B&V Playlist: Beatles vs Stones Covers? No, Our Favorite Beatles AND Stones Covers!

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*Image of Jagger, Wyman & the McCartneys (and unidentified groovy chicks) taken from the internet, and likely subject to copyright

The world has become a really divisive place. Whatever the issue, there always seems to be disagreement these days. Politics, don’t get me started. Religion, I’m not qualified to talk about. For every opinion in the universe there exists an equally strong, opposite one. Meat eaters vs the vegans, hedonists vs the devout, drinkers vs the sober, and I could go on and on. I believe it was Sir Isaac Newton, that groovy cat with the apple and gravity, who stated in his Third Law, that for every action there is an equal, opposite reaction. For example, I would like to quit my job and sit around listening to rock and roll records all day. Perhaps I would occasionally take a break from that strenuous activity to head down to the used record store to check out some additional vinyl, only to return home and hang out. My wife has the opposite reaction to this idea and wants to work me like one of the old mules from the farm she grew up on until I collapse. Marriage, it seems, like life is a compromise.

However, we shouldn’t pretend that these disagreements are a new and modern convention. I remember, as a child in the 70s, there were similar fault lines amongst the population. I remember there was a fierce, Superman vs Batman thing. You were either a fan of the man from Krypton or you were on team Caped Crusader, and you couldn’t dig both. Me, I was a Batman fan. Ironically I later roomed with a guy whose nickname was Batman. We’d get crank calls in the middle of the night from his friends asking for Batman… When I’d say he wasn’t home they’d ask to leave a message from the Joker, or Commissionor Gordon. Real fuckin’ funny guys at 3 am. I think which Super Hero you dug said a lot about your personality. You were either the ideal of virtue and the perfect man or you were a troubled guy who hung out late at night looking for bad situations. Hmmm.

Anyway, one of the fiercer battles in the old days revolved around the Beatles and the Stones. The Beatles were huge. They were, well, the Beatles. In the late sixties the Stones began to get tagged with the nickname, “The Greatest Rock & Roll Band in the World.” I don’t know if it was the nickname, but suddenly the debate was real. The feud began even before Led Zeppelin came along, so all you Zep fans, stay calm and keep reading. There was suddenly a Superman-Batman type of line drawn. You were either a Beatles fan or you were a Stones fan and never shall the twain meet, as they say. It was the 60s version of East Coast vs West Coast, without the guns. Lennon claimed once that everything the Beatles did the Stones would do six months later. While you might cite Their Satanic Majesties, the Stones ill-fated trip into psychedelic music (after the Beatles Sgt Pepper album) as proof, I think after that the Stones forged their own bluesy, rootsy road.

But once a feud always a feud. I have often thought of my brother and I as polar opposites, which isn’t true, but we all have stories we tell ourselves about our families. My brother, who got into music way before me was a solid Beatles guy. He had the Rolling Stones’ Hot Rocks, perhaps the best “greatest hits” package ever released, but he had every Beatles album out there. I think he had UK and US versions of each album, although I could be wrong about that. I bet he’s sitting on a stack of very valuable vinyl. Anyway, my first love, of course, was the Rolling Stones. I can’t say that fueled any tension between he and I, but I’m sure it didn’t help.

Eventually, I realized feuds were silly. I like both the Beatles and the Stones. They’d both be on my greatest bands of all time list… although the Stones will always be #1 for me. That doesn’t mean I can’t love the Beatles too. Hell, Keith Richards once said, about John Lennon, that he wasn’t as “hen-pecked” by Yoko in his latter days as people say… he said whenever the Stones were in New York he and Lennon would party their ass off. Now that’s something I wish I’d have gotten in on. How much fun would that be? Lennon, Richards, I wanna party with you guys. Alas, I was just a kid in junior high school.

I was noodling around with some playlist ideas and I came across the idea of doing a playlist of Stones covers, of which there are too few. Then I started thinking of doing a list of covers of Beatles tunes, of which there are myriad artists to choose from. I was thinking of battling playlists, this could potentially be a B&V thing. But then a weird thing happened. I combined the two playlists and frankly I really enjoyed the results. Since it’s a slow time musically right now, I thought I’d share it with all of you. This is not a comprehensive or complete list of Beatles or Stones cover songs, it’s just a list of my favorites. As always you can find this playlist on Spotify by searching on kcorsini64 or BourbonAndVinyl (at least I sure hope so). Enjoy… and if you have any additions you think I missed, please mention them in the comments and I’ll add to the Spotify list. My comments on each tune below this link. And I’ll say again, there are always more Beatles covers than Stones covers… oh, well.

  1. Aerosmith, “Come Together” – What a great place to start. Lets all come together over the Beatles and the Stones.
  2. Black Keys, “She Said, She Said” – I love this song. I never figured the Keys to cover the Beatles but they do so beautifully.
  3. Peter Frampton, “Jumpin’ Jack Flash” – I like the live version and the studio version.
  4. Linda Ronstadt, “Tumbling Dice” – My favorite song of hers, save anything she covered by Warren Zevon or Lowell George.
  5. David Bowie, “Let’s Spend The Night Together” – Bowie’s frenetic take on the classic Stones track.
  6. Soundgarden, “Everybodys’ Got Something To Hide (Except Me and My Monkey) – God do we miss Chris Cornell.
  7. Fiona Apple, “Across the Universe” – Great track from a soundtrack. A track also nicely done by Bowie… but he’s already on here.
  8. Phil Collins, “Tomorrow Never Knows” – Say what you want about Collins but it took some real balls to cover this song.
  9. Montrose, “Connection” – Great, slowed down version of the Stones track.
  10. Cheap Trick, “Magical Mystery Tour” – Was any band more influenced by the Beatles than Cheap Trick? Well, besides ELO?
  11. Billy Joel, “A Hard Days Night (Live)” – Ok, maybe Joel was as influenced by the Beatles as Cheap Trick. It’s probably a coin toss.
  12. Social Distortion, “Backstreet Girl” – Social D doing a a down and dirty Stones cover. Whats not to love?
  13. Siouxsie And The Banshees, “Dear Prudence” – I almost like this version more than the Beatles original.
  14. Joe Cocker, “A Little Help From My Friends” – This one was a huge hit for Joe.
  15. The Allman Brothers Band, “Heart of Stone” – From their last studio album.
  16. U2, “Paint It Black” – One of their best covers!
  17. Lindsey Buckingham, “She Smiled Sweetly” – Buckingham recreates a whole band just plucking an acoustic guitar.
  18. Johnny Winter, “Stray Cat Blues” – A lot of blues guys cover the Stones.
  19. Motley Crue, “Helter Skelter” – A lot of folks have done this one, but this is my nasty favorite.
  20. Ray Charles, “Eleanor Rigby” – Also done beautifully by Aretha.
  21. Aerosmith, “I’m Down” – Great track from Permanent Vacation. 
  22. Billy Joel, “I’ll Cry Instead (Live) – Like I said, he rivals Cheap Trick in his love of the Beatles.
  23. Luther Allison, “You Can’t Always Get What You Want” – Obscure blues track but I love it.
  24. Guns N Roses, “Sympathy For the Devil” – From the ‘Interview With A Vampire’ soundtrack, believe it or not. This was the best thing to come out of that movie.
  25. The Who, “Under My Thumb” – Yep, the Who covering the Stones…worlds collide.
  26. Otis Redding, “Satisfaction” – The Rock Chick always laughs at me when I play this. I think it’s all the horns. Otis was soulful…
  27. Elton John, “Lucy In the Sky With Diamonds” – As a youngster I liked this track better than the original. What fools these mortals be…
  28. CSNY, “Blackbird” – Love the version on CSNY 1974. Stills takes the lead vocals, but those harmonies kick in, oh, man!
  29. Rod Stewart, “Get Back” – An outtake from the Tonight’s the Night album.
  30. Taj Mahal, “Honky Tonk Woman” – Stripped down to vocals, acoustic guitar, and harmonica, it’s like a porch blues jam.
  31. Tom Petty, “Taxman” – Petty covering his friend George.
  32. Cheap Trick, “Day Tripper” – They do the Beatles rockier stuff so well.
  33. Rage Against the Machine, “Street Fighting Man” – I chose this version to show the diversity of groups who cover these two bands.
  34. Dhani Harrison, Prince, Tom Petty, Jeff Lynne, “While My Guitar Gently Weeps” – From the Rock Hall of Fame ceremonies… Prince’s guitar solo is on fire. If you’ve seen the video, the other guys just stand there with their jaws dropped as Prince shreds… If Clapton was there I trust he snuck out quickly.

I may have dug deeper in some areas than most folks would have expected. I may have dug a little too shallow in other areas. But in the end, my Spotify playlists are for anybody whose interested. I add songs from the comments suggestions to the playlist all the time. Enjoy and I hope you all find this as an enjoyable a listen as I did! Beatles + Stones… Peace and Love, baby!

 

 

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B&V’s Favorite Cover Albums: Singing Other People’s Songs

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“You took the words right out of my mouth…” – Meatloaf

I read on-line the other day that Paul Simon has an album, In The Blue Light, coming out in September. It’s yet another artist who is teeing up a new album for next month. It’s going to be a busy September down in the B&V Labs. I look forward to sipping a nice Buffalo Trace, enjoying the slow fade of summer and the sweet decay of autumn with all this new rock and roll. I’ll be watching football in my underwear, tumbler in hand, with the volume muted and cranking tunes all month. The Rock Chick will likely travel to points west to escape that torture… The fact that Paul Simon was putting out an album caught my eye. It’s only been two years since his last album, the wonderful Stranger To Stranger Review (Full LP): Paul Simon’s “Stranger To Stranger”. Simon typically takes half a decade between studio albums so this seemed awfully quick for him. A little further digging and I realized that Simon is revisiting some of his more obscure tracks from his back catalog and redoing them on the new LP. I saw he’s even re-cutting “One Man’s Ceiling Is Another Man’s Floor.”

I have to admit to being a tad surprised by all of this Paul Simon news. I have seen artists revisit songs before, but never an entire album of their past material. Artists typically want to move forward creatively. Sting likes to go back and redo Police tracks, like “Shadows In The Rain.” Phil Collins redid “Behind The Lines,” a Genesis track, on his debut album. Yes, Phil Collins… don’t give me any shit, everybody had that first album because of “In The Air Tonight.” Robert Plant went back to a Page-Plant track, “Please Read The Letter” and redid it with Alison Krauss and frankly, I liked that version better. Sometimes a song just isn’t done. There are different ways to approach a song and sometimes a reassessment, or if you will, a look back is worth taking and the results can be more satisfying. Keith Richards always says that Stones tunes are never really finished in the studio, and they always continue to evolve on the road.

All of this got me thinking about cover songs. A cover song is where an artist, usually an established artist, sings/performs a song written by another artist. Think of a cover song as a two-for-one…you get a taste of both the performer and the original artist. Often times the artist doing the cover finds something in the song that the writer/original performer might have missed. Think, “Hallelujah” by Jeff Buckley versus Leonard Cohen’s original version (although I prefer Cohen’s version, the rest of the planet dug the Buckley version). Or perhaps Aretha Franklin’s version of “Respect” which is definitive, instead of Otis Redding’s original. Most artists do prefer to write their own stuff. Typically every band/artist starts as a cover artist… every bar band I’ve ever seen typically does other people’s stuff until they can establish their own music. If an established artist chooses to do cover songs, they typically limit it to one or two tracks on an album. However, there are a number of cases where an artist does an entire album of cover songs, or as I like to call it, a “covers albums.” Unlike Paul Simon, these cover albums tend to cover other artists, not the artist’s own back catalog, but Paul Simon gonna Paul Simon.

Over the years I think the cover album has gotten a bad reputation. The reaction from fans usually runs along the lines of questioning whether the band has run out of ideas. Is the band getting lazy? Sometimes the cover album is considered a contract filler, much like some of the lesser live albums out there tend to be. Cut a covers album, hand it in to the record company to fulfill the specified number of albums in the contract and sign a new deal. And I’ll be the first to admit, there have been some really bad covers albums. The Band, who weren’t getting along, and couldn’t really function put out Moondog Matinee in an attempt to recapture their early, bar-band days. They missed the mark pretty widely… Although I dug their version of “Mystery Train.” Annie Lennox’s Medusa left me stone cold, and I love her voice. And, while most people would disagree with me, I loathed Springsteen’s album, We Shall Overcome: The Seeger Sessions. I can’t even listen to that record and I think everybody knows I’m a Springsteen fanatic.

All that aside, when the right artist is paired with the right material, a covers album can be something quite special. I think the following records are examples of those rare occasions where the artist chose material that was perfect for them. Whether it’s an artist returning to the roots music that originally turned them on or the artist’s take on some of their contemporaries tracks, there are plenty of examples of great covers albums. These are my favorites.

  1. Aerosmith, Honkin’ On Bobo – Arriving three years after the over-produced Just Push Play, this album was a welcome return to Aerosmith’s sleazy, bloozy, early sound. It was touted as a blues covers album but it’s more like covers of songs by groups who covered the blues… but I’m splitting hairs here. Aretha’s “I Never Loved A Girl,” “Baby Please Don’t Go” and a rockin’ version of “Road Runner” are some of the highlights. I haven’t been a fan of much that Aerosmith has done since Permanent Vacation, but this one is a fun record.
  2. Gregg Allman, Low Country Blues and Southern Blood – Gregg’s 2011 LP, Low Country Blues was a T. Bone Burnett produced blues album that I just loved. It’s the perfect pairing of material and artist. Gregg was made to sing the blues. His 2017 follow up, Southern Blood was supposed to feature all new material, but alas, Allman was overcome by cancer. Both of these albums were late career gems… My thoughts on the latter, LP Review: Gregg Allman, ‘Southern Blood’: A “Brother’s” Beautiful Farewell.
  3. Billie Joe Armstrong & Norah Jones, Foreverly- Billie Joe Armstrong heard an old Everly Brother’s album, Songs Our Daddy Taught Us, a covers album the Everly’s did after they got famous. As a master stroke he brought in Norah Jones to sing the harmony vocal that Phil sang. I love “Roving Gambler,” “Silver Haired Daddy of Mine,” and of course, the old standard “Barbara Allen.” This is a quiet, laid back, rootsy treat.
  4. David Bowie, Pin-Ups – This album was considered at the time to be Bowie in a holding pattern. It’s basically Bowie doing a bunch of late-60s blues based covers. He also does a Springsteen track, “Growin’ Up” and an early Syd Barret Pink Floyd track, “See Emily Play.” I love the song selection and Bowie rocks on this album.
  5. Johnny Cash, American Recordings – Rick Rubin pulled Johnny Cash out of career oblivion and exile to record this fabulous set of covers, including songs by Danzig, Tom Waits and Leonard Cohen. It still sends chills up my spine to hear The Man In Black return. His follow-up, cut with Tom Petty and the Heartbreakers, was another gem, Unchained. If you dig those albums, I also highly recommend the box set of out-takes, Unearthed, that has some mind blowing stuff including Cash singing Neil Young’s “Heart of Gold” backed by the Chili Peppers (sans Anthony Kiedis). This is essential listening.
  6. Eric Clapton, From The Cradle – Clapton returning to where it all began for him, the blues. The critics suggested he was a tad too reverent on some of these blues chestnuts, but who wouldn’t be reverent with a song like “Hoochie Coochie Man,” a track written by Willie Dixon and first done by Muddy Waters? Clapton sounds more engaged on this record than anything he’s done since Layla.
  7. Bob Dylan, Shadows In the Night – The world’s greatest song writer doing covers from the great American songbook that are all related in some way to Frank Sinatra? This should be a disaster but it just works. He went on to record four more discs worth of these covers,which like Rod, was overdoing it. I still love this one though…
  8. The Hindu Love Gods, The Hindu Love Gods – R.E.M. (sand Michael Stipe) backed Warren Zevon on his album, Sentimental Hygiene. They had some extra studio time and decided to bang out this grab bag of covers. They’re mostly old blues or country standards but he also did “Raspberry Beret” which became a surprise hit. I don’t think this music was ever supposed to see the light of day and it’s release soured Zevon’s relationship with R.E.M., which is too bad because this is a great record.
  9. Alison Krauss & Robert Plant, Raising Sand – Another T. Bone Burnett produced gem. T. Bone paired Plant and Krauss at a benefit and Plant was so enthused by the harmonizing, they decided to cut an album. I always wished they’d come back in and recorded some original stuff, but this covers album is super. Oh, and I think it won a Grammy or two.
  10. John Lennon, Rock ‘N’ Roll – Lennon returning to the music of his youth, the music that turned him onto rock n roll in the first place. This music is so joyful. I think people were put off by this album when it came out, but I think it’s aged very well. Lennon owns “Stand By Me.”
  11. Paul McCartney, Run Devil Run – Dylan always returns to folk music in troubled times… McCartney always seems to return to the music of his youth, early rock n roll when he’s facing tough times. This was the first album he cut after the loss of his beloved wife Linda. David Gilmour plays guitar. What’s amazing are the three originals McCartney penned sound like oldies… I didn’t realized he’d written them until later.
  12. Metallica, Garage, Inc. – This started as a five song cassette tape and evolved into a sprawling two disc opus. They cover a lot of early British heavy metal from bands I’d never heard of. They also do a great job on Thin Lizzy’s “Whiskey In a Jar.” They even throw in “Turn the Page” by Seger and “Tuesday’s Gone” by Skynyrd for good measure. Wild, heavy good times.
  13. Harry Nilsson, Nilsson Sings Newman – Harry Nilsson’s voice was one of the most amazing of the 70s singer/songwriter genre. He was, to put it lightly, eccentric. He was a huge fan of Randy Newman, also a tad idiosyncratic. Harry did Randy’s “Simon Smith and the Amazing Dancing Bear” and became so enamored with Newman he did a whole album of his songs. Harry is largely credited with breaking Newman to the rest of the world. I love this record. The vocal overdubs are the thing of legend.
  14. Robert Plant, Dreamland – After pairing with his old guitarist for the Page & Plant albums and tours, Plant re-emerged as a solo artist with a covers album of old blues tracks and sixties songs he liked/admired. Dylan’s “One More Cup of Coffee” sounds like it was written for Plant. I love his take on “Hey Joe,” which has more in common with the original than Hendrix’s cover version. “Darkness Darkness” and “Morning Dew” are definitive here. I also saw Plant on this tour and his voice was sublime.
  15. Rage Against the Machine, Renegades – Rick Rubin pushing a band to do covers, who’d have thought? At least this wasn’t his usual acoustic approach. Tom Morello’s guitar dive bombs through Zach de la Rocha’s vocals on some great tracks from “The Ghost of Tom Joad” (Springsteen), to “Maggie’s Farm” (Dylan) to “Down On The Streets” (Iggy & The Stooges). RATM never did a bad album.
  16. The Rolling Stones, Blue & Lonesome – The Stones going back to their blues roots… It’s like hearing them in London at the Marquee Club in 1965. This album was, again, the perfect pairing of artist and material. This is essential listening for Stones fans, blues fans and fans of rock n roll. I would recommend their album, On Air, a compilation of live takes from their early days on the BBC, as a companion piece. My thoughts on Blue & Lonesome, LP Review: The Rolling Stones, The Superb “Blue And Lonesome” – They Come Full Circle and On Air, LP Review: The Rolling Stones, ‘On Air’ – An Exciting Look Back To The Early BBC Performances.
  17. Bob Seger, Smokin’ O.P.s – The title purportedly was supposed to mean “smokin’ other people’s songs.” Seger takes on oldies, “Bo Diddley” to takes on contemporaries, Stephen Stills “Love The One Your With,” and Tim Rice’s “If I Were a Carpenter.” This is an upbeat rocking album, and a must for fans of Seger’s rockier stuff.

That’s it folks! If I missed an album of covers by an artist you know and love, let me know in the comments. I recommend everybody check out or buy these albums. If you’re thinking there’s a lot to love here, well, “you took the words right out of my mouth…”

 

 

Humor: The Helena, AR Town Hall Meeting & Playlist: The B&V Favorite Dylan Covers

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 A long time ago, in a galaxy far away, I let myself be talked into moving to Arkansas. I was just out of college and the economy was kind of crappy… let’s just say not much was “trickling down” my way. Upon graduating I took a job for a large corporation in Fort Smith, Arkansas – sight unseen. They offered me the chance to go down and check it out before moving there but I just blindly said, “yes, I’ll take the job.” If I had gone down to check the place out, there is no way in Hell I would have moved there (Sorry, Arkansas). There wasn’t a single woman in the tri-county area. I consider that time, “My Time In Exile.” Not that Kansas City is Rome or Florence, but Fort Smith tested the limits of my endurance… I felt like Dante.

Finally, my corporate overlords at the time realized the huge mistake they’d made in putting me in that awful, desolate outpost, removed from humanity and the opposite sex and transferred me to Fayetteville, Arkansas. This was much better as the University of Arkansas is located there. While I didn’t have much more success with the co-eds than I did with the lone woman in Fort Smith, at least I could buy U of A baseball season tickets. The problem with Arkansas for me was that everybody knows everybody. If they don’t know a person, they know somebody who does know that person. I was from Kansas City and likely considered a “carpet-bagger.” With my lack of an accent I was eyed with great suspicion. In my sullen celibacy I began to joke that I couldn’t get laid in Arkansas because I didn’t have any relatives who lived down there. That never got the laugh I thought it would. I treated my time in Arkansas the way Dylan did when he sang, “Don’t get up gentlemen, I’m just passin’ through…”

This was all brought into intense clarity for me one night, when my buddy Arkansas Joel (name changed to protect the guilty) drove up from Ft. Smith to do some drinking in Fayetteville, down on Dixon Street where the hippies and the coeds mingle in intoxicated bliss. I had met Arkansas Joel who was also exiled to Ft Smith when I moved there, and frankly my friendship with him, that has lasted to this day and is something I cherish, is the only good thing to come out of those horrid three years. It was Arkansas Joel who turned me onto U2… I mean, I liked them, but he made me understand them.

Arkansas Joel and I decided to hit the “hot spot” in Fayetteville, down on the town square (which I might add is a cool thing about southern small towns, they all have a town square), named The Post Office. It was so named because in years past, it was actually the post office. Oh, the irony. I think the last time I was in Fayetteville, the building is now a flower shop but I digress. We walked into the ol’ P.O. and it turns out Arkansas Joel knows everyone in the bar. They’re all from his home town, Helena, Arkansas, on the east side of the state by Memphis. Helena was the home of the King Biscuit Flower Hour radio show when I was a kid, giving Arkansas Joel even that much more musical credibility. Mind you, I’d been walking into bars, well, let’s admit it, every night I lived in Arkansas, and I never knew a soul. I couldn’t get arrested in that state, although I certainly tried. Yet, we walk into the Post Office on a Tuesday and suddenly  Arkansas Joel is the fucking Mayor of the Post Office. It was the Helena Town Hall Meeting. People were sending us drinks. I realized, I gotta get out this state.

I mostly stood off to the side that night, while Arkansas Joel regaled his fellow Helena citizens with stories of high school and people named Scooter and Skeeter… At least that’s how I remember it. I was pretty bored… Sensing my boredom and an impending tantrum, Arkansas Joel drew me into a conversation with a guy from his high school, Tim or Todd (name changed to protect B&V), I don’t recall. We got on the subject of music because, well, it was me and that’s all I talk about. This guy was pontificating about who was good and who was bad when the subject of Bob Dylan came up. I’m a huge Dylan fan and pretty much have been since my ol’ roomy Drew turned me onto him in college. This guy, Tim or Todd, said, and Arkansas Joel and I quote this to this day, “Dylan, he’s a poet man. A real poet, but he can’t sing for shit.” I don’t remember swinging at the guy or even threatening to do so, but I remember Arkansas Joel getting between us when he saw that crazy look in my eye, and the next thing I knew, we were in another bar. I seem to remember mumbling, “stupid fucker,” a couple of times…

Ah, youth. As I’ve gotten older, I’ve realized that many people would actually agree with Helena, Arkansas’ foremost purveyor of rock culture, drunk blowhard Tim. The Rock Chick especially despises the sound of Dylan’s voice, much to my chagrin. It didn’t help that when I took her to see him in concert his vocals could most generously be described as “wheezingly inaudible.” And, all these years later, the Nobel Committee apparently agrees with Helena Blowhard Tim, Dylan’s lyrics are actually poetry. I have played versions of Dylan’s songs covered by other artists that have received the Rock Chick seal of approval and then turned around and played the Dylan version only to get a blank stare. This was taken to the next level when Amnesty International released “Chimes of Freedom – The Songs of Bob Dylan” with dozens of groups covering Dylan with varying degrees of success. My favorites from that collection are Jackson Browne’s “Love Minus Zero,” and Miley Cyrus, “You’re Gonna Make Me Lonesome When You Go.” Yes B&V fans, you read that right, Miley Cyrus. Put the crazy aside, the woman can sing… and she’s easy on the eyes. Ahem…

Anyway, since the days of the Helena Town Hall Meeting in the Post Office Bar in Fayetteville, Arkansas, I’ve always kept a running list of my favorite Bob Dylan cover songs. I even have a playlist that collects my favorites. This is by no means an exhaustive list of his covers, they number in the thousands and I can’t type a list that long… this isn’t Wikipedia for God’s sake. Here are what I consider to be the best of his cover songs… One caveat, there are typically multiple versions of each of these tunes, I went with one version for each tune selected. I’ll try and call out other notable versions where possible. I’ll be the first to admit there is a preponderance of Rod Stewart here, what can I say, the man knows good lyrics when he sees them…

  1. Jimi Hendrix, “All Along the Watchtower” – Jimi owns this song. It all starts here in terms of Dylan covers. This is the high water mark.
  2. The Red Hot Chili Peppers, “Subterranean Homesick Blues” – No one was more surprised than me when I first heard this.
  3. Pearl Jam, “Masters of War” – This one is hard to find, it’s on the all acoustic live LP, ‘Live at Benaroya Hall.’ Eddie Vedder doing one of Dylan’s most intense protest songs, sign me up.
  4. Kenny Wayne Shepherd, “Everything Is Broken” – The blues wunderkind does a nice job on this late period Dylan gem.
  5. Rod Stewart, “Mama You Been On My Mind” – One of many Rod covers of Dylan. Rod could release an album of strictly Dylan covers.
  6. The Band, “Blind Willie McTell” – I won’t go so far as to call the Band’s version definitive, but it’s close.
  7. Ronnie Wood, “Seven Days” – Ronnie happened to be there when Dylan offered the song to Clapton and he declined… Ronnie jumped in. Ah, timing.
  8. Mike Ness, “Don’t Think Twice” – This one from Ness’ wonderful solo album “Cheating At Solitaire.”
  9. Beck, “Leopard Skin Pill-Box Hat” – It’s like Dylan on a slip and slide, turned upside down. Great track from the genius that is Beck.
  10. Bruce Springsteen, “Chimes of Freedom (Live)” – There’s a long preamble speech about Amnesty International but once you get past that, this is a great take on a great Dylan tune.
  11. Mick McCauley & Winifred Horan, “To Make You Feel My Love” – Billy Joel does a great version of this song, but my daughter who knows how much I love Dylan and this song used Shazam to identify this song in a Home Depot and then text me. I love this version for that story alone.
  12. The Band, “This Wheel’s On Fire” – The Band who backed him best doing the definitive version of this song.
  13. Norah Jones, “I’ll Be Your Baby Tonight” – If only that were true…heh, heh..ahem. This is a bonus track on her debut album.
  14. Warren Zevon, “Knockin’ On Heaven’s Door” – Many people have covered this song, from Clapton to GnR, but Warren did it on his farewell album, “The Wind” and I found it very touching.
  15. Rod Stewart, “The Groom’s Still Waiting At the Altar” – One of Dylan’s great, mid-period, blues stompers.
  16. Wilko Johnson & Roger Daltrey, “Can You Please Crawl Out Your Window” – From the sensational album “Going Back Home.” If you haven’t heard it, do yourself a favor and pick that LP up.
  17. The Rolling Stones, “Like A Rolling Stone” – I think it was inevitable the Stones would do this song… Hendrix does a great version, live, on the LP ‘Winterland.’
  18. The Faces, “Wicked Messenger” – The Faces nail the ominous tone of this song.
  19. Sheryl Crow, “Mississippi” – Sheryl does a great version of this late period gem. Dylan recorded a number of versions of this tune himself…
  20. Rod Stewart, “Girl From the North Country” – One of the best tunes from the much maligned ‘Smiler’ LP.
  21. Robert Plant, “One More Cup of Coffee” – This was also covered wonderfully by the White Stripes on their debut LP, but I love Plant’s voice matched with the exotic nature of this tune.
  22. Super Sessions (Bloomfield, Kooper, Stills), “It Takes A Lot To Laugh, It Takes A Train To Cry” – I think Stills is playing lead on this one, not Bloomfield who had played with Dylan when he went electric.
  23. Cowboy Junkies, “If You Gotta Go, Go Now” – “…or else you gotta stay all night…” Great turn on this song with the female lead vocals.
  24. George Harrison, “If Not For You” – George covering his pal Dylan expertly.
  25. Rod Stewart, “Sweetheart Like You” – One of my all time favorite Dylan songs. I like the Dylan version better, but then I almost fought a guy in Arkansas over Dylan’s voice once…

There are an infinite number of Dylan songs covered by an infinite number of artists. I’ve probably missed some of the key ones or one of your favorites. Feel free to add to my list in the comments! Enjoy!

Cheers!