*Image of Mick Jagger (L) and Peter Tosh (R) taken from the internet, likely copyrighted.
When I was growing up, despite being a lost-cause miscreant, my parents dutifully woke me up every Sunday morning to go to church. It wasn’t until I was 17 and driving that I convinced my parents to let me drive to church by myself on Saturday nights instead of with the family Sunday morning. Naturally I drove to the church, picked up a program and promptly went to McDonald’s and ate some fries, killed an hour and then went home. French fries and eternal damnation sounded better than killing an hour listening to a Priest drone on. Blasphemy? I’m not sure. It all just seemed like whistling past the graveyard to me. Don’t get me wrong, I think religion is like sex: practice whatever brings you joy, just keep it to yourself. Don’t try and convert me. Only my Sainted Grandmother could get me back inside a church and sadly, she passed 20 years ago.
But prior to my taking the “Highway to Hell,” before I could drive, my parents, my brother and I would load up in my father’s Oldsmobile ’88 and drive slowly and quietly to Mass. My father is a drivers-ed text book in motion…hands at 10 and 2, people. I doubt he’s ever hit a pothole. Well, not when I was younger. As he’s gotten older he’s become more menacing behind the wheel but haven’t we all? My parents realized early on I was a hellion. To their credit, they never held me down and shaved my head to search for the three 6’s. I wouldn’t have blamed them if they had. Instead, on those unpleasant Sunday mornings (made unpleasant by my bitching about going to church), they attempted to placate me by turning the radio to the FM side of the dial and putting on Casey Kasem’s American Top-40 Countdown radio show. It would delight my brother and at least divert my attention.
I know what you’re thinking, Faithful B&V Readers – wait a minute, you’re a rock and roll guy, what were you doing listening to the Top 40 Countdown? I know, I know, it sounds bad. But beggars can’t be choosers and I was a captive in the backseat of an Oldsmobile. “Keep your feet on the ground but keep reaching for the stars,” my ass. You have to understand, music was better than the talk radio my father was so found of. In later years upon discovering girls, the back seat of that Oldsmobile became a den of inequity, but I’m getting off topic. You have to remember this was the late 70s and while there was a lot of disco and schmaltz, there were still rock and roll artists on the Top 40. You could hear Paul McCartney or Rod Stewart on the countdown. I would just have to hope the three or four songs I got to hear on the quiet ride to church would be good ones and not say, Donna Summer. Because whatever I was going to hear on the way to church was going to be the song or songs that stuck in my head for the next hour. It was going to be bad enough without “Saturday Night Fever” bouncing off my cranium for an hour.
It was on one of those dreaded Sunday morning rides that I first heard the Steely Dan song, “FM.” It was from a movie soundtrack of the same name. I was in my early stages of digging Steely Dan, but at that point in the game, we were all afraid of declaring that we liked something that wasn’t rock and roll… the fear of being uncool was intense and they are kind of “jazzy.” Anyway, I hear this Steely Dan song, and they sing the line, “Give her some funked up music, she treats you nice.” Well that caught my attention. Besides rock and roll, as an early teenager, my other obsession was these strange, foreign, indecipherable creatures named “girls.” What did they want? What did they like? These seemed important questions. And the word “funked” sounded like “fucked up music,” and I was always drawn to subversive vulgarity. Anyway, they go on to sing the next line: “Feed her some hungry reggae, she’ll love you twice.”
Now, I grew up in the American midwest, as I’m fond of flogging. We didn’t go on exotic vacations to the Caribbean. If we were going to go on vacation we went to southern Missouri to Silver Dollar City. I was more liable to hear “Dueling Banjos” down there than Bob Marley. I had NO idea what reggae was. I thought it was a booze or a drug, like say, this rumored Spanish Fly. According to Steely Dan, this “reggae” had an almost aphrodisiacal effect on women… “she’ll love you twice?” I couldn’t get anybody to even kiss me… let alone love me, well, once. Things got more complicated when I heard Stevie Wonder sing “Boogie On Reggae Woman.” What? “I like to reggae, but you dance too fast for me, I’d like to make love to you so you can make me scream…” Wait a minute? What is this mysterious reggae? How do I get some? Er, reggae that is, how do I get some reggae.
Thankfully, somehow I got myself straightened out that reggae was a music style from Jamaica. Eric Clapton’s “I Shot The Sheriff,” a cover of a Bob Marley tune did a lot to help educate me on what it was. And let’s face it the Stones helped a lot as they have with so much for me. I saw the Stones with the Rock Chick in Chicago once and the Pretenders were the opening act. I remember Chrissie Hynde saying, “the Stones have brought us so much music, but they should be applauded for bring the world reggae music.” She’s right. Even before Clapton brought reggae to the mainstream the Stones were playing it.
People tend to forget how big reggae got in the 70s. Bob Marley and the Wailers blew up, especially in Britain back then. People don’t realize today what a huge influence that reggae was on the punk movement later in mid/late 70s. Bob Marley and the Wailers were singing about actual revolution and rebellion, guns in the street kind of fighting. Punks were rebelling against the established order, piercing things and shaving Mohawks into their hair, but the Wailers were involved in actual gun play. Reggae’s popularity has shrank and you’re likely to only hear it on vacations and cruises in the Caribbean. As Keith Richards said in an interview I saw, “Bob Marley was so big, when he died reggae kind of went with him.”
I think everybody has some reggae in their collection. Likely if you look, you’ll find Marley’s Legend greatest hits package on everybody’s CD shelf (Humor: Bob Marley’s “Legend” and the Confessions of the Evil Stepdad). I went to a New Year’s Eve party once and the host had all of his studio albums from Catch A Fire to Uprising. Not to be outdone, immediately I started amassing Marley’s catalog and it’s pretty fucking amazing. When Peter Tosh, guitarist and vocalist of the Wailers quit, the Stones eventually signed them to their label and Mick famously duetted with him on Saturday Night Live… it was like being hit with lightning when I watched live as Tosh sang and suddenly Jagger was standing next to him. Totally surprised me. But I dug the song,”(You’ve Got To Walk And) Don’t Look Back” an old Temptations song, redone. I was starting to get into the mysterious reggae.
While people sit listening to Legend, many don’t realize that they own more reggae than they realize. There have been a ton of rock and roll acts who have done a reggae song. Well, either a reggae song – be it a cover of a Marley song – or a heavily reggae-influenced track. I realized I really liked a lot of those songs… who doesn’t like “hungry reggae?” So, as usual, I put together a list of my favorites. Some of these are on the list only because they’re actual Marley covers. Some are faintly, slightly reggae-tinged. There is something about each song on this list that make me think, reggae. It’s more of a vibe thing. As always you can find this on Spotify under the title “BourbonAndVinyl.net Playlist Rockers Doing Reggae: It’s Not Just For Vacation Anymore.” The list slightly varies from what you’ll see below because as usual I couldn’t find everything. I think this, musically, holds together better than most my playlists and is perfect for a summer afternoon… or a cold winter afternoon when you’re dreaming of summer… As always, if you have additions, please mention them in the Comments section and I’ll add them to the Spotify list.
And yes, there’s a lot of Stones here. This thing could have been all Stones, the Clash (who have a ton of reggae songs), and the Police…
- Joe Strummer, “Get Down Moses” – I failed to mention strongly enough above how huge the Clash were in terms of playing reggae and bringing it to the world…Naturally Strummer carried that into his solo work.
- Little Steven, “I Am A Patriot” – My favorite political track… captures the rebellious spirit of reggae.
- Eddie Money, “Running Back” – I’m so bummed we lost the Money-man this year.
- Sublime, “Pawn Shop” – 90s rockers and one of the Rock Chick’s favs!
- John Lennon, “Borrowed Time” – This is one of those reggae-influenced type tracks. I don’t know if its reggae, but it feels like it to me.
- Johnny Cash, Joe Strummer, “Redemption Song” – The Man In Black and Joe Strummer singing a Bob Marley song… you don’t get more righteous. Rick Rubin asked Cash if he wanted to change the lyrics as they’re very Jamaican… Cash said, “you don’t mess with the words of a Prophet like Bob Marley.” Well said, Johnny, well said.
- Robert Plant, “Lively Up Yourself (Live)” – The fact that Plant was covering Marley in concert in the 80s makes me love Plant that much more.
- Blondie, “The Tide Is High” – Again, not sure it’s actual reggae, but it gets me in that vibe.
- April Wine, “Say Hello” – Great track by an almost forgotten Canadian band.
- The Police, “One World (Not Three)” – Great, political reggae from Sting and the gang…”regatta de blanc” indeed.
- The Rolling Stones, “Hey Negrita” – From the Stones’ Black And Blue.
- Mick Jagger with Peter Tosh, “(You’ve Got To Walk And) Don’t Look Back” – Mick, “I’m walkin’ barefoot…”
- Robert Palmer, “I’ll Be Your Baby Tonight” – Palmer reinventing a Dylan track as reggae. Brilliant. The guy doesn’t get enough credit.
- Keith Richards, “Love Overdue” – From his great, last solo record.
- Eric Clapton, “Revolution” – Great reggae tune from one of Clapton’s endless string of bad albums from the new millennium.
- Keith Richards, “The Harder They Fall” – A great Jimmy Cliff cover.
- No Doubt, “Underneath It All” – While I despise Gwen Stefani’s solo work, I love No Doubt. They’re more Ska than reggae, but they nail it on this ballad.
- Bob Dylan, “Jokerman” – From the great and mildly overlooked, Infidels.
- The Rolling Stones, “Cherry, Oh Cherry, Baby” – Again from Black And Blue, there’s gonna be a lot of Stones here, I can’t help myself.
- The Rolling Stones, “Hot Stuff” – See #19…
- Sting, “All Four Season” – A rare Sting track on B&V… and the perfect song to describe the Rock Chick’s many moods.
- Dirty Heads, “Love Letters” – I could have put most of Cabin By The Sea on here.
- 311, “Who’s Got The Herb” – Also found on the 420 playlist, B&V Playlist: Happy 4:20 To All!.
- Black Crowes, “Time Will Tell” – Great Bob Marley cover.
- Eric Clapton, “I Shot The Sheriff” – This might be the biggest rock crossover reggae hit ever?
- The Rolling Stones, “Send It To Me” – The Stones never stopped playing reggae. “Start Me Up” started as a reggae song.
- The Police, “Shadows In the Rain” – I actually also like Sting’s solo version of this song, but that’s rock. This is reggae.
- Rod Stewart, “Love And Be Loved” – Rod on a lovely track from his recent Another Country.
- Paul McCartney, “C Moon” – Reggae-ish?
- No Doubt, “Start The Fire” – Gwen, come back to No Doubt… all is forgiven.
- The Rolling Stones, “Luxury” – Another great reggae song from these guys.
- David Bowie, “Tonight” – A reimagined track he wrote with Iggy Pop whose version is much, much different. Tina Turner can be heard duetting on this track.
- Elton John, “Jamaican Jerk-off” – This sounds like it was recorded on a Casio… but it has its charms.
- Ronnie Wood, “I Can Feel the Fire” – It’s amazing how many solo Stones tracks are also on here, birds of a feather… you can hear Mick on the harmony vocal.
- Keith Richards, “Wicked As It Seems” – Speaking of solo Stones’ tracks…
- The Clash, “Police & Thieves” – My favorite of their many, many reggae tracks.
- Bob Dylan, “License To Kill” – Again from Infidels.
- Lenny Kravitz, “Eleutheria” – A song about an island, not a girl. Great Kravitz track.
- The Clash, “Rudie Can’t Fail” – An ode to Rude Boys?
- Little Steven, “Solidarity” – Little Steven doing a Jamaican style reggae tune about a Polish Labor Union.
- The Rolling Stones, “Too Rude” – A Stones cover with Keith on lead vocals… I couldn’t resist.
- 311, “Amber” – The Rock Chick said, summarily, “That’s not reggae.” I like it too much not to include it. Its like reggae… and “amber is the color of your energy.”
Enjoy this one folks and stay warm out there! Cheers!
12 thoughts on “B&V Playlist: Rockers Playing Reggae: It’s Not Just For Vacation Any More”
Excellent read, as always. Piping up for psychedelia as I always do 1) Fire on the Mountain (especially any versions from 1977-78 are insane) 2) Phish has long covered Boogie On Reggae Woman and is a completely fun listen if you’ve never heard their take. Thanks for all the musings!
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FOTM by the Grateful Dead
Thank you!! I will definitely check these out… I’m starting to really get into the Dead!
…Robert Palmer, “I’ll Be Your Baby Tonight” – Palmer reinventing a Dylan track as reggae. Brilliant. The guy just doesn’t get enough credit..
..may I also suggest Pressure Drop, one of many tracks in a Reggae styleee across all of his albums. Originally recorded by Toots and the Maytal’s
I can’t over estimate the way Reggae and especially Bob Marley seeped into the British [youth] culture in the 60’s through to the 90’s. UB40, The band featured on “I’ll Be Your Baby Tonight” A gang of Irish / Jamaican Brummie’s. If you were in band in the Midlands in the 70’S you either played Rock or Reggae [or both if you count Zep’s D’yer ma’ker.]
Saw Robert Palmer play at the local Arena in the late 80’s when he was riding the crest of a wave with probably his three most commercial albums Rip Tide, Heavy Nova and Don’t Explain When he dragged UB40 out to play I’ll Be Your Baby Tonight much to the delight of the Brummie crowd. A great gig and much to my pleasant surprise a large proportion of the female audience decided to dress like the backing band in the Addicted to Love video. I thought that was just the Kiss Army…
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I love everything about this story! I saw Palmer on the ‘Rip Tide’ tour…sadly no one dressed like the video gals, but it was a great show. I don’t know why Palmer doesn’t get more credit… I need to post about him… I’ve heard his version of “Pressure Drop,” and may like it more than Toots’ original version (blasphemy?). I also loved his early stuff backed by Little Feat… From New Orleans to Jamaica by way of UB40, quite a career.
The guy just oozed pure class. He wasn’t prolific songwriter so he never seemed to be chasing or having to write his next big hit, he just sang songs by other artists he loved, which like you say ranged from big band Cole Porter to Motörhead’s eat the rich.
The amount of bands or artists I’ve “discovered” because Robert Palmer covered one of their songs you wouldn’t believe and more often than he made the song his own.
I think my favourite solo song has to be “can we still be friends”[Todd Rundgren] but he does do a mean Marvin Gaye.
There are some really nice stories about the him in Andy Taylor’s autobiography and get this not only did the guy have a killer voice, his work clothes we’re Armani Boss & Gucci and he was a massive single malt drinker…
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I loved his Marvin Gaye cover… He was a superb interpreter of other people’s songs. One of my favorite moments of his was in “Sneaking Sally Thru the Alley” when he rapidly sings the line, “trying all kinds of doubletalk, get myself in trouble talk.” His song “Johnny and Mary” will always stick with me!
Yeah that’s a great line…although if i ever meet anyone named Julia I doubt wether I would tell her she resembles a horn section as a compliment!
There’s also a cover of let’s get it on on the second Power Station album..
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