started this thing with a dialogue with fellow music (and bourbon) lovers in mind and this year that concept came to fruition. With musicians off the road this year, so many acts chose to put out new music or cull through their archives. I found myself writing a lot more than in previous years… sorry if that was a little overwhelming… I get excited about music and I have to share. If you’ve enjoyed B&V this year – tell a friend. All music lovers are welcome. Hopefully I’ve turned you on to something you might have missed which is our goal here at B&V.

There were huge losses this year in rock n roll, too many to enumerate. I was saddened to see Bill Withers pass away this year. “Ain’t No Sunshine” is still one of my favorite tracks. I’ve been hearing “Lovely Day” a lot on commercials lately. Glad to see Bill get some recognition. I was rocked this year by the loss of two titans of rock n roll in the B&V universe. Losing drummer/lyricist Neil Peart of Rush really rocked me. I can still remember the first time I air-drummed to 2112 in junior high school. Rush was so huge here in the heartland, Peart’s loss reverberated through everybody. Making things worse, this year we lost one of the greatest guitarists to ever strap on the instrument, Eddie Van Halen. That one left a mark. Van Halen’s music is such an integral part of my listening as young man it’s almost a part of who I am. Hard, edgy and yet funny at the same time. I loved that band from Van Halen to Fair Warning to 1984 to For Unlawful Carnal Knowledge. Eddie’s guitar playing was always the price of admission for me. He redefined the instrument and that doesn’t happen much, perhaps once every generation or so. His presence, warmth and smile will be missed.

So plentiful was music in 2020 it’s hard to think of an artist who didn’t put out something new or something from the archives. I barely scratched the surface this year. Elton John put out a box set entitled Jewel Box that was a 10 hour journey through demo’s, deep album tracks and rarities. It was great, albeit mellow, but I felt it was for fans only so I didn’t write about it. The King, Elvis Presley put out a 4-disc box Elvis In Nashville (clearly a play on the title his big LP Elvis In Memphis) that collected all of the country/country rock tracks that Elvis recorded over the course of 3 days in Nashville in 1970. Those songs made up the bulk of three albums including the wonderful Elvis Country. The first two discs had all the actual songs, without any studio sweetening but with the second two discs being demo’s – I love the studio chatter of Elvis hanging with musicians – it felt like a fans only kinda thing. It’s a rare year where I can pick/choose the stuff I write about… skipping Elton and Elvis, wow what a year.

There were some fun singles too. The Black Crowes re-released their Christmas classic “Dirty Santa.” I can only hope the brothers Robinson will record a new album in 2021. B&V favs Starcrawler released their cover of Petty’s “I Need To Know” with Heartbreaker Mike Campbell joining in. Greta Van Fleet released their first single “My Way, Now” from their upcoming album… All this is points toward a good 2021!

Here are my favorites from 2020. The first list is new music, stuff that musicians newly recorded. Below, I’ll furnish my list of vault/archive/live albums – where artists either went back and dug out previously recorded material or compilations and also any live albums that caught my attention. I wrote about a lot more than I’m listing here, these are just my favorites. They aren’t in any particular ranked order, it’s pretty random. Enjoy!

B&V’s Favorite New Albums of 2020

  1. Ozzy Osbourne, Ordinary Man – Ozzy returned after a decade’s absence with a great new record. With producer/guitar whizz Andrew Watt helming the project and RHCP’s Chad Smith on drums, GnR bassist Duff McKagan on bass as the backing band, you knew this would be great. Cameos by Slash and Elton John were icing on the cake, Review: Ozzy Osbourne’s ‘Ordinary Man’ – A Simply Extraordinary Album!.
  2. Pearl Jam, Gigaton – Like Ozzy, it had been a long time since these guys had released anything (7 years). I was a touch lukewarm on this record when it came out. It is definitely a “grower.” The more I listen to it the more I like it. The second half of the record gets a little mellow but those are some of my favorite songs. I’d love to see these guys live again, it’s been years, Review: Pearl Jam’s First LP In 7 Years, ‘Gigaton’ – My Conflicted Thoughts.
  3. Fiona Apple, Fetch The Bolt Cutters – It had been 8 years since genius Fiona Apple had released an album – I’m seeing a trend here in 2020 – but Fetch The Bolt Cutters was worth the wait. I think it may be the perfect “lockdown” album, thematically at least, Review: Fiona Apple, ‘Fetch The Bolt Cutters’ – Genius Unleashed.
  4. Bob Dylan, Rough And Rowdy Ways – Another artist with a huge gap since his last studio record – 8 years. Dylan had been releasing Sinatra cover LPs for much of that time so it was nice to hear self-penned stuff again. It was preceded by the mesmerizing 18 minute long “Murder Most Foul.” Great, late-period Dylan, Review: The White Stripes ‘Greatest Hits’ – A Lovingly Curated Romp Through Their Career.
  5. Pretenders, Hate For Sale – Original drummer Martin Chambers returns and he and Chrissie Hynde deliver the goods on this punchy, rocking album, LP Review: Pretenders ‘Hate For Sale’ – A Late Career Classic With Attitude!.
  6. Bruce Springsteen & the E Street Band, Letter To You – Bruce contemplates his own mortality, inspired by the death of the last surviving member of his first band, the Castiles. I loved Western Stars, his 70s southern California noir but it’s great to hear him back with the E Street Band, Review: Springsteen’s ‘Letter To You’ – Contemplating Mortality On E Street.
  7. AC/DC, Power Up – I would have never thought Angus would be able to pull Brian Johnson, Phil Rudd, and Cliff Williams back into the fold and record another spectacular album. Power Up may be my pick for album of the year – if I still picked albums of the year… Review: AC/DC’s Spectacular Return, ‘Power Up’.
  8. The Dirty Knobs, Wreckless Abandon – Former Tom Petty & the Heartbreakers’ guitarist and “co-captain” and current member of Fleetwood Mac, Mike Campbell’s side project finally releases their debut album. There are a lot of echos of Petty here but make no mistake, this is a guitar album. It’s a lot of fun, Review: Mike Campbell’s New Band The Dirty Knobs, ‘Wreckless Abandon”.
  9. Chris Cornell, Nobody Sings Like You Anymore, Vol 1 – I was tempted to put this in the “vault” list but this is all unreleased stuff that was recorded and sequenced by Cornell. He obviously planned to release it but alas didn’t live to do so. All well chosen covers, this LP underscores what a tragedy it was when his voice was silenced, Review: Chris Cornell Posthumous Release, ‘No One Sings Like You Anymore, Vol. 1’ – A Nice Surprise From An Old Friend.
  10. Paul McCartney, McCartney III – A homespun gem more in the manner of McCartney than McCartney II. This felt like a really welcome Christmas gift, Review: ‘McCartney III,’ A Homespun Gem.

B&V’s Favorite Vault/Archive/Live Albums of 2020 

  1. Neil Young, Homegrown – Another brilliant 70s era “forgotten” album from Neil. This guy has more unreleased classic albums than most artists have actual albums. This is included in the upcoming (for general release, it’s already been released to collectors) box set Archives II. If you can’t spring for the whole box set, this is worth picking up on its own, Review: Neil Young’s ‘Homegrown’ – The Lost Masterpiece, In The Vaults 45 Years.
  2. Liam Gallagher, Unplugged – The former lead singer of one of the Rock Chick’s all time favorite bands Oasis, Liam Gallagher finally redeems himself in the Unplugged genre with a great little live album, Review: Liam Gallagher, ‘MTV Unplugged (Live At Hull City Hall)’ – Unplugged Redemption?.
  3. The Rolling Stones, Goats Head Soup Deluxe – The Stones revisit one of their sleazy-rock 70s classics. Light on bonus studio stuff it contains the great live concert recording Brussels Affair, a must for Stones fans, especially you Mick Taylor-era nuts out there, Review: The Rolling Stones, ‘Goats Head Soup Deluxe’ Box Set.
  4. Tom Petty, Wildflowers…and All The Rest – Petty’s vision of Wildflowers as a double LP finally realized. Some lovely stuff was left in the can, Tom Petty: ‘Wildflowers & All The Rest – Deluxe Edition (4 CDs)’ – A Petty Masterpiece Lovingly Revisited.
  5. Prince, Sign O The Times Deluxe – Prince’s creative peak? Maybe… There are so many great tunes that never saw the light of day in this box, it’s perhaps his last masterpiece, Review: Prince, ‘Sign O’ The Times – Deluxe Edition’ – An Embarrassment of Riches.
  6. Ozzy Osbourne, Blizzard of Ozz, 40th Anniversary – In my review I quibbled about the lack of unreleased studio tracks (really just one new track) and disjointed live stuff, but this is such a landmark album, everyone should check this out. Leave it to Ozzy to appear on both these lists in 2020, Review: Ozzy’s ‘Blizzard of Ozz, 40th Anniversary Expanded’ – Is It Worth It?.
  7. Lou Reed, New York – One of Lou Reed’s true masterworks. If you don’t have the album, you need this. If you do, you need this for the live tracks – the entire album played live, Review: Lou Reed ‘New York: Deluxe Edition’.
  8. U2, All You Can’t Leave Behind 20th Anniversary Box – An album with special meaning for the Rock Chick and I… I already had the bonus tracks but if you don’t they’re definitely worth a listen. The concert included from the tour, in Boston is incendiary, Review: U2, ‘All That You Can’t Leave Behind (20th Anniversary Edition)’.
  9. Pearl Jam, MTV Unplugged – Only 7 songs long but soooo worth it. I’ve waited and hoped for years that Pearl Jam would finally release this spectacular performance, recorded shortly after their debut album. This is such a legendary performance…Review: Pearl Jam Release ‘MTV Unplugged’ (Finally!).
  10. Keith Richards, Live At the Hollywood Palladium – Keef takes his wonderful backing band, The X-Pensive Winos out on the road. This expanded edition gives us three additional tracks recorded that night. It’s just a great, live album, Review: Keith Richards + The X-Pensive Winos, ‘Live At the Hollywood Palladium’ Box Set.

If there is an album I missed on these list in your opinion, please share in the comments. I’m always open to new music and I do hate to think I missed something…

I hope everybody held it together during this rough and tumble 2020. Hopefully our little B&V corner of the rock n roll universe helped keep you moving down the road this year. I wish everyone a happy, safe New Year. I don’t think we’re out of the dark yet, but I think there is light at the end of the tunnel… and with any luck, it’s not an oncoming train.

It’s a dark ride, take care of each other out there. I’m certainly looking forward to a better 2021.

Review: Mike Campbell’s New Band The Dirty Knobs, ‘Wreckless Abandon”

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While I could – on a very personal level – argue that 1994-1995 were my worst years, I believe I’m safe in saying that on a more universal level 2020 has been the worst year of all our lives. With all the general suck-iness and downright awful shit that has happened in 2020 I have to admit… and I don’t say this about many years… it’s been a great year for rock and roll. I looked back at some of my old “best of” lists for past years and more than once I fell into quoting Don Henley, “it was a pretty good year for fashion, a lousy year for rock and roll.” I certainly can’t say that about 2020. Unable to tour, many bands from AC/DC to Springsteen & the E Street Band put together new albums. If there wasn’t new music, many artists from Neil Young to the Stones put out great stuff from the archives. I’ve been so awash in new music (or vault stuff) that I’ve found myself writing twice a week this fall… which is probably better for me than the folks who actually read B&V… 😉

Lately, one vault release I find myself returning to most often is Tom Petty’s box set for his landmark album Wildflowers, entitled All The Rest, Tom Petty: ‘Wildflowers & All The Rest – Deluxe Edition (4 CDs)’ – A Petty Masterpiece Lovingly Revisited. It’s an easy box to get caught up in. While Wildflowers was a Petty “solo” album, just like all his other “solo” stuff, Petty’s “co-pilot” and main collaborator was guitarist Mike Campbell. Campbell can play pretty much any stringed instrument he chooses to pick up. I remember the first time I got to see Petty and the Heartbreakers in concert. It was June 26th of 1985 on the Southern Accents tour and man was I blown away. In retrospect the Confederate flag as a back drop was an awful mistake… I’m not sure we all understood the bad symbolic importance of that particularly odious flag. Also, Petty had those awful lamb chop sideburns. I heard his wife at the time offered to donate money at Live-Aid if he’d shave those off. I’m with her on that, I promised my sainted grandmother I’d never grow facial hair, but I digress. That hot June night in 1985 I was mesmerized by not only Petty but the tall, skinny guy with the curly hair standing to his right, Mike Campbell. When Campbell played the guitar solo on “Don’t Come Around Here No More” I almost swooned and I’m a pretty rugged guy or at least I like to think so.

That concert was the first time Campbell’s greatness really crystalized for me. I recognized him from, and I’m embarrassed to admit this, watching videos on MTV. I had most of Petty’s back catalog at the time and saw that Campbell co-wrote a lot of the best songs but I’m not sure I realized what a force of nature he was until actually seeing him “light the sky on fire” as my friend Stormin’ says. I quickly realized that night, all those great riffs (like on “You Got Lucky” a synth laden track where the guitar is the star) were courtesy of Mike Campbell. People talk about the great collaborators in rock and roll: Paul McCartney and John Lennon or Mick Jagger and Keith Richards but people ought to speak more about Petty and Campbell. I don’t think you could find two people with more synergy than those two guys. I’m not sure Petty realized what a truly valuable collaborator Campbell was until Mike co wrote “Boys of Summer” with Don Henley. It was a bigger hit than anything off of Southern Accents and at that point I think Petty decided to expand Campbell’s creative input. I’m just guessing on that. Rolling Stone magazine has Campbell at number 79 on their list of 100 best guitarists and frankly I think that’s low. Way low.

I wondered what would happen to Mike Campbell after the tragic death of Tom Petty (RIP Tom Petty, 1950 – 2017, A Devastating Loss: The Composer of the Soundtrack to My Life Is Gone). Mike is truly one of the most talented, important guys in rock and roll and while I wouldn’t go so far as to say he’s an “unsung” hero, he should be getting more attention than he does. It was with some surprise that I heard that Campbell joined Fleetwood Mac after they’d cut ties with Lindsey Buckingham (Bummer News: Fleetwood Mac Tells Lindsey Buckingham To Go His Own Way). Campbell’s long association with Stevie Nicks probably made that a no brainer. I was excited to hear Campbell talk about playing some of that old Peter Green stuff from the Mac. Alas, it doesn’t look like this latest configuration of Fleetwood Mac will be doing any recording. Instead, Campbell has released a new album with a band he’s had as a side project for quite a while, the Dirty Knobs. I love the name. This isn’t Campbell’s first band on the side… The Rock Chick discovered and played me the great LP by the Blue Stingrays. It’s a surf rock gem, Friday Night Music Exploration With the Rock Chick: Blue Stones, Blue Stingrays, although Campbell and the rest of the Heartbreakers chose to remain anonymous on that album.

In the run up to the release of the Dirty Knobs’ new album, Wreckless Abandon, Campbell had said that this was a heavier, more raw-boned album than the Heartbreakers stuff. While that is mostly true, so alike were Campbell and Petty in their style and approach that it’s hard not to listen to this and hear an echo of the Heartbreakers. Well, the Heartbreakers without the keyboards, this is a guitar record. It would be easy to think of this as a recording of stuff that Campbell would turn over to Petty as a demo tape, not that there is any sort of an unfinished aspect to any of this great music. Even the Rock Chick said, upon playing this album, “Wow, he really sounds like Petty.” The Dirty Knobs, besides Campbell on vocals/guitar are guitarist Jason Sinay, drummer Matt Laug, and bassist Lance Morrison. One of them sings with Campbell on “Loaded Gun,” but I’m not sure who.

The album begins with the first single and title track, “Wreckless Abandon.” The track starts with a sitar and then the band kicks in with a great rocking groove. I will admit up-front that Campbell’s voice is a little thin and perhaps even reedy in a few places. I still like the vocals on this record. I know a lot of people get nervous when the guitar player steps up to the microphone. A lot of people head for the beer line when Keith Richards gets to the mic, but his tracks are always my favorites on Stones’ albums. I know that only I feel that way… well, me and my old roommate Drew. “Wreckless Abandon” is the kind of great rock and roll you just don’t hear anymore, sadly.

The band quickly goes country-rock for the duet with Chris Stapleton on “Pistol Packin’ Mama.” It’s a down home bunch of fun. It’s right back to the rock and roll for “Sugar.” “Sugar” is probably the heaviest song on this album. It reminds me a touch of “Honey Bee” by Petty. I love the lascivious chorus, “She’s got the sugar, oh yes she does…” As I tell the Rock Chick, I didn’t marry you because you could cook… ahem. “Southern Boy” is another great rocker. I’m considering adding it to our playlist about trains (Playlist: The B&V 50 Favorite Songs About Trains – “that lonesome whistle blows…”). “I Still Love You” is another heavy rocking track with some big riffs. I’ll say it again for emphasis, this is a guitar album!

Perhaps my favorite song on the record is, perhaps not surprisingly, the ballad “Irish Girl.” I love the acoustic guitar and harmonica. I had a girlfriend in college who told me one time that I was always drawn to ballads because I was a basically sad person but you can’t always trust your girlfriends. Certainly not that woman… Another personal favorite is a song that runs through my head every day at work – “Fuck That Guy.” Sure it’s funny and Campbell mostly speaks the lyrics vs singing them, but it’s just such an appropriate song for these days when civility has died. The world weary manner that Campbell says the title…”yeah fuck that guy” is priceless. “Don’t Knock The Boogie” is another spoken word track and is a bluesy tribute to John Lee Hooker. It’s really just an excuse to let Campbell riff and I’m ok with that. “Ana Lee” is another sweet, acoustic ballad. “Loaded” is another heavy rocker. This album is just loaded with guitar, as you would expect from Campbell.

If you’re like me and you’re missing Tom Petty, Wreckless Abandon may just scratch that itch. But more broadly than that, if you like guitar, riff-rock this is your album. There’s a lot of rock and roll but there’s also some blues, ballads and a little bit of country rock. It’s basically all the things Mike Campbell does well which turns out to be everything. Enjoy this one with the volume turned up to 11.

Cheers, and as always be safe out there folks. It’s a dark ride, take care of each other this holiday season, which for me is a season to be endured.

Playlist: Rock Songs About Dancing – For All The Wallflowers Like Me Who Can’t Dance

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“Just like you I’m wonderin’ what I’m doing here, just like you I’m wonderin’ what’s going on, wallflower, wallflower won’t you dance with me…”

 I saw an article on-line the other day about common phobias. I was always under the impression that public speaking was the most commonly cited fear. I know the Rock Chick and my daughter would rather be scalded with boiling oil than stand in front of a crowd of people and say something. I do that all the time at work, well, I used to before becoming Boo Radley and hiding in my attic for a year. I’ve given speeches at work, wedding toasts and to date one eulogy in front of 100s of people. Public speaking wasn’t even on the list. Actually, the number one thing people fear is heights. I can understand that. I get a twinge of vertigo when I’m up high. They say that vertigo is really a fear you’ll jump rather than a fear you’ll fall which I find wonderfully dark. The only thing I would describe myself as “phobic” about wasn’t even on the list… it’s dancing.

Webster’s defines “wallflower” as “a person who from shyness or unpopularity remains on the sidelines of a social activity (such as a dance).” That pretty much describes me. I’ll even admit the “unpopularity” part of it hits closer to home than I’d care to admit. Dancing, in public anyway, was never much of an issue for me until I reached the seventh grade. When I was growing up, 7th grade through 9th grade was split off as junior high school. When we all reached junior high at the ripe old age of thirteen, they paraded us all into the cafeteria, which had been cleared of all the dining tables, and announced it was “the 7th Grade Dance.” They’d brought in a few girls from the 9th grade to “get the party started” as they say. These Amazonian women – and make no mistake there was a huge difference between 13 and 15, these weren’t girls in our eyes, they were young women – started knifing into the crowd like dobermans chasing a shoplifter searching for 7th grade boys to drag onto the dance floor. Sure, they were enticing but we ran like we’d just escaped a chain gang. I’d never seen boys scatter like that. I hid in the game room most of the day playing foosball. The last time I peeked into he dance hall, the majority of my class was just walking in a circle clapping rhythmically. It was traumatizing.

It was during those Junior High years that I discovered rock and roll. Sadly those years were the disco era. The Bee Gees and Donna Summer ruled the world. As a rock and roller and an unsure pubescent boy I wanted to avoid anything that was uncool or worse feminine. Disco was decidedly uncool. There were guys walking around with “Death Before Disco” t-shirts on and back then, they meant it. I remember seeing on the news some DJ up in Chicago did a “Disco Destruction” night at Comiskey Park in 1979. Seventy-thousand people showed up to blow up disco records. It turned into a riot and the White Sox had to forfeit the game. I was firmly with the rioters on that whole disco issue. I don’t know if that experience along with the horror of the 7th grade dance sealed my fate as a non-dancer or not. You can never be sure about these things. If you were as anti-disco as I was, it stands to reason that I’d be anti-dancing. I didn’t dance because I knew I couldn’t look cool doing it, not because I was a Baptist or anything weird.

Somewhere during those early junior high years – and I’m not proud of this – my friends and I discovered the joys of drinking beer. After one rather raucous night of beer drinking, which my parents caught me doing, I awoke hungover to discover my grandparents had arrived. No one had mentioned it but we had a family wedding to go to. I wanted to go out with my friends and run around the Ranchmart area and well, drink more beer and try to impress girls. I didn’t wanna hang out with my family. Once we got to the reception, my grandfather slipped me a glass of champagne. “One glass won’t hurt, you deserve this after your beer drinking adventure.” A short time later my grandmother dropped by and gave me another glass. “One glass won’t hurt.” To my surprise my mother came by and gave me a glass as well…”One glass won’t get you drunk,” At that point, I was smashed. I went up to the bar to get a coke and the cowboy dickweed bartender asked, “don’t you want some rum in that?” He later told the hostess that I’d been ordering drinks from him all night and he didn’t know they were for me. I had indeed ordered a number of rum and cokes, but hey, he started it.

The next thing I knew, I was on the dance floor, “cutting a rug.” I remember a lot of the extended family laughing. At one point I was up on stage with the band. They were playing some sunny pop tune and I was shouting the words to “Roll Out the Barrel.” The band did not dig me. I could see my father at the other end of the dance floor, red-faced glaring at me. I jumped back into the dance crowd and grabbed some guy’s stogie. I promptly burned a woman on the ass. I awoke the next day in my own vomit with my mother crashing into my room to announce I’d “disgraced my father and her in front of the entire family.” I had to go live at my grandparents for a week to avoid being flayed. I took shit about that for years, especially my “dancing.” Ironically, two years later, at the first family wedding I was allowed to attend again, I watched this young girl who was maybe 13 sucking down champagne. She hit the dance floor just like I had. She was spinning around in circles. I knew it was a matter of time… When she vomited, oh yes, it was explosive. She cleared the dance floor which was something I hadn’t been able to do and I’d literally scarred a woman’s ass with a cigar. The next day her parents were laughing about it. There’s a reason I call my dad “the Hard Guy.”

Being viscerally opposed to all forms of dancing really hurt me socially. I was single until I was 36 and not being able to dance was not an asset when trying to meet women. Every time I tried to dance it looked like I was running in place trying to gnaw my lower lip off. Either that or I’d only move my upper body, with my legs rooted to the ground like trunks of sequoia trees. I always moved with the grace of someone who had blown a hamstring. I half expected medical staff from the club I was dancing in to rush out, secure my neck and spine area, tie me to a board and drive me out of the bar on the back of a lawns keeping cart. I’d wave heroically to the crowd… The Rock Chick refuses to dance with me and I sense there was a time when she really did enjoy dancing.

All of that said, there are a lot of great rock tunes about dancing or dancers. Most of those tunes were not written with dancing in mind. Sure, there are a few you could probably dance to if you were, well, not me. I do think everything Motley Crue wrote and performed was likely intended to be played in strip clubs for exotic dancers. And yes, I get that many of these are merely thinly veiled euphemisms for sex. For the most part these tracks about dancing are upbeat, harder rocking tunes. I discovered a playlist I used to run to of about fifteen like-minded tracks about dancing. I blew that up here and extended it to sixty tracks that I believe actually hang together pretty well. As always with my playlists, it’s best to hit shuffle when you’re playing them. I have some recognizable tracks but as always I’m trying to expose folks to the deeper, album cuts that I’ve always liked in the hopes that I expose you to something new. As always you can find this playlist on Spotify under the title: BourbonAndVinyl.net Rock Songs About Dancing. If you have any suggested additions, please add them in the comments section.

  1. Aerosmith, “Same Old Song And Dance” – This may not exactly be about dancing but it was always the first track on my running dance playlist.
  2. Dire Straits, “Twisting By The Pool” – I’m reminded of a girl I met in junior high whose parents had a pool.
  3. John Lennon, “Do You Wanna Dance?” – From the covers LP Rock N Roll (B&V’s Favorite Cover Albums: Singing Other People’s Songs).
  4. Don Henley, “All She Wants To Do Is Dance” – Great little rock tune.
  5. The Rolling Stones, “Harlem Shuffle” – I love this track although I know many people do not. “Let your momma show you how,” indeed.
  6. Lenny Kravitz, “Dancin’ Til Dawn” – Somehow I don’t think Sexy Lenny is singing about dancing.
  7. Joan Jett, “I Love Rock And Roll” – Every girl in my high school would go nuts when this song came on. “Put another dime in the jukebox baby and dance with me.”
  8. The Traveling Wilbury’s, “Wilbury Twist” – Well now I’m just getting silly here.
  9. Van Halen, “Dance The Night Away” – I’m still not over the loss of Eddie Van Halen (Guitar Legend Eddie Van Halen Gone Too Soon at 65, RIP Eddie, #EVH).
  10. Motley Crue, “Dancing On Glass” – For the strippers out there.
  11. Sam Cooke, “Twistin’ The Night Away” – Rod does a really great version of this song, but you can’t beat the original.
  12. Mick Jagger, “Dancing In the Starlight” – From the great Goddess In the Doorway. 
  13. Tom Petty, “Mary Jane’s Last Dance” – “She had a good lookin’ mama who never was around.”
  14. The Donnas, “Better Off Dancing” – I love this girl band.
  15. Bob Seger, “Mainstreet” – Bob goes out and stalks a stripper in a melancholy manner.
  16. The Cult, “Dance The Night” – From the amazing Hidden City (Review: The Cult, ‘Hidden City’, A Late Career Gem). Looking forward to new music from these guys in 2021.
  17. The Rolling Stones, “Dancing With Mr. D” – Who doesn’t like a little dance with the Devil every now and again (Review: The Rolling Stones, ‘Goats Head Soup Deluxe’ Box Set).
  18. Neil Young, “When You Dance You Can Really Love” – Great, great Neil Young track.
  19. The Eagles, “Hollywood Waltz” – “So give her this dance, she can’t be forsaken…” Beautiful stuff.
  20. T. Rex, “Cosmic Dancer” – I’ve only recently started getting into Marc Bolan and T. Rex and I like what I’ve heard.
  21. Van Halen, “Dancing In The Street” – Nobody does this song better than VH.
  22. Bob Dylan, “Wallflower” – One for me…
  23. David Bowie, “John, I’m Only Dancing” – “It turns me on…”
  24. The Cars, “Shake It Up” – I actually am worried that I have “two left feet.”
  25. John Mellencamp, “Dance Naked” – Ok, now I’m interested.
  26. Paul Butterfield Blues Band, “Shake Your Money Maker” – Good ol’ blues to shake your ass to.
  27. Fleetwood Mac, “Tango In The Night” – Again, probably not talking about dancing here… Epic guitar solo from Lindsey Buckingham.
  28. David Byrne, “I Dance Like This” – I loved American Utopia (LP Review: David Byrne, ‘American Utopia,’ A Surprise Gem).
  29. Patti Smith, “Dancing Barefoot” – Also done quite nicely by U2.
  30. Paul McCartney, “Dance Tonight” – One of my all time favorites by one of my all time favorite acts.
  31. Warren Zevon, “Bad Luck Streak In Dancing School” – From his great, first comeback album.
  32. The Faces, “You Can Make Me Dance, Sing, or…” – Rod, Ronnie Wood and the rest of the gang. They had more great singles that should have been on albums than anybody else out there.
  33. Robert Plant, “Angel Dance” – A roots-y cover of a Los Lobos tune.
  34. Paul McCartney, “Ballroom Dancing” – From the great Tug Of War. 
  35. Motley Crue, “Come On And Dance” – More stripper soundtrack stuff from the LA bad boys.
  36. The Rolling Stones, “Shake Your Hips” – If I shook my hips I’d need a hip replacement.
  37. Thin Lizzy, “Dancing In the Moonlight” – Borderline disco but catchy as hell.
  38. Led Zeppelin, “Dancing Days” – Funky Zeppelin?
  39. The Rolling Stones, “Dance Little Sister” – Great, great riffage from Keith.
  40. Van Morrison, “Moondance” – Again, probably not the type of dancing I’m thinking of…
  41. Robert Plant, “Dancing In Heaven” – Great late period Plant.
  42. Bruce Springsteen, “Dancing In The Dark” – The song that made him a superstar.
  43. The Beatles, “I’m Happy Just To Dance With You” – I never was…
  44. Pearl Jam, “Dance Of the Clairvoyants” – From their latest album, Review: Pearl Jam’s First LP In 7 Years, ‘Gigaton’ – My Conflicted Thoughts.
  45. Steve Miller Band, “Dance, Dance, Dance” – The title says it all in this down home, front porch-y tune.
  46. David Bowie, “Let’s Dance” – Probably the most danceable of all the songs here. I love the line, “put on your red shoes and dance the blues.” Great Stevie Ray Vaughn guitar work.
  47. Billy Idol, “Dancing With Myself” – Early big hit. Originally done with Generation X.
  48. Otis Redding, “Shake” – Fabulous soul music.
  49. Pete Townshend, “Face Dances Pt. 2” – I’m too much of a fanatic for Pete’s solo work… I had to include this weird song.
  50. Bob Dylan, “Shake Mama Shake” – I love his raspy voice. I know it’s a lot like olives, an acquired taste.
  51. The J. Geils Band, “Southside Shuffle” – Funky, dirty, kinda bluesy.
  52. John Mellencamp, “A Little Night Dancin'” – From when he was still John Cougar. A great deep track.
  53. Joe Walsh, “Spanish Dancer” – I love Joe’s guitar work on this late period deep track.
  54. INXS, “Dancing On the Jetty” – Great early track from these guys.
  55. Lou Reed, “I Love You Suzanne” – “You broke my heart and you made me cry, when you said I couldn’t dance.” But, I can’t.
  56. The Ramones, “Let’s Dance” – Short, fast and hard.
  57. Rod Stewart, “She Won’t Dance With Me” – Containing the poetic line, “I’ve got a hard-on honey and it hurts like hell.” Ahem. Good Chuck Berry riff.
  58. The Beatles, “Twist And Shout” – Iconic.
  59. Red Hot Chili Peppers, “Fat Dance” – A bonus track from Californication that I read Anthony Kiedis describes as “fuuuunky.”
  60. Elton John, “Your Sister Can’t Twist, But She Can Rock N Roll” – Elton plays so fast we must suspect amphetamine usage.

There you have it folks A little something to wile away the hours over your upcoming Thanksgiving holiday in the U.S. In the words of Neil Diamond, “some of you may have the guts to stand, but how many of you have the guts to dance?”

Playlist: Favorite Country Rock Songs – Rockers Going “Country-ish,” Hidden Rhinestone Gems

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*Image of Gram Parsons taken from the internet and likely copyrighted

If someone were to ask me today, what my favorite music is, I’d give the same answer I would have given when I was in my teens. I only hate two kinds of music – country and western. Especially today’s country. I mean I’ll admit as I’ve gotten older I’ve gotten into Merle Haggard, Willie Nelson, Patsy Cline and the late, great Johnny Cash. I saw Merle Haggard open for Dylan and frankly he blew Bob off the stage. His voice is liked aged whiskey, amazingly smooth. I was probably aided in my journey toward older country music by my sister-in-law who happens to be a country singer in a gigging band. That said, today’s country music is nauseating to my rock n roll sensibilities. It all sounds like re warmed Bob Seger played with an insipid twang.

However, I have to admit some of the greatest rock and roll bands/artists ever have done country songs. Or at the very least “country-ish” songs. They’ve all done tracks that are either overtly country or heavily influenced by country. I’m not talking about Bon Jovi doing a country album as a career move. I’m talking about the Stones, the Byrds or Neil Young making country rock, well, fashionable. Country rock was established in the late sixties… bands from the Buffalo Springfield to the Stones incorporated country-tinged tracks on their albums. No one more than the Byrds who did a straight-up country album, Sweetheart of the Rodeo. That album came out when country music was considered the property of red-necks and hicks. Which, let’s admit, it is. The Byrds actually played a show at the Grand Ole Opry… their long hair was met with sullen, menacing silence. Country rock was born!

I actually started out tangentially listening to country. My dad had a stack of singles from when he was young and cool. He had some great music in that old wire rack of his. My brother kind of took ownership of those singles and played them all the time. I remember hearing Dion, Elvis Presley and yes, Johnny Cash. Oddly though I never associated Cash’s music with country music. It sounded more fundamental to me. I thought of Johnny Cash along the same lines as Elvis, as early, earthy rock and roll. There wasn’t that much separation between Elvis and Johnny to my novice ears. It all had a steady beat. Years later during his American Recordings era I started to hear people describe Johnny as the world’s first punk rocker. Weirdly, I sorta get that.

While I was as staunchly anti-country music as I was a “Death Before Disco” guy, I was actually listening to rock acts doing country without realizing it. I can be a little thick. On the first album I ever bought, the Stones’ Some Girls, one of my favorite tracks was always “Far Away Eyes.” I loved that it lampooned people for using religion for more…temporal purposes. In the song Mick prays and sends a donation to a radio church for a girl with “far away eyes.” Praying for sex? It actually makes some sense. It was years before I realized that song was basically a country song. I finally started to realize how many great country tracks the Stones did. That was mostly from the influence of Keith Richards’ friend, Gram Parsons. Gram was the driving force in his brief period in the Byrds and got them to record Sweetheart of the Radio. Gram turned Keith onto country music and he started writing songs in that country vein. Jagger once said that while the band played straight up country he always sang it in a mocking style. Tongue in cheek (rather than sticking out through thick lips like their logo) and rolling eyes. He said he considered himself more of a blues singer than a country singer. Only later did he get into in a serious way with tracks like “Wild Horses.” Whether its blues, country or reggae (B&V Playlist: Rockers Playing Reggae: It’s Not Just For Vacation Any More) Mick can sing anything.

When I was in college I had a music addict (like me) for a roommate, Drew. Drew was the one who turned me onto Neil Young. Prior to meeting Drew I’d have said, eh, Neil, no thanks on that voice. In 1985 Neil went full on country with his album Old Ways. It was during a bit of a creative and commercial lull in Neil’s career. Geffen Records had actually sued him for purposely making “uncommercial music.” As a “fuck you” to the record company he went full on country on Old Ways. I think there’s even a duet with Willie Nelson. To this day, I’ve never heard that record. In ’85 having just been turned onto Neil and his great early catalog, I went and found Drew to announce the bad news… “Oh my God, Neil has gone country, can you believe it?” Drew, ever the wise rock and roller, shook his head and said, “Have you been listening to Neil? What do you think he meant by “Are You Ready For The Country”?” My god, he was right.

In the years since then I’ve branched out in many ways musically. I’m still not a fan of most country music but I can dig country rock. It’s, to my ears, a lot like folk rock. I’ve really gotten into the Byrds, Buffalo Springfield and similar acts. One guy who was critical to the whole movement, pictured above, was Gram Parsons. Gram was in the Byrds when they did Sweetheart, as I mentioned above. He hung out with Keith at Nellcote in France, while the Stones were recording the basic tracks for Exile On Mainstreet. From the Byrds he went on to form the Flying Burrito Brothers with Chris Hillman, another hugely influential band. He dreamt of an “Cosmic American Music” blending rock and country. Frankly I think ex-Byrd Gene Clark came closer than Gram did… As I started to piece this playlist together, I realized I had to represent all that great music.

I’ve attempted in this playlist to compile my favorite country rock tunes. Some of these are really full on country, some are just country influenced or tinged. I think there are some real hidden gems here. My hope, as with all of my playlists, is that you’ll hear a song you might not have heard – or haven’t heard in a long time. My dearest hope is you’ll think, man I love that song. There are probably great country/country-rock songs I’ve missed here. I’m not into say, Poco. So if I’ve missed something you dig, put it in the comment section and I’ll add it to the playlist which as always is on Spotify. This one is under “BourbonAndVinyl.net Favorite Country Rock Songs.” I always recommend pushing the “shuffle” button. Put on your cowboy hat, put a piece of grass between your teeth, grab your favorite moonshine and groove on these tracks…The link to the Spotify playlist is below.

  1. The Rolling Stones, “Far Away Eyes” – This is where it all started for me so I had to start here.
  2. Neil Young, “Are You Ready For the Country?” – Apparently in 1985, I was not ready.
  3. Bob Dylan, “Lay Lady Lay” – Dylan doesn’t get enough credit for starting the country rock craze with his seminal album Nashville Skyline. 
  4. The Little Willies, “Fist City” – Norah Jones’ side project doing a Loretta Lynn cover.
  5. Mick Jagger, “Evening Gown” – Great, great solo Mick… covered gamely by Jerry Lee Lewis.
  6. Dillard & Clark, “Train Leaves Here This Morning” – Former Byrd Gene Clark was an underrated genius. Bernie Leadon recorded this song again when he was in the Eagles.
  7. Eagles, “Tequila Sunrise” – Speaking of the Eagles, this is one of my favs. Drinking your broken heart away, something B&V knows a lot about.
  8. Bob Dylan, “I Threw It All Away” – Another great track from Nashville Skyline. I love this song.
  9. Sheryl Crow, “First Cut Is The Deepest (Country Version)” – I wanted to incorporate more female voices and I love this version of a song made famous by Rod Stewart.
  10. The Allman Brothers, “Blue Sky” – “You’re my sunny day…” Great track.
  11. Johnny Cash, Bob Dylan, “Girl From The North Country” – I avoided any overtly “country” artists but I had to sneak Johnny on here somehow.
  12. Neil Young, “Comes A Time” – Title track from a great album.
  13. Eagles, “Peaceful Easy Feeling” – What we all need in these troubled times.
  14. Gin Blossoms, “Cheatin'” – “Its not cheatin’ if she reminds me of you…” Great lyric.
  15. The Black Crowes, “Garden Gate” – From the great double album, recorded live at Levon Helms’ place, Before the Frost…Until the Freeze. 
  16. The Byrds, “Hickory Wind” – Gram Parsons’ signature track. One of the few he sang.
  17. Mike Ness, “The Devil In Miss Jones” – I love Social Distortion and Ness’ first solo album Cheating At Solitaire. There’s a great duet with Springsteen on there as well.
  18. The Flying Burrito Brothers, “Wild Horses” – It may seem like blasphemy to not put the Stones’ version of this song on here but I had so many other tracks by them to choose from.
  19. Norah Jones, “How Many Times Have You Broken My Heart” – Norah putting music to lyrics written by Hank Williams but never recorded.
  20. Hindu Love Gods, “I’m A One Woman Man” – Warren Zevon backed with 3/4 of R.E.M. doing an LP of great, eclectic covers.
  21. The Rolling Stones, “Dead Flowers” – Also on our heroin playlist, B&V Playlist: Chasing the Dragon – Songs About Heroin.
  22. Neil Young, “Beautiful Bluebird” – From the great late period LP, Chrome Dreams II, seemingly a sequel to an album never released.
  23. Robert Plant, “If It’s Really Got To Be This Way”* – I put an asterisk here as its not on Spotify. If you haven’t heard this tune, seek it out somewhere.
  24. Fleetwood Mac, “That’s Alright” – By the time they reconvened for Mirage Stevie Nicks had become a solo sensation with Bella Donna. She made the band do a country tune for her father who loved country music. This track works for me.
  25. Gram Parsons, “Ooh Las Vegas” – He didn’t do a lot of solo stuff but what he did is worth checking out.
  26. Tom Petty & the Heartbreakers, “Southern Accents” – This is more “country-ish” than country, but Mike Campbell’s superb dobro playing puts this track on the list.
  27. Linda Ronstadt, “Love Is A Rose” – Linda always had great taste in songwriters, doing a Neil Young track here. (Documentary Review: The Sublime ‘Linda Ronstadt, The Sound Of My Voice’).
  28. Talking Heads, “Thank You For Sending Me An Angel (Country Angel Version)” – Weirdest track on here? Yes.
  29. Doobie Brothers, “South City Midnight Lady” – People forget the Doobies were HUGE. I love this song.
  30. Grateful Dead, “Box of Rain” – Easily for me, their best song (Lookback: Grateful Dead’s Americana 1970 – ‘Workingman’s Dead’/’American Beauty’).
  31. Neil Young, “From Hank To Hendrix” – Another great country track from Neil.
  32. Eagles, “Lyin’ Eyes” – Every time I put a Neil Young track on this list it appears I have to put an Eagles’ song too. Gram Parsons, like the Dude, hated the Eagles. He described them unflatteringly as “a dry plastic fuck.” Not sure what that means but it doesn’t sound good.
  33. The Rolling Stones, “You Win Again” – Great deep track from the Stones (Playlist: B&V’s Favorite Rolling Stones Deep Tracks).
  34. Buffalo Springfield, “A Child’s Claim To Fame” – A dis track about Neil Young which caused him to write, “I Am A Child.” Musicians, what are you gonna do?
  35. John Fogerty, “Southern Streamline” – I could have gone with any number of CCR tracks but I like this Fogerty solo track.
  36. Randy Newman, “Rider In The Rain” – The Eagles sang back up on this standout track.
  37. Mudcrutch, “Orphan Of The Storm” – Great track from Petty, Campbell and Tench’s side project.
  38. Stephen Stills/Manassas, “Colorado” – One of the greatest country rock tracks ever.
  39. Doobie Brothers, “Black Water” – Another great Doobies track.
  40. The Rolling Stones, “Indian Girl” – “Little Indian girl, where is your faaaather?”
  41. The Little Willies, “Jolene” – Norah doing Dolly Parton this time.
  42. Lynyrd Skynyrd, “The Ballad of Curtis Loew” – Southern rockers had to be on here somewhere.
  43. CSNY, “Teach Your Children” – Jerry Garcia of the Grateful Dead’s pedal steel puts this track on the list.
  44. Rod Stewart, “What Made Milwaukee Famous” – Great cover of Jerry Lee Lewis.
  45. Elvis Costello, “Good Year For The Roses” – Elvis doing George Jones.
  46. Mike Ness, “Cheating At Solitaire” – The title track of his great first solo album.
  47. Stephen Stills/Manassas, “So Begins The Task” – Such a great double album, I had to double dip from it for this list.
  48. Grateful Dead, “Friend Of The Devil” – One of their best known tracks.
  49. Pete Townsend, “There’s A Heartache Following Me” – Pete covering Jim Reeves because it was his guru’s favorite song.
  50. Led Zeppelin, “Hot Dog” – I love this track from their last album.
  51. Sheryl Crow/Kid Rock, “Picture” – I despise Kid Rock but I dig Sheryl.
  52. Don Henley, “You’re Not Drinking Enough” – Advice I always follow.
  53. Eagles, “Girl From Yesterday” – Oddly most of the country rock tracks by these guys I’m drawn to were sung by Glenn Frey.
  54. Sting, “I’m So Happy I Can’t Stop Crying” – Sting is a pretentious dick, but he captures the country ethos of my baby is gone and she took my dog here.
  55. Hindu Love Gods, “Vigilante Man” – A Hank Williams cover I believe.
  56. Peter Wolf (with Mick Jagger), “Nothing But The Wheel” – Great track with Mick on harmony vocals.
  57. Lucinda Williams with Elvis Costello, “Jailhouse Tears” – The funniest song on this list.
  58. The Rolling Stones, “Do You Think I Really Care” – Another great deep track.
  59. Elton John, “Country Comforts” – Also really well done by Rod.
  60. Stevie Nicks, “After The Glitter Fades” – All the pedal steel on here puts this track on the list for me.
  61. Social Distortion, “Like An Outlaw (For You)” – Full-on “cow-punk.”
  62. The Blues Brothers, “Theme From Rawhide” – If this song doesn’t make you smile, you’re on the wrong blog.

There ya go cowpokes! Enjoy! Stay safe out there!

Review: Showtime Documentary – ‘The Go-Go’s’… And How I Briefly Met Belinda Carlisle In 1984

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*Above image taken from the internet and likely copyrighed

I am not currently nor have I ever been a huge fan of the 1980’s girl group the Go-Gos. However, I think every woman who came of age in the early ’80s who likes music, loves the Go-Gos. I remember a girl I dated in high school who loved their debut album. It was one of the few albums she owned. Even now, all these years later, the Rock Chick digs the Go-Gos. I think she had their greatest hits CD when I met her. Every woman I’ve ever known loves that moment in “We’ve Got the Beat” when lead singer Belinda Carlisle yells, “Jump Back… Big Time!” I think it’s a chick thing. I have to admit, even though I’m not a die-hard fan of their music I was curious to see the new Showtime documentary creatively titled, The Go-Gos. When I hear their music these days, I admit I smile probably out of a hoary sense of nostalgia, but I smile nonetheless. Their music certainly evokes a specific time and place for me.

The concept of the “Girl Group” is as old as rock and roll itself. You can go back to the 50s to the Shirelles who may have been the first ever Girl Group, as far as I know. They launched a whole Girl Group movement, which ended up being a huge influence on, of all people, the Beatles. Most of the early girl groups were merely vocal groups, they didn’t play their own instruments. There was usually some shadowy producer in the background. Barry Gordy had the Supremes and Martha and the Vandellas. Phil Spector had the Ronettes. The shadowy producer wrote the songs, hired the session musicians. The “girls” just had to show up and  sing. Oh and then go out on grueling tours to perform live.

The concept of an all female band, who played their own instruments came later. I’m sure it was also considered a bit of a novelty at the time as well. I just hear fans saying, “Look girls playing guitar and drums… it’s like a dancing bear.” I can’t help but think of the Runaways – with Cherrie Currie, Joan Jett and Lita Ford – as an early example. They still had the shadowy producer/Svengali in the background, Kim Fowley who wrote much of their early stuff. I think in a lot of ways, punk rock helped take the novelty out of the girl group. Punk attracted and yes, welcomed all the outcasts. It didn’t matter who you were, you could pick up an instrument and play punk rock. There were bands with men and woman members like the Talking Heads or X.

The Go-Gos were, to my ears, always pop or pop-rock. One of the revelations of the documentary for me, was that they formed and grew out of the L.A. punk scene. Lead singer Belinda Carlisle, guitarist Jane Wiedlin, lead guitarist Charlotte Caffey all met at the same L.A. punk club, the Masque. After replacing original bassist Margo Olavarria and original drummer Elissa Bello with Kathy Valentine and Gina Schock respectively, the band’s line up crystallized.

The documentary follows the usual rise and fall narrative. I didn’t realize how quick and one might say, meteoric the Go-Gos rise to prominence was. After touring England they came back to the U.S. and recorded their debut, Beauty And the Beast in 1981 and it was, to put it mildly, a smash hit. I liked that they wrote and recorded their own stuff, no mysterious Producer lurking in the background. The Go-Gos were one of those bands whose rise coincided with that of MTV. The Go-Gos and MTV were made for each other. Many times girl groups were presented as “saintly” or “good girls.” I like that the Go-Gos were never like that. Or at least, I don’t remember them that way. The documentary talks a lot about their drinking and drug use. In my high school mentality, I never thought of these women as cheerleaders, I always thought they were the chicks smoking, drinking and making out in the parking lot.

Eventually the relentless touring, fights over song-writing royalties, and the drinking and drugs took its toll on the interpersonal relationships in the band. Charlotte Caffey’s deepening heroin addiction increasingly became a problem. I was amused to hear how many times reporters asking the group how they were getting along. You never heard people ask the Who that question and they didn’t really get on that well. Reporters always injecting drama. Jane Wiedlin eventually quit in a dispute over song writing credits. The band didn’t last too long after that.

The documentary interviews every member of the Go-Gos from their prime line-up. They also go back and interview the past members. Paula Jean Brown who replaced Wiedlin (although she played bass, Valentine moved to guitar, her first instrument), was also interviewed. Their first manager and their latter day manger Miles Copeland of I.R.S. records are both interviewed. Hell, even Stewart Copeland of the Police, who the Go-Gos opened for early in their career gets his 2 cents in. The documentary came off to me as an advertisement to get the Go-Gos into the Rock Hall of Fame. They do come across cooler than I remembered… hey, if you have a band member on heroin you gotta score some cool points somewhere. I thought it was an interesting and well done documentary. I think its definitely worth watching for any rock and roll fan.

As I watched the documentary, I couldn’t help but think of the time I saw the Go-Gos and actually went backstage, and met Belinda Carlisle. I wish this was a more salacious story, but alas, it’s pretty tame. In the fall of 1984 I had just moved back to Manhattan, Kansas to start my next year in college. The weekend after Labor Day, most of the people in the place where I lived had left for a big, organized road trip. I wasn’t allowed to go on the trip because I was on some  sort of “social probation” for debauched acts of some sort, I don’t recall. I was like anybody else in college, I had my clique or my gang. But on this particular weekend, I was sort of all by myself.

There was a guy we all knew, who was a few years older than I was, who I’ll call Dan (named changed to protect the guilty). Dan was a track & field athlete and was actually quite exceptional at his event. He had actually gone to an Olympics. Since he’d gone to the Olympics, his ego was through the roof. In short, he was a colossal asshole. He once came out and played a game of tackle football with us drinking schlubs. Trying to tackle him was like trying to tackle a horse. His knees came up to my chin and at one point his knees treated my skull like a boxer working the speed bag… There was never a weekend where I would have imagined I’d hang out with Dan the Olympian. But, I was on my own, which was never good in those days… there was always trouble lurking. Dan, who liked to say things like, “We’re going to the club tonight, I’ll probably have chicks all over me because I’m an Olympian, you guys will have to fend for yourselves,” burst into the living room where I lived. “Who wants to go to the Go-Gos tonight in Kansas City?” I had nothing else to do so I tepidly raised my hand. The next thing I knew, I was in a van hurtling toward Sandstone Theater – an outdoor venue, referred to in the trade as a “shed.”

I remember drinking a ton of beer in the ride up to KC. I was in the back of the van and wasn’t driving. Dan was driving which was good because he was really straight-laced. It was like going to a rock concert with a narcotics agent. He apparently had an Olympian friend who was romantically linked to Carlisle and she set him up with tickets. True to his word, there were tickets and to my surprise backstage passes waiting for us. We were down in the middle, some 20 rows back from the stage. This was September 7th, 1984 so the Go-Gos would have been touring in support of Talk Show, their third album. They had to be exhausted. I remember Belinda Carlisle danced maniacally. The place was probably 2/3’s full, so even I was dancing in the aisle, there was plenty of room… of course that may have been because we were surrounded by girls. It was a heavy female crowd… which was fine with me.

After the show we went backstage. There was one room that was full of adoring fans. Dan barged into a smaller, empty room where there was a food table – the supermarket trays of veggies and cheeses. I was too afraid to touch anything, thank God. I suddenly realized, we were in the Go-Gos dressing room. When the five band members came into the room, the looked at us with a combination of disdain and exhaustion. If Dan had been cooler maybe there might have been some partying to do here… but we were a bit of a band of misfits. Belinda, very diplomatically, introduced herself and asked us to give the band some space.

We quickly left the dressing room, to the delight of the rest of the band, (Jane Wiedlin, most notably, was aggressively pleased we were leaving), and probably secretly to the delight of Belinda Carlisle. We drove downtown to KC, as directed by Belinda to the Crown Center hotel, a posh spot in midtown. We hung around the bar. A couple hours later, cleaned up and looking lovely, Carlisle appeared. I remember thinking how classy she looked. She was so nice to us and we were nobody. Dan the Olympian was buying in order to impress Belinda so I started ordering Jack & Cokes 2 at a time. You gotta strike when the iron is hot, folks. Sitting there listening to Dan and Belinda chat about their mutual acquaintances who were in Europe somewhere I couldn’t help but think, I’m sitting here with this Rock Star… what should I say? What should I ask her?

I was barely 20. I was young and dumb. I wasn’t a huge Go-Gos fan so I had nothing to ask. All I could think to ask her was, “Do you know David Lee Roth?” That was the best I could come up with? Sheesh! She smiled politely but I think she had to be thinking, who is this moron? “Yes, he’s really intelligent.” She quickly turned back to Dan. I think that was all she said to me. Looking back, knowing what I know now, there’s so much I would have asked about touring, the grind of the road and the music business. But alas, all I could think to ask was a question about Van Halen’s lead singer. I blame the Jack & Cokes. There was no drugs or sex in this story, just stupidity.

You know, come to think of it… I probably would vote for the Go-Gos to get into the Rock Hall… they deserve it just for putting up with Dan, me and our band of rock and roll misfits in Kansas City on a hot September night in 1984.

Hats off to all of you, Ladies! And yes, God Bless the Go-Gos. Check out this Showtime documentary, its B&V approved!

Cheers!

 

 

Playlist: Virtual Summer Vacation Tour – 50 Songs For 50 States

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I only recently realized that the year is half over. I was terribly busy at work and knew that June was ending – its a big deal for my Corporate Masters when the first half ends – but it wasn’t until I woke up on July 1st that I thought, wow, we’re now starting the back half of the year. I can’t believe that the July 4th, Independence Day Holiday is upon us. It tends to sneak up on me. I’d like to wish all my American readers a happy and safe 4th of July. We posted a playlist for the 4th a few years ago, BourbonAndVinyl iPod Playlist: 4th of July, American Independence Day. Remember folks, watch those firecrackers, we want all of you out there to keep all of your fingers. And also – sparklers are really hot so be careful with those. I burned my hand really badly one year… #clumsy.

For years on the 4th of July, we used to take our daughter out to my sister-in-law’s house in the country for that time honored tradition of “blowing shit up.” Now that she’s grown and moved away that tradition sort of withered. At night, out on that little farmstead, we’d climb up on the roof of the house which was on a hill and you could see every small town fireworks display in the three county area. It really was awesome to behold. I don’t even know if in this time of pandemic that towns and cities will be doing fireworks displays? I know east of where I live somebody has been enjoying lighting firecrackers for a few weeks now. Usually at 2 a.m., thanks kids.

For me, the calendar rolling to July tends to signal the start of summer. I know that most people associate the start of summer with Memorial Day and the end of summer with Labor Day, but for me the start of summer was always July. By July school was over, when I was older I was into whatever summer job I had. I was a bus boy for a while, filthy work, really. I also did light construction at my best friend Doug’s father’s company building tennis courts. That was even filthier work. Dirty jobs seemed to be my specialty back then. As the Who sang, “I’m getting put down, I’m getting pushed around…” In the tennis court days I prayed every summer day for rain. Joe Zona was the weather guy on the AM station and I used to listen to him every morning like he was the Oracle of Delphi hoping he’d say it would rain so I could have a day off.

When I think back (mostly fondly) of summers I think of my father’s tradition of taking us on a family vacation. I was a…let’s call it… “difficult” child. My father, brother and I weren’t terribly close at the time. We weren’t a fly-on-a-plane somewhere family. We’d load up the car and drive wherever we were going. Locking me, my brother and my father in the same car had to be pretty tense for mom. A lot of testosterone in a small space. It’s a wonder we all stayed alive. We drove as far as Cape Cod to visit my aunt one year. Thankfully my grandparents were in a second car… we communicated with toy walkie-talkies I’d gotten for Christmas the previous year. My brother and I would switch cars every time we stopped, like a prisoner exchange. We were like Chevy Chase as Clark Griswold’s family in ‘Vacation.’ I will say, after that trip we only drove that far one other time, to Florida. I think everybody realized the long drive was a difficult plan to execute.

The place we went probably more than any other was in southern Missouri. It was a western/cowboy themed amusement park named Silver Dollar City near Branson. I think it’s still open. This was before Branson became, well, Branson. It was nothing tremendous but we really loved going there. The problem was the three or four hours in the car getting there. My father, the poor bastard, would load us up in the car and before we’d hit Grandview he’d already run through his greatest hits: “Stop jiggling my seat,” “Don’t make me come back there,” or my favorite, “If I have to stop this goddamn car…” That was the most menacing of threats. His face would be red and I couldn’t even imagine how batshit crazy he’d have gotten if he ever did have to stop the car. I imagined being flogged with a belt beside the highway until the cops showed up to drag our rabid-dog-angry father away from us to prevent our death. I was so obnoxious the cops might’ve helped dad beat me. We didn’t have iPods or iPads or TV’s built into the back of the driver’s seat. It was 4 hours of billboard bingo… I spot an A… These kids today don’t realize the struggle was real. I feel sorry for my dad having to work 50 weeks a year only to face his hostile family for 2 weeks while we vacationed “together?”

Here I am all these years later and “summer vacation” means taking a few extra days off around the 4th of July so I can sleep late and go for a walk. These days it’s more likely a “staycation” instead of actually traveling somewhere. This year there really is nowhere we can go. I have a brother in Houston… nope, COVID is spiking there… I hope he’s wearing a mask. My wife will go out and see our daughter at some point but I’ll probably hang here at the house… Usually when she leaves me alone like that for a weekend she finds me slathered in peanut butter and bourbon, weeping over an old video of Springsteen and the E-Street Band, muttering, “I can’t believe the Big Man is gone…” I need adult supervision.

I know some people are planning to travel anyway, despite the pandemic. I see those crazies at the Lake of the Ozarks. I was never really a “lake” person. My pal Doug’s dad had a boat and that was fun, but my parents never took us to the lake. For those of you who are stuck at home – or hell for those of you on a long car drive, threatening members of your family for invasions of your space (“he’s on my side of the car”) – I thought I’d put together a playlist that takes us on a virtual tour of the United States. I know it’s trite, and it’s been done before, but never by us down here at the B&V labs. I tried to pick one song for every state. Usually I looked for songs that had the state in the title but the rules were pretty loose, to be honest with you. I actually got the idea listening to Neil Young who seems to have more songs named after states than seems normal. And yes, there are many songs about states, but these were my favs… and as usual I’m all over the place stylistically. You can find this playlist on Spotify, just search on “BourbonAndVinyl.net” and you’ll find it. Wherever you are out there, traveling or not, I hope you all have a great and safe summer. We’ll be here at B&V listening to rock and roll, locked in our attic like a modern day Boo Radley. Leaving our little gifts in the form of these humble posts. Enjoy!

  • Alabama: Lynyrd Skynyrd, “Sweet Home Alabama” – Well, you knew I’d go here first. I considered Neil Young’s “Alabama” but I knew I’d be using him later.
  • Alaska: Maggie Rogers, “Alaska” – I actually stumbled across this tune by accident. I know nothing about her but I dig this track.
  • Arizona: Scorpions, “Arizona” – From their great album, Blackout. 
  • Arkansas: Bruce Springsteen, “Mary Queen of Arkansas” – I actually had the pleasure of seeing Bruce play this deep track live in Little Rock (aka La Petite Roche).
  • California: 2Pac featuring Dr Dre, “California Love” –  We like to turn this track up as loud as it will go. Simply brilliant.
  • Colorado: Stephen Stills with Manassas, “Colorado” – From the country rock side of the double album… I love Manassas.
  • Connecticut: Aerosmith, “I Live In Connecticut” – I totally cheated here… this is just a song fragment. I like Aerosmith tho…and there aren’t a tremendous number of songs about Connecticut, the Wonder bread of states.
  • Delaware: George Thorogood, “Delaware Slide” – A really long song for a small state. This is George’s first appearance on a B&V playlist, welcome George.
  • Florida: Eric Clapton, “Mainline Florida” – I stayed in the guitar hero area here. I love this track.
  • Georgia: Willie Nelson & Ray Charles, “Georgia On My Mind” – I had to go with this live duet as most of Ray Charles’ music isn’t on Spotify. I don’t know who is running things at his estate but they might wanna look into that.
  • Hawaii: Neil Young, “Hawaii” – From the brilliant vault release Hitchhiker, LP Review: Neil Young’s Album From His Vault, ‘Hitchhiker’.
  • Idaho: B-52s, “Private Idaho” – Fun song from a fun band.
  • Illinois: Tom Waits, “Johnsburg, Illinois” – I was late to the Waits’ party but I’m all in now.
  • Indiana: Melissa Etheridge, “Indiana” – Kansas lady singing about Indiana…I loved her debut LP.
  • Iowa: Mal Blum, “Iowa” – I only picked this track because Manfred Mann’s “Stranded In Iowa” is not on Spotify. Sigh.
  • Kansas: Big Country, “We’re Not In Kansas Anymore” – I considered cheating and putting a track by the band Kansas here, but I dug this song.
  • Kentucky: Elvis Presley, “Blue Moon of Kentucky” – Many have sung this song, but none like the King.
  • Louisiana: Randy Newman, “Louisiana 1927” – Newman was from southern California but he spent summers at his New Orleans’ grandmother’s house.
  • Maine: Rudy Vallee, “Maine Stein Song” – Consider this track “intermission.” It sounds like a school fight song. There just aren’t many tracks about Maine.
  • Maryland: Good Charlotte, “There She Goes” – I don’t know if these guys are from Maryland but this song is about it.
  • Massachusetts: Modern Lovers, “Roadrunner” – “I’m in love with Massachusetts” was not how I was feeling after the Cap Cod trip of 1976…
  • Michigan: Red Hot Chili Peppers, “Especially In Michigan” – Kiedis’ mother lives in Michigan… I’m so glad Frusciante is back!
  • Minnesota: Tom Waits, “Christmas Card From A Hooker In Minneapolis” – Minny is a jewel of a city and this is a jewel of a track.
  • Mississippi: Bob Dylan, “Mississippi” – This track was also covered by Sheryl Crow but Dylan’s version trumps that.
  • Missouri: The Beatles, “Kansas City” – I went with this because, well, I’m from KC and I feel that the rest of the state outside of Jackson County is a no man’s land.
  • Montana: James Taylor, “Montana” – That voice…
  • Nebraska: Bruce Springsteen, “Nebraska” – The title track from Springsteen’s bleakest LP, B&V’s 10 Favorite Grim And Sad Albums.
  • Nevada: Billy Joel, “Stop In Nevada” – From his Piano Man album, which not surprisingly I love.
  • New Hampshire: Sonic Youth, “New Hampshire” – It’s about time we get some Sonic Youth on a B&V playlist!
  • New Jersey: Tom Waits, “Jersey Girl” – I didn’t realize I had so much Waits on here… Obviously I could have gone with Springsteen’s version but I dig this one.
  • New Mexico: Johnny Cash, “New Mexico” – I considered “Albuquerque” by Neil Young but you can’t beat the Man In Black.
  • New York: Frank Sinatra, “Theme From New York, New York” – So many NY songs to choose from, B&V Playlist: Songs For New York City, but you have to go with the Chairman of the Board on this one.
  • North Carolina: James Taylor, “Carolina On My Mind” – I did research here and this song is about North Carolina…
  • North Dakota: Lyle Lovett, “North Dakota” – A song about the “girls from North Dakota” and perhaps the saddest track on this list.
  • Ohio: Crosby, Stills, Nash & Young, “Ohio” – Written by Neil…”Tin soldiers and Nixon’s coming, we’re finally on our own…” Powerful even today!
  • Oklahoma: Merle Haggard, “Okie From Muskogee” – I got to see Merle open for Bob Dylan. He had a voice like smooth whiskey. I’ve also been to Muskogee… a good place to be “from.” Merle was probably on the wrong side of history with this song, but I love the man’s music.
  • Oregon: Loretta Lynn, “Portland, Oregon” – From an album produced by Jack White. Great duet! Loretta and Jack, singing together? Yes, please.
  • Pennsylvania: Heart, “Pennsylvania” – A track I was unfamiliar with until I started researching this list a few months ago. Kind of a haunting track.
  • Rhode Island: Ike & Tina Turner, “Rhode Island Red” – Ike is a bad man but I dug this song.
  • South Carolina: The Raconteurs, “Carolina Drama” – From Jack White’s original side project. Great little band. This is my favorite song by the Raconteurs. And yes, he name drops South Carolina in the song so I’m good here.
  • South Dakota: Liz Phair, “South Dakota” – The 90s “It Girl” rocker.
  • Tennessee: Chris Stapleton, “Tennessee Whiskey” – On a blog with “bourbon” in its title you knew I’d be drawn to this track. My friend Drummer Blake turned me onto this one… This might be my favorite track on this list, right now anyway.
  • Texas: Stevie Ray Vaughn & Double Trouble, “Texas Flood” – The title track from the great bluesman/guitarist’s debut album.
  • Utah: The Beach Boys, “Salt Lake City” – It shows you my desperation on finding a track about Utah that I went to the Beach Boys (who I despise) for a track.
  • Vermont: Willie Nelson, “Moonlight In Vermont” – From the wonderful Stardust album. Willie was the first country singer I actually liked.
  • Virginia: Foo Fighters, “Virginia Moon” – Virginia is for lovers and fighters of Foo. Kind of mellow for them.
  • Washington: Nirvana, “Frances Farmer Will Have Her Revenge Seattle” – I don’t know where Cobain got his inspiration for this song but the movie ‘Frances’ starring Jessica Lange might just be it… It was a harrowing, unblinking look at how Frances was just betrayed by everyone around her. I’ve always connected with this abrasive track.
  • West Virginia: John Denver, “Take Me Home, Country Roads” – The karaoke, sing along favorite. I had to reach deep on this state.
  • Wisconsin: Ben Iver, “Minnesota, WI” – Two states in one song…
  • Wyoming: Neil Young, “The Emperor of Wyoming” – From Neil’s debut album. 100% country-rock instrumental and a nice way to take us out of the 50 states.

Enjoy this little virtual tour of the fifty united states of the U.S.

Cheers!

Editors Note: No children were harmed or abused in the writing of this post, least of all me, your intrepid blogger. Corporal punishment was used sparingly in my house in the 70s and only when I deserved it. The threat of corporal punishment was used quite a bit. 

B&V’s 10 Favorite Grim And Sad Albums

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“Down in a hole and I don’t know if I can be saved, See my heart I decorate it like a grave” – Alice In Chains, “Down In A Hole”

A few weeks ago I posted a playlist about heroin, entitled “Chasing the Dragon,” B&V Playlist: Chasing the Dragon – Songs About Heroin. When I was compiling that playlist I ended up thinking a lot about Alice In Chains and their best album Dirt. Yes, I’m with everybody else in thinking that Jar of Flies was their creative peak, but that was an EP like Sap (another great bit of music), not a full blown album. When doing a playlist about heroin it’s hard not to think about Alice In Chains and their late lead singer Layne Staley who died of an overdose. When I put that list together I realized that I had put not one but two Alice In Chains tracks on it, both from Dirt. I really dug those two tracks on the playlist, “God Smack” and “Junkman.” I hadn’t listened to that whole album in quite a long time and so with those two tunes bouncing around my skull, I had to put it on. I love that record, but I realized about halfway through…this is an unrelentingly dark album. Why they didn’t just name it Smack I’ll never know.

It slowly began to dawn on me, I really like music on that dark edge. It wasn’t always that way. When I first started listening to rock and roll on KY/102 and then later when I started actually buying and consuming music, my tastes ran to the more upbeat. I wanted something that “RAWKED!” Van Halen, Boston and ZZ Top were amongst my early purchases. I wanted that good time, party music. I couldn’t understand why anybody would want to listen to anything acoustic. I think most of my friends’ musical tastes ran in that same direction. We were all young, testosterone driven maniacs. What’s that phrase, “young, dumb and full of cum.” My friend Drew and I used to joke that our pal Matthew’s record collection when he got to college was all heavy metal with one Fleetwood Mac album thrown in. His fixation on Kiss back then still baffles me. For my  part, heavy metal did play a big part in all of my early listening from Black Sabbath and Judas Priest to AC/DC.

I have to admit, looking back, that even then I was a sucker for a good ballad. I would have never admitted to liking sad songs back then… no, no, give me songs about chicks with a guitar solo. My first Springsteen album purchase was The River and while I loved “The Ties That Bind,” “I’m A Rocker” and “Out In The Street,” I was really, really into “Drive All Night.” The mellow tunes drew me to that album as deeply as the rockers. It’s hard to explain. You could say I was always secretly drawn to great lyrics, hence my early interest in Dylan, but I don’t think that tells the whole story. I was that odd person who could relate to songs about broken hearts and sad endings to relationships before I’d even kissed a girl let alone had a girlfriend. Maybe I was slightly depressed as a kid and thus I had this feeling that my heart was already broken from a very early age. No one ever really wants to share the dark parts of themselves, especially when you’re young. There are just some of us who feel things more deeply and life itself can break your heart sometimes…

In college I started to branch out in terms of musical tastes and that’s when I started to buy some of the darker music in my collection. I mean, in truth,  it’s not all “dark,” some of it is just sad or melancholy music. It seems even at that tender age I was like Tom Waits who famously said, “I like beautiful melodies telling me terrible things.” In the old days, when things weren’t going well, I’d put on some mellow, generally sad songs and hearing these artists sing about their heartbreak and losses made me feel, well, less alone. Someone else out there had been through what I was going through now and survived. Of course, you can take the sadder end of the musical spectrum too far sometimes. After one break up, my friend the Accountant (who lived three floors below me at the time) came up to my apartment and I was listening to some funeral dirge, moping about when he said, “Say man, uh, maybe all this downer music is affecting your mood… do you have any Van Halen you can put on?” The Rock Chick used to pretend to weep every time she caught me listening to Ryan Adams.

I realize that now may not be the time to share this particular list of albums. Many of us are feeling isolated and alone (B&V’s Pandemic Playlist – Rock n Roll To The Self-Isolation Rescue). If you’re prone to depression, I would suggest maybe avoiding these albums until we’re all free to walk outside without looking like extras on the set of the television show ‘E.R.’ I know the Rock Chick feels like I do, stuck at home and slightly bored. I take my life into my hands every time I go downstairs… like they say about a blowout football game when the teams start taking cheap shots at each other, it’s getting a little chippy down there. I have always either found solace in these records, or they’re just kick ass albums that everyone should hear. Take the gold where you can find it.

  1. Alice In Chains, Dirt – I’ve already talked about this album above, but it’s truly AIC’s finest full length album. “Down In A Hole,” “Rain When I Die,” and “Them Bones” are all great tunes. It’s clear the theme of this album is heroin. The only lighter moment is the song “Rooster” about Jerry Cantrell’s father surviving the Vietnam War…if you can consider that upbeat?
  2. Nirvana, In Utero – This album was certainly Cobain’s reaction to being named the “voice of his generation.” They were trying to shrink the size of their fan base by recording some really abrasive music. You don’t record a song like “Rape Me” if you’re trying to bring people onto the bandwagon. “Heart Shaped Box” was the tune that actually turned me around on Nirvana. Something clicked for me when I heard it. I still love that song even with lyrics like, “I wish I could eat your cancer when you turn black.” While some of the tracks on this LP are impenetrable, “All Apologies,” and “Pennyroyal Tea” are amongst their best. The art work told you all you needed to know about this record. I bought it in a used CD store downtown by the bar Harlings and it took me to the rest of their catalog.
  3. Pearl Jam, Riot Act – I may be wrong about this but at one time this was Pearl Jam’s worst selling record. It’s no coincidence that the first three albums on this list come from the Grunge era. That generation came of age on lithium (hence the SiriusXM station by that name that plays the music of that era). This is a later record by PJ and I’ve always considered it a bummer from start to finish. There are a few light moments like the humorous “Bushleaguer” about George W. Bush (“born on third, thinks he got a triple,” a line I use often). I’ve been listening to this album again and while it’s intense, it’s still a damn good Pearl Jam record.
  4. Big Star, Third/Sister Lovers – Big Star’s Alex Chilton was so disillusioned about the music business and Big Star’s failure to connect with a larger audience, he holed up and recorded this set of despondent songs. It wasn’t released until years after they broke up. There still isn’t an agreed to, official running order of the songs. “Thank You Friends” drips with sarcasm. “Holocaust” is despair exemplified. Big Star was a band I didn’t discover until after in life, but man I’m glad I did.
  5. John Lennon, Plastic Ono Band – Lennon’s first proper solo album after the implosion of the Beatles. He’d been going to Primal Scream therapy and the vocals bear that out. He often goes from a whisper to a scream. “Mother” is haunting. Songs like “Isolation” and “Working Class Hero” reveal a pretty jaundiced world view. I love the song “God,” where he lists the litany of things he doesn’t believe in any more… until he ends with just he and Yoko…”I believe in me, Yoko and me.” I like this album significantly more than Imagine, but that may say more about me than John Lennon.
  6. Nick Drake, Pink Moon – Drake was another artist I came to later in life. In his short tragic life he only recorded three albums. Pink Moon was his third album and it was a departure from his two power-pop albums that proceeded it. Pink Moon is just Drake’s vocal and an acoustic guitar. He was despondent his career didn’t take off but he largely refused to ever play live… He died shortly after this album came out from an overdose on antidepressants. I think that says it all.
  7. Neil Young, Tonight’s The Night – One of Young’s famous “Ditch Trilogy.” This is one of my absolute favorite Neil Young albums, if not my favorite. Drowning in despair, guilt and tequila after he fired original Crazy Horse guitarist Danny Whitten, who then died of an overdose, this is Young at his most raw and emotional. This album knocked me out the first time my friend Drew played it for me and it continues to do so today.
  8. Elton John, Blue Moves – People forget how huge Elton was from 1970-1975. This album isn’t dark but it’s certainly laced with a ton of melancholy. Many people feel it was Elton feeling sorry for himself after the backlash he got for admitting he was Gay. The 70s were at once a freewheeling and closed-minded time. I think he was just feeling some fatigue after 5 tumultuous years. He was bound to have some kind of let down… It’s not a great album but it’s a good one. It’s a double-LP and probably suffers in the shadow of Goodbye Yellow Brick Road that preceded it by two years. The second album is particularly down. This album has the saddest song ever recorded, “Sorry Seems To Be the Hardest Word.” I’ve got my own story about that song…but again, we can’t share all the darkest parts of ourselves.
  9. Lou Reed, Berlin – This is the bleakest, most despondent thing I’ve ever heard. Reed’s concept album about a couple (Jim and Caroline) who are German drug addicts. It’s got some great songs, “How Do You Think It Feels,” and “Caroline Says I” amongst them. But this is hard one to get through. It has grown on me significantly over the years but there is no fairy tale ending here… I dare you to listen to the song “The Kids” and not be haunted by it…
  10. Bruce Springsteen, Nebraska – I was a huge Springsteen fan in high school. I had all of his albums up to that point. The River had hooked me. Then I went away for that difficult freshman year in college. I struggled my first semester due to some self-inflicted wounds (love gone wrong). I got home at Christmas and was in the mall when I saw that he had a new album out. Ignoring the stark imagery of the front cover, I thought, here we go The River 2.0. When I dropped the needle on the album and heard the stark, depressing title track I remember having the opposite feeling of the joy I felt when I heard The River for the first time. I liked “Reason To Believe” and almost immediately dug “Atlantic City,” but it took me years and years to come to appreciate this collection of songs about outlaws, losers and outcasts. Everybody feels left outside of society here. It’s a masterpiece, but I’d sure like to hear the “Electric Nebraska” – the version of the album recorded with the E Street Band… maybe we can hope for a boxset…

There you have it, my top bleak, depressing albums. Sometimes you’ve got to go dark. Again, if you’re prone to depression, you might wanna wait on these records. I’ve always loved these albums and I hope you do too. If there are albums like this that you’re into, please let me know and I’ll check them out! Otherwise, sit back, put one of these on, pour something dark and murky and contemplate…

Stay healthy and safe out there. Cheers!

Review: Pearl Jam’s First LP In 7 Years, ‘Gigaton’ – My Conflicted Thoughts

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I have to admit, up front, that I’m a huge Pearl Jam fan. I subscribe to the great man theory of rock and roll and I think Eddie Vedder is one of those great men, so to speak. But it hasn’t always been that way.

In the old days, I was always slow to get into new things. I didn’t buy in on Guns N Roses until I heard their third single, “Paradise City.” In my defense, Appetite For Destruction came out during my Exile Years, when I was living in Arkansas. My exposure to GnR was strictly via MTV and every band sort of looked the same. It was hard to get my attention and besides I was deeply into the Allman Brothers and the Band at the time. It wasn’t until I heard “Paradise City” from the other room – without the visuals – that I thought… wait a minute, these guys are something special.

It was the same with the Grunge era bands. I was always suspicious of these new “movements”… call me paranoid. I always thought the bands that were lumped into this new “Grunge” thing were wrongly characterized. Nirvana was a punk band in my mind… certainly that’s where their influences were. The first time I heard Soundgarden I remarked to a friend, “this is the new version of Black Sabbath…” They were a metal band in flannel. I really didn’t have a description for Alice In Chains, they were perhaps uniquely Grunge.

In the early ’90s I had just returned from my exile in Arkansas. I was living in an apartment by the highway where I’d lay in bed at night listening to the sound of trains in the distance behind the constant buzz of semi’s barreling north and south. It certainly contributed to my feeling of restlessness. My musical tastes were somewhat rootless as well. At the dawn of the ’90s there was a new radio station in town that specialized in “alternative rock” which was, at the time, Grunge bands. I’d tune in to that station looking for something “new” and I kept hearing these songs I liked…”Black” was  especially a favorite. “Even Flow,” “Alive,” and this song “Jeremy” were amongst my favorites as well. I hadn’t realized all of those songs were by the same band until I started dating this woman – whose boyfriend lived out of town – who loaned me Ten. I was listening to it for the first time while I worked out and with every song that played I thought, “Wait, that’s Pearl Jam too?” How could all these kick ass songs be on the same album. I became one of the converted… When we ended the affair I kept that CD for a long time… until the young lady came by and forcibly retrieved it. It was all very friendly but she was having none of my absconding with her Pearl Jam disc. Apparently I’m the only one who loses CDs during a breakup. Remarkably, I danced with her at her wedding, sadly not to Pearl Jam.

I was amongst those who were at the record store the day Vs and later when Vitalogy came out. Pearl Jam was the Grunge band who were so firmly rooted in classic rock, how could I not become a huge fan? They had so many soaring anthems – “Even Flow,” “Jeremy,” “Go,” “Animal,” “Rearview Mirror,” “Better Man,” and “Not For You.” I could go on. They could also go acoustic and just slay it – “Daughter,” or “Elderly Woman Behind The Counter In A Small Town.” Vedder’s vocals were amongst the best I’d ever heard. He conveys so much emotion when he sings, from despair to simmering rage. I thought rock and roll would last forever with these guys. I happened to be lucky enough to see them at Red Rocks on the Vitalogy tour, a personal concert highlight for me. From the machine gun blast of the opening number (fittingly), “Go” until the last strains of “Yellow Ledbetter,” it was an amazing night. They even started the encore with “Leaving Here,” a cover song made famous by the Who.

As inevitably happens, Pearl Jam decided to stretch out in new musical directions by the time No Code came out. I liked that album but for many fans it was a creative stumble. So much so the follow up Yield was seen as a comeback (an album I loved but the critics didn’t). After Yield it seemed that Pearl Jam was content to just record straight-up rock and roll to please themselves rather than connect with their audience. Binaural and Riot Act were grim, mirthless albums. Although I must admit, both albums grew on me over time, especially Binaural. Listening to their archival release Lost Dogs, its clear those albums could have been less… intense. It wasn’t until 2006’s eponymously titled album that they seemed to even want to connect with an audience. For me that album was somewhat overshadowed by the Chili Pepper’s Stadium Arcadium. A friend remarked to me at the time, “If you’d told me 10 years ago I’d be more into a Peppers album than a Pearl Jam album, I’d have told you were crazy.” By then Pearl Jam was considered a premier live act, but there was never a ton of enthusiasm for their studio stuff anymore. Which is a shame because both Backspacer and Lightning Bolt were, in my opinion, exceptional. The ballad “Sirens” on the latter album is one of my all time favorite Pearl Jam tunes. There seem to be two kind of Pearl Jam fans anymore: the fans of their epic early records who have stuck around for the live shows and then fans who stuck around for the latter day studio stuff. I’m kind of both.

It stuns me that Pearl Jam waited seven years to put out another album. Lightning Bolt came out in 2013 which seems like another lifetime. I had heard they were struggling to come up with new material and had a couple of stillborn attempted starts at recording new music. That all might explain why the new album Gigaton sounds well, so different. The title refers to the gigaton of ice lost by the polar ice caps. The theme here is clearly around climate change. You hear a lot about water, oceans, rising oceans, and rivers on this album. If anybody needs something to channel some good ol’ fashion Pearl Jam anger, climate change is as good as any. I think it helps Gigaton hang together. The politics of this record are more subtle than most bands, like say vintage John Lennon. And I will say, there are plenty of songs that sound, dare I say, hopeful.

I will say, at the outset of my comments about the album, this one is a grower. My first taste was the first single, “Dance of the Clairvoyants,” which I reviewed (Pearl Jam: New Song, ‘Dance of the Clairvoyants.’ Old Dog With New Tricks?). That track was like nothing I’d ever heard from Pearl Jam. I won’t go back into it as I’ve written about it before, but it sounds so much like the Talking Heads that David Byrne must be drawing royalty checks. That made me think, “Mmm, this might be a tad more experimental than I’m emotionally prepared for.” The next track I heard on satellite radio was “Superblood Wolfmoon.” That track, at first, sounded like the Vedder barking vocal style that he adopted after befriending the late Johnny Ramone in an attempt to sound “punk” (“Mind Your Manners” or “Can’t Deny Me” for example). After my first listen to the entire album, I will tell you, I hated it. After seven years I wanted a big, epic, arena-rock album. The Rock Chick rejected the album immediately. I wasn’t even going to post about it. But there were a couple of tracks that had stuck with me… I couldn’t leave it alone. I’ve spent the last week with this album, giving it repeated spins and I’ll tell you, I like this record. It’s not going to change the top of a “Pearl Jam Albums Ranked Best To Worst” list but it’s a damn fine rock and roll record. We all want that endorphin hit we got when we first dropped the needle into the groove and “Once” burst out of the speakers and went right to our lower brain stem…it just doesn’t happen that often any more.

The album kicks off with one of my favorites, the rocking “Who Ever Said.” It’s an old fashion, Pearl Jam, turn it up rocker. That leads to the aforementioned “Superblood Wolfmoon” that has grown on me. I will say that Mike McCready is an all-star lead guitarist. He should be mentioned more often in the great guitarist conversations. His solo’ing is exceptional on this album, like always. “Never Destination” is another great rocker about climate change denial. It hits hard and again McCready shines. “Quick Escape” is another great rock tune but it’s guitars and vocals are distorted. The song is about an immigrant’s journey away from his home. Rather than singing a song about immigration, Vedder narrates the song from the personal perspective of the immigrant and it hits so much harder. It’s always best to make a political point by making it personal. The distortion of the vocals and guitar almost generate the feeling of fear and being upended that the lyrics depict. “Take The Long Way” was written by drummer Matt Cameron and it sounds like Soundgarden (in a good way). I can’t help it, that’s what I hear.

For me, Pearl Jam has always done exceptional ballads. If I have a complaint about Gigaton, it’s that the last four tracks are ballads. The back end just mellows out. My favorite of the mellow tracks is “Seven O’Clock” the most political track here. He gives the current occupant of the White House his Native American name, “Sitting Bullshit.” The song penned by bassist Jeff Ament, “Alright” is also a highlight. Rhythm guitarist extraordinaire, Stone Gossard’s penned “Buckle Up” almost sounds like a lilting children’s tune until Vedder, over loping drums and acoustic guitar, sings the first line, “I got blood, blood on my hands…” Happy music delivering disturbing words… Tom Waits would be proud. “Comes Then Goes” is a simple vocals over acoustic guitar track. Who does that any more? Vedder plays an old time pump organ on the closing track, “River Cross.” “Retrograde” is a lament about how the world is falling apart.

If you’re a fan of the early, early Pearl Jam, you might want to skip this one and just buy the concert ticket, if concerts ever happen again. But for those of us who have been along for the whole ride, this is an exciting, mature effort by one of the world’s greatest bands. I’ve never faulted any artist who wants to expand the aperture on what and how they create – I’ve always loved David Bowie and latter day Paul Simon, just to name a few examples. Simon’s last album (Review (Full LP): Paul Simon’s “Stranger To Stranger”) was as far away as you can get from “Still Crazy After All These Years.” I hope this new found experimental mood sparks some creative burst from these guys and we don’t have to wait until 2027 for the next Pearl Jam album. It may not be what everybody wanted, but it’s great to have a rock and roll album to be excited about in 2020, arguably the suckiest year in my lifetime.

Cheers!

 

 

B&V’s True Confessions: The Dirty Dozen – 12 Albums That Only I Love… Time to Re-Evaluate?

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“This is no social crisis, this is you having fun…” The Who, “Another Tricky Day”

We’ve all made mistakes in our lives and we’ve all had to learn to live with those bad decisions… Here it is, only day 2 of the enforced “Stay At Home” order and I suddenly feel the need to unburden myself of all my sins. Well, in the interest of full disclosure, I haven’t left my house since nine days ago and the only sins being confessed to here are musical in nature. All other sins… well, those records are sealed until 25 years after I’m gone and forgotten. While I was always someone who people confided in, I must say this confessional mood seems to be catching. I’m hearing all sorts of sordid things. I just had a friend admit to me that he saw the Little River Band in concert. Everybody loves the Little River Band but no one will ever admit to it. Ironically, I happen to have an almost sentimental attachment to their song “Reminiscing.” There, now I’m on record as an LRB fan…more confessions. The Rock Chick admitted to me this morning, for the first time in our marriage, that she saw Molly Hatchet in concert but doesn’t remember much of it… We’ve all been there (The 10 Concerts I Should Have Skipped). I’m still trying to wrap my head around her being at a Molly Hatchet concert but that’s my issue to contend with.

We’ve all made those musical mistakes. You’re standing in the record store and you have Pat Benetar’s Precious Time in your left hand and Beggars Banquet in your right hand and you end up leaving the store with the Benetar “saving” the Stones’ classic for another day. That is sadly based on a true story. Sigh. Not that there’s anything wrong with Pat Benetar but I didn’t buy Beggars Banquet until I was in college, years later (and I’m the Stones freak?).  We all have albums that we’re perhaps embarrassed about now. Maybe the album is “of its time” so to speak. I actually had a Bryan Adams record (Reckless) for a long time that I bought in the 80s. Or perhaps a relationship or friendship led you to a bad choice. I had a TLC’s CrazySexyCool for a while based on the recommendation of an adamant squeeze I had back in the day. Not every woman I dated had the Rock Chick’s impeccable taste in music.

For the most part, as a “serious” collector I’ve culled through my collection and weeded out the outliers. I try to keep everything, vinyl or CD, that I’ve ever owned but being married has forced me to thin the herd. Every time we move I find myself selling at the Used Record store vs buying… although I’m usually a sucker for that “store credit” gambit. I sell off a certain number of albums and come home with a few new ones… it’s just the circle of life. Being cooped up at home these last few nights has sent me looking through my vinyl collection yet again. I discovered a few albums that, I must confess, I just love but have less than stellar reputations. Either the critics were “meh,” or fans didn’t buy the albums but I did. Since I only write about stuff I like – God knows there’s enough negative bullshit in the world – I am often accused of being a tad “over positive” about certain artists and albums. I have to tell you, I’ve really enjoyed listening to these albums over the last few nights. These just might be albums that need a reappraisal. I asked the Rock Chick if she had any albums she loved and no one else did and she said, “I love Oasis and let’s face it nobody but me and (her friend) Rich likes them.” Rich is the one who always asks me at parties I throw to “put on some Oasis.” Although oddly, on those occasions I’ve been at his house, he never seems to play Oasis.

While only one of these albums is truly embarrassing, the rest are solid if not spectacular as some of the entries in the respective artists’ catalogs. Not every album can be Every Picture Tells A Story or Who’s Next. If you’re a career type of artist – one worthy of following an entire catalog – there will be ebbs and flows, peaks and valleys. Since nobody is really going anywhere for a while, put one of these on and dig a little deeper into the catalogs of these great artists. We all have guilty pleasures… these are mine.

  1. The Who, Face Dances -I will always be fond of this, my first Who album. “You Better You Bet” was huge on radio and I bought this record on the spot. With Kenny Jones (formerly of the Faces) on drums and Townsend’s guitar seemingly missing this doesn’t really sound like anything that came before it but I still love this album. “Another Tricky Day” is the perfect antidote for today. “Daily Records” is the nicest statement of purpose in all of rock and roll. “How Can You Do It Alone” about masturbating is funny. The Entwistle songs, “You” and “The Quiet One” both rock with that Who grit. There’s a lot to like here.
  2. Fleetwood Mac, Mirage – Sure, this was a pretty good seller, but after the epic success of Rumours and wild experimentation of Tusk this album seems like a retreat. I am drawn to the melodies and harmonies on this record. Stevie Nicks’ tracks are the gold, from the hit “Gypsy” to the country-rock of “That’s Alright” to the shimmery, sexy track “Straight Back” she could do no wrong. While none of the Buckingham tracks were “hits” I really like a lot of what he’s doing here on tracks like “Empire State,” and “Oh, Diane.” It’s a quiet little pleasure.
  3. The Rolling Stones, Black And Blue – This is basically a recording of the auditions being held for Mick Taylor’s replacement. While many guitarists tried out for the Stones – Peter Frampton, Jeff Beck amongst others – they finally settled on Ronnie Wood. This album is criticized for being a bunch of jams and reggae stuff but that’s what I like about it. The two ballads, the only tracks that required them to actually write a song, are two of my favorite Stones’ deep tracks – “Fool To Cry” and especially “Memory Motel.” In college a friend asked me if this album was any good and I said, no. I would amend that answer to yes, if your expectations for another Exile On Main Street are properly leveled. This is a fun record and “Hand of Fate” is an awesome rock song I’d love to hear live.
  4. Rush, Caress of Steel – I don’t know why this album doesn’t get more love. It’s really the precursor of 2112. All of side 2 is one track, “The Fountain of Lamneth.” It’s a fabulous epic. My all time favorite Rush deep track ends side one, “The Necromancer.” I can’t tell you how many times I’ve quoted that song…”weakening the body and saddening the mind.” The playing is impeccable. “Bastille Day” became a mainstay of their live act. This is a great Rush album that the critics savaged.
  5. Led Zeppelin, In Through The Out Door – It had been almost three years since Zeppelin had put out Presence and in that time my rock and roll awakening had occurred. I already owned Led Zeppelin II and IV (or Runes) and was eager to hear new, contemporary Zeppelin. The record industry was pinning its hopes on this album and Tusk to bolster lackluster sales. I think a lot of people were disappointed in this record but I wasn’t. Presence was such a heavy album – really shepherded by Bonham and Page – but both of those guys were in the serious throes of addiction by the time they recorded In Through the Out Door that Plant and Jones took over. The result was a mellower, more synth/keyboard oriented album. “In The Evening” is one of my all time Zep favorites. “Fool In The Rain” showcases Bonham’s still formidable drumming. I love the bluesy last track, “I’m Gonna Crawl.” God knows where they could have gone from this… alas.
  6. Rod Stewart, Blondes Have More Fun – Ok, I’m embarrassed I still like this album. I actually sold the vinyl, thus was my shame. But then I bought it again on CD. It’s a truly guilty, guilty pleasure. It’s Rod’s disco album, the record that burned the bridges with his old fanbase. I didn’t buy it for the disco camp of “Da Ya Think I’m Sexy.” I liked “Ain’t Love a Bitch,” I was always a sucker for ballads. “Dirty Weekend” and the title track are Chuck Berry/Rolling Stone riff rockers. I dig Rod. This is my big confession today.
  7. Jackson Browne, Lives In The Balance – After the failure of Lawyers In Love, Browne decided to get deadly serious about politics. Set that aside, these are great songs. “For America” remains a favorite of mine. The title track, “Soldiers of Plenty,” and “Lawless Avenues” all sound like dispatches from the nightly news set to guitar. The one intimate love song, “In The Shape of a Heart” is one of Browne’s most endearing songs. This isn’t for everyone, it kind of depends on your political feelings…
  8. Eric Clapton, Behind The Sun – People will shudder when I say Phil Collins produced this album. Well, he did the initial sessions but the record company rejected it. They brought in some songwriters and Ted Templeman to shore it up. That troubled history sounds like a disaster, but I dug this record. “Forever Man” remains a huge favorite. “Tangled In Love” is a great rock tune. “Same Old Blues” is an epic at over 8 minutes long. I even like the cover of “Knock On Wood.” Blasphemy? Perhaps.
  9. Neil Young & The Bluenotes, This Note’s For You – The 80s were terrible for Neil Young. He first showed signs of creative life on 1987’s Life with Crazy Horse. Then he did a 180 and put out a horn driven blues album. The blues has always been a great showcase for guitar and I love Neil’s playing on this album. I even bought the live album of this tour, put out 30 year later (Review: Neil Young, “Bluenote Cafe” (Live)). “One Thing” is the ultimate breakup song. “Married Man” is a funny upbeat track. Whether he’s playing a mellow, sad blues or a horn-drive rave up, this is a fun record. The blues will always win out for me.
  10. Roger Waters, Radio K.A.O.S. – My college roommate Drew and I may be the only two people in the world who bought this album. I really dug the title track. Clapton plays guitar on this album and joined the tour as well. If you ignore the bizarre narrative, you can really get into songs like, my favorite, “Who Needs Information,” or “Home.”
  11. Queen, A Kind Of Magic – My college roomies and I were big fans of the Sci-Fi thriller, ‘Highlander.’ This is basically the soundtrack to that film with the addition of “One Vision” which I think was from anther movie. Queen was on the downturn in America, but this is a bunch of great music. “Who Wants to Live Forever” is a great ballad. The production is very much “of its time” but this was the first sign Queen would come back from Hot Space. 
  12. CSNY, American Dream – Neil Young committed to CSN that he’d record another album with them, the first since the live album Four Way Street, if Crosby could get clean. After the much publicized police chase and incarceration, Crosby emerged clean. The bill came due for Neil. People’s expectations were for Deja Vu 2.0 and yes, this album disappoints from that perspective. I loved the title track and bought the album. Crosby’s “Compass” is a wonderful, confessional track. I love Stills and Young working together and have since the Buffalo Springfield. They spark up a little guitar battle in “Drivin’ Thunder.” Stills shines for me on “Glad That You Got It Made.” Graham Nash’s “Never Say Goodbye” is a tune that used to make me mist up. It’s gorgeous.

I get that many of these might not be your cup of tea. You never know… you might discover something you like in this pile of records. If there are “guilty pleasure” albums for you out there, let me know what they are in the comments as I may want to check those out. I’m open to anything during this time of social distancing!

Stay safe and healthy out there! And remember, as the Who sang, “this (really) is no social crisis…this is you having fun” listening to music.

 

B&V’s Pandemic Playlist – Rock n Roll To The Self-Isolation Rescue

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“The sun has to shine on my guitar someday” – Derek & the Dominos, “Got To Get Better In A Little While”

Has 2020 been a drag or what? Well, except for the little matter of the Kansas City Chiefs winning the Super Bowl for the first time in fifty years. I can literally say I’ve been waiting for that to happen my whole life. But other than the small percentage of the population who were excited by the Chiefs victory, for everyone else it’s been a real drag of a year. Everything is cancelled. Bars and restaurants are closed. Californians have been ordered to “shelter in place,” an order usually reserved for the aftermath of earthquakes. While I’m not under any order to stay at home like in California, I can say that all work travel – a key component of my job (Thoughts From The Traveling Salesman And A B&V Playlist: Hanging On The Telephone) – has been cancelled by corporate. My email in-box is virtually empty. Needless to say, it’s quiet out there… too quiet.

Like many of you out there, I’ve gone into “self-quarantine.” I am practicing what the new nomenclature is calling “self-isolation.” I’m just thrilled I got type the word “nomenclature.” Anyway, I should be good at self-isolation, it’s how you could describe dating in my twenties… although that wasn’t entirely voluntary on my part. But like those days I have, as Styx once sang, “too much time on my hands.” Luckily I’m not all alone. I can only imagine what those of you who live alone out there in this time of social distancing are going through. I imagine there are a lot of people talking to their plants and their pets. I am here sequestered with the Rock Chick, which helps a lot. Well, it helps me a lot. I couldn’t help but notice at dinner last night, after six days of fierce “togetherness” that at a few times during our discussion her hand hesitated over her steak knife just a few seconds too long… I’m not sure why there were steak knives on the table, we were eating salads. Am I in danger? Probably. I wouldn’t want to be locked away with me for weeks at a time.

Every time I cough I think, “COVID… is that you? You finally found me… I knew this day would come.” I find myself asking the Rock Chick if she thinks I have a fever every couple of hours. My daughter was home last weekend. We actually went out to dinner Friday night… and then hit a jazz club for an hour. Since everything around St Patrick’s Day (the only religious holiday I still observe) were cancelled, we did a little pub crawl of our own last Saturday. All of that social interaction looks insane now, like a crime spree. Fortunately nobody in my world is ill with the virus or any other cold and flu. For those of you out there who are sick, my thoughts are with you. Fingers crossed on a quick recovery.

I’ve never seen anything like this. While many of us are complaining about the loneliness of this isolation, we should just be thanking our lucky stars we’re still healthy. I’ve never seen so much confusion and added anxiety in society due to the lack of preparation or crisis management skills at the top. I’m still confused as to why people are hoarding toilet paper. It’s like having the stomach flu and hoarding throat lozenges. As a man whose pretty regular, I’m starting to get nervous. I can see rationing here at the house coming soon… Toilet paper may become the new currency in the post-apocalyptic world we may find ourselves in. Sadly, in that vision of the world, I may be broke.

I have to say a big thank you to all doctors, nurses and medical personnel out there. They’re on the front lines of this battle and I thank heaven they are. As a person who spends a lot of time in bars, restaurants, and live music clubs I am deeply concerned about all of the bartenders, waitresses, cooks and others who work there. Many of those people rely on tips to pay their rent and generally have no health care. I worry about smaller, local band who rely on shows to stay alive. Please keep those folks in your mind when you’re thinking about charity and donations. We’ve got to keep those folks afloat. It’s a dark time and we can only beat crap like this if we stick together. If you haven’t talked to an old friend – pick up the phone. If you know someone whose all alone, Skype them. Reach out, it’s more important than ever. I realize phone calls are, “primal” now…but let’s get back to that. I have found, like a t-shirt I have says, “whiskey helps.” Or, as a woman yelled at me from a car when I was on vacation with that shirt on, “So does vodka.” I do believe this will get better… this will pass.

With all the aforementioned time on my hands, besides worrying about the sick or the out of work, my thoughts turned to, yes, rock and roll. Music has not only accompanied the happy times in my life, it’s helped get me through a lot of the dark times. I started thinking about “end of the world,” sickness, isolation and doctors – happy thoughts, right? I started collecting songs and suddenly I realized I had a playlist. The original meaning of some of these songs might not actually fit a pandemic, but for our purposes of helping kill two-and-a-half hours, they work just fine. I am not, in any way, trying to minimize the outbreak or to make fun of it. I’m just trying to entertain. This is the most serious health challenge I’ve seen in my lifetime.

This playlist could have lasted several days instead of several hours but these are the tracks I latched onto. As always if you have suggestions on adds, please put them in the comments section and I’ll add them to the Spotify playlist, “BourbonAndVinyl.net Pandemic Playlist.” See the link, below.

  1. The Rolling Stones, “Gimme Shelter” – One of the Stones greatest tracks which invokes a real sense of danger and menace. Perfect for these times.
  2. Talking Heads, “This Must Be the Place (Naive Melody)” – “Home… is where I want to be…” Clearly being ironic as we’re all stuck at home.
  3. Jack White, “Alone In My Home” – Many are… if you know someone, call them.
  4. Prince, “1999” – If it’s the end of the world, lets make it a party.
  5. Cinderella, “Sick For The Cure” – Great song about wanting to be free, which many of you who have been cooped up may relate to.
  6. Iggy Pop, “Sickness” – I hope none of you or your loved ones face this.
  7. Queen, “Keep Yourself Alive” – Yes, please do people.
  8. Van Halen, “Somebody Get Me a Doctor” – Hopefully you’re not a hypochondriac like me who walks around yelling this randomly.
  9. The White Stripes, “The Nurse” – Toughest job in the world.
  10. The Rolling Stones, “Dear Doctor” – A song about heartbreak, of which there is plenty connected to this thing.
  11. Pete Townshend, “Exquisitely Bored” – A song about being stuck in rehab but aren’t we all stuck right now?
  12. David & David, “Being Alone Together” – I’m lucky to have the Rock Chick here with me… she’s not so lucky.
  13. The Clash, “Armigideon Time” – The Clash doing a reggae cover about the end of the world.
  14. Lindsey Buckingham, “End of Time” – A pretty little ditty about the end.
  15. The Police, “Don’t Stand So Close To Me” – Seriously, six feet apart folks.
  16. Robert Palmer, “Bad Case of Loving You (Doctor, Doctor)” – Hopefully none of you have a case of anything.
  17. John Lennon/Plastic Ono Band, “Isolation” – Even if it’s self-isolation, it’s isolation.
  18. Alice In Chains, “Sickman” – A little heavy rock to keep this moving.
  19. Aerosmith, “Livin’ On the Edge” – We certainly are. We need to be more thoughtful about the leaders we elect around here, people.
  20. Pink Floyd, “Empty Spaces” – A bit of connective tissue from The Wall. It seemed to fit as we’re all basically separated right now.
  21. The Rolling Stones, “Doom and Gloom” – “All I hear is doom and gloom…” Indeed.
  22. John Hiatt, “Alone In the Dark” – Many are… keep them in your thoughts. Use your phone.
  23. The Beach Boys, “In My Room” – Where I’m spending my time these days. This is one of the few songs by the Beach Boys I can stand to listen to.
  24. Ray Charles (*I had to sub in Humble Pie’s version, Ray’s isn’t on Spotify), “I Don’t Need No Doctor” – One of Brother Ray’s best tracks. Rocked out to its max by Humble Pie. And, I hope you don’t need a Dr.
  25. The Police, “When the World Is Running Down” – It certainly is running down…
  26. Little Feat, “Rock And Roll Doctor” – That’s us here at B&V, serving as your rock n roll doctor!!
  27. Warren Zevon, “Splendid Isolation” – Yes, some of us enjoy being alone.
  28. Iggy Pop, “Isolation” – I hope some of you come out of this as Iggy Pop fans. While you’ve got time, explore the fringes of rock and roll, why not?
  29. Black Crowes, “Hotel Illness” – The lyric, “This room smells like Hotel Illness” could very well describe my home office. I spend too much time up here.
  30. Pearl Jam, “Alone” – Great B-side.
  31. Bob Dylan, “You Ain’t Goin’ Nowhere” – Well, if you’re smart you’re not going anywhere.
  32. U2, “Until The End of the World” – Let’s hope it’s not…
  33. R.E.M., “It’s the End of the World As We Know It” – Although, it may very well be…might as well rock out.
  34. Aerosmith, “Sick As A Dog” – “Cat got your tongue?”
  35. Jackson Browne, “Doctor My Eyes” – I forget how kick ass Jackson Browne’s early music is…
  36. Starcrawler, “Home Alone” – Again, I hope you’re not alone right now… But I have to ask… what is she doing while all alone?
  37. The Rolling Stones, “Rock And A Hard Place” – While we find ourselves between the two places in the title, we can get through this. I know my friend Doug will say, “too many Stones tracks…” but I love the Stones.
  38. The Cult, “Stand Alone” – We may be alone, but we will stand up against this bullshit.
  39. Journey, “When You’re Alone (It Ain’t Easy)” – No it’s not, but hang in there, this too shall pass.
  40. George Harrison, “All Things Must Pass” – Even this will pass.
  41. Derek & the Dominos, “Got To Get Better In A Little While” – This thing may last longer than we think, but it will get better. It’s got to.
  42. Warren Zevon, “Don’t Let Us Get Sick” – Ending with this hymn from Warren. And yes, please don’t let us get sick. None of you.

Stay healthy, stay isolated and be careful out there. I can see all the different countries where my readers come from. It’s fun to look at the map and think people on the other side of the globe are reading this… so I mean it when I say this – wherever you are – I hope you stay healthy and safe. This will get better if we all do our part. I hate the idea of social distancing but you can still be social with all the technology available to us. Take care to stay way from the elderly. Take care of everybody.

Cheers!

Editor’s Note: It dawned on me after I posted this that I’d forgotten some great songs that fit the theme:

  1. The Police, “Message In A Bottle”
  2. Bruce Springsteen, “The Fever”
  3. Elvis Presley, “Fever”
  4. Judas Priest, “Fever”
  5. James Brown, “Cold Sweat”