B&V’s True Confessions: The Dirty Dozen – 12 Albums That Only I Love… Time to Re-Evaluate?

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“This is no social crisis, this is you having fun…” The Who, “Another Tricky Day”

We’ve all made mistakes in our lives and we’ve all had to learn to live with those bad decisions… Here it is, only day 2 of the enforced “Stay At Home” order and I suddenly feel the need to unburden myself of all my sins. Well, in the interest of full disclosure, I haven’t left my house since nine days ago and the only sins being confessed to here are musical in nature. All other sins… well, those records are sealed until 25 years after I’m gone and forgotten. While I was always someone who people confided in, I must say this confessional mood seems to be catching. I’m hearing all sorts of sordid things. I just had a friend admit to me that he saw the Little River Band in concert. Everybody loves the Little River Band but no one will ever admit to it. Ironically, I happen to have an almost sentimental attachment to their song “Reminiscing.” There, now I’m on record as an LRB fan…more confessions. The Rock Chick admitted to me this morning, for the first time in our marriage, that she saw Molly Hatchet in concert but doesn’t remember much of it… We’ve all been there (The 10 Concerts I Should Have Skipped). I’m still trying to wrap my head around her being at a Molly Hatchet concert but that’s my issue to contend with.

We’ve all made those musical mistakes. You’re standing in the record store and you have Pat Benetar’s Precious Time in your left hand and Beggars Banquet in your right hand and you end up leaving the store with the Benetar “saving” the Stones’ classic for another day. That is sadly based on a true story. Sigh. Not that there’s anything wrong with Pat Benetar but I didn’t buy Beggars Banquet until I was in college, years later (and I’m the Stones freak?).  We all have albums that we’re perhaps embarrassed about now. Maybe the album is “of its time” so to speak. I actually had a Bryan Adams record (Reckless) for a long time that I bought in the 80s. Or perhaps a relationship or friendship led you to a bad choice. I had a TLC’s CrazySexyCool for a while based on the recommendation of an adamant squeeze I had back in the day. Not every woman I dated had the Rock Chick’s impeccable taste in music.

For the most part, as a “serious” collector I’ve culled through my collection and weeded out the outliers. I try to keep everything, vinyl or CD, that I’ve ever owned but being married has forced me to thin the herd. Every time we move I find myself selling at the Used Record store vs buying… although I’m usually a sucker for that “store credit” gambit. I sell off a certain number of albums and come home with a few new ones… it’s just the circle of life. Being cooped up at home these last few nights has sent me looking through my vinyl collection yet again. I discovered a few albums that, I must confess, I just love but have less than stellar reputations. Either the critics were “meh,” or fans didn’t buy the albums but I did. Since I only write about stuff I like – God knows there’s enough negative bullshit in the world – I am often accused of being a tad “over positive” about certain artists and albums. I have to tell you, I’ve really enjoyed listening to these albums over the last few nights. These just might be albums that need a reappraisal. I asked the Rock Chick if she had any albums she loved and no one else did and she said, “I love Oasis and let’s face it nobody but me and (her friend) Rich likes them.” Rich is the one who always asks me at parties I throw to “put on some Oasis.” Although oddly, on those occasions I’ve been at his house, he never seems to play Oasis.

While only one of these albums is truly embarrassing, the rest are solid if not spectacular as some of the entries in the respective artists’ catalogs. Not every album can be Every Picture Tells A Story or Who’s Next. If you’re a career type of artist – one worthy of following an entire catalog – there will be ebbs and flows, peaks and valleys. Since nobody is really going anywhere for a while, put one of these on and dig a little deeper into the catalogs of these great artists. We all have guilty pleasures… these are mine.

  1. The Who, Face Dances -I will always be fond of this, my first Who album. “You Better You Bet” was huge on radio and I bought this record on the spot. With Kenny Jones (formerly of the Faces) on drums and Townsend’s guitar seemingly missing this doesn’t really sound like anything that came before it but I still love this album. “Another Tricky Day” is the perfect antidote for today. “Daily Records” is the nicest statement of purpose in all of rock and roll. “How Can You Do It Alone” about masturbating is funny. The Entwistle songs, “You” and “The Quiet One” both rock with that Who grit. There’s a lot to like here.
  2. Fleetwood Mac, Mirage – Sure, this was a pretty good seller, but after the epic success of Rumours and wild experimentation of Tusk this album seems like a retreat. I am drawn to the melodies and harmonies on this record. Stevie Nicks’ tracks are the gold, from the hit “Gypsy” to the country-rock of “That’s Alright” to the shimmery, sexy track “Straight Back” she could do no wrong. While none of the Buckingham tracks were “hits” I really like a lot of what he’s doing here on tracks like “Empire State,” and “Oh, Diane.” It’s a quiet little pleasure.
  3. The Rolling Stones, Black And Blue – This is basically a recording of the auditions being held for Mick Taylor’s replacement. While many guitarists tried out for the Stones – Peter Frampton, Jeff Beck amongst others – they finally settled on Ronnie Wood. This album is criticized for being a bunch of jams and reggae stuff but that’s what I like about it. The two ballads, the only tracks that required them to actually write a song, are two of my favorite Stones’ deep tracks – “Fool To Cry” and especially “Memory Motel.” In college a friend asked me if this album was any good and I said, no. I would amend that answer to yes, if your expectations for another Exile On Main Street are properly leveled. This is a fun record and “Hand of Fate” is an awesome rock song I’d love to hear live.
  4. Rush, Caress of Steel – I don’t know why this album doesn’t get more love. It’s really the precursor of 2112. All of side 2 is one track, “The Fountain of Lamneth.” It’s a fabulous epic. My all time favorite Rush deep track ends side one, “The Necromancer.” I can’t tell you how many times I’ve quoted that song…”weakening the body and saddening the mind.” The playing is impeccable. “Bastille Day” became a mainstay of their live act. This is a great Rush album that the critics savaged.
  5. Led Zeppelin, In Through The Out Door – It had been almost three years since Zeppelin had put out Presence and in that time my rock and roll awakening had occurred. I already owned Led Zeppelin II and IV (or Runes) and was eager to hear new, contemporary Zeppelin. The record industry was pinning its hopes on this album and Tusk to bolster lackluster sales. I think a lot of people were disappointed in this record but I wasn’t. Presence was such a heavy album – really shepherded by Bonham and Page – but both of those guys were in the serious throes of addiction by the time they recorded In Through the Out Door that Plant and Jones took over. The result was a mellower, more synth/keyboard oriented album. “In The Evening” is one of my all time Zep favorites. “Fool In The Rain” showcases Bonham’s still formidable drumming. I love the bluesy last track, “I’m Gonna Crawl.” God knows where they could have gone from this… alas.
  6. Rod Stewart, Blondes Have More Fun – Ok, I’m embarrassed I still like this album. I actually sold the vinyl, thus was my shame. But then I bought it again on CD. It’s a truly guilty, guilty pleasure. It’s Rod’s disco album, the record that burned the bridges with his old fanbase. I didn’t buy it for the disco camp of “Da Ya Think I’m Sexy.” I liked “Ain’t Love a Bitch,” I was always a sucker for ballads. “Dirty Weekend” and the title track are Chuck Berry/Rolling Stone riff rockers. I dig Rod. This is my big confession today.
  7. Jackson Browne, Lives In The Balance – After the failure of Lawyers In Love, Browne decided to get deadly serious about politics. Set that aside, these are great songs. “For America” remains a favorite of mine. The title track, “Soldiers of Plenty,” and “Lawless Avenues” all sound like dispatches from the nightly news set to guitar. The one intimate love song, “In The Shape of a Heart” is one of Browne’s most endearing songs. This isn’t for everyone, it kind of depends on your political feelings…
  8. Eric Clapton, Behind The Sun – People will shudder when I say Phil Collins produced this album. Well, he did the initial sessions but the record company rejected it. They brought in some songwriters and Ted Templeman to shore it up. That troubled history sounds like a disaster, but I dug this record. “Forever Man” remains a huge favorite. “Tangled In Love” is a great rock tune. “Same Old Blues” is an epic at over 8 minutes long. I even like the cover of “Knock On Wood.” Blasphemy? Perhaps.
  9. Neil Young & The Bluenotes, This Note’s For You – The 80s were terrible for Neil Young. He first showed signs of creative life on 1987’s Life with Crazy Horse. Then he did a 180 and put out a horn driven blues album. The blues has always been a great showcase for guitar and I love Neil’s playing on this album. I even bought the live album of this tour, put out 30 year later (Review: Neil Young, “Bluenote Cafe” (Live)). “One Thing” is the ultimate breakup song. “Married Man” is a funny upbeat track. Whether he’s playing a mellow, sad blues or a horn-drive rave up, this is a fun record. The blues will always win out for me.
  10. Roger Waters, Radio K.A.O.S. – My college roommate Drew and I may be the only two people in the world who bought this album. I really dug the title track. Clapton plays guitar on this album and joined the tour as well. If you ignore the bizarre narrative, you can really get into songs like, my favorite, “Who Needs Information,” or “Home.”
  11. Queen, A Kind Of Magic – My college roomies and I were big fans of the Sci-Fi thriller, ‘Highlander.’ This is basically the soundtrack to that film with the addition of “One Vision” which I think was from anther movie. Queen was on the downturn in America, but this is a bunch of great music. “Who Wants to Live Forever” is a great ballad. The production is very much “of its time” but this was the first sign Queen would come back from Hot Space. 
  12. CSNY, American Dream – Neil Young committed to CSN that he’d record another album with them, the first since the live album Four Way Street, if Crosby could get clean. After the much publicized police chase and incarceration, Crosby emerged clean. The bill came due for Neil. People’s expectations were for Deja Vu 2.0 and yes, this album disappoints from that perspective. I loved the title track and bought the album. Crosby’s “Compass” is a wonderful, confessional track. I love Stills and Young working together and have since the Buffalo Springfield. They spark up a little guitar battle in “Drivin’ Thunder.” Stills shines for me on “Glad That You Got It Made.” Graham Nash’s “Never Say Goodbye” is a tune that used to make me mist up. It’s gorgeous.

I get that many of these might not be your cup of tea. You never know… you might discover something you like in this pile of records. If there are “guilty pleasure” albums for you out there, let me know what they are in the comments as I may want to check those out. I’m open to anything during this time of social distancing!

Stay safe and healthy out there! And remember, as the Who sang, “this (really) is no social crisis…this is you having fun” listening to music.

 

Analysis: Clapton’s Late Career – Is He Making Amends?

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I’ve almost always liked Eric Clapton. And, like his recently titled album suggests, “I still do.” However, I won’t be reviewing his new album for BourbonAndVinyl. For me, “I Still Do” is just another mellow strummer along the lines of “Back Home,” “Old Sock,” or “Clapton.” Sure, “I Still Do” has better production than most of his LPs, but I still have no interest. I have to admit to a bit of frustration with Eric Clapton. Here’s a guy who made his reputation on fiery guitar solo’s in the 60s with such history-making acts as John Mayall’s Bluesbreakers and Cream. His playing earned him the graffiti tag: “Clapton Is God.” Now it appears he’s turned his back on that sort of guitar virtuosity in favor of a very mellow and often over-slick, produced sound. It’s just not interesting to me at all. At this point I’d even settle for a little of the blues fire he showed on “Slowhand,” my first Clapton album purchased with my own money. I also purchased “Just One Night” his live album from that era and I think it’s the best live album he’s ever done. Do yourself a favor and check that one out.

I heard Keith Richards say of Clapton in an interview years ago, “Eric is ok, but he’s just so afraid.” I chocked it up to Keith being stoned and rambling, but I’m beginning to think he may be right. Clapton seems downright afraid of letting loose with his guitar. Similar to Robert Plant, it seems Clapton wants no part in living up to his past. I don’t necessarily disagree with that, but I’d like to think he wouldn’t so actively flee from it. I saw Clapton in Dallas about 10 years ago or so, and he ended the rather weak show with “Somewhere Over the Rainbow.” I’m still pissed. I mean, really? He’s always had an affinity for the “Great American Songbook,” but come on, man.

I was thinking about Clapton’s work in this millennium the other day, really everything since “From the Cradle,” trying to make sense of it. It suddenly occurred to me, Clapton is also rather famous for being a recovered addict. He managed to somehow kick heroin in the 70’s. I’m not sure when he finally won the battle against alcohol but he’s been sober quite a while now. I typically don’t trust someone who doesn’t drink, but I always respect the recovered alcoholic, so good for Eric. We all make that choice every day. Clapton famously founded the Crossroads Rehab center and does (I believe) an annual concert in Chicago with all the guitar firepower in the world performing. I’d actually like to attend that festival but the Rock Chick doesn’t share my affinity for 70’s guitar-blues-rock (maybe she’d go for the shopping?). When thinking about Clapton’s late career it suddenly occurred to me, maybe he’s making amends. Perhaps he associates the blistering guitar solos of his youth with his drug and liquor addictions hence he’s turned his back on that part of his skill set.

According to what I’ve read, “Making Amends” is defined by the 12-Step Program as the attempt to “make direct amends to such people (I’m assuming that you’ve harmed), wherever possible, except when to do so would injure them or others.” I believe this is Step 9 and it led me to this theory of Clapton’s late career. To understand my theory you really have to look at his collaborations. Clapton’s late career is chock full of collaborations. Could it be that he’s making amends with these people? I read his autobiography a few years ago and I have to admit, I’ve never read someone’s autobiography and come out liking the person less afterward. It seems he was a colossal asshole when he was on the sauce.

  1. George Harrison – as early as 1992 Clapton went on tour in Japan with Harrison. He attended/helped organize the Harrison Tribute concert. Let’s face it, he stole George’s wife… so there was a lot to be sorry for there.
  2. B.B. King – “Riding With the King,” his collaboration with B.B. is one of the better collaborations he’s done. Not sure why he’d need to make amends with B.B. Everybody loved and respected B.B. King. Maybe he felt bad about exploiting and/or stealing from the old blues masters. You’re really looking for something to feel bad about if that’s your motivation.
  3. Cream – the 2005 Reunion Concerts/Live LP – Clapton’s stormy relationship with Jack Bruce (bass), and Ginger Baker (drums) are the thing of legend. In the end they’d just go on stage and jam while ignoring each other. From the smiling faces and mellow performances one could suggest Clapton succeeded in “getting the healing done.”
  4. Steve Winwood – 2009 Madison Square Garden Concerts/LP – From everything I read, Winwood was hoping for a lot more collaboration and leadership from Clapton when they were in Blind Faith. Unfortunately Clapton quietly faded into the woodwork. Maybe this joint concert was an attempt to show us what might have been. I love this live album. Winwood appears to be one of the few people who can coax a little fire out of Clapton’s guitar. Clapton provides a solo on Winwood’s fabulous tune “Dirty City” that makes you think, “where the fuck has this sound been?” “Dirty City” is a must-buy.
  5. Glyn Johns – “I Still Do” – Clapton read Johns’ autobiography and in it Glyn describes his initial collaborations with Clapton which were not positive. Johns was brought in to work on “The Rainbow Concerts” album and Clapton wouldn’t show up for “touch-up” recording sessions for that live album. Johns went on to work with Clapton later and it went a lot better, maybe Eric was sober finally, and he wondered in his book if they were still friends. Suddenly, Clapton is bringing Glyn to produce “I Still Do.” That smacks of “amends” in my book.
  6. J.J. Cale – “The Road to Escondido” – Clapton has recorded more J.J. Cale songs than just about anybody. He recorded this collaborative album in 2006 and did a tribute album when Cale sadly passed in 2014. Heaven knows what Clapton has to make up for here.
  7. Wynton Marsalis – “Live From Jazz at Lincoln Center” – again, no idea what amends would be made here but this is a critically acclaimed live album.

It may be a stretch to say that Clapton has mellowed out and stop playing fierce guitar as a reaction to his sobriety. However, if you look at his collaborations, you could make the case that he’s out there making amends. It’s produced better music than his solo albums, so I’m not complaining here. He did cover Dylan’s “I Dreamed I Saw St Augustine” a tune which has an air of remorse and confession about it. Of course the Wynton Marsalis, J.J. Cale, and B.B. King collaborations seem to be more of a joyful thing, so I could be wrong. I often am. But I felt this was good food for thought.

I would still advise checking out some of these collaborations. I believe you’ll find them more satisfying than “I Still Do.” And yes, I still do like Eric Clapton, blazing solo’s or not.

Cheers!