B&V’s Best of 2020: New LPs And Live/Vault/Archival Releases, Bad Year/Good Music

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I can’t believe 2020 is almost over. Most years I blink and the year is gone. I can’t really say that about this year. In a matter of two days I’ll be scribbling a “1” over the “0” in the date column on my checks… “Oh it’s 2021 not 2020, sorry.” Yes, I still use checks… you kids and your “apps.” At least this year, in Christmas cards, I didn’t have to read everybody’s not-so-humble bragging about what they did in 2020. This year we’re all just glad we survived. While 2020 was a long slow slog in most areas, it was actually quite a nice year for music. I find myself, in my prior year end retrospectives quoting Don Henley, “It was a pretty good year for fashion, a lousy year for rock n roll.” I certainly can’t say that this year. I will say there is one glaring exception to my 2020 rosy music view: concerts. I miss live music so much I can’t stand it. I’m hopeful, like I never was at the beginning of 2020 about anything, that in 2021 I will be standing in a darkened room in front of a band with my hands in the air, screaming wildly. If Springsteen and the E Street Band’s SNL performance is any indication… I think these musicians are ready to go and are going to come out firing once “the coast is clear” as they say.

It was, if I may say so, a great year at BourbonAndVinyl. I want to say a big Thank You to all the readers, commenters, and followers out there – both those joined us this year and to all of you have been around a while as well. I started this thing with a dialogue with fellow music (and bourbon) lovers in mind and this year that concept came to fruition. With musicians off the road this year, so many acts chose to put out new music or cull through their archives. I found myself writing a lot more than in previous years… sorry if that was a little overwhelming… I get excited about music and I have to share. If you’ve enjoyed B&V this year – tell a friend. All music lovers are welcome. Hopefully I’ve turned you on to something you might have missed which is our goal here at B&V.

There were huge losses this year in rock n roll, too many to enumerate. I was saddened to see Bill Withers pass away this year. “Ain’t No Sunshine” is still one of my favorite tracks. I’ve been hearing “Lovely Day” a lot on commercials lately. Glad to see Bill get some recognition. I was rocked this year by the loss of two titans of rock n roll in the B&V universe. Losing drummer/lyricist Neil Peart of Rush really rocked me. I can still remember the first time I air-drummed to 2112 in junior high school. Rush was so huge here in the heartland, Peart’s loss reverberated through everybody. Making things worse, this year we lost one of the greatest guitarists to ever strap on the instrument, Eddie Van Halen. That one left a mark. Van Halen’s music is such an integral part of my listening as young man it’s almost a part of who I am. Hard, edgy and yet funny at the same time. I loved that band from Van Halen to Fair Warning to 1984 to For Unlawful Carnal Knowledge. Eddie’s guitar playing was always the price of admission for me. He redefined the instrument and that doesn’t happen much, perhaps once every generation or so. His presence, warmth and smile will be missed.

So plentiful was music in 2020 it’s hard to think of an artist who didn’t put out something new or something from the archives. I barely scratched the surface this year. Elton John put out a box set entitled Jewel Box that was a 10 hour journey through demo’s, deep album tracks and rarities. It was great, albeit mellow, but I felt it was for fans only so I didn’t write about it. The King, Elvis Presley put out a 4-disc box Elvis In Nashville (clearly a play on the title his big LP Elvis In Memphis) that collected all of the country/country rock tracks that Elvis recorded over the course of 3 days in Nashville in 1970. Those songs made up the bulk of three albums including the wonderful Elvis Country. The first two discs had all the actual songs, without any studio sweetening but with the second two discs being demo’s – I love the studio chatter of Elvis hanging with musicians – it felt like a fans only kinda thing. It’s a rare year where I can pick/choose the stuff I write about… skipping Elton and Elvis, wow what a year.

There were some fun singles too. The Black Crowes re-released their Christmas classic “Dirty Santa.” I can only hope the brothers Robinson will record a new album in 2021. B&V favs Starcrawler released their cover of Petty’s “I Need To Know” with Heartbreaker Mike Campbell joining in. Greta Van Fleet released their first single “My Way, Now” from their upcoming album… All this is points toward a good 2021!

Here are my favorites from 2020. The first list is new music, stuff that musicians newly recorded. Below, I’ll furnish my list of vault/archive/live albums – where artists either went back and dug out previously recorded material or compilations and also any live albums that caught my attention. I wrote about a lot more than I’m listing here, these are just my favorites. They aren’t in any particular ranked order, it’s pretty random. Enjoy!

B&V’s Favorite New Albums of 2020

  1. Ozzy Osbourne, Ordinary Man – Ozzy returned after a decade’s absence with a great new record. With producer/guitar whizz Andrew Watt helming the project and RHCP’s Chad Smith on drums, GnR bassist Duff McKagan on bass as the backing band, you knew this would be great. Cameos by Slash and Elton John were icing on the cake, Review: Ozzy Osbourne’s ‘Ordinary Man’ – A Simply Extraordinary Album!.
  2. Pearl Jam, Gigaton – Like Ozzy, it had been a long time since these guys had released anything (7 years). I was a touch lukewarm on this record when it came out. It is definitely a “grower.” The more I listen to it the more I like it. The second half of the record gets a little mellow but those are some of my favorite songs. I’d love to see these guys live again, it’s been years, Review: Pearl Jam’s First LP In 7 Years, ‘Gigaton’ – My Conflicted Thoughts.
  3. Fiona Apple, Fetch The Bolt Cutters – It had been 8 years since genius Fiona Apple had released an album – I’m seeing a trend here in 2020 – but Fetch The Bolt Cutters was worth the wait. I think it may be the perfect “lockdown” album, thematically at least, Review: Fiona Apple, ‘Fetch The Bolt Cutters’ – Genius Unleashed.
  4. Bob Dylan, Rough And Rowdy Ways – Another artist with a huge gap since his last studio record – 8 years. Dylan had been releasing Sinatra cover LPs for much of that time so it was nice to hear self-penned stuff again. It was preceded by the mesmerizing 18 minute long “Murder Most Foul.” Great, late-period Dylan, Review: The White Stripes ‘Greatest Hits’ – A Lovingly Curated Romp Through Their Career.
  5. Pretenders, Hate For Sale – Original drummer Martin Chambers returns and he and Chrissie Hynde deliver the goods on this punchy, rocking album, LP Review: Pretenders ‘Hate For Sale’ – A Late Career Classic With Attitude!.
  6. Bruce Springsteen & the E Street Band, Letter To You – Bruce contemplates his own mortality, inspired by the death of the last surviving member of his first band, the Castiles. I loved Western Stars, his 70s southern California noir but it’s great to hear him back with the E Street Band, Review: Springsteen’s ‘Letter To You’ – Contemplating Mortality On E Street.
  7. AC/DC, Power Up – I would have never thought Angus would be able to pull Brian Johnson, Phil Rudd, and Cliff Williams back into the fold and record another spectacular album. Power Up may be my pick for album of the year – if I still picked albums of the year… Review: AC/DC’s Spectacular Return, ‘Power Up’.
  8. The Dirty Knobs, Wreckless Abandon – Former Tom Petty & the Heartbreakers’ guitarist and “co-captain” and current member of Fleetwood Mac, Mike Campbell’s side project finally releases their debut album. There are a lot of echos of Petty here but make no mistake, this is a guitar album. It’s a lot of fun, Review: Mike Campbell’s New Band The Dirty Knobs, ‘Wreckless Abandon”.
  9. Chris Cornell, Nobody Sings Like You Anymore, Vol 1 – I was tempted to put this in the “vault” list but this is all unreleased stuff that was recorded and sequenced by Cornell. He obviously planned to release it but alas didn’t live to do so. All well chosen covers, this LP underscores what a tragedy it was when his voice was silenced, Review: Chris Cornell Posthumous Release, ‘No One Sings Like You Anymore, Vol. 1’ – A Nice Surprise From An Old Friend.
  10. Paul McCartney, McCartney III – A homespun gem more in the manner of McCartney than McCartney II. This felt like a really welcome Christmas gift, Review: ‘McCartney III,’ A Homespun Gem.

B&V’s Favorite Vault/Archive/Live Albums of 2020 

  1. Neil Young, Homegrown – Another brilliant 70s era “forgotten” album from Neil. This guy has more unreleased classic albums than most artists have actual albums. This is included in the upcoming (for general release, it’s already been released to collectors) box set Archives II. If you can’t spring for the whole box set, this is worth picking up on its own, Review: Neil Young’s ‘Homegrown’ – The Lost Masterpiece, In The Vaults 45 Years.
  2. Liam Gallagher, Unplugged – The former lead singer of one of the Rock Chick’s all time favorite bands Oasis, Liam Gallagher finally redeems himself in the Unplugged genre with a great little live album, Review: Liam Gallagher, ‘MTV Unplugged (Live At Hull City Hall)’ – Unplugged Redemption?.
  3. The Rolling Stones, Goats Head Soup Deluxe – The Stones revisit one of their sleazy-rock 70s classics. Light on bonus studio stuff it contains the great live concert recording Brussels Affair, a must for Stones fans, especially you Mick Taylor-era nuts out there, Review: The Rolling Stones, ‘Goats Head Soup Deluxe’ Box Set.
  4. Tom Petty, Wildflowers…and All The Rest – Petty’s vision of Wildflowers as a double LP finally realized. Some lovely stuff was left in the can, Tom Petty: ‘Wildflowers & All The Rest – Deluxe Edition (4 CDs)’ – A Petty Masterpiece Lovingly Revisited.
  5. Prince, Sign O The Times Deluxe – Prince’s creative peak? Maybe… There are so many great tunes that never saw the light of day in this box, it’s perhaps his last masterpiece, Review: Prince, ‘Sign O’ The Times – Deluxe Edition’ – An Embarrassment of Riches.
  6. Ozzy Osbourne, Blizzard of Ozz, 40th Anniversary – In my review I quibbled about the lack of unreleased studio tracks (really just one new track) and disjointed live stuff, but this is such a landmark album, everyone should check this out. Leave it to Ozzy to appear on both these lists in 2020, Review: Ozzy’s ‘Blizzard of Ozz, 40th Anniversary Expanded’ – Is It Worth It?.
  7. Lou Reed, New York – One of Lou Reed’s true masterworks. If you don’t have the album, you need this. If you do, you need this for the live tracks – the entire album played live, Review: Lou Reed ‘New York: Deluxe Edition’.
  8. U2, All You Can’t Leave Behind 20th Anniversary Box – An album with special meaning for the Rock Chick and I… I already had the bonus tracks but if you don’t they’re definitely worth a listen. The concert included from the tour, in Boston is incendiary, Review: U2, ‘All That You Can’t Leave Behind (20th Anniversary Edition)’.
  9. Pearl Jam, MTV Unplugged – Only 7 songs long but soooo worth it. I’ve waited and hoped for years that Pearl Jam would finally release this spectacular performance, recorded shortly after their debut album. This is such a legendary performance…Review: Pearl Jam Release ‘MTV Unplugged’ (Finally!).
  10. Keith Richards, Live At the Hollywood Palladium – Keef takes his wonderful backing band, The X-Pensive Winos out on the road. This expanded edition gives us three additional tracks recorded that night. It’s just a great, live album, Review: Keith Richards + The X-Pensive Winos, ‘Live At the Hollywood Palladium’ Box Set.

If there is an album I missed on these list in your opinion, please share in the comments. I’m always open to new music and I do hate to think I missed something…

I hope everybody held it together during this rough and tumble 2020. Hopefully our little B&V corner of the rock n roll universe helped keep you moving down the road this year. I wish everyone a happy, safe New Year. I don’t think we’re out of the dark yet, but I think there is light at the end of the tunnel… and with any luck, it’s not an oncoming train.

It’s a dark ride, take care of each other out there. I’m certainly looking forward to a better 2021.

Review: AC/DC’s Spectacular Return, ‘Power Up’

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This post is dedicated to the memory of Malcolm Young

I am stuck in a state of stupefied, delighted wonderment these days and have been since last Friday when AC/DC returned – against all odds – to deliver what might be the B&V album of the year, Power Up. I must confess I thought these guys were done. I don’t do this often, but I certainly owe lead guitarist Angus Young and the rest of this band an apology. It was during their last tour for Rock Or Bust that I included AC/DC in my BourbonAndVinyl List of Bands Who Sadly, Should Call It Quits. Mea culpa, mea culpa, I am sorry. Never bet against one of the greatest rock bands of all time.

I could be forgiven for thinking this rock and roll juggernaut had finally been halted. Prior to recording Rock Or Bust we had all heard the sad news that rhythm guitarist Malcom Young had succumbed to the effects of dementia. I had a grandmother who went down that way and it was simply awful. Stevie Young, nephew to Malcolm and Angus, was stepping in to replace Malcolm on Rock Or Bust. Stevie had played with AC/DC back when Malcolm had gone to rehab to quit drinking. He realized it was interfering with his playing, and with the band and the fans were too important to him. Malcolm was that kind of man!

Everything seemed to be moving forward and then original drummer Phil Rudd ran into some, um, legal issues. On the ensuing tour for Rock Or Bust he had to be replaced by drummer Chris Slade who had played with AC/DC during a hiatus Rudd had taken in the late 80s/early 90s. Slade had last played with AC/DC on the Razor’s Edge LP. And then, with only about 10 dates left on the tour Brian Johnson developed a severe hearing issue that made it impossible for him to perform live. If he tried to sing live again, he risked losing his hearing completely. He had to retire in the middle of the tour. Friend of the band Axl Rose stepped in and helped Angus and the boys finish the tour, good on Axl. Shortly after that, longtime bassist Cliff Williams announced he was hanging it up. Apparently he used to party on the road with Brian and without him, the road wasn’t going to be as fun. I get it… you’re on the road you need a drinking buddy. Finally, in 2017 Malcolm Young sadly passed away (RIP Malcolm Young, Rhythm Guitarist Extraordinaire of AC/DC).

Toward the end of last year I heard rumblings that Angus and Stevie Young were spotted up in Vancouver. Soon there were rumors that bassist Cliff Williams may have changed his mind and returned. News spread they were working on a new album dedicated to Malcolm. If that doesn’t fill your eyes with a tear you’re not human. Brian Johnson apparently underwent some sort of miracle cure for his hearing and has returned to the fold. The Rock and Roll Gods were clearly smiling on AC/DC. Even more miraculous is that Phil Rudd somehow evaded prosecution. The entire band, save for Malcolm, had returned. And man, have they returned!!

I’ve been a big fan of AC/DC’s since Back In Black (LP Lookback: AC/DC’s Masterpiece, ‘Back In Black’ Turned 40 Yrs Old June 25, 2020) which I purchased shortly after it was released in 1980. While the Rock Chick only digs the Brian Johnson era AC/DC, I’m also a huge fan of Bon Scott’s time with the band (LP Look Back: The Overlooked Gem, AC/DC’s “Powerage”). I don’t think they’ve ever put out a bad album with the possible exception of Fly On The Wall. And I’ll admit Flick The Switch was a bit of a letdown after For Those About To Rock but everything else in this catalog is top shelf. I would even recommend Blow Up  Your Video, an overlooked gem in their catalog.

Since meeting the Rock Chick in 2000 when she turned me back onto AC/DC they’ve put out some great music. Stiff Upper Lip (2000) is a phenomenal late period AC/DC album that everyone should own. Black Ice (2008) was another great record but it felt a bit long to me. It was fifteen tracks and seemed to go on a bit longer than it should have. When they followed up with Rock Or Bust it felt slightly short to me. That album was only eleven songs and only thirty-five minutes long which left me wanting more. Weighing in at 12 tracks Power Up feels, to quote Goldilocks, “just right.” Angus went back through the tapes and found old songs he and Malcolm had written but never recorded or released on a record so every track says “Written by Angus and Malcolm Young,” the way God intended AC/DC songs to be written. The album, as mentioned, is dedicated to Malcolm and one has to believe the group came together to honor their fallen comrade. They certainly brought their best.

The first single, “Shot In The Dark,” is one of the great, classic AC/DC songs, reviewed on B&V earlier, AC/DC Returns With “Shot In The Dark” From The Upcoming LP ‘Power Up’. The opening track “Realize” signals that the band means business on this album. It’s lean, mean and it rocks. I read that “Realize” is a track Angus and Malcolm had tried to get on previous albums but never did. “Demon Fire” is another great potential single, that signals the return of Brian Johnson’s lascivious lead vocals. “Wild Reputation” is a bloozy treat. “Kick You When You’re Down” is a favorite of the Rock Chick’s. When we first listened to the album she looked at me and said, “Damn this is a great album.” “Through the Mists of Time” is an almost wistful rocker that one might think was inspired by memories of Malcolm. There isn’t a bad track on this record. If I have any complaints it’s that I’d like to hear them do a slow, bluesy number…but nobody does that anymore. And, let’s face it, I’m probably the only one asking for that.

Through out this record Stevie Young’s bedrock rhythm guitar picks up where Malcom’s left off. It allows Angus Young’s classic lead guitar to soar above it. When Angus comes in for a solo he has this magical way of creating tension and then releasing it with a clean, beautifully played solo. He’s really one of the greatest guitarists that we’ve got left. Phil Rudd is the only drummer who should play with AC/DC. Having Cliff back on bass helps them keep that solid engine of a rhythm section in place. I can’t say enough about Brian Johnson. The guy still smokes I think. And yet his vocals, after whatever miracle hearing cure he went through, are spot on. He’s gravelly, bluesy and always sounds horny. I just love his singing here. It’s so great to have him back in the fold. The band brings a certain amount of menace to this lean rock set that sets it apart from many of their albums.

It’s hard not to think of this as the swan song for this seminal, iconic band. I hope not, I’ve counted them out before they were done before. This is a must have for rock fans everywhere. It may not cure COVID but it sure feels like it could. At the very least we should acknowledge how great it is to have rock and roll like this released into the world. When AC/DC release an album, it’s a big fucking deal. And when they deliver the goods like they have on this album, it’s an even bigger deal.

I don’t think I’m going out on a limb to say this may be the B&V album of the year… it certainly will be on our “best of 2020” list. Turn this one up loud and for once this year, celebrate the joy, the power and the majesty of rock and roll.

Cheers!

AC/DC Returns With “Shot In The Dark” From The Upcoming LP ‘Power Up’

They say that timing is everything…

On November 22, 1963 the American President John F. Kennedy was famously assassinated in Dallas, Texas. The youthful President seemed to embody a bright and energetic future for the American nation and people were hopeful in a scary world. The entire nation mourned his death like a family member had passed. We were once a united nation… Even my Sainted Mother can tell you where she was the day John Kennedy died. So could Lou Reed, apparently…the only thing Lou and Mom have in common. Nobody in America knew at the time but there were four lads in Liverpool who were about to change the world. By February 1964 when the Beatles arrived in America they had exploded onto the American consciousness like nothing else before or since. A grieving nation looking for something happy and hopeful grabbed onto the Beatles like a man about to fall off a ledge reaching for a railing. I’m not saying JFK’s assassination made the Beatles as popular as they were, but  you gotta wonder if it helped?

I was sitting on my back patio this Tuesday when the surprising news that rock and roll guitar legend Eddie Van Halen had passed away reached me (Guitar Legend Eddie Van Halen Gone Too Soon at 65, RIP Eddie, #EVH ). I guess I should have seen that coming, he’d been battling cancer for five years. I just hadn’t heard that news about his cancer returning. I foolishly thought he’d beaten it. Prior to that news, I knew that AC/DC had a new single coming out and I was excitedly waiting for that to happen. They released it at noon on Wednesday. The new track, “Shot In the Dark” (it’s original, not to be confused with an old Ozzy tune of the same name) is from the upcoming AC/DC album Power Up. It’s no surprise, but I love this new AC/DC song. I’m guessing I would have loved it anyway, but like the Beatles coming after JFK, I do wonder if the Eddie news affected me? I can say, that after Tuesday, I was in the mood for some good-time, up beat, old school, fucking rock and roll!! Who else but AC/DC to deliver the goods!?!

I’m on record as a huge AC/DC fan. They were the first band I took my wife to see in concert when we’d just started dating (AC/DC’s Stiff Upper Lip Concert – I Discover I’m Dating The Rock Chick). I will admit that while the Rock Chick and I share a love of AC/DC she’s firmly in the (leader singer) Brian Johnson camp while I straddle both worlds. I love Brian but I will always be on the original singer Bon Scott’s bandwagon. As an aside, the Rock Chick does a fabulous impersonation of Bon Scott on stage, but I’m getting off track here. It was indeed the Rock Chick who reconnected me with AC/DC after I’d lost track of them during the period after For Those About To Rock. The mid to late 80s were not the prime of AC/DC in my opinion. But starting with the great “comeback” album Razor’s Edge AC/DC returned to form. Frankly, everything they’ve done since has been fabulous.

I do owe this band an apology. After 2008’s Black Ice, AC/DC ran into some issues. Sadly, rhythm guitarist and founding brother Malcolm Young succumbed to dementia and eventually passed away (RIP Malcolm Young, Rhythm Guitarist Extraordinaire of AC/DC). Shortly after that, founding drummer Phil Rudd – who had left AC/DC after 1983’s Flick Of the Switch and returned on 1995’s Ballbreaker – ran afoul of the Australian legal system. He participated in the recording of Rock Or Bust but wasn’t able to tour. Rock Or Bust was the first AC/DC album recorded without Malcolm… Angus Young (lead guitarist) was able to replace Malcolm for that album and tour with their nephew Stevie Young on rhythm so he kept it “in the family.” During that tour it, Brian Johnson was diagnosed with a severe hearing disorder and was told if he played one more show, he’d be deaf for the rest of his life. Believe it or not, old friend of the band Axl Rose took over the lead vocals for AC/DC so they could finish the tour. It was at that point – Malcolm had passed, Brian was going deaf, Phil Rudd was likely going to prison – that in a post on bands who should call it “quits,” I named AC/DC as one of those bands (BourbonAndVinyl List of Bands Who Sadly, Should Call It Quits). In my defense, even bassist Cliff Williams had indicated he was going to quit since his road partying buddy Brian was gone. I was clearly not alone in thinking AC/DC were over.

Late last year, which seems like another lifetime pre-COVID, I started to hear rumors that Angus Young and nephew Stevie Young were up in Vancouver recording… Further, I heard that bassist Cliff Williams, despite threats to quit, was also with them. Soon I heard stories in the press that not only Brian Johnson had been spotted in Vancouver but Phil Rudd was with him too. “We’re getting the band back together,” flashed through my mind. I had wondered if Axl might pop in to sing until I heard that Brian had undergone an “experimental procedure” to cure the hearing problem. You know it’s never going well in any medical situation when they start talking about experimental medicine, but I guess in this instance, it worked. On the “Rock And Roll Albums to Purchase Soon” list I carry around in the back of my brain – I don’t dare write it down in fear that the Rock Chick will realize how much I’m spending on music – I added AC/DC to the top of the list. Then I guess I just filed it away…

About a week ago on “the social media” I started seeing these cryptic posts from AC/DC. It was just a neon lightning bolt (stylized to look like the bolt they use between the AC and the DC on their logo). The light was off and the it popped and hissed into life, fully lit up in red. I knew, as most people did, the time had come. The new AC/DC was almost here. AC/DC actually put up a billboard outside the school that Angus Young attended (sort of) as a child with the words “Power Up” on it so we almost immediately knew what the album’s title would be. Now we just had to wait for the tunes…

First singles from this band tend to be some of the greatest songs in rock and roll history. Even if you just look at them since the comeback, their lead singles have been great, great songs:

  • Razors Edge, “Thunderstruck” – An iconic Angus Young riff and a great track.
  • Ballbreaker, “Hard As A Rock” – After sort of ignoring AC/DC for 10 years, I loved this track so much I actually went to see them on this tour. I’ll never forget Brian carrying Angus around on his back while the latter solo’d.
  • Stiff Upper Lip, “Stiff Upper Lip” – This album is where I fully got back on the AC/DC train. Great track that always takes me back to a great concert. I’ve gotta thank the Rock Chick for buying this album on one of our first dates… she played it and I thought, “Hey, wait a minute, this is awesome.”
  • Black Ice, “Rock N Roll Train” – One of the greatest AC/DC late-career anthems. If this song doesn’t bring you to your feet with devil horns extended on both hands, well then you’re not a rock and roll fan. And you might wanna check yourself for a pulse.
  • Rock Or Bust, “Play Ball” – I love this track despite the fact they let Major League Baseball use it on commercials. It’s just solid rock and roll.

I couldn’t wait to hear “Shot In the Dark.” There is nothing greater than dropping the needle, or in this case pushing “play” on the Spotify app and hearing that great riff-age come blasting out of the speakers. Angus teases out a signature little guitar when suddenly the band kicks in with full force. Even the Rock Chick looked up at me and said, “Oh man, that’s really good.” Phil Rudd is the only drummer that should ever play in this band… he’s right in the pocket and his drums, as always help drive “Shot In the Dark.” He’s not the fanciest drummer, but there’s so much rock n’ roll swagger in his drumming. And let me just say, it’s great to hear Brian Johnson back on the microphone. It’s a big chunky riff and Angus’ guitar solo is quick and incisive. “A shot in the dark, beats a walk in the park,” indeed.

AC/DC long ago found out that they do one thing but they do it to perfection. Hard ass rock and roll. I think this will probably be their swan song but I am very optimistic that in this dark world, AC/DC’s Power Up will be that rock and roll rescue we all need.

Turn this one up loud!! Cheers!