Review: The Rolling Stones, ‘Goats Head Soup Deluxe’ Box Set

“Can you hear the music? Can you feel the magic hangin’ in the air?” – The Rolling Stones, “Can You Hear The Music?”

It seems like only yesterday that I cajoled a friend of mine with some connections into helping me get tickets to the see the Rolling Stones’ 50th Anniversary concert at Newark’s Prudential Center in December of 2012. Springsteen jumped on stage to perform “Tumbling Dice” with the band. The Black Keys and Gary Clark, Jr each did a blues number with them. Lady Gaga even impressed me on “Gimme Shelter.” It was a truly exceptional evening. I just realized we’re creeping up on their 60th anniversary in 2022… Hopefully we’ll get an album of new stuff before then. They released a great new single during this global pandemic, New Single: The Rolling Stones’ Great Pandemic Song, “Living In A Ghost Town”, to tide us over but it only whetted my appetite for more.

When you have a career that spans six decades it gets hard for rock historians or music critics to get their arms around it. Inevitably they tend to break up the Stones career into three phases based on who was playing lead guitar. There’s the early, blues-cover centric era with Brian Jones on lead. There’s what is considered their “golden” or “classic” period when they did most of their biggest and best music with Mick Taylor (formerly of John Mayall & the Blues Brothers, Artist Lookback – John Mayall’s Blues Breakers: The Guitar Hero Trilogy 1966-1967). And finally there’s the current period with their longest tenured lead guitar player, Ronnie Wood. I love the Ronnie Wood-era of the Stones – and I’m in the minority here – but that’s who was playing for them when I first got into rock n roll. Some Girls was my gateway drug into rock and roll. I love the way Ronnie and Keith practice what Richards calls “the ancient art of basket weaving,” by intertwining the two guitars.

If we buy into this categorization, the rock intelligentsia has also made a point that the Mick Taylor era is the ultimate era of the Stones. And true, the  Stones penultimate period began as Brian Jones was drinking and drugging his way out of the band. Starting with Beggars Banquet (Jones on lead when he showed up…brilliant slide on “No Expectations) and stretching through Let It Bleed (when Taylor joined), Sticky Fingers and their magnum opus Exile On Main St, the Stones were indeed the most brilliant rock band in the world. With Taylor taking over all the exceptional lead guitar during his tenure he allowed Keith to become, again in his words, a “riff-meister.” When rock critics talk about the Stones’ golden period they actually mean these four albums.

While all these guys laud the Taylor-era of the Stones, they are all also of a mind that the Stones creativity failed them after Exile On Main St. In truth, Mick Taylor stuck around after the arduous process of recording that classic double album for two more records, Goats Head Soup (73) and It’s Only Rock N Roll (74). The common claim is that these albums, despite the presence of the guitar-wizard Mick Taylor, signal the moment when the Stones stopped being true rock artists and became arena-filling, sell-out rock stars. Mick became a jet-setter and Keith a full blown addict. We tend to build up our heroes only to tear them down on this planet. I will admit, I always thought – before the internet – that It’s Only Rock N Roll came out after Exile and before Goats Head because I always felt It’s Only was the stronger album. The more I listen to Goats Head today I’m not sure what I was thinking.

Despite all the critical haters, when Goats Head Soup came out in 1973 it hit number 1 in the U.S. The lead single, “Angie” also hit number one. It was produced by Jimmy Miller who had done all of their albums from the “classic” period. The album sold well. The Stones were continuing their “tax exile” status and were living outside the U.K. at the time. Keith Richards drug problems were increasing and there weren’t many countries where they could record so they ended up recording a lot the album in Kingston, Jamaica. It was the only place they could get in if you believe Keith. Marshall Chess who was leading Rolling Stones Records (the group’s own record label) was stunned to find out the band hadn’t played together in six months. He rented out a studio in Kingston for months at a time so the band could just jam. He said after only a few minutes they locked into that “Stones synergy” as if they’d been playing together every day.

I think the reason for the collective critical “meh” – Lester Bangs famously hated Goats Head Soup like it was a personal betrayal – was that anything the Stones did after Exile was bound to be a letdown. The sessions for Exile had drug on forever. Keith was ensconced at Nellcotte in the south of France and while Mick had as much input it was clearly Keith in control of that record. For the follow-up Mick wasn’t interested in doing that again. On Keith’s part, with his heroin problem worsening, he wasn’t capable of a leadership role with the band. Mick took over. He wanted to explore some different avenues with the band so we have a lot more ballads on Goats. Critics always laud Blood On the Tracks from Dylan as a requiem for the Sixties. It was actually an album about the end of a marriage. They like to describe The Last Waltz as the drunken (or coke-fueled if you’re Neil Young), Irish wake for the Sixties. To my ears, Goats Head Soup sounds much more like a requiem for the hippy idealism of the Sixties. It’s the come down record… like the day after the party. “Comin’ down again, where are all my friends?” as Keith sings.

There are great rockers on this album – “Dancing With Mr. D” about dancing with the Devil which may be slightly silly but it’s still a great track, “Silver Train” covered so nicely by Johnny Winter, and “Doo Doo Doo Doo Doo, Heartbreaker,” a track everybody  loves. “The police in New York City, they chased a boy right through the park, and in a case of mistaken identity, they put a bullet in his heart,” sounds like something that could have been written for today’s long, hot summer. “Star Star” (aka “Starfucker”) is a wonderfully vulgar Chuck Berry-style track. But for me, it’s the ballads on this record that shine. Keith’s vocal turn on “Coming Down Again” is one of my favorites. “Winter” is spectacular and ended up on my Stones deep tracks playlist (Playlist: B&V’s Favorite Rolling Stones Deep Tracks). “Angie” was the monster hit.

For me Goats Head Soup and that time is the iconic era of the Stones. They were the personification of and the album is about decadence and decay –  perfect for the 70s. This album is the Keith Richards, long-hair, shirt off, teeth rotting-out best. I wanna take my shirt off, grow my hair long and dance around playing air-guitar with a broom for a lot of this material. When rock bands imitate the Stones it’s this era they’re looking at. Mick may have steered them in a more down beat direction, but damn it worked. And his partner was holed up with Anita Pallenberg doing smack.

Last weekend, the Stones released a “Deluxe” version of Goats Head Soup. I wasn’t going to buy it but the Rock Chick said, “You know you want it, get it.” It’s nice to be married to a woman who encourages your decadent tendencies. The question is – is it worth it? For me it was but it has a hefty price tag. I like the hard-bound book that came with it. The concert posters in the box will be framed and hung in the B&V lab. For the first time ever on B&V, my recommendation for everyone who isn’t a Stones’ addict, is to eschew the physical box – either vinyl or CD – and definitely go the download route. The box is $150 and in these dark times that’s a lot to ask. Especially with boxes from Petty, Prince, U2 and Lou Reed coming.

From a bonus material perspective, you’re probably thinking, $150 for 3 new tracks? True there are only 3 new, unreleased tracks, but they’re all fantastic tracks. “Criss Cross” was reviewed here a few weeks ago, The Rolling Stones New Single From The ‘Goats Head Soup’ Sessions – “Criss Cross”. “Scarlett” is another groove track that obviously grew out of a jam and features Led Zeppelin’s Jimmy Page. I’d have loved to been a fly on the wall for those sessions. The final unreleased track, “All The Rage” has a great riff and is just classic Stones. The rest is probably for completists, but I love the piano/vocals demo of “100 Years Ago,” its more haunting that way. I like the alternative version of “Hide Your Love,” Mick Taylor’s lead is more prevalent. There’s a couple of instrumentals that are a fascinating glimpse into the creative process but the three tracks labeled “Glyn Johns 1973 Mix” add nothing to the party.

The real reason to buy the box (download), is the widely bootlegged live album The Brussels Affair. Because of Keith’s drug issues/arrests stemming from his days at Nellcote (Anita Pallenberg and Bobby Keys the Stones’ sax player had similar issues), the Stones had to play in Belgium instead of France. While many people have this album in bootleg form, I know many people don’t. And if you don’t, it is their best live album – better than Get Your Ya Ya’s Out. I played the boot for my friend Stormin’ once and he declared the version of “Gimme Shelter” as the definitive. I think the Stones released this as a download-only in their “Live Archive” series, but I’m not sure if it’s still available. For me, it’s worth the price of the download for this live LP only. The entire package is like $25 on Apple… Lots to love here at that price.

As summer winds down and beloved football begins, please be safe out there. Wear a mask, stay six feet away from each other and crank up this album… Me, I’m still out here on the edge, “down in the graveyard where we have our tryst, the air smells sweet, the air smells sick…”

Cheers!

The Rolling Stones New Single From The ‘Goats Head Soup’ Sessions – “Criss Cross”

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“I think I need a blood transfusion…” – The Rolling Stones, “Criss Cross”

I knew coming into the lockdown that only rock and roll was going to keep me sane. However, if you’d told me it was going to be the Rolling Stones (who haven’t released a new album of original material in 15 years) who would be releasing tunes that would save me, I wouldn’t have believed you. Admittedly, Dylan and Neil Young have both helped with some new music (Review: Bob Dylan, ‘Rough And Rowdy Ways’ – The Spell-Binding 1st LP of All Originals In Eight Years) and a vault release (Review: Neil Young’s ‘Homegrown’ – The Lost Masterpiece, In The Vaults 45 Years) respectively. But it was the Stones who released the very pandemic-centric brand new track “Living In A Ghost Town” that just blew me away the most, New Single: The Rolling Stones’ Great Pandemic Song, “Living In A Ghost Town”.

Last Thursday, while I was focused on and listening to Dirty Honey’s great, new, rocking EP, creatively titled Dirty Honey (Review: New Band – Dirty Honey’s EP, ‘Dirty Honey’ – Sweet, Filthy Rock N Roll), the Stones released a “new” song from the vaults, “Criss Cross.” “Criss Cross” was an outtake from the sessions for 1973’s Goats Head Soup. An outtake is basically a “leftover” track, one that was recorded for an album but for whatever reason didn’t make the final track list. “Criss Cross” has finally seen the “light of day” and gotten a proper release in advance of the Goats Head Soup deluxe edition that will becoming out in early September.

“Criss Cross” has apparently been widely bootlegged over the years. It was known as “Criss Cross Man” and in one spot I saw it described as “Criss Cross Mind.” I realize bootlegs are a bit taboo. I have admitted my past crimes in this area, and yes, I have some bootleg recordings. Most of my bootleg stuff was live recordings most notably by Springsteen. But I had some cassettes (God, remember cassettes?) of live stuff from Van Halen and a rough recording of the Stones’ concert in Hyde Park after Brian Jones died… Mick reading Shelley and releasing white butterflies. The 60s folks… I can’t make this stuff up, but I digress. Anyway, for years I’ve read about all these folks who had bootleg recordings of studio stuff. Either early versions of songs or outtakes and leftover tracks. I’ve never once held in my hand any studio bootlegs. I guess I really was a novice bootleg collector having never even seen a studio boot.

I love that all these great artists are clearing out their vaults. Dylan has his superb “Bootleg Series” (Dylan’s Bootleg Series – A User’s Guide). Neil Young has curated his entire history on his website, neilyoungarchives.com. Springsteen has released some of his vault stuff on Tracks and yes, all those old live Springsteen bootlegs I had… they’ve been released though his “First Friday” concert series. I have rectified my old outlaw ways and purchased many of them… well, around 10 of them… I may have a problem. At least I can sit up at 2 a.m. and debate the nuances of different performances of “Prove It All Night” over a glass of dark and murky spirits. I’m thrilled that slowly but surely the Stones – truly my all time favorite band – have started sharing some of their unreleased material as well. The Stones are like Neil Young in that they often return to their unreleased material, punch it up a little bit and release it years later as “new.”

I’d been reading about the rumors of the Goats Head Soup deluxe release for quite some time but I couldn’t find anything concrete on the inter-web. Then this week on the “social media” I started seeing clips from a video that seemed to indicate a new release was coming. I thought for a minute it might be their long awaited new studio album. While I’m bummed that we’ll have to keep waiting on that, I was thrilled to see this long rumored deluxe edition of Goats Head Soup is finally coming. I first heard “Criss Cross” on Thursday when I watched the video on YouTube… Mick must have directed this video… no band members are in it. It follows a fetching young lady who lives as we all should – mostly naked or topless. Here it is…

I played “Criss Cross” for the Rock Chick and she looked up at me and said, “This is a great song… why didn’t they release it for 50 years?” It’s a good question. Predictably, I love this song. It harkens back to the Stones’ sleazy rock of the early 70s, which is one of my favorite Stones’ eras. Mick certainly sounds like he’s having a really good time on this track. It starts off with some funky, way-wah guitar and keyboards by probably Billy Preston. I know Nicky Hopkins and Ian Stewart also played keyboards on the sessions but I think they play predominantly piano. The track rides a riff that reminds me of “Happy” or “All Down the Line.” You could have blind-folded me and I could have guessed it was from the Goats Head Soup – It’s Only Rock N Roll era.

I love when Mick sings, “Here comes a woman, givin’ me a criss cross mind…” The woman in question must be dangerous as Mick continues to sing “Save me” throughout the song. “Mama walkin’ around in the rain, she want you every night, an’ think I need a blood transfusion.” I think we’ve all been there… Goats Head Soup was recorded in Jamaica where the Stones set up for a number of weeks in a studio to write and record tracks. Most of the songs came out of jams and this track certainly sounds like it evolved out of a jam. It has that loose, sloppy feel that a lot of Stones tracks had back then. It’s more about feel than technique. The last part of the song devolves into the guys riding the riff to the finish line with Mick improvising over them. Surprisingly there is no guitar solo…odd when you’ve got Mick Taylor in the band but it still all works.

This is a great addition to the Stones’ catalog and just a great song by the greatest rock n’ roll band in the world. The deluxe box set of Goats Head Soup has a pretty hefty price tag and I wasn’t going to buy it. It was the Rock Chick who said, “What do you mean, you’re not going to buy it? You have everything else, you have to buy it. I’ll buy it for you if you don’t… with your money.” Marriage is all about teamwork folks… when I stumble the Rock Chick picks me up. So, yes, I have the box on order. While pricey it has the first official release of the concert known in bootleg circles as The Brussels Affair. I actually have that boot, but I’m somehow two songs short of the full recording. There are only two other completed outtakes – one track “Scarlet” has Jimmy Page playing on it so I’m pretty excited about that. Only three new tracks and a heavily bootlegged concert comes with a pretty steep price tag… but don’t worry your intrepid blogger at the urging of the Rock Chick will take one for the team and buy the thing, dissect it and report back to you, our faithful readers.

Stay safe out there… and during this crazy time you might want to avoid being “cheek to cheek, oh yeah, tongue to tongue” with anybody you don’t already know…

Cheers!